Museum Studies Commons^™

Editors' Notes: Critique Of The Canon And Pedagogy In Art History, Virginia Spivey, Renee Mcgarry

Art History Pedagogy & Practice

No abstract provided.

Friends Of Musselman Library Newsletter Fall 2019, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library News

• Cite and Bite Workshops
• Open Access Week (Janelle Wertzberger, Alecea Standlee, Hana Huskic)
• Notes at Noon
• Friends Sponsor Guild Participation (Mary Wootton)
• Stop the Bleed
• The Wall Must Go
• Story Time
• Table to Farm
• Pop-up Library
• Take the Reading Challenge
• 1,000,000
• Grant to Digitize Asian Art

Vietnam Oral Histories (Ron Bailey '67, Sue Hill '67, Michael Birkner, Devin McKinney)

Alexander von Humboldt's Secretary (William Bowman)

Focus on Philanthropy: Walter Miller Trust

A Gift in 3 Dimensions (Richard C. Ryder '70)

Remembering Richard Ryder '70 (Michael Birkner)

New Externship - Careers in Library and …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

Dissent And Disruption: How Artists Redefine Museum Spaces And Audience Engagement, Paige E. Sellars

MAD-RUSH Undergraduate Research Conference

This paper delves into the concept of artistic creation from engagement with museum collections and the intimate connection between museum curation the post-modern and contemporary artist. I discuss the work of Nedko Solakov at the Frans Hals Museum, Jenny Holzer and Donald Judd at the Museum of Applied Art in Vienna, and Fred Wilson at the Baltimore Historical Society. These artists intentionally reengaged with art and museum objects via deliberate installations and clever interventions to broaden the narrative and in some instances, contest the hierarchical dissemination of knowledge provided by the curator and the museum. Museums of the past espoused …

Book Review: Palaces For The People: How Social Infrastructure Can Help Fight Inequality, Polarization, And The Decline Of Civic Life, Eric Klinenberg, Georgia Westbrook

School of Information Student Research Journal

No abstract provided.

Léon-Jean-Joseph Dubois, Antiquarian, Anna E. Dow

LSU Master's Theses

This thesis examines the life of Léon-Jean-Joseph Dubois (1780-1846), a French engraver, antiquarian, conservator, and restorer of antiquities. Dubois lived in Paris during the late eighteenth and early nineteenth centuries, in an era when Ancient Egyptian art and history became very popular. His life was overshadowed by the career of his friend Jean-François Champollion, the “Father” of Egyptology, who laid the foundations for the deciphering of Egyptian hieroglyphics in 1822. This thesis is the first to study Dubois, and the focus of this study will be on his life, his publications, his art, his relationships with other antiquarians, his museum …

Steam Vs. Stem: A Study And Program Proposal For Monticello, Micaela Deogracias

Honors Projects

STEM (science, technology, engineering, and mathematics) and art programs have long been struggling for dominance in the education system. This fight overshadows the fact there are synergistic educative capabilities when these two schools of thought are combined, allowing scientific and artistic persons to work in tandem and be exposed to a wider variety of problem-solving options and opinions. This study aims to focus on museum education practices specifically and how implementing STEAM programs (science, technology, engineering, arts, and mathematics) versus STEM could raise the perceived value of arts in society, as well as create a more enriching educational experience by …

Staging A Modern Nation: The Art And Architecture Of The Peruvian Pavilion At The 1939/40 New York World’S Fair, Alida R. Jekabson

Theses and Dissertations

At the 1939/40 New York World’s Fair, the Peruvian government installed a multimedia display of objects and products in a foreign pavilion. An examination of the building and its contents provides a basis to understand how art and commerce work together to construct narratives of authenticity, nationalism and modernity.

Framing The City: Photography And The Construction Of São Paulo, 1930–1955, Danielle J. Stewart

Dissertations, Theses, and Capstone Projects

Between 1930 and 1955 São Paulo, Brazil experienced a period of accelerated growth as the population nearly quadrupled from 550,000 to two million. In response, the municipal government undertook an aggressive public works program and commercial building boomed. Photographic representations of the cityscape were essential in directing modern São Paulo’s physical evolution because they reflected both the real—a chaotically growing megacity—and the ideal—a literally new, modernized space. This dissertation centers on four case studies of artists practicing different photographic modalities in order to analyze the symbiotic relationship between São Paulo's urban development and its photographic representation.

