Medieval Studies Commons^™

“The Hond Hire Helde”: Solidarity, Mirroring, And Foreshadowing Between Helen, Cassandra, And Criseyde In Chaucer’S Troilus And Criseyde, Mallory K. Warner

Seton Hall University Dissertations and Theses (ETDs)

Geoffry Chaucer’s Troilus and Criseyde has divided readers and critics alike when addressing the main female protagonist: Criseyde. The poem follows Criseyde and her love interest Troilus, during the final days of the Trojan War, as the two are thrust together into a tragic affair then ripped apart by outside forces and the consequences of their own choices. By the end of the narrative, Criseyde’s autonomy is stripped from her as she is traded in a hostage exchange to the Greek army. In her last present moment in the poem, Criseyde comes to the realization that remaining true to Troilus …

Dutiful Wife, Grieving Mother: Examining Medieval Joban Allusion Through A Matricentric Affective Lens, Morgan Lee

Graduate Theses and Dissertations

This thesis uses concepts of matricentrism and affect to examine the legacy of Job and its frequent medieval allusions in stories featuring grieving mothers. It specifically analyzes how, in order to be considered noble, steadfast sufferers, women were expected to relinquish their maternal grief and adopt a stoic affect. This was often to the benefit of or in the direct service of their husbands. The analysis covers three women in particular: Job’s wife (who is examined through the medieval commentary written about her), Prudence from Chaucer’s "Tale of Melibee," and Griselda from Chaucer’s "Clerk’s Tale." This thesis utilizes medieval conduct …

Chaucer’S Contradictory Representations Of Fourteenth Century Knighthood In The Canterbury Tales, Nicholas Cabrera

Theses and Dissertations

Differences in interpretation have long dominated scholarship regarding knighthood in Geoffrey Chaucer’s The Canterbury Tales. But these differences fail to consider the nuance of the text and the historical realities of the period in which Chaucer wrote. Chaucer’s depiction of knighthood represents the institution as filled with tensions and contradictions.

Reading Suffering Between The Lines: Trauma And Witnessing In Old And Middle English Literature, Anca Olguta Giorgiana Garcia

USF Tampa Graduate Theses and Dissertations

Both literary trauma theorists and medieval literature scholars generally avoid analyzing Old and Middle English literature through the lens of trauma studies. There are multiple reasons for this reluctance, and perhaps the most elementary one is the misconception that medieval society was numb to pain because they experienced it more often than people today do. Another reason is the fact that trauma in general is seen as a product of the Industrial Revolution and of the interactions between humans and machines. Its terminology and diagnostic methods have only developed in the last two centuries, so applying modern concepts on medieval …

The Bond Of Empathy In Medieval And Early Modern Literature, David Strong

Research in Medieval and Early Modern Culture

This study examines the various means of becoming empathetic and using this knowledge to explain the epistemic import of the characters’ interaction in the works written by Chaucer, Shakespeare, and their contemporaries. By attuning oneself to another’s expressive phenomena, the empathizer acquires an inter- and intrapersonal knowledge that exposes the limitations of hyperbole, custom, or unbridled passion to explain the profundity of their bond. Understanding the substantive meaning of the characters’ discourse and narrative context discloses their motivations and how they view themselves. The aim of this book is to explore the place of empathy in select late medieval and …

Postmodern Poetry And Queer Medievalisms: Time Mechanics, David Hadbawnik

New Queer Medievalisms

This volume builds on recent scholarship on contemporary poetry in relation to medieval literature, focusing on postmodern poets who work with the medieval in a variety of ways. Such recent projects invert or “queer” the usual transactional nature of engagements with older forms of literature, in which readers are asked to exchange some small measure of bewilderment at archaic language or forms for a sense of having experienced a medieval text. The poets under consideration in this volume demand that readers grapple with the ways in which we are still “medieval” – in other words, the ways in which the …

Calkas’S Daughter: Paternal Authority And Feminine Virtue In Troilus And Criseyde, Jennifer Alberghini

