Medieval Studies Commons^™

A Mind Of Her Own: Women's Interiority In The Middle English And Older Scots Pastourelles, Anne L. Klinck

Medieval Feminist Forum: A Journal of Gender and Sexuality

The pastourelle achieved what might be called its classic form in Middle French poetry of the twelfth and thirteenth centuries: a mini-narrative in which the narrator, a knight or clerk, tells how he tried to have his will with a lower-class girl he happened upon while riding in the country. He greets her, sweet-talks her, and propositions her; she protests vigorously. Sometimes the debate ends here. Otherwise, her accoster overcomes her resistance by guile or force, and sexually assails her. The tone is light-hearted and cynical, the action crude. To modern readers, this narrative may be mildly amusing, rather tedious, …

Alchemy, The Liber Aureus, And The Erotics Of Knowledge, Kersti Francis

Medieval Feminist Forum: A Journal of Gender and Sexuality

Medieval alchemy was an overwhelmingly masculine practice, and its instruction books reflect the exclusivity of its practitioners. This article examines the use of secrecy and masculine discourse in a sixteenth-century Latin alchemical handbook, the Liber aureus, to demonstrate that there exists an erotically charged tension between authors and their readers. Alchemical instruction books like the Liber aureus draw upon this tension in the service of a particular kind of gatekeeping that creates hierarchies of both knowledge and alchemical practitioners. By investigating secrecy and its provocative effects both within and beyond this manuscript, I argue that alchemical instruction books’ secretive …

Calkas’S Daughter: Paternal Authority And Feminine Virtue In Troilus And Criseyde, Jennifer Alberghini

Medieval Feminist Forum: A Journal of Gender and Sexuality

The heroine of Geoffrey Chaucer’s Troilus and Criseyde has been of considerable interest to medieval feminist scholars as a woman who is depicted as both virtuous and an adulteress. Yet critical discussions do not often view Criseyde’s virtue in light of her role as daughter. This article explores that role, focusing on how her father Calkas is described by the characters as having authority over his daughter’s body in the marriage market. This will later enable them to use him as an excuse for Criseyde’s failure to return to Troy and thus preserve her status as virtuous. However, the characters …

Dies Legibiles Ii

Dies Legibiles

We are proud to present to the public the second edition of Dies Legibiles, Smith’s very own undergraduate journal of Medieval Studies! After the initial success we had in receiving submissions for last year’s edition, we were naturally worried that the journal might experience a lull–but this was, wonderfully, far from the case! Our submissions this year were numerous, and explore a number of extraordinarily unique and important topics.

Definitions And Depictions Of Rhetorical Practice In Medieval English Fürstenspiegel., Joseph Ethan Blaine Sharp

Electronic Theses and Dissertations

This dissertation examines how medieval authors defined rhetoric and depicted rhetorical practice in medieval English Fürstenspiegel. It begins by analyzing how the field of medieval rhetorical historiography has overlooked the Fürstenspiegel as a rhetorical genre due to its overt reliance on meta-rhetorical handbook genres as the objects of its analysis. This dissertation challenges traditional narratives that positions medieval rhetoric as a primarily academic discipline divorced from political practice by engaging in horizontal reading practices that examine the broader culture of medieval rhetorical practice alongside the definitions of rhetoric found in medieval English Fürstenspiegel. In so doing, this dissertation …

The Whale-Road To Road House: A Study Of The Contemporary Transmission Of Beowulf, Haley Grindstaff

Electronic Theses and Dissertations

This thesis explores three versions of Beowulf: Gareth Hinds’s graphic novel Beowulf (2007), Maria Dahvana Headley’s translation Beowulf (2020), and Rowdy Herrington’s film Road House (1989). While Hinds and Headley fail to convey Beowulf as a cultural elegy by subtracting or misrepresenting significant scenes and characters, Road House superimposes the story of Beowulf onto 1980s America. Parallels between the plots of Beowulf and Road House and Road House’s interaction with the political underpinnings of the 80s (such as Reaganomics and the AIDS epidemic) make the film one of the best at capturing the elements of cultural elegy in the …

Unearthing The Witch: Reckoning With Gender, Magic, And The Unusual Dead Within Anglo-Saxon Deviant Burials, Samantha Melvin

