Modern Languages Commons^™

Manque De Réussite : Le Préjudice Dans Le Football Français, Will Bedell

World Languages and Cultures Senior Capstones

Despite being called The Beautiful Game, soccer in France has a few issues that take away from its beauty. This presentation aims to identify the causes and reasons behind the issues of racism, homophobia, and sexism which plague the French soccer scene. By looking at the causes of these from within French culture, history, and their society we can hope to understand why they exist as well as to establish the sources from which these issues arise.

Le Dix-Neuvième Siècle : Les Mouvements Littéraires Français Et La Classe Ouvrière, Grace Horton

World Languages and Cultures Senior Capstones

This presentation is an analysis of the connections between the different literary movements of 19th century France, such as romanticism, realism, and modernism, and how they were initiated by the French revolutions of 1830 and 1848. It covers the impacts of these revolutions on different prolific 19th century French writers such as Alphonse de Lamartine, Victor Hugo, Honoré de Balzac, and Charles Baudelaire, and how each writer prompted their respective movements.

« Iel Dit Quoi ? » : A Study Of The Origins And Evolution Of Francophone Gender-Neutral Pronouns And Inclusive Language And A Discussion Of French Versus Canadian Acceptance, Alyssa Claire Langlois

Honors Theses

Our interpretation of human gender identity has never been constant. And with it, language has always shifted in order to best represent the many different gender identities and expressions that people associate with themselves. This research examines the current gender-inclusive and gender-neutral French language that exists in both France and Canada. I use three factors: occupational nouns, l’écriture inclusive, and neopronouns, especially iel, the most common. In this thesis, I evaluate what exists, what has yet to be accepted, and the many different public reactions. I analyzed statements from official language offices, current event articles, and opinions pieces, as well …

L’Alphabet De Lyon De Bruno Benoit Traducido Al Español, Rosslyn M. Lyell

World Languages and Cultures

This is a translation of the novel L'Alphabet de Lyon by Bruno Benoit. It goes into the rich history and culture of Lyon, France.

The Levant: France’S Colonial Crucible, Michael Adelson

French Summer Fellows

In the medieval era of religious and political tumult that culminated with the Crusades, (mostly) Roman Catholic Western European citizens from all walks of life committed themselves to conquer Jerusalem and wrest control of historically Christian lands from the Muslim polities that claimed the region. The historical Kingdom of France was a major contributor to the Crusades, and as such, the feudal realms established in the Levant in the wake of the First Crusade were dominated by former French crusaders and citizenry. The geographic boundaries and demography of these Crusader States are reminiscent of French hegemony in the Middle East …

Victimes Ou Criminelles: A Historical And Comparative Analysis Of Sex Work Policy In France, Carver Wolfe

International Relations Honors Papers

This research examines the evolution of sex work policy in France from a regulatory regime during the nineteenth century to an abolitionist stance after World War II to the 2016 adoption of the Nordic model penalizing the purchase of sex. I investigate the ongoing debate between preservationists and abolitionists and examine the arguments raised by each side, making the case that abolitionism has adverse consequences for sex workers. I look at the nineteenth century’s regulatory regime of controlling prostitution through a chapter written in French. I then shift into an analysis of the state’s transition to abolitionism over the course …

Review Of Writing The Black Decade: Conflict And Criticism In Francophone Algerian Literature (Forde, Joseph), Aoife Connolly

Other Resources

No abstract provided.

Liberté, Égalité, Manifester: Explaining The Yellow Vest Movement In France, Brady L. Cole

Honors Theses

Les Gilets Jaunes, or the yellow vests, is a movement of protestors that have had a large presence in France since 2018. Beginning as an online petition against French President Emmanuel Macron’s fuel tax hike, the movement has quickly amassed several hundred thousand protestors in Paris and other cities across the country. It is the objective of this thesis to examine potential reasons why 300,000 people have felt the need to protest throughout France, apart from the now rescinded fuel tax.

To this end, a sample of data from the Varieties of Democracy database was selected. These variables covered various …

Rethinking Ionesco’S Absurd: The Bald Soprano In The Interlingual Context Of Vichy And Postwar France, Julia Elsky

Modern Languages and Literatures: Faculty Publications and Other Works

Rereading Eugène Ionesco’s postwar play La cantatrice chauve (The Bald Soprano) in the light of the original, wartime Romanian version alongside archival materials concerning his political activity in Vichy France allows us to reconsider his role in the theater of the absurd. Instead of staging the emptiness of language in a conformist world, the Romanian play dramatizes how language and language exchange created meaning but also upheld state violence during the Second World War. Although the French version of the play adapts this theme to the postwar context, traces of state power over language remain. This new approach …

Sins, Sex, And Secrets: The Legacy Of Confession From The Decameron To The Heptaméron, Nora Martin Peterson