Construction sites, scaffolding, and …

Dance Of Exile: The Sakharoffs’ Visual Performances In Montevideo (1935–1948), Pablo Munoz Ponzo

Dissertations, Theses, and Capstone Projects

This thesis explores the life-work chronology of the dancers and choreographers Clotilde von Derp (whose surname then was Sakharoff) and Alexander Sakharoff, who were exiled in Montevideo, Uruguay, and Buenos Aires, Argentina, between 1941 and 1948. During their stay in the Rio de la Plata region, the Sakharoffs stirred up the art scene by performing extremely detailed dances with great attention to costume design. This thesis begins with a review of the reception of the dancers’ performances by the artistic and cultural circles in Montevideo, arguing that the Sakharoffs’ “queer” trajectory resonated with the Uruguayan artistic community, influencing the creation …

Cultural Heritage Preservation In The Context Of Climate Change Adaptation Or Relocation: Barbuda As A Case Study, Martha B. Lerski

Dissertations, Theses, and Capstone Projects

This case study introduces an arts camp methodology of engaging communities in identifying their key cultural heritage features, thus serving as a meta study. It presents original research based on field studies on the climate-vulnerable Caribbean island of Barbuda during 2017 and 2018. Its Valued Cultural Elements survey, enabling precise identification of key tangible and intangible art forms and biocultural practices, may serve as a basis for further studies. Such approaches may facilitate future research or planning as climate-vulnerable communities harness Local or Indigenous Knowledge for purposes of biocultural heritage preservation, or towards adaptation or relocation. I report on findings …

The Rockbridge Group: Masters Along The Maury, Teresa Gunter, Whitney M. Grim, Emma E. Noe, Grace Ragansky, William R. Tharp, Christine L. Moore

Student Scholar Showcase

For the last eight decades Rockbridge County, Virginia has served as an influential center for modern art. Neighbored by the capricious Maury River and nestled against the backdrop of the Blue Ridge Mountains, Rockbridge Baths significantly impacted the lives of four distinguished modern artists. Connected by ties of friendship or kin, the Rockbridge Group—Pierre Daura, Jean Hélion, Cy Twombly, and Sally Mann—drew inspiration and support from each other and from the people and places of the Rockbridge area.

In 1928, Catalan modernist Pierre Daura (1896-1976) married Louise Blair, a Virginian studying in Paris. His friend, the French painter Jean Hélion …

Mapping The Presence Of Latin American Art In Canadian Museums And Universities, Alena Robin

Hispanic Studies Publications

This essay overviews how Canadian museums and universities have historically accessioned Latin American visual culture and identifies potential ways of sustaining interest, streamlining initiatives, and promoting access. The larger project aims at contributing to a hemispheric and transnational understanding of the history and growth in Canada of the field of Latin American art and its subfields of Pre-Columbian, colonial, modern, and contemporary art. While the study of art history among Canadian museums and universities has kept up with the decades-long interest in Latin American art and visual culture, there remain considerable challenges in bringing Latin American art to the forefront …

Couvrant Les Yeux, Les Oreilles Et La Bouche: How The Musée Royale De Batoufam Preserves Tradition And Culture For Multiple Audiences And Perspectives, Julia Hirsch

Independent Study Project (ISP) Collection

Museums are important to study as a way of representing, preserving, and teaching culture. In this study, I wanted to explore how James Clifford’s exhibitionary complex, about the interactions of the viewer, the museum, and the represented culture, applies in the unique case of Musée Royale de Batoufam, a living site museum full of art and rich with tradition. In studying this, I examined the way different audiences use the museum and how the museum can preserve the idea of the coexistence of modernity and tradition, which is integral to Batoufam life, for all audiences. In conducting 20 interviews with …

Expanding Experimentalism: Art And Popular Music At The Kitchen In New York City, 1971-1985, Sarah A. Cooper

Theses and Dissertations

This paper explores artists' engagement with popular music at the interdisciplinary alternative space, the Kitchen, from 1971 to 1985. It seeks a critical language to challenge institutional frameworks to account for the creative output of artists' bands and the relationship between parallel and hybrid popular music and avant-garde performance practices.

The "I" Of The Artist-Curator, Natalie Musteata

Dissertations, Theses, and Capstone Projects

This dissertation charts the proliferation of artist-curated exhibitions in museums and institutions of art from 1969 to the early 2010s. It is my contention that the artist-curated exhibitions of these four decades can be divided chronologically into several types: in the 1970s and ’80s, they disrupted museological conventions and helped contemporize the (perceived) aging collections of historical institutions; in the late 1980s and ’90s, they tackled pressing social and political issues, reimagining the practice of “institutional critique”; in the late 1990s and 2000s, they indulged in solipsistic investigations of the artist’s psyche, reinforcing the traditional, romantic conception of the artist …