Departmental Honors & Graduate Capstone Projects

The fifth to seventh centuries CE, or the Migration Period, marked the development of Anglo-Saxon culture and society in England. The early Anglo-Saxons are known largely through their material culture and mortuary practices, left behind in medieval cemeteries that twist their way across the English landscape. The remains of early Anglo-Saxons tell rich and interesting histories about past peoples, but within the broader landscapes of these cemeteries are deviant burials. These are burials that are specifically typified as ones that ‘deviate’ from the norm, usually indicating that the inhumed individual was punished in death for actions committed in life. These …

Imperator Novus: Charting The Transfer Of Rome’S Imperial Past To The Papacy’S Eighth Century Present, Henry R. Elsenpeter

Classical Mediterranean and Middle East Honors Projects

When did Roman imperial iconography become part of the position of pope? This thesis will highlight the eighth century as a time of notable change in papal authority and identity. The developing papacy — in competition with rival contenders for Rome’s past — produced two key documents that portrayed the pope as an inheritor of the Roman Empire. In these sources, the bishop of Rome took on an entirely new identity as an imperator novus. While the eighth century continued, the pope gradually appeared increasingly imperial, concluding with a coronation that crowned emperor and pope, alike.

Reimagining History Dataset 3.0, Michelle R. Warren, Neil Weijer

Other Faculty Materials

The Middle English prose Brut chronicle survives in nearly two hundred manuscripts. This corpus has been the subject of extensive study for more than a hundred years. The most recent research, however, has turned out to be the most fragile. In 2017, the multiyear digital humanities project “Imaging History: Perspectives on Late Medieval Vernacular Historiography” disappeared from the live Internet, only a decade after its publication. Shortly afterwards, we began a project called "Re-Imagining History"--to create a new dataset of information about the Brut manuscript corpus and learn how digital infrastructure might shape the production and preservation of historical data. …

Res Historica, Volume 1, Lynneth Miller Renberg Phd, Alpha Rho Epsilon Phi Alpha Theta

Res Historica

The inaugural journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lynneth Miller Renberg, Hunter Curlee, and Johnathan Sorce. Cover art for this volume is the Phi Alpha Theta: Alpha Rho Epsilon logo created by Dr. Lynneth Miller Renberg.

Sterner Stuff; Sansa Stark And The System Of Gothic Fantasy, Joseph R. Young

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Contests the suggestion that Sansa Stark, a character in George R.R. Martin’s A Song of Ice and Fire, is a weak and indecisive by analyzing her in relation to William Patrick Day’s system of Gothic fantasy. While Sansa is indeed physically passive, she manages to retain her own identity in a challenging literary environment. This physical passivity allows her to assert herself intellectually, analyzing and indicting the misdeeds and abuses she suffers. This combination of passive and active attributes precisely instantiates the skill set of the detective, a species of literary being developed from the Gothic fantasies Day analyses, and …

The Edge Of Christendom On The Early Modern Stage, Lisa Hopkins

Late Tudor and Stuart Drama

Throughout the sixteenth and seventeenth centuries, the edges of Europe were under pressure from the Ottoman Turks. This book explores how Shakespeare and his contemporaries represented places where Christians came up against Turks, including Malta, Tunis, Hungary, and Armenia. Some forms of Christianity itself might seem alien, so the book also considers the interface between traditional Catholicism, new forms of Protestantism, and Greek and Russian orthodoxy. But it also finds that the concept of Christendom was under threat in other places, some much nearer to home. Edges of Christendom could be found in areas that were or had been pagan, …

Negotiating Boundaries In Medieval Literature And Culture: Essays On Marginality, Difference, And Reading Practices In Honor Of Thomas Hahn, Valerie B. Johnson, Kara L. Mcshane

Festschriften, Occasional Papers, and Lectures

Thomas Hahn’s work laid the foundations for medieval romance studies to embrace the study of alterity and hybridity within Middle English literature. His contributions to scholarship brought Robin Hood studies into the critical mainstream, normalized the study of historically marginalized literature and peoples, and encouraged scholars to view medieval readers as actively encountering others and exploring themselves. This volume employs his methodologies – careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis – to highlight the literary culture of late medieval England afresh. Addressing long-established canonical works such as Chaucer, Christine de Pizan, and Malory alongside understudied …

“Hol Ynowh”, Maria Bullon-Fernandez

Accessus

This essay is a response to a series of essays on hope and healing in Gower’s Confessio Amantis. It highlights and develops a common thread found in the essays: to Gower in order to heal, we need to accept that the cure for an illness may not restore us completely to our former selves but may make us just “hol ynowh.” And by accepting, we can find peace.