Medieval Feminist Forum: A Journal of Gender and Sexuality

The heroine of Geoffrey Chaucer’s Troilus and Criseyde has been of considerable interest to medieval feminist scholars as a woman who is depicted as both virtuous and an adulteress. Yet critical discussions do not often view Criseyde’s virtue in light of her role as daughter. This article explores that role, focusing on how her father Calkas is described by the characters as having authority over his daughter’s body in the marriage market. This will later enable them to use him as an excuse for Criseyde’s failure to return to Troy and thus preserve her status as virtuous. However, the characters …

Uprooting Medievalism: Ya And The Future Of Fantasy, Zoe Phillips

Undergraduate Theses and Capstone Projects

This thesis looks at the development of the young adult neo-medieval fantasy genre, measuring famous works from the Medieval period against works such as Tolkien's, to examine the impact of female protagonists and female authors on the genre and readers alike as neo-medieval fantasy continues to gain in popularity. Works examined include: Beowulf, Lanval, Le Roman de Silence, The Hobbit, Uprooted, and The Hero and the Crown.

Debating Birds Upend The Hierarchy Of Nature In The Owl And The Nightingale And The Parliament Of Fowls, Caragh Vasko

Masters Essays

No abstract provided.

Chaucer's Polyphony: The Modern In Medieval Poetry, Jonathan Fruoco

Research in Medieval and Early Modern Culture

Geoffrey Chaucer has long been considered by the critics as the father of English poetry. However, this notion not only tends to forget a huge part of the history of Anglo-Saxon literature but also to ignore the specificities of Chaucer’s style. Indeed, Chaucer’s decision to write in Middle English, in a time when the hegemony of Latin and Old French was undisputed (especially at the court of Edward III and Richard II), was consistent with an intellectual movement that was trying to give back to European vernaculars the prestige necessary to a genuine cultural production, which eventually led to the …

Medieval Futurity: Essays For The Future Of A Queer Medieval Studies, Will Rogers, Christopher Michael Roman

New Queer Medievalisms

This collection of essays asks contributors to take the capaciousness of the word "queer" to heart in order to think about what medieval queers would have looked like and how they may have existed on the margins and borders of dominant, normative sexuality and desire. The contributors work with recent trends in queer medieval studies, blending together modern concepts of sexuality and desire with the queer configurations of eroticism, desire, and materiality as they might have existed for medieval audiences.

Boethian Variations: Musical Thought In Sir Orfeo, Troilus And Criseyde, And Robert Henryson’S Orpheus And Eurydice, Joshua T. Parks

Masters Theses

This study approaches three poems from the late medieval British Isles—the Middle English Breton lay Sir Orfeo, Geoffrey Chaucer’s Troilus and Criseyde, and Robert Henryson’s Orpheus and Eurydice—through the lens of medieval music theory. The most important authority for medieval music theorists was the late antique philosopher Boethius, who held to a Neoplatonic philosophy of music that valued reason, theory, and contemplation of the music of the spheres. Later medieval theorists cited Boethius extensively while also adapting his thought to suit their own purposes. In particular, the early fourteenth-century French theorist Johannes de Grocheio, influenced by Aristotle, departed …

“Thus Seyden Sadde Folk”: Chaucer’S Oxford Clerk On Theological Controversy In The 14th Century, Molly Kluever

CSB and SJU Distinguished Thesis

Among the most disturbing of The Canterbury Tales, the Oxford Clerk’s story of the submissive Griselda and her husband-cum-tormentor Walter has, despite its categorization as one of Chaucer’s “religious tales,” resisted most, if not all, theological readings with its lack of a clear moral. I attempt to address this ambiguity by focusing on the teller himself. As an Oxford-trained cleric, the Clerk is uniquely qualified to juggle the interrelated but conflicting discourses of two significant theological controversies of the late fourteenth century: the ongoing realist-nominalist debate within medieval universities and the rising Wycliffite/lollardy reform movement among all levels of …

Queer Authority In Old And Middle English Literature, Elan J. Pavlinich

USF Tampa Graduate Theses and Dissertations

I argue that select early English texts queer normative authorizing conventions to authorize Old English and Middle English literatures. During the European Middle Ages, Latin cultures and literatures were privileged with authority that extended to and subverted the cultural capital of the inhabitants of England at the edge of the known Western world. I identify four exceptional English texts that employ authorizing conventions to disrupt normative networks of power that traditionally privilege Latin and to authorize English literature instead. The Norman Conquest had altered the English language and social structures; still, these altered networks of power continued to marginalize English …

“Out Of The Mother . . . And Home To The Mother”: Essays On Medieval Literature And Climate Crisis, Rachel Kuhr Smith

Graduate Student Theses, Dissertations, & Professional Papers

No abstract provided.

