Medieval Studies Commons^™

Navigating Kingship: Sea Power And Sovereignty In Gower's Confessio Amantis, Elizabeth D. Brissey

Accessus

This article examines John Gower’s Apollonius of Tyre in the Confessio Amantis through the lens of the blue humanities, giving special attention to the ways in which the tale treats the sovereign’s maritime domain as integral to the terrestrial. Apollonius depicts sovereignty over aquapelagic space, with the sea serving both as a channel of exchange and as a figurative medium through which sovereignty is negotiated. The crucial issue that aligns the Apollonius tale with the concept of English sovereignty lies in its vision of thalassocratic space in which kingship is grounded in sea power and the sea as a connecting …

Scriptor Latinus Morigeris -- Some Aspects Of Gower’S Latin Usage, Mark T. Riley

Accessus

This paper describes the distinctive characteristics of John Gower’s Latin as illustrated primarily by his Vox Clamantis, although his shorter Latin works are occasionally mentioned. Topics include Gower’s Latin education, his extensive Latin vocabulary and mythological references, the paragraphing of his poem, his procedures for using or adapting quotations, as well as his characteristic wordplay and punning. Further topics cover Gower’s medieval use of various verbs, pronouns, and conjunctions, with the accompanying grammatical structures, some of which may present difficulties for the translator. Also included is a section on the meter of the Vox Clamantis, with some notes on …

Preface, Georgiana Donavin, Eve Salisbury

Accessus

Preface for Accessus 9, no. 1.

Preface To A Translation Of John Gower's Cronica Tripertita, Georgiana Donavin, Eve Salisbury

Accessus

This preface conveys the editors' introduction to Robert J. Meindl and Mark T. Riley's new poetic English translation of John Gower's Cronica Tripertita

Preface To A New English Translation Of The Minor Latin Works Of John Gower, Georgiana Donavin, Eve Salisbury

Accessus

The editors' preface to Robert J. Meindl and Mark T. Riley's new English translation of the Minor Latin Works of John Gower.

The Voice Of One Crying, Robert J. Meindl, Mark T. Riley

Accessus

The first poetic English translation of the entirety of John Gower's Vox Clamantis

Preface To A New English Translation Of Gower's Vox Clamantis, Georgiana Donavin, Eve Salisbury

Accessus

Preface to a new English translation of John Gower's Vox Clamantis

Definitions And Depictions Of Rhetorical Practice In Medieval English Fürstenspiegel., Joseph Ethan Blaine Sharp

Electronic Theses and Dissertations

This dissertation examines how medieval authors defined rhetoric and depicted rhetorical practice in medieval English Fürstenspiegel. It begins by analyzing how the field of medieval rhetorical historiography has overlooked the Fürstenspiegel as a rhetorical genre due to its overt reliance on meta-rhetorical handbook genres as the objects of its analysis. This dissertation challenges traditional narratives that positions medieval rhetoric as a primarily academic discipline divorced from political practice by engaging in horizontal reading practices that examine the broader culture of medieval rhetorical practice alongside the definitions of rhetoric found in medieval English Fürstenspiegel. In so doing, this dissertation …

“Hol Ynowh”, Maria Bullon-Fernandez

Accessus

This essay is a response to a series of essays on hope and healing in Gower’s Confessio Amantis. It highlights and develops a common thread found in the essays: to Gower in order to heal, we need to accept that the cure for an illness may not restore us completely to our former selves but may make us just “hol ynowh.” And by accepting, we can find peace.

The Consolation Of Exempla: Gower’S Sources Of Hope And “Textual Healing” In The Confessio Amantis, Curtis Runstedler

Accessus

This article examines the role of exempla as the root cause of hope and healing in John Gower's Confessio Amantis. I argue that these exempla provide remedial action in the text. The exempla are sources of metaphorical healing in the text, functioning as what I have termed “textual healing,” that is the medicinal aspects of the text that helps remedy Amans (and the reader, to a certain extent) back to full health. This article also draws upon reading the Confessio Amantis as a consolatio poem, linking it to Boethius' Consolation of Philosophy in particular. I also discuss the role …

Hope And Healing In Gower: A Special Issue, Georgiana Donavin

Accessus

"Hope and Healing in Gower: A Special Issue" is the editor's short introduction to Accessus 7.1.

