Medieval Studies Commons^™

Tolkien's 'Beloved' _Pearl_, Jane Beal Phd

Journal of Tolkien Research

Abstract: This essay explores Tolkien’s life-long engagement with the fourteenth-century, Middle English, dream vision poem called Pearl. It examines the inspiration he took from the poem through reading, reciting, copying, editing, translating, and teaching it to undergraduate students at the University of Leeds and Merton College, Oxford University. Milestones in Tolkien’s work on Pearl include his edition of it, produced with E.V. Gordon and Ida Gordon for Oxford University Press (1953), and a metrical translation of it that he worked on from 1920s onwards, which was published with Allen & Unwin in London and Random House in New York …

Poets And Scribes In Late Medieval England: Essays On Manuscripts And Meaning In Honor Of Susanna Fein, Michael Johnston, Kathryn Kerby-Fulton, Derek Pearsall

Festschriften, Occasional Papers, and Lectures

This collection of essays, inspired by Susanna Fein’s remarkable breadth and range, reflects upon her deep commitment to unpacking how we can use manuscript evidence to recover the voices of medieval poets in their original reading environments. Drawing upon her critical insights, this volume gathers contributions from scholars whose own research is indebted to Fein’s enduring contributions. From seasoned veterans of Middle English studies to mid-career scholars to emerging voices within the field, this book brings together essays by eleven scholars indebted to Fein’s work, ranging across Middle English manuscripts, lyrics, Chaucer, Pearl, devotional poetry, scribal culture, multilingualism, gender, …

Prosodic Protocols And Interruptions Of Them In Piers Plowman, Ian Cornelius

English: Faculty Publications and Other Works

In premodern societies artificial prosody supplied an encoding protocol for the transmission of sound in writing. Focusing on the fourteenth-century English poem Piers Plowman, this essay examines mid-stream interruption, modification, or blending of prosodic protocols. In most cases the interruption takes the form of a mid-line switch from English verse to Latin prose. In a few cases, the switch is from English verse to Latin verse. These interruptions of protocol are part of the formal artistry and multilingual facility of Piers Plowman, encoding a great range of sound and some silence. They prompt readers to re-evaluate well-justified expectations …

Some Corrections To The Notation Of Verse Structure In Two Recent Editions Of Middle English Alliterative Poems, Ian Cornelius

English: Faculty Publications and Other Works

In Germanic alliterative verse the fundamental unit of meter and rhythm is the half-line. Editions of older Germanic alliterative poems now usually record this feature in their typographic design: the poetry is lineated and coordinate half-lines are separated with whitespace. For Middle English alliterative poems, the usual presentation has been in undivided long lines, but several recent editions separate half-lines with whitespace or punctuation-marks. The present essay examines the half-line divisions in John Burrow and Thorlac Turville-Petre’s Piers Plowman B (2014/2018) and Ad Putter and Myra Stokes’s Cleanness, Patience, and Sir Gawain and the Green Knight (2014). Burrow …

Language And Meter, Ian Cornelius

English: Faculty Publications and Other Works

From a visual standpoint as well as a semantic and functional one, Middle English lyrics were often absorbed into their co(n)texts. In what sense, then, is a “Middle English lyric” a thing? I seek in this essay to show what metrical analysis may contribute to that question. Context is not all. If contextual analysis has tended to dissolve the presumed thing-hood of Middle English lyrics, metrical analysis shows that verses are robust enough to sustain that. Metrical structuration sets verse apart from its surround; it defines the verse object as a distinct entity, distinguished by a specifiable compositional craft.

Negotiating Boundaries In Medieval Literature And Culture: Essays On Marginality, Difference, And Reading Practices In Honor Of Thomas Hahn, Valerie B. Johnson, Kara L. Mcshane

Festschriften, Occasional Papers, and Lectures

Thomas Hahn’s work laid the foundations for medieval romance studies to embrace the study of alterity and hybridity within Middle English literature. His contributions to scholarship brought Robin Hood studies into the critical mainstream, normalized the study of historically marginalized literature and peoples, and encouraged scholars to view medieval readers as actively encountering others and exploring themselves. This volume employs his methodologies – careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis – to highlight the literary culture of late medieval England afresh. Addressing long-established canonical works such as Chaucer, Christine de Pizan, and Malory alongside understudied …

Chaucer's Polyphony: The Modern In Medieval Poetry, Jonathan Fruoco

Research in Medieval and Early Modern Culture

Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the …

Medieval Futurity: Essays For The Future Of A Queer Medieval Studies, Will Rogers, Christopher Michael Roman

New Queer Medievalisms

This collection of essays asks contributors to take the capaciousness of the word "queer" to heart in order to think about what medieval queers would have looked like and how they may have existed on the margins and borders of dominant, normative sexuality and desire. The contributors work with recent trends in queer medieval studies, blending together modern concepts of sexuality and desire with the queer configurations of eroticism, desire, and materiality as they might have existed for medieval audiences.