"The Double Sorwe Of Troilus": Experimentation Of The Chivalric And Tragic Genres In Chaucer And Shakespeare, Rena Patel

Scripps Senior Theses

The tumulus tale of Troilus and his lover Cressida has left readers intrigued in renditions written by both Geoffrey Chaucer and William Shakespeare due to their subversive nature of the authors’ chosen generic forms. Chaucer’s Troilus and Criseyde challenges the expectations and limitations of the narrative of the chivalric romance. Shakespeare took the story and turned Troilus and Cressida into one of his famous “problem plays” by challenging his audience’s expectations of the tragic genre. I endeavor to draw attention to the ways in which both Chaucer and Shakespeare use the conventions of the chivalric romance and tragedy to play …

Intersex And The Pardoner’S Body, Kim Zarins

Accessus

Most scholars today have retreated from reading into the Pardoner's body in favor of more figurative readings that emphasize his lack of masculinity, and such lack is then linked to his dejection and despair. Other, more affirming readings center the Pardoner's performance, which allows him to model any sort of body desired through figuration. While such positions dominate and older theories like Beryl Rowland's proposal of an intersex Pardoner are dismissed, in fact, an intersex reading might be a more life-affirming interpretation, not only in terms of reframing the Pardoner's body as manifesting variation as opposed to lack, but also …

Foreword, Georgiana Donavin, Eve Salisbury

Accessus

The co-editors of Accessus are pleased to present "Intersex and the Pardoner's Body" by Kim Zarins.

Literary Theories Of Circumcision, A. W. Strouse

Dissertations, Theses, and Capstone Projects

“Literary Theories of Circumcision” investigates a school of thought in which the prepuce, as a conceptual metaphor, organizes literary experience. In every period of English literature, major authors have employed the penis’s hood as a figure for thinking about reading and writing. These authors belong to a tradition that defines textuality as a foreskin and interpretation as circumcision. In “Literary Theories of Circumcision,” I investigate the origins of this literary-theoretical formulation in the writings of Saint Paul, and then I trace this formulation’s formal applications among medieval, early modern, and modernist writers. My study lays the groundwork for an ambitious …

Lust And Lineage: The Complex Politics Of Chaucer’S The Clerk’S Tale, William Arguelles

Seton Hall University Dissertations and Theses (ETDs)

Chaucer’s The Clerk’s Tale is one of the more perplexing stories in The Canterbury Tales, filled with paradox and resulting in a cacophony of fiery criticism. The difficulties posed by Griselda’s unwavering submission, the opaque ambitions behind Walter’s actions, the unclear moralistic ending and contradictory epilogue form the very paradoxes that force the reader to investigate their own reading of Griselda’s suffering. By examining one facet in particular, the political allegory underpinning the tale, The Clerk’s Tale’s contradictions immediately and immovably appear, creating a confounding yet arresting narrative about the interrelation between ruler and subject, husband and wife, king …

"Good To Think With": Women And Exempla In Four Medieval And Renaissance English Texts, Jennifer Fish Pastoor

Graduate Theses and Dissertations

This dissertation examines four English texts—Beowulf; Ancrene Wisse; Geoffrey Chaucer’s Canterbury Tales’ Man of Law’s Tale and Second Nun’s Tale; and Richard Hyrde’s English translation, The Instruction of a Christen Woman, of Juan Luis Vives’ De Institutione Feminae Christianae—in terms of their use of exempla related to women. These texts all find women good “to think with,” to use, from The Body and Society, Peter Brown’s appropriation of Levi-Strauss’s famous wordplay. The ways in which these Old English, Middle English, and modern English texts portray women’s lives and bodies as a gateway into thought about the Christian life are also …

Philosophical Romance: Figures Of Venus In “The Knight's Tale”, Caleb Molstad

The Hilltop Review

This essay examines Chaucer's use of the Roman goddess Venus in “The Knight's Tale.” It looks at the astrological, mythological, and allegorical meanings that he gives to the figure of Venus in the poem. The essay also considers imaginative techniques, including ekphrasis and allegory, that Chaucer uses to express philosophical ideas within a chivalric romance. Ultimately, it argues that Chaucer uses Venus in “The Knight's Tale” to imaginatively unfold the Boethian idea that love governs the world.