Gower In Exile, Joel Fredell

Accessus

The articles in Hope and Healing reveal John Gower's interest in an inclusive approach to human suffering, but also a clear-eyed look at its suffering. The experience of Amans in the Confessio Amantis, exiled from the love court of Venus, represents a powerful vision of love-agony as a central form of human suffering, not a cliche of love poetry.

Writing Into Hope: Laughter, Sadness And Healing In John Gower's Confessio Amantis, Natalie Grinnell

Accessus

This article uses the theory of the narrative creation of the self to contend that the Confessio Amantis creates a space for narrative healing within the acknowledgement of mortality. Rather than being traditionally funny or ending in amorous or military victory, Gower’s poem uses the encyclopedia knowledge of the interpolated tales to establish a healing narrative in the face of failure and loss.

The Price We Pay For Envy: A Political And Social “Maladie”, Will Rogers

Accessus

"The Travelers and the Angel" is a curious exemplum: depicting envy as almost an emotion, it depicts the seemingly hopeless worsening of the world, as the envious care more for others' pain than their own happiness. While the exemplum's moral is undoubtedly true, even for 21st century readers, we might address how Gower's particular framing of envy doesn't account for envy's potential to drive positive change.

The Unfinished Hope Of Gower's Transgender Children, Gabrielle M.W. Bychowski

Accessus

This article examines two of Gower's tales from the Confessio Amantis that deal with trans youths: Iphis and Narcissus. Considering these two tales together, I ask the question: why does one story end with hopeful futurity for the trans masculine youth and the other end with death and the absence of futurity for the trans feminine youth. Connecting these medieval texts to premodern contexts and then with modern contexts, I map the trajectory of centuries long problems facing trans youths. In the end, I conclude that trans youth possess a healthier and more stable future when they receive trans affirming …

The Consolation Of Exempla: Gower’S Sources Of Hope And “Textual Healing” In The Confessio Amantis, Curtis Runstedler

Accessus

This article examines the role of exempla as the root cause of hope and healing in John Gower's Confessio Amantis. I argue that these exempla provide remedial action in the text. The exempla are sources of metaphorical healing in the text, functioning as what I have termed “textual healing,” that is the medicinal aspects of the text that helps remedy Amans (and the reader, to a certain extent) back to full health. This article also draws upon reading the Confessio Amantis as a consolatio poem, linking it to Boethius' Consolation of Philosophy in particular. I also discuss the role …

Healing, Accountability, And Community In Gower’S Confessio Amantis, Kara L. Mcshane

Accessus

This piece focuses on the Tale of Lucrece and the Tale of Mundus and Paulina in John Gower's Confessio Amantis. I examine how these two quite distinct narratives of sexual assault emphasize key themes in community response to trauma. In these two tales, Gower emphasizes the extent to which interpersonal violence is also social violence; further, community demands for accountability are essential to social healing in both cases. These two models demonstrate the extent to which contemporary society, too, struggles to hold authority accountable and address social wrongs.

Gower's "Herte-Thoght": Thinking, Feeling, Healing, Eve Salisbury

Accessus

While much has been said about the ethical principles of Gower's poetry, less has been said about his understanding of the body, its principal organs, and its relation to the medical discourse of the time. This short paper, presented initially as part of the "Hope and Healing Symposium" sponsored by The Gower Project, approaches the poet's work from a more medically inflected point of view, one that suggests a stronger kinship between the material body and its use as a metaphor for the body politic. Gower appears to be situated within a continuing debate launched by Aristotle and taken up …

Hope And Healing In Gower: A Special Issue, Georgiana Donavin

Accessus

"Hope and Healing in Gower: A Special Issue" is the editor's short introduction to Accessus 7.1.

