Modern Languages Commons^™

Grey Town: The Practical Theology Of The Great Divorce, Reggie Weems

Online Midwinter Seminar (OMS)

As one of the most-read Protestant authors of the last two centuries, the legacy of C.S. Lewis is surprisingly rooted in his various writings about Hell. And yet, even though his works are permeated with the mysterium tremendum et fascinans, Lewis rarely spoke directly or clearly about Hell, such as he did in a single chapter in The Problem of Pain (1940). He nonetheless attempted to demythologize Hell from God’s viewpoint in The Pilgrim’s Regress (1933), Satan’s outlook in The Screwtape Letters (1942), and the human perspective in The Great Divorce (1945), his last and perhaps, most insightful …

The Road To Hell: Rebirth And Relevance In Musical Adaptations Of Katabatic Myth, Jarrod Deprado

Online Midwinter Seminar (OMS)

Adapting Greek mythology provides a framework to reapproach classic works through a contemporary lens to better understand the present. Of particular interest is the depiction of characters traveling to Hell in search of a better future. Looking at two myth-inspired musicals—The Frogs by Stephen Sondheim and Burt Shevelove and Hadestown by Anaïs Michell—we see two disparate journeys to the Underworld given contemporary relevance. The Frogs (1974) depicts Dionysus’ journey to Hades to bring back a poet (originally Euripides, now George Bernard Shaw). However, it was not until the 2004 Broadway adaptation that overtly anti-authoritarian messages were added, aimed at …

Re-Visioning Underland: C. S. Lewis’S The Silver Chair As Dystopian Fiction, William Thompson

Online Midwinter Seminar (OMS)

In C. S. Lewis’s The Silver Chair, Jill, Eustace, and Puddleglum follow the four signs given to them by Aslan and descend into the underworld in order to rescue the lost prince. They find the enchanted Prince Rilian, along with thousands of Earthmen, enslaved to the Green Lady, who has a plan to subjugate the people and creatures of Narnia. Michael Ward, in Planet Narnia: The Seven Heavens and the Imagination of C. S. Lewis, takes a primarily Christological approach to the Narnia series, but finds a further analogue to Underland of The Silver Chair in the underworld …

Thinking Makes It So? Hell As A (Fixable) State Of Mind In The Good Place And Lucifer, Erin Giannini

Online Midwinter Seminar (OMS)

While different in genre, sitcom The Good Place and drama Lucifer share a certain irreverent tone and a somewhat unique approach to the afterlife. In The Good Place, there is no mention of gods or devils, only demons, a Good Place committee, and a judge. Lucifer, loosely based on Neil Gaiman’s graphic novels, however, features angels, demons, God, and the Devil, providing its own spin on established cosmology with embodied versions of prominent figures such as the archangel Michael and biblical brothers Cain and Abel. Yet what ties The Good Place and Lucifer together is a focus on …

Panel: “Hell Is Other People: Looking At The Political Rage Machine In Tolkien Fan Spaces And Media”, Alicia Fox-Lenz, Grace Moone, Cara Marta Messina

Online Midwinter Seminar (OMS)

Following the backlash against the Tolkien Society’s “Tolkien and Diversity” seminar and the airing of the first season of Rings of Power, social media fan spaces for Tolkien remain politically charged and reactionary. Building on the foundation of Mythcon 51’s Roundtable “Race, Racisms, and Tolkien,” and Craig Franson’s work showcased there and on the podcast “American Id,” we will discuss the current state of Tolkien discourse on social media and how to navigate the landscape as safely as possible.