Department of Modern Languages and Literatures: Faculty Publications

A quick digital search for the term ‘confession’ in Boccaccio’s Decameron yields 75 results (Decameron Web). Confession in Boccacio’s text is conspicuously present and, I argue, not coincidental: it highlights the increased attention to the sacrament after the Fourth Lateran Council made annual confession mandatory in 1215. Decameron 1.1 depicts a false confession performed by a wicked man on his deathbed. His confessor follows the protocol of confession manuals, which began to appear in increasing number following 1215, but his interpretive skills do not extend beyond the questions he is bound by protocol to ask. In Boccaccio’s world, …

What Women Know: The Power Of Savoir In Marguerite De Navarre’S Heptaméron, Nora Martin Peterson

Department of Modern Languages and Literatures: Faculty Publications

The verbs savoir and connaître appear in central moments in the Heptaméron. Knowledge—as it appears in the frame narrative and in the novellas—can be a way for men and women to debate, among many other things, the relationship between the sexes. When women use this word, or when they demonstrate that they know something, it creates the space to participate – not always unambiguously – in otherwise male-dominated conversations. How Marguerite writes about the acquisition, possession, fragmentation, or loss of knowledge, underscores her interest in exploring the role of women in communities of knowledge.

Voyager En France, Valerie J. Spaeth

French Model Lesson Plans

In this lesson, students view a video that describes the most often used modes of transportation in France. Students then discuss the similarities and differences between travel in the US and travel in France.

The Conversion Of Polyeucte’S Félix: The Problem Of Religion And Theater, Nina Ekstein

Modern Languages and Literatures Faculty Research

The relationship between religion and theater gave rise in seventeenth-century France to much discussion and dissent, commonly referred to as the Querelle de la moralité du théâtre. The 1640s were a rare period during which religious subjects were popular on the French stage; almost all of the major playwrights wrote at least one play that could be thus categorized (Pasquier 201). I propose to examine the friction between the domains of theater and religion through a discussion of the two most enduringly famous religious plays of this period, Pierre Corneille's Polyeucte (1643) and Jean Rotrou's Le Véritable Saint Genest …

Le Change In Corneille And Racine, Nina Ekstein

Modern Languages and Literatures Faculty Research

Le Change is a concept typically associated in the seventeenth century with the baroque, with the pastoral, and with comedy. In the simplest terms, a lover abandons the object of his or her affections for another. In baroque aesthetics, change is linked to the larger concepts of mobility and metamorphosis (Rousset 44). It is a common motif in the pastoral as well, both in drama and prose fiction. The classic pastoral figure of change is Hylas from Honoré d'Urfé's Astrée, who moves cavalierly from one mistress to the next. Invariably in seventeenth-century France, change is held to be a …

Staging The Tyrant On The Seventeenth-Century French Stage, Nina Ekstein

Modern Languages and Literatures Faculty Research

The tyrant is a frequent figure of seventeenth-century theater. While not as ubiquitous as young lovers, fathers, or kings, the tyrant is a persistent subset of this last group throughout the period. Like so many elements of seventeenth-century theater, the tyrant has it origins in antiquity, both in terms of political theory and drama. Tyrants first appeared on the stage of fifth-century Athens, and the legends and histories of the tyrants of antiquity are often repeated on the French stage of the seventeenth century, from Hérode sending Marianne to her death, to Brute assassinating César, to Néron eliminating his rival …

Appropriation And Gender: The Case Of Catherine Bernard And Bernard De Fontenelle, Nina Ekstein

Modern Languages and Literatures Faculty Research

In 1757, Bernard de Bavier de Fontenelle, the well-known popularizer of scientific thinking, homme de lettres, and secretary of the Académie des Sciences, died just months shy of his hundredth birthday. In 1758, Volume 10 of Fontenelle's Oeuvres appeared, edited by Fontenelle's chosen literary executor, the abbé Trublet. Along with a number of other works, Volume 10 contains a tragedy dating from 1690 entitled Brutus. This play has had a complex and curious history. The year 1758 marks the first time that Brutus appears under Fontenelle's name, but hardly the last. In 1690, when the play was first …

Women's Images Effaced: The Literary Portrait In Seventeenth-Century France, Nina Ekstein

Modern Languages and Literatures Faculty Research

The literary portrait was extremely popular in France for a number of years during the mid-seventeenth century. With roots in salon society, the portrait became a genre in its own right during this period and was eventually incorporated in numerous other genres such as novels, memoirs, theater, and sermons. In this study, I will consider the close association between the initial vogue of portraiture and women, and examine the advantages and problems posed by the genre for women authors. I will trace the evolution of the literary portrait during the seventeenth century, in particular, the manner in which women were …

Reference And Resemblance In The Seventeenth-Century Literary Portrait, Nina Ekstein

Modern Languages and Literatures Faculty Research

The history of portraiture, in both literature and the graphic arts, reaches back to antiquity. This art was perhaps most highly developed in seventeenth-century France, where the form branched out in numerous directions. In the social sphere, verbal portraiture became the basis of a fashionable salon game. Diplomatic portraits were widely employed in political dealings. The popularity of painted portraits was widespread, and gave rise to such trends as the portrait-miniature and the depiction of individuals as mythological figures. In the domain of literature, the development of portrait forms was especially rich. The use of the portrait in the novel …