Medieval Studies Commons^™

Preface, Bruce W. Hall

The Thetean: A Student Journal for Scholarly Historical Writing

As the official journal of the Beta Iota Chapter of Phi Alpha Theta, the honors society for students of history, The Thetean is committed to encouraging good historical writing at BYU. We recognize the great importance of quality historical writing and have sought to recognize those students whose outstanding work has earned them a recognition greater than just a grade.

Front Matter

The Thetean: A Student Journal for Scholarly Historical Writing

No abstract provided.

Poets And Scribes In Late Medieval England: Essays On Manuscripts And Meaning In Honor Of Susanna Fein, Michael Johnston, Kathryn Kerby-Fulton, Derek Pearsall

Festschriften, Occasional Papers, and Lectures

This collection of essays, inspired by Susanna Fein’s remarkable breadth and range, reflects upon her deep commitment to unpacking how we can use manuscript evidence to recover the voices of medieval poets in their original reading environments. Drawing upon her critical insights, this volume gathers contributions from scholars whose own research is indebted to Fein’s enduring contributions. From seasoned veterans of Middle English studies to mid-career scholars to emerging voices within the field, this book brings together essays by eleven scholars indebted to Fein’s work, ranging across Middle English manuscripts, lyrics, Chaucer, Pearl, devotional poetry, scribal culture, multilingualism, gender, …

Prosodic Protocols And Interruptions Of Them In Piers Plowman, Ian Cornelius

English: Faculty Publications and Other Works

In premodern societies artificial prosody supplied an encoding protocol for the transmission of sound in writing. Focusing on the fourteenth-century English poem Piers Plowman, this essay examines mid-stream interruption, modification, or blending of prosodic protocols. In most cases the interruption takes the form of a mid-line switch from English verse to Latin prose. In a few cases, the switch is from English verse to Latin verse. These interruptions of protocol are part of the formal artistry and multilingual facility of Piers Plowman, encoding a great range of sound and some silence. They prompt readers to re-evaluate well-justified expectations …

The Dragon Is Not An Allegory: Reading Tolkien’S Monsters In Medieval Contexts, Cait Coker, Ruthann Mowry

Journal of Tolkien Research

In his letters, J.R.R. Tolkien stated both that he considered LOTR “a fundamentally religious and Catholic work” (no. 172) but that he considered the work “built on or out of certain ‘religious’ ideas, but is not an allegory of them (or anything else)” (no. 283). However, Tolkien was also a medievalist, and understood that texts always contained a multitude of readings as documentary objects that were kept and used in specific ways. Creatures and imagery contained in medieval books provided
information to the reader, as when bestiaries explicate fauna with attributes both real and metaphysical. They thus combine fiction and …

Tolkien's Tevildo - Of Fables, Rings And Cats, Polina Svadkovskaia

Journal of Tolkien Research

The article explores Tolkien's process of deconstructing two medieval beast fable narratives in his creation of Tevildo, Prince of Cats, whereby he strategically aligns the feline with malevolence. It further posits that the magic of the One Ring is presented preliminarily in The Tale of Tinúviel in two forms: Tevildo's golden collar and the enchantment he uses to control other cats. Tevildo is thus endowed with tokens of villainy reminiscent of Sauron's: however, the cat fails at projecting fear due to the underlying moralistic element of the story and the fragmentation of the magic his power relies upon.

Sam's Song In The Tower: The Significance Of 'Merry Finches' In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd

Journal of Tolkien Research

In The Lord of the Rings, Samwise Gamgee climbs the Tower of Cirith Ungol to try to rescue his master and friend, Frodo Baggins, who has been taken captive by Orcs. When Sam is near despair because he cannot find Frodo, Sam sings a song that makes reference to “merry finches.” What is the significance of this phrase in his lyrics? To answer this question, my essay first explores J.R.R. Tolkien’s ornithological knowledge, especially of finches in England, which is readily demonstrated from a letter he wrote to his son, Christopher Tolkien (July 7, 1944), about his observations of bullfinches …

Æthelflæd, Lady Of The Mercians, And Women In Tenth-Century England, Rebecca Hardie

Richard Rawlinson Center Series

Æthelflæd (ca. 870–918), political leader, military strategist, and administrator of law, is one of the most important ruling women in English history. Despite her multifaceted roles and family legacy, however, her reign and relationship with other women in tenth-century England have never been the subject of a book-length study. This interdisciplinary collection of essays redresses a notable hiatus in scholarship of early medieval England. Æthelflæd, Lady of the Mercians, and Women in Tenth-Century England argues for a reassessment of women’s political, military, literary, and domestic agency. It invites deeper reflection on the female kinships, networks, and communities that give meaning …

The Medieval North And Its Afterlife: Essays In Honor Of Heather O’Donoghue, Siân Grønlie, Carl Phelpstead

Northern Medieval World

This book showcases the variety and vitality of contemporary scholarship on Old Norse and related medieval literatures and their modern afterlives. The contents of the volume reflect the range of current research on Old Norse and related literatures, featuring original work on Old Norse poetry and saga; related languages and literatures of medieval north-western Europe; and accounts of the afterlife of Old Norse in modern English literature.