Substance Abuse: C.S. Lewis And The Symbolic Geography Of Hell, Richard Angelo Bergen

Online Midwinter Seminar (OMS)

The Marriage of Heaven and Hell by William Blake the Romantic, proffers a Romantic vision of hell, and a geographical representation of capacity and scope with an energetic apology. On the other hand, C.S. Lewis’s vision of hell in The Great Divorce is that of a land without substance: a land of addiction to mental maladies, an endless mental substance abuse, an emptying of presence. As one surveys the conversations throughout the book, one gets an increasing sense of the importance of understanding place correctly, as a matter of eternal consequence. One chapter concerns a well-travelled ghost who repeats his …

“Hell Is Only A Word. The Reality Is Much, Much Worse”: Black Holes As Fantasy Gateways To Hell, Kristine Larsen

Online Midwinter Seminar (OMS)

Black holes are frequently described as the scariest objects in the universe, even by the normally staid scientists who study them. Like the warning on the gate of Hell in Dante’s Inferno, any (hu)man or matter that dares to cross the event horizon abandons all hope before literally being ripped to shreds by the object’s extreme tidal forces. As the heart of the beast is approached, the laws of physics break down, time loses its simple everyday meaning, and mathematical madness reigns supreme. It is no wonder that Hollywood has repeatedly adopted the black hole as more than merely …

Hell On Earth In Garth Nix’S Old Kingdom, John Rosegrant

Online Midwinter Seminar (OMS)

I explore psychological meanings embedded in the Old Kingdom. Its River of Death is a hell impinging on life: Like Dante’s Inferno it has nine sectors; the dead take hideous Boschian forms; and helped by necromancers wielding “free magic” they often return to life. On this metaphor Nix builds the insight that desiring to live deeply and joyously risks turning hellish if early life was loveless. Necromancers and Free Magic are battled by Abhorsens and others wielding “Charter magic,” Free Magic transformed by symbols. Immersion in the Charter gives a joyous experience of connection to all life. Symbolization must …

Those Queer Devils: Queercoding Villains, Devils, And Demons In Mythopoeic Film And Media, Grace Moone

Online Midwinter Seminar (OMS)

In the early years of Hollywood’s Golden Age, The Hays Code functioned as a rigid morality code designed to shape the norms of Western culture. Its far-reaching impacts remain visible even decades after its enforcement was no longer required. In this talk, we will explore one of the most pervasive elements of the code’s legacy: the prohibition against showing LGBTQ characters in a positive light, and the resulting phenomenon of “queer-coding” characters. The practice of portraying LGBT+ characters through a lens of villainy and stereotype to adhere to the Hays Code requirement that queerness be punished and depicted as undesirable …

Animated Dancing To Hell And Back: Disney’S Fantasia, Matthew Elfenbein

Online Midwinter Seminar (OMS)

Imaginative images of Heaven and Hell capture the sociocultural engagement with Walt Disney’s Fantasia (1940), which demonstrates animated dancing bodies to represent the descent and passage of the hero’s journey. This journey is presented with many different forms of conflict and images that become unique through the qualities of the animated screendance. This form of dance on film is accentuated by the visualization of imaginative bodies, a conflict between knowledge and curiosity, and the spectacle of layering images on top of symbolic meanings to emphasize the power of identification with the audience. The spectators of this film are engaged with …

From Hell (Or Not): Representations Of Merlin And His Origins In The Comics, Michael A. Torregrossa

Online Midwinter Seminar (OMS)

The Arthurian figure of Merlin has a long literary history, but he never seems able to shake off the effects of his parentage. In medieval tradition, Merlin is sired by inhuman powers: first a seemingly benign dæmon and then a decidedly wicked demon. This preternatural aspect to his conception grants Merlin the skills and powers he uses to support the realm, yet it also taints him as someone potentially dangerous. Although Merlin’s background cannot be changed, creative artists often choose to ignore or alter his origins, especially when retelling his story for mass audiences. In contrast, other creators, usually those …

Denethor’S Descent Into Hell, Craig Boyd

Online Midwinter Seminar (OMS)

One character in Tolkien’s Legendarium stands out as one of the more morally sad and complicated individuals: Denethor, the Steward of Gondor. Although he tries to defend the kingdom he cares for, his own significant moral weaknesses subvert even the best of his intentions. His despair, provoked by the death of his favorite son—and the apparent death of his other son—sends him into a spiral of self-destructive harm from which there is no return. What accounts for this are three factors. First, his self-imposed isolation from others cuts him off from the necessary fellowship that could sustain his character; his …

