Medieval Studies Commons^™

Refusing Artificial Coherence: Christopher Tolkien's Philology And His Editorial Practice On His Father’S Legendarium, Nicholas Birns

Journal of Tolkien Research

This paper was given at The Christopher Tolkien Centenary Conference sponsored by the Tolkien Society, held online on 23/24 November 2024.  The paper was given on Zoom on November 24, 2024.

This paper argues that Christopher Tolkien’s 1950s philological essay “The Battle of the Goths and the Huns” anticipates the editorial principles that later governed his presentation of his father, J. R. R. Tolkien’s legendarium. Analyzing Christopher’s treatment of early medieval legend alongside his handling of the Celeborn and Galadriel materials, the essay argues that he consistently resisted imposing artificial coherence on fragmentary evidence. Whether confronting speculative Gothic history, or …

“He Had Named Himself The Stranger”: From 'Germanic' Heroic Hospitality To Elvish Memorial Mediation In Tolkien’S Book Of Lost Tales, Paolo Pizzimento Dr.

Journal of Tolkien Research

This article examines the narrative functions of strangeness and hospitality in J.R.R. Tolkien’s The Book of Lost Tales, focusing on Eriol’s transformation from foreign traveller into listener, witness, and transmitter of Elvish tradition. Through a comparative reading of selected Old Norse and Anglo-Saxon texts—particularly Hávamál, Gylfaginning, and Beowulf—it identifies recurrent literary configurations in which hospitality regulates admission, identity, reciprocity, danger, and access to knowledge. The comparison is morphological rather than genetic: it does not posit direct derivation or a uniform Germanic code. Drawing on Jan Assmann’s theory of cultural memory, the article argues that Tolkien redirects …

Entiscum Yrfe Ealdniflunga: Meter And Poetic Style In Tolkien’S Old English Attila, Galen Miller-Atkins

Journal of Tolkien Research

Tolkien famously wrote several poems in Old English and Gothic; however, these remain understudied for their philological and poetic qualities relative to his modern English poetic corpus. In the Old English Poem of Attila Tolkien adapts the Old Norse poem Atlakviða into Old English. This essay analyzes the meter and poetic techniques in Old English Poem of Attila, especially in relation to the closely related, Eddic poem Atlakviða. The Old English Poem of Attila exhibits verse patterns and vocabulary from the Old Norse original, but it is firmly rooted in the Old English poetic tradition. Tolkien deliberately blends …

Tolkien's Joyful Sorrow, The "Gift Of Tears" Of Medieval Mysticism, And John Donne's Sermon "Jesus Wept", Giovanni Carmine Costabile

Journal of Tolkien Research

At the field of Cormallen, the emotion of joy felt by the victorious Hobbits is so great that Sam wonders whether everything sad will come untrue. At the same time, their joy is so great that it is described as "poignant as grief". Dimitra Fimi in 2017 pointed out Tolkien's probable indebtedness to Christian Orthodox tradition of "charmolype", or joyful sorrow. Another relevant parallel of the intermingling of joy and sorrow is the eleventh century Norman monk and abbot John of Fécamp's notion of the "Gift of Tears" (Gratia lacrymarum) from God, which brings true happiness. …

Belliphonic Tolkien: Listening To The Wars In Middle-Earth, Ali Mirzabayati

Journal of Tolkien Research

This paper explores the belliphonic—the sonic dimension of warfare—in J. R. R. Tolkien’s The Lord of the Rings, focusing on the Battle of the Pelennor Fields. While modern warfare studies emphasize the sounds of mechanized combat, the acoustic landscapes of ancient and medieval battles remain understudied. Drawing on recent scholarship by Clauss, Lummer, Potthoff, and Pretzer, this study situates Tolkien’s soundscapes within both historical and mythological traditions. Tolkien’s immersion in classical, Anglo-Saxon, and Norse literature, combined with his experience of World War I, enabled him to create richly layered battle sounds in which horns, cries, silence, and environmental …