Otherworldly But Not The Otherworld: Tolkien’S Adaptation Of Medieval Faerie And Fairies Into A Sub-Creative Elvendom, Elliott Thomas Collins

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Through a comparative analysis of Lothlorien and the medieval stories of Lanval and Sir Orfeo, this article attempts to shed some light on how the inherently pessimistic and recursive nature of Tolkien's sub-creation affects his adaptation of medieval Faerie into a sub-creative elvendom born of the creative instincts of the elves. In doing so, the article also questions Tolkien's adherence to parameters of Faerie and characteristics of elves as laid out in OFS.

Medieval Manuscripts At Loyola University Chicago, Ian Cornelius, Kathy Young

English: Faculty Publications and Other Works

This article provides a summary overview of the collection of pre-1600 western European manuscripts in Loyola University Chicago Archives and Special Collections. The collection presently comprises four manuscript codices, at least 38 fragments, and four documents. The codices are a thirteenth-century Book of Hours from German-speaking lands; a fifteenth-century Dutch prayerbook; a preacher’s compilation written probably in southern Germany in the 1440s; and two fifteenth-century Italian humanist booklets, bound together since the nineteenth century, transmitting Donatus’s commentary on the Eunuchus (incomplete) and an anthology of theological excerpts, respectively. The fragments consist of thirteen leaves from books dismembered by modern booksellers …

Manuscripts In The University Of Dayton's Marian Library: An Overview And Recent Activities, Henry M. Handley

Marian Library Faculty Publications

For researchers seeking information on the Virgin Mary, the Marian Library at the University of Dayton is a treasure trove. The library, a special collection dedicated to Mary, the mother of Jesus, serves students, faculty, and staff at the Catholic university as well as researchers from around the world. For researchers beyond the university looking for European medieval manuscripts, though, the Marian Library might not seem like the first place to look.

The library's collecting scope and eighty-year history of antiquarian acquisitions, however, have supported the acquisition of several manuscript codices and a number of fragments. Recent rediscoveries and library …

Il Digiuno Delle Donne Religioso Durante Il Rinascimento, Alessia Nicosia

Italian Renaissance Foodways

Mio advanced integration project è trovare la connessione tra religione e la cultura italiana. Il digiuno ha una relazione per dimostrare la dedizione a Dio, le donne religiosi avevano. Può vedere la intersezione tra religione e cultura con i libri di Laura Giannetti, Caroline Bynum, e Rudolph Bell, per scoprire l'identità italiana e la spiritualità di queste donne religiosi (in particolare Caterina di Benincasa (Catherine of Siena), Beata Colomba di Rieti (olumba of Rieti) e Santa Clare of Assisi) il ruolo il cibo aveva con loro, per esempio nel il digiuno e la eucaristia.

Spiritual And Material Boundaries In Old French Verse: Contemplating The Walls Of The Earthly Paradise, Jacob Abell

Research in Medieval and Early Modern Culture

The Earthly Paradise was a vibrant symbol at the heart of medieval Christian geographies of the cosmos. As humanity’s primal home now lost through the sins of Adam of Eve, the Earthly Paradise figured prominently in Old French tales of lands beyond the mundane world. This study proposes a fresh look at the complex roles played by the Earthly Paradise in three medieval French poems: Marie de France’s The Purgatory of St. Patrick, Benedeit’s Voyage of Saint Brendan the Abbot, and Guillaume de Lorris’s The Romance of the Rose. By examining the literary, cultural, and artistic components that informed each …

Honorius Augustodunensis, Exposition Of Selected Psalms, Ann W. Astell, David Welch

TEAMS Commentary Series

The abbreviated Psalms commentary by Honorius Augustodunensis (ca. 1070 – ca. 1140)—a redaction of his own, much larger commentary on the entire Psalter—participates in a long tradition of Christian interpretation of the Book of Psalms. A prolific author closely associated with Anselm of Canterbury, Rupert of Deutz, and Gilbert of Poitiers, Honorius wrote a massive commentary on the Psalms when the so-called “school of Laon” was at work on the Glossa ordinaria. Honorius’s work shares the academic interest of that school, while simultaneously serving the devotion of the Benedictine Reform. His Exposition of Selected Psalms highlights a tripartite division …

William Caxton's Paris And Vienne And Blanchardyn And Eglantine, Harriet Elizabeth Hudson