Feasting At The Threshold: Transubstantiation, Queer Desire, And Homonationalism In Diane Duane’S The Tale Of The Five, Taylor Driggers

Online Midwinter Seminar (OMS)

Diane Duane’s ongoing pulp fantasy series The Tale of the Five (1979- ) is set in a world marked by constant bodily transgressions and surprises, where a human and dragon can occupy the same body and become lovers and a one-night stand can bring one face-to-face with God. This essay will argue that Duane’s series articulates eroticism in a manner comparable to Linn Marie Tonstad’s (2016) queer re-visioning of transubstantiation and bodily and spiritual transformation through the Eucharist. Acts of eating and drinking serve to highlight how characters’ pansexual, polyamorous relations with each other and the love of the Goddess …

The Underworld As The Heroine’S Journey Home: Marvel, Xena, And Mythic Reimaginings, Valerie Estelle Frankel

Online Midwinter Seminar (OMS)

Hell is traditionally a place of torment, where the young heroine, like Persephone or Eurydice, is kidnapped by the patriarchy, leaving others to rescue her. The last few decades, however, have offered a model closer to Sumerian Inanna, in which the heroine is enlightened by hell or even conquers it. Angela, Queen of Hel: Journey to the Funderworld by Marguerite Bennett (2016) gives its heroine this path. Winning back her beloved, Angela, sister of Thor and Loki, becomes queen of the underworld but then prefers to bring Sera back to earth in a flip on Eurydice. The Xena episode “Fallen …

Infernal Landscape In Jacob’S Ladder (1990) In Light Of Carl G. Jung’S Theory Of Individuation, Fryderyk Kwiatkowski

Online Midwinter Seminar (OMS)

Carl G. Jung’s conception of the human psyche as an inner realm that gives access to profound, numinous experiences inspired many artists and popular culture authors to portray heaven and hell as symbolic expressions of the opposite forces within the human psyche rather than cosmological or supernatural regions. In my paper, I will concentrate on how the Hollywood film Jacob’s Ladder (1990) directed by Adrian Lyne, by portraying the main character’s descent into a deathbed vision depicted as hellish reality, reflects Jung’s theory of individuation, a process of self-realization that aims at reconciling various elements of the psyche and achieving …

Hell On His Mind: Dean Winchester’S Journey To Hell And Back, Anna Caterino

Online Midwinter Seminar (OMS)

Season three of Supernatural (2005-2020) closes with a shot of Dean Winchester (Jensen Ackles) in Hell. The place has no discernible features and resembles neither the long waiting line nor the gothic castle of later seasons. The few elements that do characterize it, however, make it look like a brain, the labyrinth of ropes reminiscent of neurons. This association introduces Hell as a place that exists first and foremost in Dean’s dead. The lack of establishing shots and the abstract terms used to discuss Hell, damnation, and Dean’s experience further support this claim, working in its favor. After all, the …

The Righteousness Of The Damned In Jeffrey Konvitz’S The Sentinel, Raymond G. Falgui

Online Midwinter Seminar (OMS)

The paper will examine the nature of the damned in Jeffrey Konvitz’s 1970s pulp horror novel The Sentinel by using a framework utilized by C.S. Lewis in The Great Divorce, wherein damnation involves a species of spiritual blindness that masquerades as righteousness and shields the damned (for a time) from an awareness of their ultimate condition. Specifically, the paper will provide a character analysis of the co-protagonist Michael, arguably one of Konvitz’s more complex literary creations, and the role he plays in briefly elevating a generic genre-contrived plot into the realm of true spiritual horror. While making such a …

Welcome And Announcements, Mythsoc Stewards

Online Midwinter Seminar (OMS)

Welcome and Announcements

Join us for a screening of the Welcome and Announcements video, and have a cup of coffee before we get started!

