Medieval Studies Commons^™

Tolkien's Joyful Sorrow, The "Gift Of Tears" Of Medieval Mysticism, And John Donne's Sermon "Jesus Wept", Giovanni Carmine Costabile

Journal of Tolkien Research

At the field of Cormallen, the emotion of joy felt by the victorious Hobbits is so great that Sam wonders whether everything sad will come untrue. At the same time, their joy is so great that it is described as "poignant as grief". Dimitra Fimi in 2017 pointed out Tolkien's probable indebtedness to Christian Orthodox tradition of "charmolype", or joyful sorrow. Another relevant parallel of the intermingling of joy and sorrow is the eleventh century Norman monk and abbot John of Fécamp's notion of the "Gift of Tears" (Gratia lacrymarum) from God, which brings true happiness. …

Belliphonic Tolkien: Listening To The Wars In Middle-Earth, Ali Mirzabayati

Journal of Tolkien Research

This paper explores the belliphonic—the sonic dimension of warfare—in J. R. R. Tolkien’s The Lord of the Rings, focusing on the Battle of the Pelennor Fields. While modern warfare studies emphasize the sounds of mechanized combat, the acoustic landscapes of ancient and medieval battles remain understudied. Drawing on recent scholarship by Clauss, Lummer, Potthoff, and Pretzer, this study situates Tolkien’s soundscapes within both historical and mythological traditions. Tolkien’s immersion in classical, Anglo-Saxon, and Norse literature, combined with his experience of World War I, enabled him to create richly layered battle sounds in which horns, cries, silence, and environmental …

“Pride And Despair”: Denethor’S Struggles Against His Self-Woven Death, Ali Mirzabayati

Journal of Tolkien Research

This paper examines Denethor, Steward of Gondor, as a central figure illustrating the interplay of pride, fear, and mortality in The Lord of the Rings. It analyzes how his Númenórean heritage, grief over the loss of his sons, and obsession with control shape his decisions, leading to passivity, mistrust, and self-destruction. Drawing on Northern literary traditions, including the Danes’ prayers to the Gastbona in Beowulf and Boethian reflections on pride and despair, the study situates Denethor’s downfall within a broader cultural and philosophical context. By exploring how his fear of death undermines judgment and heroic potential, the paper highlights …

Beowulf And Théoden: Differing Teaching Methods Of Hrothgar And Gandalf, Ali Mirzabayati

Journal of Tolkien Research

Most studies on the character of Théoden in The Lord of the Rings center on Germanic heroic themes like courage and oath-keeping, often emphasizing his renewal by Gandalf at Meduseld and his death at the Battle of Pelennor Fields. This perspective overlooks Théoden's growth in wisdom and hope between these events. During this period, Théoden learns about the various forces in Middle-earth and contemplates his role in the broader world, leading to a profound sense of humility. Building on Tolkien's inspiration from Beowulf, this paper compares Théoden and Beowulf to explore their learning processes and heroic outcomes. This comparison …

Mourning And Melancholia In The Lord Of The Rings, Ali Mirzabayati

Journal of Tolkien Research

This paper analyzes how Denethor and Théoden respond differently to the deaths of their sons in J.R.R. Tolkien's The Lord of the Rings. Initially consumed by grief, Théoden embraces hope with Gandalf's support, while Denethor descends into despair. Employing Freud's essay "Mourning and Melancholia" (1917), we examine how Théoden and Denethor illustrate differing reactions to mourning and melancholy in the face of loss. Recognizing developments in psychoanalytic theory, the paper moves beyond simple binaries to offer a nuanced exploration of grief and attachment in Tolkien's narrative.

Sounds Of Battle And Battle Of Sounds: Belliphonic In Tolkien, Ali Mirzabayati

Journal of Tolkien Research

This paper explores the concept of the belliphonic—a term denoting the acoustic dimensions of warfare—within the context of J.R.R. Tolkien’s The Hobbit, focusing on the Battle of the Five Armies. While modern war studies have mainly centered on the mechanized soundscapes of twentieth-century conflict, this study engages with recent scholarly efforts to recover the sonic textures of medieval battle. Drawing on theories of wartime acoustics and examples from medieval literature, the paper examines how Tolkien, informed by his expertise in Old and Middle English texts and his lived experience in World War I, crafts a dynamic and psychologically …

Antiphons Of Iron And Blood: The Inspirations Of Tolkien's Poetry, Patrick J. Lyon

Journal of Tolkien Research

The new book, The Collected Poems of J.R.R. Tolkien, edited by Christina Scull and Wayne Hammond, is a fascinating new look into a trove of previously unpublished Tolkien poetry. One of these new poems, “Ferrum et Sanguis,” includes an interesting series of addenda and subtitles written by Tolkien that give insight into the origins and inspirations for the poem. Furthermore, the interpretation given by the editors in their commentary on the poem misses the specific reference and applies it to a different source. The real source for the poem is very likely found in the Advent Vespers of the …