Eotenas And Hobbits: Finn And Hengest, And Tolkien’S Speculation About Origins, Nicholas Birns

Journal of Tolkien Research

This essay examines Tolkien’s Finn and Hengest, particularly concentrating on Tolkien’s interpretation of the word eotenas as meaning Jutes rather than ‘monsters’. As opposed to “Beowulf: The Monsters and The Critics,” where Tolkien emphasizes supernatural elements at the expense of history, Tolkien’s lecture on the Finnsburg episode in Beowulf and the Finnsburg fragment seems to present Hengest as an English national hero, despite the bloodiness and vengeance of his reprisals against Hnaef and the Frisian court. The use of the word 'eotenas,' which can be constructed as either 'monsters' or 'Jutes,' is at the nub of the conflict here, …

Tolkien, Cline, And The Quest For A Silmaril, Tom Ue, James Munday

Online Midwinter Seminar (OMS)

J. R. R. Tolkien has had a significant influence on American writer Ernest Cline. In Ready Player One (2011), the character Ogden Morrow invites Wade and his friends to his mansion, which is modelled after Rivendell from Peter Jackson’s The Lord of the Rings films (2001- 03). Cline goes further in his sequel Ready Player Two (2021) by staging a part of Wade’s virtual quest on Arda I, the First Age of Middle Earth. In this paper, we focus on this episode and, in so doing, argue for Cline’s insights into how we approach fantasy. First, we attend to the …

Who’S His Daddy? Approaches To Merlin’S Father In Children’S And Ya Media, Michael Torregosa

Online Midwinter Seminar (OMS)

In the 1130s, Geoffrey of Monmouth originated the character of Merlin, setting him upon the world stage as a wonder-working youth fathered (in the tradition of Greek and Latin authors of the past) by a daemon. However, later writers of the Middle Ages, beginning with Robert de Boron, reconceived Merlin within a more Christianized world, altering his heritage and transforming his sire into a demon from Hell. This shift from benign daemon to malevolent demon has impacted the representation of the wizard of Camelot for centuries. Contemporary fiction for the page as well as for the screen has adopted and …

"Shivering Trees": Horror Monstrosity In Selected Stories From Tolkien’S The Silmarillion, Elise Mckenna

Online Midwinter Seminar (OMS)

In The Silmarillion, Tolkien used conventions of horror within the setting of Arda. To begin with, the entire world, which is monstrous, is in upheaval with mountains being raised and valley being delved, lanterns of light created, and huge beings walking the land. Then, these landscapes are torn down, the lights are smashed and go out, and new creatures of horror prowl the world. The differences between the portrayals of monstrosity on a grand scale border the grotesque and the sublime. Monstrous beings, Valar and Maiar, command the elements of earth, air, fire, water. They have pre-ordained roles that …

The Story, The Narrator And The Reader: Mediated Horror In C.S. Lewis’S Narniad, William Thompson

Online Midwinter Seminar (OMS)

In her introduction to Reading in the Dark: Horror in Children’s Literature and Culture, Jessica R. McCort defines horror for children and young adults as a hybrid genre, one having its roots in both the gothic and the nineteenth-century fairy tale. She explains that the exploration of dark forces in children’s books is often not limited to those tropes traditionally associated with the horror genre for adults: “Think of the books that are considered children’s classics. The best of them contain dark forces of one kind or another, as well as internal battles between the light and the dark: …

Environmental Horror And Restoration: Tolkien And Today, Jessica Dickinson Goodman, Caitlin Rottler

Online Midwinter Seminar (OMS)

J.R.R. Tolkien never forgot the felling of a willow tree that had overlooked the mill-pool in Sarehole, nor how his former climbing companion had been left to rot in the grass. His horror at that small environmental violence bleeds through his works, from poems like “From the many-willow’d margin of the immemorial Thames” (1913) to the Party Tree in The Hobbit (1937) to a letter to The Daily Telegraph in 1972 when he decried the modern “torture and murder of trees.” This presentation will draw on the excellent foundations laid by Dinah Hazell, as well as the father-son pair of …

Nature And Horror In Tolkien’S Legendarium, Julia Bowers

Online Midwinter Seminar (OMS)

Tolkien incorporates horror in his legendarium through the twisting of the natural world in order to signal upcoming dangers to his characters. This creates a dichotomy between the idyllic natural world that represents good in his works and the twisted natural world that has been tampered with by evil. Most of the focus on Tolkien’s portrayal of nature looks at the conflict between nature and technology; the natural world of Middle-earth is portrayed as more complex than merely all nature being good. His natural settings take on an eerie tone to convey a sense of horror to the reader as …

Charles Williams' P'O- L'U - The Cthulhu Connection, Eric Rauscher

Online Midwinter Seminar (OMS)

This presentation delineates the connections between horrific elements in the work of H.P. Lovecraft and the situation of P’o-L’u from Charles Williams.