Citizens Of The English Language: Sociolinguistic Perspectives On Postcolonial India, Prateek Shankar

Masters Theses

This paper introduces the concept of "extralingual citizenship," which I define as an expansion of translingualism to include the ethnoracial logic of the nation-state and demonstrates the entanglement of language, governance, and education in the policing of knowledge infrastructures and discursive practices. I am interested in the codification of postcolonial disparity into the teaching, social performance, and material assessment of English language users, and the infrastructural disqualification of World Englishes (and their amalgams) in favor of a standardized English. I frame extralingualism as a kind of citizenship, shifting the focus of English pedagogy/practice from the syntactical/etymological concerns of language …

Du Undergraduate Showcase: Research, Scholarship, And Creative Works, Caitlyn Aldersea, Justin Bravo, Sam Allen, Anna Block, Connor Block, Emma Buechler, Maria De Los Angeles Bustillos, Arianna Carlson, William Christensen, Olivia Kachulis, Noah Craver, Kate Dillon, Muskan Fatima, Angel Fernandes, Emma Finch, Colleen Cassidy, Amy Fishman, Andrea Francis, Stacia Fritz, Simran Gill, Emma Gries, Rylie Hansen, Shannon Powers, Jacqueline Martinez, Zachary Harker, Ashley Hasty, Mykaela Tanino-Springsteen, Kathleen Hopps, Adelaide Kerenick, Colin Kleckner, Ci Koehring, Elijah Kruger, Braden Krumholz, Maddie Leake, Lyneé Alves, Seraphina Loukas, Yatzari Lozano Vazquez, Haley Maki, Emily Martinez, Sierra Mckinney, Audrey Mitchell, Kipling Newman, Audrey Ng, Megan Lucyshyn, Andrew Nguyen, Stevie Ostman, Casandra Pearson, Alexandra Penney, Julia Gielczynski, Tyler Ball, Anna Rini, Christina Rorres, Simon Ruland, Helayna Schafer, Emma Sellers, Sarah Schuller, Claire Shaver, Kevin Summers, Isabella Shaw, Madison Sinar, Claudia Pena, Apshara Siwakoti, Carter Sorensen, Madi Sousa, Anna Sparling, Alexandra Revier, Brandon Thierry, Dylan Tyree, Maggie Williams, Lauren Wols

DU Undergraduate Research Journal Archive

DU Undergraduate Showcase: Research, Scholarship, and Creative Works

Reporting At The Border: Translation In Periodicals At The Texas-Tamaulipas Border During The 19th Century, Gabriel Gonzalez Nunez

Writing and Language Studies Faculty Publications

This paper addresses the historical relationship between journalism and translation. It approaches translation history by considering journalistic translation as found in newspapers published in the Lower Rio Grande Valley (the southernmost, easternmost stretch of the Mexico-US border) during the 19th century. Specifically, the paper will ask whether translation was a tool employed in journalistic activity in the region and, if so, what the role was of translation in such activity. It will review the presence of translation in available border periodicals from the 1840s to the end of the century. This review will show that regarding certain aspects, historical news …

Del Ornitorrinco A La Radio Ambulante: La Nueva Crónica Latinoamericana En La Era Neoliberal, Ulises Gonzales

Dissertations, Theses, and Capstone Projects

This dissertation explores the presence of neoliberal hegemonic imaginaries in narrative journalism written in Latin America between 1995 and 2021.

There are strong connections between a period of decline in the readership of some of the authors of the so-called “Latin American Boom,” the penetration of neoliberal economic policies in the region (with the privatization of State companies and the expansion of the telecommunications industry), and the renewed interest in non-fiction writing published by a number of print publications in the region during the last decade of the 20th Century and the beginning of the 21st Century, as in magazines …

Student Centered Language Teaching: A Focus On Student Identity, Rachel Mano

All Graduate Plan B and other Reports, Spring 1920 to Spring 2023

This portfolio is a compilation of essays that describe what the writer has come to see as essential topics in second language acquisition. It begins with a professional environment piece, and then a teaching philosophy statement focused on student identity and interaction in the classroom. This is followed by an essay on observations of teaching. The next two sections focus on pragmatic resistance among advanced learners and the importance of preparing learners for peer interaction. The portfolio concludes with an annotated bibliography outlining the main concepts associated with Communicative Language Teaching, a method that is commonly employed in second language …