Museum Websites And Restitution: Rediscovering Holocaust-Era Objects In The Digital Age, Gabriella Bloom

MA Theses

Under the Third Reich, Europe experienced one of the most far-reaching examples of plunder of cultural property in modern history. While the Allies succeeded in returning many objects and artworks towards the end of the war and initially following it, many objects remained missing and hidden. The late 1990s led to a resurgence of interest in Holocaust-Era looting, resulting in a rise of cases and litigation over previously plundered objects. As many looted artworks materialized in United States museums, museums began further researching their collections’ provenance and inputting this information online. Today, most major museums have a section of their …

Contemporary Methods Of Preserving Land Art: A Case Study Of Robert Smithson's Spiral Jetty, Samara Johnson

MA Theses

The preservation and conservation of Land art has become an increasingly complex and urgent issue as important Earthworks created in the late 1960s and early 1970s continue to age. They present a variety of challenges—both physical and philosophical—to those tasked with maintaining them. Using Robert Smithson’s Spiral Jetty (1970) as a case study, I have outlined four key guidelines for maintaining and preserving works of Land art. In order to survive, the artist’s intention intact, these works require collective stewardship, an interdisciplinary approach, the promotion of responsible visitorship, and an extension of the museum model. Today, social media has presented …

What Are The Challenges Of Establishing The Fair Market Value (Fmv) Of Guggenheim Founding Collection? If The Transparency Of An Asset Value Is Possible On Non-Profit Financial Year Report, How Can The Fmv Preserve The Continuity Of Public Art Patronage, In Spite Of, Deaccession Artwork From The Guggenheim’S Collection Being Sold On The Auction Market?, Leng Ho

MA Theses

A collector’s financial interest in purchasing works of art is often motivated by potential return on investment. These collectors have heard countless stories of others gaining huge financial returns after consigning rare works of art from a museum collection. In recent decades, rising debates on the capitalizing of museum collections to gain financial assets allude to long-term negative repercussions. Those opposed postulate that art patron will lose trust in a museum’s ability to care for its publicly-owned collections. Deaccession is a difficult research topic, attempts to resolve any conflicts of interest in the matter of selling cultural work of art …

Double-Edged Experiences And Their Impact On The Twenty-First-Century Audience: The Ever-Evolving Museum, Ana Sanz Menchero

MA Theses

The twenty-first-century museum is an ever-changing art institution adapting itself to engage a broader audience. The democratization of the museum becomes the priority to make art accessible to everyone. In the quest to find the perfect strategy, museums commit themselves to a constant transformation that seeks to create a unique “business model.” Along this process, institutions provide two-folded experiences to the public; first, the exhibition of art as a spectacular experience, and second, the staging of the museum as an entertaining entity. Today, museum attendance is not necessarily related to the quality of the show anymore. Welcome to the era …

Private Art Museum Backed By Hong Kong Invetment - Wan Fung Art Musem As An Example, Yiye Chen

MA Theses

The rapid development of private art museums in the world can be regarded as the epitome of global economic development. The Chinese government has given unprecedented support to the development of culture and art. As the world's second largest economy, China's middle class has been increasing year by year. The hot art market has attracted European and American auction giants, and famous galleries have entered the Chinese market. Since the birth of the first private art museum in China at the end of the 20th century, Chinese scholars have been constantly exploring the direction of development. From copying the European …

Berthe Morisot: Woman Impressionist, Kathryn Mcfadden

Art Inquiries

No abstract provided.

Delacroix, Joyce Carol Polistena

Art Inquiries

No abstract provided.

Second Sight: Women Artists Of The South, Melissa Yes

Art Inquiries

No abstract provided.

Action Forms: Retrospective: Exhibition Of Ilija Šoškić, Rachel Klipa

Art Inquiries

No abstract provided.

Going (Neo-) Dutch: Establishing Marguerite Gérard’S Artistic Agency, Amanda Strasik

Art Inquiries

No abstract provided.

Front Matter

Art Inquiries

No abstract provided.

In Memoriam

Art Inquiries

In Memoriam: Charles (Randy) Mack, long-time SECAC member and past president of the organization, died in Columbia, SC on October 31, 2018. He was 78. Here, four SECAC members offer memories of Randy, to whom this issue of Art Inquiries is fondly dedicated.

Word Embodied: The Jeweled Pagoda Mandalas In Japanese Buddhist Art, Kerry Lucinda Brown

Art Inquiries

Book review of Word Embodied: The Jeweled Pagoda Mandalas in Japanese Buddhist Art, by Halle O’Neal.

David Wojnarowicz: History Keeps Me Awake At Night, Mysoon Rizk

Art Inquiries

No abstract provided.