TEAMS Middle English Texts

William Caxton’s Paris and Vienne and Blanchardyn and Eglantine are English versions of romances well-known in medieval and early Renaissance Europe, but outside the modern canon of early English literature. Like many of his publications, they are translations of prose works circulating at the court of Burgundy, but unlike his other romances, they do not belong to the matters of the Nine Worthies. They are independent narratives of love and adventure presenting two differing but complementary accounts of chivalry and courtly love. Following fifteenth-century fashions, they treat conventional materials with a degree of realism and imbue characters with subjectivity. Blanchardyn …

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Frights And Forests: The Hellish Landscape Of The Dark Forest, From Sleepy Hollow To The Forest Of Arden, Minna Nizam

Online Midwinter Seminar (OMS)

This paper seeks to explore forest settings in fantasy, and its hellish landscapes. From the headless horseman in Washington Irving’s The Legend of Sleepy Hollow, to the frights and horrors of mythical creatures in fantasy settings placed in forests. The purpose of this study is to dive deep into the fear of the forest, its early days in storytelling, to more modern renditions. Sources used will be primarily books, and texts within books, such as The Legend of Sleepy Hollow, The Lord of the Rings, and much more.

Mythopoeic Awards Discussion, David Lenander, David Emerson

Online Midwinter Seminar (OMS)

No abstract provided.

Seven Minutes In Hell: Hells In Fantasy Games, Nyssa Gilkey

Online Midwinter Seminar (OMS)

Join Nyssa Gilkey on a tour through several different fantasy video game depictions of hell. We’ll spend about seven (-ish) minutes looking around each hell or underworld before moving on, touring Helheim in God of War and God of War: Ragnarok, Hades and Elysium as portrayed in Assassin’s Creed: Odyssey DLC, and the Duat of ancient Egypt in Assassin’s Creed: Origins DLC. With sufficient time and interest, we can tour other fantasy depictions of hell. Participants will be able to ask questions and discuss throughout the journey.

The Image Of Satan In Evangelical Children’S Fantasy, Melody Green

Online Midwinter Seminar (OMS)

Over the last few decades, niche publishers have presented several children’s fantasy series marketed as being “in the tradition of Lewis and Tolkien.” These publishers, however, are neither British, nor are they Anglican or Catholic. They are instead American Evangelical organizations, providing a space for faith-informed stories that wander somewhere between allegory and parable. Within the pages of these texts can be found not only the expected Christ-figures, but there are also Satan-figures and hellish landscapes much more likely to reflect concepts from Dante, Milton, and medieval witch-hunting guides than from the Bible, the text that evangelicals claim to be …

Hell As An Exploration Of Sin: A Comparison Of Alan Moore’S Providence To Dante’S Inferno, Zachary Rutledge

Online Midwinter Seminar (OMS)

In Alan Moore’s graphic novel Providence, Robert Black travels Lovecraftian New England and suffers a series of horrifying encounters—each an allusion to a Lovecraft story. These encounters contain direct references to various sins and taboos, thereby making explicit much of the sublimated sexuality in Lovecraft’s works. Therefore, Black’s journey constitutes not only a trip through Lovecraft’s mythology but also reads as a cataloguing of sins reminiscent of Dante’s passage through the levels of sin in Inferno. This paper identifies and explores the similarities between Dante and Black as examples of those who descend to the underworld along with a …

Political Demons: Society As Hell In Hellblazer And Sandman, Andrew Burt

Online Midwinter Seminar (OMS)

In the Hellblazer and Sandman comic book universes, hell depends on the writer’s worldview and often on the decade in which they are writing, appearing as a twisted version of a dreary regular world. Thus, this hell is often related to the contemporary Western political and cultural landscape as seen through Judeo-Christian conceptions of hell, demonology, and fears of everlasting torment and damnation, just like Dante’s Inferno and many other representations for centuries. In creating a hell that mirrors the modern world and accounts for contemporary folklore about the supernatural, the creators humanize the character’s quests and reify the fruitlessness …

Panel: The Rings Of Power Season 1: Underworlds, Overworlds, And Ocean Worlds, Tim Lenz, Leah Hagan, Grace Moone, Pablo Guss

Online Midwinter Seminar (OMS)

Now that the first of five planned seasons of Amazon’s big budget Second Age adaptation The Lord of the Rings: The Rings of Power has aired, we will provide a retrospective of Season 1. We will compare Tolkien’s Second Age writings with the realized version in the show, including how the writers and showrunners have interpreted certain specific passages from the texts, and where significant departures were made for sake of adaptation. We will highlight themes of the season, as well as specific characters, relationships, and settings that have resonated with audiences, and speculate on where the series could potentially …