Writing Into Hope: Laughter, Sadness And Healing In John Gower's Confessio Amantis, Natalie S. Grinnell

Faculty Scholarship

This article uses the theory of the narrative creation of the self to contend that the Confessio Amantis creates a space for narrative healing within the acknowledgement of mortality. Rather than being traditionally funny or ending in amorous or military victory, Gower’s poem uses the encyclopedia knowledge of the interpolated tales to establish a healing narrative in the face of failure and loss.

Transmuting John Gower: Elias Ashmole’S Hermetic Reading Of Gower’S Jason And The Golden Fleece, Curtis Runstedler

Accessus

This article examines Elias Ashmole’s alchemical reading of John Gower’s tale of Jason and the Golden Fleece in the Theatrum Chemicum Britannicum (1652). I argue that this tale can be read as alchemical and connects to the Renaissance humanist tradition of reading classical stories as alchemical as well as Book IV of the Confessio Amantis, in which Gower depicts alchemy as the ideal form of human labour. Jason, representing the aspiring adept in this reading, is aided by his lover Medea, who represents a master alchemist with her supernatural powers, and through his intensive labours he is successful as …

John Gower's Magical Rhetoric, Georgiana Donavin

Accessus

In Book 6 of the Confessio Amantis, telling the “Tale of Ulysses and Telegonus,” John Gower says of the former, “He was a gret rethorien / He was a gret magicien,” thereby capturing deep connections between rhetoric and magic. The seriously flawed necromancers of Book 6 exemplify only negative connections, however. Ulysses, by embracing verbal trickery and deploying his knowledge of the liberal arts for inferior aims, fails as both hero and speaker. Worse than Ulysses is Nectanabus, whose deceitful “carectes” seem to serve as a critique against spoken enchantments. Later in Book 7, however, Gower recuperates a concept …

Magic, Religion, And Science: A Special Issue, Eve Salisbury

Accessus

Preface to a special issue of Accessus on magic, religion, and science in the Middle Ages and Early Modern Period.

Foreword, Georgiana Donavin, Eve Salisbury

Accessus

Foreword for Accessus volume 6, issue 1.

Gower As Data: Exploring The Application Of Machine Learning To Gower’S Middle English Corpus, Kara L. Mcshane, Alvin Grissom Ii

Accessus

Distant reading, a digital humanities method in wide use, involves processing and analyzing a large amount of text through computer programs. In treating texts as data, these methods can highlight trends in diction, themes, and linguistic patterns that individual readers may miss or critical traditions may obscure. Though several scholars have undertaken projects using topic models and text mining on Middle English texts, the nonstandard orthography of Middle English makes this process more challenging than for our counterparts in later literature.

This collaborative project uses Gower’s Confessio Amantis as a small, fixed corpus for analysis. We employ natural language processing …

Dark Money: Gower, Echo, And 'Blinde Avarice', Craig E. Bertolet

Accessus

Gower’s poetic works show a consistent concern with the darkness and deceit associated with Avarice, the sin mostly associated with commercial transactions. In the Confessio, he calls Avarice blind. This blindness seems to work both ways. Avarice blinds humans to their humanity because it causes them to cheat and steal from others. Avarice also blinds the victims of the greedy since the greedy resort to deception in order to gain what they want. In the Confessio, Genius tells the tale of Echo as an example of the practices that he calls usury but who works as an amalgam …

Global Gower: The Archer Aiming At The World, Joyce Coleman

Accessus

This article explores the Vox Clamantis’ famous image of the archer shooting an arrow at a globe. There are sources and analogues for all the elements of the picture, but their combination and reinvention have produced a unique iconography. Gower’s multispectral conception of the globe combines ecological features with human estates with divine justice. Huntington Library HM 150 extends this innovation further, possibly even linking the miniature to the Wilton Diptych via the cross and pennon planted on the top of its globe. The complexity of the ideas embedded in the archer images suggests that Gower himself, and not …

Introducing Gower Shorts, Eve Salisbury, Georgiana Donavin

Accessus

This essay provides an introduction to a special issue of Accessus, entitled "Gower Shorts," slightly expanded and revised versions of conference papers presented at the International Congress on Medieval Studies at Kalamazoo in 2018-19 and the Modern Language Association Conference in Chicago in 2019.

