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Articles 31 - 60 of 152
Full-Text Articles in Museum Studies
Jamie Robertson: Make For Higher Ground, Elizabeth S. Hawley
Jamie Robertson: Make For Higher Ground, Elizabeth S. Hawley
Art Inquiries
No abstract provided.
Troy Thomas, Poussin’S Women: Sex And Gender In The Artist’S Works, James R. Jewitt
Troy Thomas, Poussin’S Women: Sex And Gender In The Artist’S Works, James R. Jewitt
Art Inquiries
No abstract provided.
Art Inquries Vol Xviii No 4 2023 Front Matter, Mysoon Rizk
Art Inquries Vol Xviii No 4 2023 Front Matter, Mysoon Rizk
Art Inquiries
No abstract provided.
The Date Of The Allegory Of Mercy At The Misericordia In Florence...Again: Some Clarifications Regarding The Historical Setting, William R. Levin
The Date Of The Allegory Of Mercy At The Misericordia In Florence...Again: Some Clarifications Regarding The Historical Setting, William R. Levin
Art Inquiries
No abstract provided.
Suzanne Valadon: Model, Painter, Rebel; And Modigliani Up Close, K. A. Mcfadden
Suzanne Valadon: Model, Painter, Rebel; And Modigliani Up Close, K. A. Mcfadden
Art Inquiries
No abstract provided.
Art Inquiries Vol Xviii No 4 2023 Full Issue, Mysoon Rizk
Art Inquiries Vol Xviii No 4 2023 Full Issue, Mysoon Rizk
Art Inquiries
No abstract provided.
Jacqueline Jung, Eloquent Bodies: Movement, Expression, And The Human Figure In Gothic Sculpture, Kerr Houston
Jacqueline Jung, Eloquent Bodies: Movement, Expression, And The Human Figure In Gothic Sculpture, Kerr Houston
Art Inquiries
No abstract provided.
Diana S. Greenwald, Painting By Numbers: Data-Driven Histories Of Nineteenth-Century Art, Sara Woodbury
Diana S. Greenwald, Painting By Numbers: Data-Driven Histories Of Nineteenth-Century Art, Sara Woodbury
Art Inquiries
No abstract provided.
The Museum As Object Of Display: Experiencing The Ashmolean, Jack Z. Chen
The Museum As Object Of Display: Experiencing The Ashmolean, Jack Z. Chen
Armstrong Undergraduate Journal of History
Conventionally, museums are most often considered as a series of objects displayed, but I argue that the museum itself should be seen, first and foremost, as the object on display. The Ashmolean Museum in Oxford, built at the high tide of British Imperialism, is a very interesting case study. Interested in its engagement with its own past, I do not seek to investigate the actions it takes as an institution, for instance, as regards to the politics of repatriation. Instead, I want to explore the whole experience it facilitates as an object in its own right.
This experience begins with …
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Reclaiming Orvieto, Italy: Livio Orazio Valentini’S Pursuit Of A Spatial, Cultural, And Artistic Heritage, Jeremy Culler
Art Inquiries
No abstract provided.
Jordan Nassar: The Field Is Infinite, Megan Bickel
Jordan Nassar: The Field Is Infinite, Megan Bickel
Art Inquiries
No abstract provided.
Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley
Taking Space: Contemporary Women Artists And The Politics Of Scale, Elizabeth S. Hawley
Art Inquiries
No abstract provided.
Frank Duveneck: American Master, D. Bryan Schaeffer
Frank Duveneck: American Master, D. Bryan Schaeffer
Art Inquiries
No abstract provided.
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
The Spatial And Visual Dimension Of Protests: Art And Activism In The 2013 Ludwig Lépcsö (Ludwig Stairs) Budapest Protest Camp, Izabel Galliera
Art Inquiries
No abstract provided.
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Lethaby, Brockhampton, And The Early Development In England Of Concrete As A Vernacular-Modern Building Material, Robert M. Craig
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:2-3, Full Issue
Iconoclasm And The Museum, Catherine Chastain-Elliott
Iconoclasm And The Museum, Catherine Chastain-Elliott
Art Inquiries
Book review of Iconoclasm and the Museum, by Stacy Boldrick.
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Dyani White Hawk: Speaking To Relatives, Sara Stepp
Art Inquiries
No abstract provided.
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Fallen Women, Rising Career: William Welles Bosworth’S Early Work For The New York Magdalen Benevolent Society, Andrea M. Ortuño
Art Inquiries
No abstract provided.
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Identifying The Sacrifice On The Sistine Chapel Ceiling And Its Implications For The Genesis Sequence, Eston Adams
Art Inquiries
No abstract provided.
An Interview With Tony M. Bingham, Mysoon Rizk
Julie Mehretu, Jessica Stephenson
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Consuming Stories: Kara Walker And The Imagining Of American Race, Nancy Wellington Bookhart
Art Inquiries
Book review of Consuming Stories: Kara Walker and the Imagining of American Race, by Rebecca Peabody.
Commonwealth, Clare Van Loenen
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Photographic Returns: Racial Justice And The Time Of Photography, Laura Elizabeth Shea
Art Inquiries
Book review of Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith.
Kim Gordon: The Bonfire, Annie Dell’Aria
Original Bauhaus: The Centenary Exhibition, Morgan Ridler
Original Bauhaus: The Centenary Exhibition, Morgan Ridler
Art Inquiries
No abstract provided.
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
Art Inquiries
No abstract provided.
Age Old Cities: A Virtual Journey From Palmyra To Mosul, Hyunjin Cho
Age Old Cities: A Virtual Journey From Palmyra To Mosul, Hyunjin Cho
Art Inquiries
No abstract provided.