Who The Hell Is Helen Of Sparta?, Nyssa Gilkey

Online Midwinter Seminar (OMS)

The rising popularity of Greek mythology is due in some part to female authors such as Madeline Miller and Natalie Haynes lending a fresh perspective to the Homeric tradition. However, these female authors tend to actually reduce the importance of one of the most important female characters of the Trojan War: Helen. Helen of Sparta has been an enigma to writers throughout the last 3000 years, her story changing with each iteration and era. Since Homer’s Iliad, the most beautiful woman in the world has been victim and villain, strong and weak willed. She has chosen husbands, and been …

Pullman’S Problematic Paradise: Dissolving Into Dust, David E. Isaacs

Online Midwinter Seminar (OMS)

In the His Dark Materials trilogy, Phillip Pullman has openly positioned himself as the anti-C.S. Lewis who attempts to embed the gospel of atheism through his fantasy novels. Pullman recasts classics such as Paradise Lost and Blake’s The Marriage of Heaven & Hell so that humans triumph over the oppressive Authority by learning that sinning is simply enjoying life. This paper will specifically explore Pullman’s depictions of the underworld and his alternative vision of Hell, Purgatory, and Heaven in The Amber Spyglass, examining Pullman’s attempts to assure readers that by rejecting Christian views of the final translation, one can …

Hellish Landscapes In J.R.R. Tolkien’S Legendarium, Willow Dipasquale

Online Midwinter Seminar (OMS)

J.R.R. Tolkien’s Legendarium is rich with magical and mythological elements—enchanted rings, powerful wizards, stories told long ago—and near-Biblical struggles of good over evil, power over life and death, and the inexorable passage of time. The Halls of Mandos in Valinor even have echoes of the “afterlife,” serving as a liminal place for the spirits of Elves to await their next destination. Interestingly, though, a “hell” in the classic sense (that is, a spiritual region of eternal torment and suffering) does not seem to truly exist in Tolkien’s imagined worlds. However, Tolkien does fill those worlds with hellish landscapes: Utumno and …

Planes Of Oblivion In The Elder Scrolls, Michael Barros

Online Midwinter Seminar (OMS)

The planes of Oblivion from The Elder Scrolls (TES) series are not explicitly Hell; they are any dimensions of reality which are not under control of the Aedra, the benevolent spiritual entities. As a result, these planes may be totally unknown, pleasant, chaotic, or horrifying, depending on who is in charge, reflecting the personality of its ruler. These planes are at the heart of the franchise, and the intrusion of the planes of Oblivion and its inhabitants is a constant in the series. The planes of Oblivion are a reimagining of Hell as a place of potential, rather than evil. …

Persephone Bites: Consumption In The Underworld, Erin Sledd

Online Midwinter Seminar (OMS)

If you know one thing about Persephone, it is that she was abducted by Hades, held captive, and ate pomegranate seeds in the Underworld. Although Demeter rescued her daughter, she had to return for several months each year as a consequence of consuming the “Fruit of the Underworld.” But tasting those succulent ruby red seeds was not the first time she succumbed to desire—according to the Homeric Hymn to Demeter II, the first thing Persephone “bites” is a lure. Hades sets a trap: a flower with “one hundred stems of fragrant blossoms.” When Persephone grasps a stalk of this …

Only In Dying Life: The Production Of Hope And Peace, Taylor Johnson Guinan

Online Midwinter Seminar (OMS)

Unlike fantasy authors of previous generations like C.S. Lewis and J.R.R. Tolkien who wrote depictions of an afterlife that mirrored their personal faiths, modern children’s fantasy authors of the last thirty years, such as Neil Gaiman, Ursula K. Le Guin, Phillip Pullman, Rick Riordan, J.K. Rowling, Jonathan Stroud, and Garth Nix, often merely use religious concepts as a way to depict the land of the dead. In their depictions, the land of the dead is a dark, terrible, and uninviting place. However, rather than ending on that dark point, these authors transition from fear to a sense of peace, acceptance, …

Through Sauron’S Eye: Hell, Arda Unmarred, Arda Marred, And Arda Healed According To The Maia Formerly Known As Mairon, Cameron Bourquein

Online Midwinter Seminar (OMS)

From the beginning of Tolkien scholarship Mordor has been analyzed in light of its Hellish iconography; from the perspective of the narrative voice, what constitutes “Hell” in Middle-earth may seem clear. But what is Hell to Mordor’s chief inhabitant? What is Hell in Sauron’s Eye? The Rings of Power has brought Sauron into the spotlight by interpreting him not as depersonalized evil but as a character in his own right. Actor Charlie Vickers has shared how he developed this character for the screen, adapting characteristics taken directly from Tolkien’s own writings: Sauron’s love of order and his desire to “heal” …