Medieval Studies Commons^™

Hadrian Iv (1154-1159) And The “Bull” Laudabiliter: A Historiographical Review, Sebastian Lidbetter

Theses and Dissertations (Comprehensive)

This work represents an exploration into the historiography of a hotly debated historical document known as Laudabiliter. In 1155 Pope Hadrian IV (most often styled Adrian and sometimes Adrien) issued Laudabiliter to King Henry II of England. Laudabiliter states that King Henry could invade Ireland to root out the weeds of vice amongst the Irish people, who had supposedly steered away from the Catholic faith, and rule Ireland as its lord. Hadrian IV claimed the right to do this because the Donation of Constantine granted successors of St. Peter, i.e. the pope, dominion over any and all islands.

Any …

Editors' Note, Brittney Payer, Kristen Shorer

Laurier Undergraduate Journal of the Arts

No abstract provided.

Introduction, Brittney Payer, Kristen Shorer

Laurier Undergraduate Journal of the Arts

No abstract provided.

Fake News And Filter Bubbles: America’S Spiral Of Extremism, Davis Drover

Laurier Undergraduate Journal of the Arts

No abstract provided.

Past As Precedent: Conflicting Perspectives Of Royal Prerogative And The Rights Of Parliament, Katelyn Leece

Laurier Undergraduate Journal of the Arts

No abstract provided.

“The Endless Stream Of Men, And Moving Things”: The Emotional Impact Of The Urban Sublime In Book Vii Of Wordsworth’S The Prelude, Carina Rampelt

Laurier Undergraduate Journal of the Arts

No abstract provided.

The Effects Of Isolating Visuality In The Memorial To The Murdered Jews Of Europe, Jace Silberbach

Laurier Undergraduate Journal of the Arts

No abstract provided.

Virtual Queerness: Resisting Heteronormativity In Online Spaces, Denise Springett

Laurier Undergraduate Journal of the Arts

No abstract provided.

An Introduction To Psychological Aphistemalgia, Justin Manning

Laurier Undergraduate Journal of the Arts

No abstract provided.

The Pound And The Hammer: An Analysis Of The Effects Of Finance On Edward I’S Conquest Of Wales And Scotland, Mackenzie Mohr

Laurier Undergraduate Journal of the Arts

No abstract provided.

“Whither Then I Cannot Say”: Epistemological Uncertainty And Tolkien’S Transnational Myth, Mitchell Kooh

Laurier Undergraduate Journal of the Arts

No abstract provided.

"A Meruelous Thinge!": Elizabeth Of Spalbeek, Christina The Astonishing, And Performative Self-Abjection In Oxford, Bodleian Library, Ms Douce 114, Murrielle Michaud

Theses and Dissertations (Comprehensive)

Contributing to the spirited discussion regarding feminist and pro-feminine readings of Middle English hagiography, this dissertation challenges the tradition of grouping accounts of medieval holy women into a single genre that relies on stereotypes of meekness and obedience. I argue that fifteenth-century England saw a pro-feminine literary movement extolling the virtues of women who engaged in what I term “performative self-abjection,” a form of vicious self-renunciation and grotesque asceticism based on Julia Kristeva's model of the abject. The corollary of women's performative self-abjection is ex-gratia spiritual authority, public recognition, and independence, emphasized in the English corpus of fifteenth-century women’s hagiography. …

Cornelius Aurelius: The Upcycling Humanist - A Study Of The Libellus De Patientia, Samantha James

Theses and Dissertations (Comprehensive)

Cornelius Aurelius’ Libellus de Patientia (MS Leiden, UB, Vulcanius 66 f.45r-f.57v. [1524]), in terms of the author’s reception of the Manipulus florum, reveals much about the development of Northern Humanism, in the context of late medieval scholasticism and the Reformation. By thoroughly examining Libellus de Patientia, this paper will discuss Aurelius’ use of numerous quotations derived from the Manipulus florum as evidence of how this text should be situated in terms of intellectual continuity vs. change during this turbulent period with regards to the intellectual context of medieval scholasticism and renaissance humanism.

Medievalism And Exoticism In The Music Of Dead Can Dance, Kirsten Yri

Music Faculty Publications

In 1991, the alternative rock band Dead Can Dance released an album that caught the attention of music reviewers by constructing an aural allegiance to the Middle Ages. Suitably called A Passage in Time, the album was described as imitating medieval chant, troubadour music, Latin hymns and courtly songs and included Dead Can Dance’s hybrid medieval songs as well as performances of actual medieval repertoire. In modeling their songs and sounds after historical recordings of medieval music, Dead Can Dance also adopted some of the ideological parameters of these performances and historical reconstructions. Examining the output of Dead Can Dance …