Fallen Kingdoms And Ancient Monoliths: The Influence Of Atlantis And Egypt In Tolkien’S Númenor, Charlotte J. Brockway

Journal of Tolkien Research

In light of the recent publication of The Fall of Númenor, my essay aims to focus on Tolkien’s, somewhat underappreciated, influences on Gondor; particularly Ancient Egypt. This essay looks at Plato's Timaeus and Critias, Ignatius Donnelly's theories, and examines the Atlantean and Egyptian motifs in Tolkien’s version of Westernesse, in particular, the remnants of Atlantean civilization survived by Egyptian colonists which mirror the Realms of Exile (Gondor and Arnor).

The Holy Thorn Of Glastonbury And The Two Trees Of Valinor, Giovanni Carmine Costabile

Journal of Tolkien Research

An old wooden church in Glastonbury rose on the site of the Abbey church taking its place after a fire burnt it. This old church is traditionally considered to have been the eldest church in England, founded by Joseph of Arimathea after landing upon the British shore. Such a legend, probably spread after the Norman Conquests by the Abbey monks who needed to fund the monastery, also relates that Joseph planted his staff upon the highest hill in Glastonbury, and the staff grew branches and roots, transforming into a wonderful thorn tree which, unlike common thorns, bloomed twice a year, …

What Does It Mean To Talk About Tolkien And Diversity? A Look Within And Without The Legendarium, Yvette Kisor

Journal of Tolkien Research

“What Does It Mean to Talk about Tolkien and Diversity? A Look within and without the Legendarium” considers racial diversity by focusing on the structure of Tolkien’s universe, both how it is modelled on ancient and medieval concepts like the Great Chain of Being and the Declining Ages of Man, but also remakes those models. In addition, it considers responses to racial structures perceived in Tolkien’s work.

‘Where Now Bucephalus And The Proud Eormanric?' The Interplay Of Gothic And Classical References As A Tacit Background Behind The Wanderer, Tolkien's Anglo-Saxon Source, Giovanni Carmine Costabile

Journal of Tolkien Research

The famous lines "Where now the horse and the rider?" from The Two Towers, spoken by Théoden in Peter Jackson's film, but recited by Aragorn in Tolkien's original text, find an unquestionable source in the Anglo-Saxon poem The Wanderer, and as such received detailed comment by the Professor as a scholar, stating that it is not very important to identify who the rider being cited might be, as long as we admit he is a "type". In order to understand the type of this rider, then, we only have to look for similar occurrences of the evergreen "ubi …

Second Age, Middle Age, Norbert Schürer

Journal of Tolkien Research

The recent releases of the volume The Fall of Númenor and the series The Lord of the Rings: The Rings of Power raise the question: What is the significance of the Second Age of Tolkien’s legendarium? This article suggests that Tolkien conceived of the Second Age as parallel to the Middle Ages in our world, which were the focus of his academic career in his studies of Old and Middle English language and literature. As various frameworks and overviews for the legendarium demonstrate, Tolkien thought of the Second Age, like the Middle Ages, as uniquely looking backwards and forwards …

The Enigma Of Goldberry: Tolkien’S Narrative Braiding Of Genre- And Symbol-Related Vocabularies In The Withywindle River-Daughter, Derek Simon

Journal of Tolkien Research

The enigma of Goldberry continues to stimulate diverse readings of her narrative in the Withywindle Cottage episode. The root contention of this article is that Goldberry’s enigma is textured through Tolkien’s complex narrative braiding of multiple genre- and symbol-specific vocabularies woven together throughout her episode. The effort to interpret the enigma of Goldberry needs to be grounded in the philological, lexical, and thematic signifiers circulating in her storyline. These mythopoeic signifiers are variously conveyed by the genre- and symbol-related vocabularies influencing her enigma in the narrative. Where much of the critical commentary has justifiably considered a single strand of source …

The Cosmic Catastrophe Of History: Patristic Angelology And Augustinian Theology Of History In Tolkien's "Long Defeat", Edmund M. Lazzari

Journal of Tolkien Research

Much of the poignancy of J.R.R. Tolkien's literary universe comes from its atmosphere of tragedy. The Silmarillion and The Lord of the Rings take place in a universe where noble and heroic actions are most often small candles lit against the inexorable march of evil. This backdrop of tragedy, which Galadriel names "the long defeat," is certainly influenced by Tolkien's views of Germanic mythologies, but it also draws much from the medieval notions of evil in Patristic Angelology and St. Augustine's theology of human history. These twin understandings of evil ultimately lead to one conclusion in Tolkien: the need for …