Global Chaucers: Reflections On Collaboration And Digital Futures, Candace Barrington, Jonathan Hsy

Accessus

Global Chaucers, our multi-national, multi-lingual, multi-year project, intends to locate, catalog, translate, archive, and analyze non-Anglophone appropriations and translations of Chaucer’s The Canterbury Tales. Since its founding in 2012, this project has rapidly changed in response to scholars’ diverse interests and our expanding discoveries. Almost all these changes were prompted and made possible by our online presence (including a blog and Facebook group), and digital media comprises our primary means for gathering information, disseminating our findings, advertising conferences and events, and promoting the resource to other scholars. Because digital media can help disparate people traverse geographical and linguistic barriers, …

Introduction To Innovative Approaches To Teaching Chaucer, Alison (Ganze) Langdon, David Sprunger

English Faculty Publications

Many a medievalist has been seduced by Chaucer. Perhaps it’s the totality of Chaucer’s enduring characters, memorable tales, elusive narrator, and fragmented whole that keeps us coming back. We are fascinated and delighted, too, by his linguistic play and the lyrical cadence of Middle English. Chaucer may have led us to graduate study in the first place and remains a treat that organizes our pedagogical lives. For some who teach in smaller programs or two-year colleges, Chaucer’s canonical status may provide the only guaranteed place for medieval texts in the curriculum and thus represents one small chance to share our …

Apocalyptic Mentalities In Late-Medieval England, Steven A. Hackbarth

Dissertations (1934 -)

Apocalypticism, defined by expectation of an imminent End, assumes many forms and proves influential in the second half of the Fourteenth Century in England. Throughout my study, I demonstrate that a rich apocalyptic environment emerges in works of the period, including those of Chaucer, Gower, Langland, and the Pearl-poet. In this period, apocalypticism has provided explanations for plague, narratives that make evil more vivid, and arguments for urgent action. It gives contemporary phenomena special meaning. My study is organized around conspicuous centers of meaning that work reciprocally with the apocalyptic, simultaneously defining the End and defined by it. First, I …

Borrowing In Context : The Importance And Artistic Implications Of Chaucer's Use Of Sources In The Merchant's Tale, Austin Taylor Mcintire

Theses, Dissertations and Capstones

In this thesis, I consider the implications of Chaucer not only as a man of his age but also as a poet who made deliberate decisions to borrow, imitate, and adapt the work of others, specifically in the context of The Merchant’s Tale. Chapter I of this thesis establishes the significance of the medieval understanding of auctor and auctoritas during the medieval literary period and, furthermore, examines Chaucer’s artistic output both during his career as a court poet and following his removal to Kent in an attempt to reach a clearer understanding of Chaucer’s use of source material when composing …

"My Trouthe For To Holde-Allas, Allas!": Dorigen And Honor In The Franklin's Tale, Alison Ganze

English Faculty Publications

Though others have explored in detail the deep and abiding concern with honor Arveragus and Aurelius evince in the tale, Dorigen’s own preoccupation with honor—no less significant in the tale’s exposition of trouthe—has not received much critical attention. Indeed, the question of Dorigen’s honor is often preempted by analysis of the (masculine) chivalric code of honor, which subsumes female honor within it. Yet an analysis of Dorigen’s promise to Aurelius and of her despairing complaint will reveal that she, too, participates in the same concept of trouthe that binds her male counterparts, one that privileges trouthe not simply as honor …

The Pitchman In Print: Oral Performance Art In Text And Context, Joseph Ugoretz

Publications and Research

Oral performance art, patterned performative speech for an audience, is perhaps the oldest and most ubiquitous human art form. Specific instances of this art include the performances of griots and guslars, troubadors and shamans, as well as rappers and riddlers, preachers and politicians. While this art form is by definition oral, it is also the case that, frequently, literary art has represented oral performance art. There is written art which depicts oral art, which describes it, appropriates it, criticizes and co‑opts it.

In this dissertation, I define oral performance art as constituting a separate and unique artistic genre, one which …