Foreword, Georgiana Donavin, Eve Salisbury

Accessus

This is the Foreword to Accessus 5.1

Preface, Georgiana Donavin, Eve Salisbury

Accessus

This preface introduces Accessus 4.2.

Foreword, Georgiana Donavin, Eve Salisbury

Accessus

This foreword by Georgiana Donavin and Eve Salisbury introduces Accessus volume 3, issue 2 to readers of the journal.

Foreword, Georgiana Donavin, Eve Salisbury

Accessus

In this Foreword, the editors summarize the articles published in Accessus 3.1 and offer conclusions about their importance for Gower Studies and contemporary medical practice.

Gower And The Peasants’ Revolt, Ian Cornelius

English: Faculty Publications and Other Works

This essay examines the moral and political thought of John Gower's poem on the English Rising of 1381, situating it within three contrastive fields: Gower’s moral project, his Virgilian intertext, and the practices of moral community employed by the rebels of 1381.

“Nede Hath No Law”: The State Of Exception In Gower And Langland, Conrad J. Van Dijk

Accessus

This article discusses the use of the legal maxim necessity knows no law in the works of William Langland and John Gower. Whereas Langland’s usage has stirred up great controversy, Gower’s unique application of the canon law adage has received hardly any attention. On the surface, it is difficult to think of two authors less alike, and the way in which they relate the concept of necessity to different subjects (the poverty debate, fin amour) seems to support that feeling. Yet this article argues that reading Langland and Gower side by side is mutually illuminating. Specifically, this article reveals …

Foreword, Georgiana Donavin, Eve Salisbury

Accessus

Co-editors Georgiana Donavin and Eve Salisbury welcome readers to Accessus 2.2.

The Anti-Crusade Voice Of Chaucer's Canterbury Tales, Malek Jamal Zuraikat

Graduate Theses and Dissertations

This study reads some Middle English poetry in terms of crusading, and it argues that the most prominent English poets, namely Geoffrey Chaucer, William Langland, and John Gower, were against the later crusades regardless of their target. However, since the anti-crusade voice of Gower and Langland has been discussed by many other scholars, this study focuses on Chaucer's poems and their implicit opposition of crusading. I argue that despite Chaucer's apparent neutrality to crusading as well as other sociopolitical and cultural matters of England, his poetry can hardly be read but as an indirect critique of war in general and …

“For It Acordeth Noght To Kinde”: Remediating Gower’S Confessio Amantis In Machinima, Sarah L. Higley

Accessus

Visual adaptation of a medieval text, as tempting as it is in film of any kind, is never an easy conversion, and all the more so if the original is as formally structured as John Gower’s Confessio Amantis. This essay examines the philosophy and difficulties of making a “medieval motion picture” (animated and narrated by the author) reflect the message of three of Gower’s tales (“The Travelers and the Angel,” “Canace and Machaire,” “Florent”) as well as the multimedia properties of the manuscripts that house them, their illuminations beckoning us into colorful virtual worlds. In referencing theories of adaptation, …

Preface, Georgiana Donavin, Eve Salisbury

Accessus

Co-editors Georgiana Donavin and Eve Salisbury are delighted to feature the work of medievalist and machinimatographer Sarah L. Higley in this issue of Accessus. In a machinima production that debuted during the Third International Congress of the John Gower Society at the University of Rochester (30 June through 3 July, 2014), Higley refashions three tales from the Confessio Amantis for her film The Lover's Confession. In this issue of Accessus, we present the film and Higley's commentary on the intersections between her creative work with machinima and scholarly issues surrounding "The Tale of the Travelers and the …