Tolkien, Manuscripts, And Dialect, Edward Risden

Journal of Tolkien Research

Study of languages, names, and dialects may have been the greatest motivating factor in Tolkien's scholarship and his fiction: he found in every name (and even in every word) a story to unearth. Clear connections appear between the scholarly vector that connects his investigations into the Gawain-poet (his location and language), the Ancrene Riwle, and locating the linguistic variants in The Reeve's Tale, for instance, with the creation of the various speech patterns in The Lord of the Rings. Beyond the obvious examples of the Elvish languages Tolkien created, the Westron-Hobbiton dialect that Sam uses, variants among …

Uprooting Medievalism: Ya And The Future Of Fantasy, Zoe Phillips

Undergraduate Theses and Capstone Projects

This thesis looks at the development of the young adult neo-medieval fantasy genre, measuring famous works from the Medieval period against works such as Tolkien's, to examine the impact of female protagonists and female authors on the genre and readers alike as neo-medieval fantasy continues to gain in popularity. Works examined include: Beowulf, Lanval, Le Roman de Silence, The Hobbit, Uprooted, and The Hero and the Crown.

"Slain Ye Shall Be": Eschatological Morality And The House Of Feanor In Tolkien's The Silmarillion, Ashley Anteau

Honors Projects

This thesis expands on existing research and analysis of the eschatology of J. R. R. Tolkien’s invented mythology, with a critical analysis of how it relates to morality and the overarching exploration of good and evil, primarily in The Silmarillion. By analyzing Tolkien’s medieval and spiritual influences, as well as Tolkien’s unfinished works published posthumously by Christopher Tolkien, it explores the effect of the relationship between morality and mortality on the emotional core of Tolkien’s work. It offers new insights into the text by engaging especially with the often overlooked story of the sons of Feanor, and how this story …

Translating Tolkien. The Thin Line Between Translation And Misrepresentation. An Italian Case-Study, Marcantonio Savelli

Journal of Tolkien Research

This article deals with the translation of the work of J.R.R. Tolkien. It investigates the possibility that translation may represent a potential weapon, in the hands of tolkien's patronizing critics, to transform "from the inside", id est through misrepresentation, what could not be incorporated or "normalized" “from the outside”, i.e. by traditional criticism. The basis for these considerations is a case-study related to the Italian context. Recently (2019), the previous Italian translation of The Lord of the Rings was withdrawn from the market by the publisher, in order to replace it with a different one. The way in which this …

Ofermod And Aristocratic Chivalry In J.R.R. Tolkien's The Lord Of The Rings, Amber Dunai

Journal of Tolkien Research

This paper explores connections between J.R.R. Tolkien’s 1953 Essays and Studies publication The Homecoming of Beorhtnoth Beorhthelm’s Son and representations of ofermod and aristocratic “chivalry” in The Lord of the Rings. Focusing on the motivations and leadership-related decisions of Denethor and Faramir in The Lord of the Rings, this paper argues that Faramir's behavior and motivations, despite Denethor’s implications to the contrary, cannot be described in terms of ofermod regardless of the risk that his choice to reject the Ring appears to pose to Gondor. By contrast, Denethor and his son Boromir represent the pride-motivated decision-making and rash …

Of The Silmarils And The Ring: J. R. R. Tolkien's Fiction And The Importance Of Creation And Art, Michael Hartinger

Senior Honors Projects, 2010-2019

J. R. R. Tolkien embodies the opposing ideals of Enchantment and the Machine in the Silmarils and the One Ring respectively. These created objects oppose each other just as Tolkien’s ideals of art do. Enchantment is art’s ideal, it's purpose is to glorify and enrich the beauty of reality through subcreation. The Silmarils exhibit the delight of making and perceiving beauty. Whereas the Machine is art’s shadowy reflection that utilizes apparatuses or devices rather than personal talent in order to coerce others and reality itself. Overall Tolkien's aesthetic theories reflect many fears surrounding modern attitudes toward weaponizing art. Tolkien supplies …

Riders, Chivalry, And Knighthood In Tolkien, Thomas Honegger

Journal of Tolkien Research

Abstract

This essay is a much extended version of the paper I gave at the IMC Leeds on 5 July 2017. It examines Tolkien’s complex attitude towards the concept(s) of chivalry and knighthood. A close reading analysis of relevant key passages from The Lord of the Rings is combined with an examination of his statements on chivalry in his scholarly works. Tolkien’s views are then related to the scholarly discourse on the key elements of chivalry, which allows the reader to gain a deeper understanding of why Tolkien depicts the representatives of chivalry/knighthood in The Lord of the Rings the …