Boethian Variations: Musical Thought In Sir Orfeo, Troilus And Criseyde, And Robert Henryson’S Orpheus And Eurydice, Joshua T. Parks

Masters Theses

This study approaches three poems from the late medieval British Isles—the Middle English Breton lay Sir Orfeo, Geoffrey Chaucer’s Troilus and Criseyde, and Robert Henryson’s Orpheus and Eurydice—through the lens of medieval music theory. The most important authority for medieval music theorists was the late antique philosopher Boethius, who held to a Neoplatonic philosophy of music that valued reason, theory, and contemplation of the music of the spheres. Later medieval theorists cited Boethius extensively while also adapting his thought to suit their own purposes. In particular, the early fourteenth-century French theorist Johannes de Grocheio, influenced by Aristotle, departed …

Gower As Data: Exploring The Application Of Machine Learning To Gower’S Middle English Corpus, Kara L. Mcshane, Alvin Grissom Ii

Accessus

Distant reading, a digital humanities method in wide use, involves processing and analyzing a large amount of text through computer programs. In treating texts as data, these methods can highlight trends in diction, themes, and linguistic patterns that individual readers may miss or critical traditions may obscure. Though several scholars have undertaken projects using topic models and text mining on Middle English texts, the nonstandard orthography of Middle English makes this process more challenging than for our counterparts in later literature.

This collaborative project uses Gower’s Confessio Amantis as a small, fixed corpus for analysis. We employ natural language processing …

Divided Loyalties: Family And Consent To Marriage In Late Middle English Literature, 1300–1500, Jennifer R. Alberghini

Dissertations, Theses, and Capstone Projects

Studies of marriage and family can help us learn how medieval women lived. This dissertation focuses on “consent theory,” which explains the medieval definition of marriage. According to the Church, a marriage was made valid by the couple’s consent, not outside pressures. This theory, as we might expect, conflicted with practice: children—daughters especially—were expected to be obedient to their parents and marry approved partners.

Medieval England’s legal system came down on both sides of the issue. Rape accusations were made by parents who disapproved of their daughter’s choices, and court cases evaluated the validity of a marriage made without parental …

The Shapes Of Early English Poetry: Style, Form, History, Eric Weiskott, Irina Dumitrescu

Studies in Medieval and Early Modern Culture

This volume contributes to the study of early English poetics. In these essays, several related approaches and fields of study radiate outward from poetics, including stylistics, literary history, word studies, gender studies, metrics, and textual criticism. By combining and redirecting these traditional scholarly methods, as well as exploring newer ones such as object-oriented ontology and sound studies, these essays demonstrate how poetry responds to its intellectual, literary, and material contexts. The contributors propose to connect the small (syllables, words, and phrases) to the large (histories, emotions, faiths, secrets). In doing so, they attempt to work magic on the texts they …

‘Mony Prowde Wordez’: Pronominal Speech Acts, Identity And Community In Sir Gawain And The Green Knight, Katharine Jager

Medieval Feminist Forum: A Journal of Gender and Sexuality

This paper examines distinctions between Middle English second person pronouns thou and you and argues that such distinctions provide an important measure by which to understand late medieval chivalric masculinity.

English And Latin Lexical Innovations In Reginald Pecock’S Corpus, J. A. T. Smith

All Faculty Open Access Publications

This article examines the Middle English and Latin word formations of Bishop Reginald Pecock (d. 1459). In particular, it addresses the false assumption that Pecock was intentionally writing in an English that was primarily Germanic in etymology. The article concludes that Pecock’s lexical innovations were primarily Latinate, that he was unlikely to be concerned with the “purity” of his word formation, and that it was highly unlikely that he was trying to eschew Latinate vocabulary. These conclusions were ascertained through a comprehensive assessment of Pecock’s vocabulary which shows that Pecock created 715 new words out of a total estimated vocabulary …

"So Vexed Me The Þouȝtful Maladie": Public Presentation Of The Private Self In Hoccleve's My Compleinte And The Conpleynte Paramont, Lauren M. Silverio

Honors Scholar Theses

The scholarship surrounding the life and work of Thomas Hoccleve is relatively young and lean compared to the tomes of knowledge that have been circulated about the slightly older and vastly more popular Geoffrey Chaucer. Up until the second half of the 20th century, Hoccleve came through history with the unfortunate moniker of the "lesser Chaucer." What this insult neglects, however, is that Hoccleve was more than just a lowly clerk who spent his days admiring and emulating the so-called Father of English Literature. Thomas Hoccleve deserves recognition for conceiving and creating works that are impressive both in their form …

The Gawain-Poet And The Textual Environment Of Fourteenth-Century English Anticlericalism, Ethan Campbell

Dissertations, Theses, and Capstone Projects

The 14th-century Middle English poems Cleanness and Patience, homiletic retellings of biblical stories which appear in the same manuscript as Pearl and Sir Gawain and the Green Knight, offer moral lessons to a general Christian audience, but the introduction to Cleanness, with its reference to men whom "prestez arn called," suggests that a central feature of their rhetoric is anticlerical critique. Priests do not appear as exemplars but as potentially filthy hypocrites who inspire God's harshest wrath, since their sins may contaminate Christ's body in the Eucharist.

Using Cleanness's opening lines as a guide, this dissertation …

Appendix A To Feeling Like Saints: Lollard Writings After Wyclif, Fiona Somerset

Supplementary Material for Published Books

Appendix A: Brief Descriptions of Frequently Cited Manuscripts

These descriptions provide a list of contents for selected manuscripts frequently cited in Feeling Like Saints: Lollard Writings after Wyclif (Cornell U. P., 2014). I have worked extensively with each of these manuscripts, but I also rely on previous descriptions as cited within. Abbreviations used are those listed in the table of abbreviations in the published book.

Review Of David Matthews, The Invention Of Middle English, Richard Utz

Medieval Institute Affiliated Faculty & Staff Publications

No abstract provided.