Tolkien, Cline, And The Quest For A Silmaril, Tom Ue, James Munday

Online Midwinter Seminar (OMS)

J. R. R. Tolkien has had a significant influence on American writer Ernest Cline. In Ready Player One (2011), the character Ogden Morrow invites Wade and his friends to his mansion, which is modelled after Rivendell from Peter Jackson’s The Lord of the Rings films (2001- 03). Cline goes further in his sequel Ready Player Two (2021) by staging a part of Wade’s virtual quest on Arda I, the First Age of Middle Earth. In this paper, we focus on this episode and, in so doing, argue for Cline’s insights into how we approach fantasy. First, we attend to the …

Who’S His Daddy? Approaches To Merlin’S Father In Children’S And Ya Media, Michael Torregosa

Online Midwinter Seminar (OMS)

In the 1130s, Geoffrey of Monmouth originated the character of Merlin, setting him upon the world stage as a wonder-working youth fathered (in the tradition of Greek and Latin authors of the past) by a daemon. However, later writers of the Middle Ages, beginning with Robert de Boron, reconceived Merlin within a more Christianized world, altering his heritage and transforming his sire into a demon from Hell. This shift from benign daemon to malevolent demon has impacted the representation of the wizard of Camelot for centuries. Contemporary fiction for the page as well as for the screen has adopted and …

"Shivering Trees": Horror Monstrosity In Selected Stories From Tolkien’S The Silmarillion, Elise Mckenna

Online Midwinter Seminar (OMS)

In The Silmarillion, Tolkien used conventions of horror within the setting of Arda. To begin with, the entire world, which is monstrous, is in upheaval with mountains being raised and valley being delved, lanterns of light created, and huge beings walking the land. Then, these landscapes are torn down, the lights are smashed and go out, and new creatures of horror prowl the world. The differences between the portrayals of monstrosity on a grand scale border the grotesque and the sublime. Monstrous beings, Valar and Maiar, command the elements of earth, air, fire, water. They have pre-ordained roles that …

The Story, The Narrator And The Reader: Mediated Horror In C.S. Lewis’S Narniad, William Thompson

Online Midwinter Seminar (OMS)

In her introduction to Reading in the Dark: Horror in Children’s Literature and Culture, Jessica R. McCort defines horror for children and young adults as a hybrid genre, one having its roots in both the gothic and the nineteenth-century fairy tale. She explains that the exploration of dark forces in children’s books is often not limited to those tropes traditionally associated with the horror genre for adults: “Think of the books that are considered children’s classics. The best of them contain dark forces of one kind or another, as well as internal battles between the light and the dark: …

Environmental Horror And Restoration: Tolkien And Today, Jessica Dickinson Goodman, Caitlin Rottler

Online Midwinter Seminar (OMS)

J.R.R. Tolkien never forgot the felling of a willow tree that had overlooked the mill-pool in Sarehole, nor how his former climbing companion had been left to rot in the grass. His horror at that small environmental violence bleeds through his works, from poems like “From the many-willow’d margin of the immemorial Thames” (1913) to the Party Tree in The Hobbit (1937) to a letter to The Daily Telegraph in 1972 when he decried the modern “torture and murder of trees.” This presentation will draw on the excellent foundations laid by Dinah Hazell, as well as the father-son pair of …

Nature And Horror In Tolkien’S Legendarium, Julia Bowers

Online Midwinter Seminar (OMS)

Tolkien incorporates horror in his legendarium through the twisting of the natural world in order to signal upcoming dangers to his characters. This creates a dichotomy between the idyllic natural world that represents good in his works and the twisted natural world that has been tampered with by evil. Most of the focus on Tolkien’s portrayal of nature looks at the conflict between nature and technology; the natural world of Middle-earth is portrayed as more complex than merely all nature being good. His natural settings take on an eerie tone to convey a sense of horror to the reader as …

Charles Williams' P'O- L'U - The Cthulhu Connection, Eric Rauscher

Online Midwinter Seminar (OMS)

This presentation delineates the connections between horrific elements in the work of H.P. Lovecraft and the situation of P’o-L’u from Charles Williams.