“Pride And Despair”: Denethor’S Struggles Against His Self-Woven Death, Ali Mirzabayati

Journal of Tolkien Research

This paper examines Denethor, Steward of Gondor, as a central figure illustrating the interplay of pride, fear, and mortality in The Lord of the Rings. It analyzes how his Númenórean heritage, grief over the loss of his sons, and obsession with control shape his decisions, leading to passivity, mistrust, and self-destruction. Drawing on Northern literary traditions, including the Danes’ prayers to the Gastbona in Beowulf and Boethian reflections on pride and despair, the study situates Denethor’s downfall within a broader cultural and philosophical context. By exploring how his fear of death undermines judgment and heroic potential, the paper highlights …

Beowulf And Théoden: Differing Teaching Methods Of Hrothgar And Gandalf, Ali Mirzabayati

Journal of Tolkien Research

Most studies on the character of Théoden in The Lord of the Rings center on Germanic heroic themes like courage and oath-keeping, often emphasizing his renewal by Gandalf at Meduseld and his death at the Battle of Pelennor Fields. This perspective overlooks Théoden's growth in wisdom and hope between these events. During this period, Théoden learns about the various forces in Middle-earth and contemplates his role in the broader world, leading to a profound sense of humility. Building on Tolkien's inspiration from Beowulf, this paper compares Théoden and Beowulf to explore their learning processes and heroic outcomes. This comparison …

Mourning And Melancholia In The Lord Of The Rings, Ali Mirzabayati

Journal of Tolkien Research

This paper analyzes how Denethor and Théoden respond differently to the deaths of their sons in J.R.R. Tolkien's The Lord of the Rings. Initially consumed by grief, Théoden embraces hope with Gandalf's support, while Denethor descends into despair. Employing Freud's essay "Mourning and Melancholia" (1917), we examine how Théoden and Denethor illustrate differing reactions to mourning and melancholy in the face of loss. Recognizing developments in psychoanalytic theory, the paper moves beyond simple binaries to offer a nuanced exploration of grief and attachment in Tolkien's narrative.

Sounds Of Battle And Battle Of Sounds: Belliphonic In Tolkien, Ali Mirzabayati

Journal of Tolkien Research

This paper explores the concept of the belliphonic—a term denoting the acoustic dimensions of warfare—within the context of J.R.R. Tolkien’s The Hobbit, focusing on the Battle of the Five Armies. While modern war studies have mainly centered on the mechanized soundscapes of twentieth-century conflict, this study engages with recent scholarly efforts to recover the sonic textures of medieval battle. Drawing on theories of wartime acoustics and examples from medieval literature, the paper examines how Tolkien, informed by his expertise in Old and Middle English texts and his lived experience in World War I, crafts a dynamic and psychologically …

He Is The Master Of Wood, Water, And Hill: Is Tom Bombadil The True Key Keeper Of The Old Forest?, Noelia Ramos

Journal of Tolkien Research

Tom Bombadil, with his iconic singing―”Hey! Come merry doll! Derry doll and merry-o!―has captivated scholars worldwide, due to the enigmatic nature Tolkien intentionally left unexplained. This deliberate mystery has fuelled extensive debate, leading many to explore possible mythological and cultural frameworks that might decode Bombadil’s origins. Among these hypotheses, a Celtic interpretation has often been dismissed despite its potential relevance. This paper, thereby, seeks to analyse Bombadil’s function within the Old Forest and his interactions with the hobbits during their forest episode, presenting fresh insights into his role as a Celtic-inspired guide and druidic figure.

To support this analysis, primary …

Antiphons Of Iron And Blood: The Inspirations Of Tolkien's Poetry, Patrick J. Lyon

Journal of Tolkien Research

The new book, The Collected Poems of J.R.R. Tolkien, edited by Christina Scull and Wayne Hammond, is a fascinating new look into a trove of previously unpublished Tolkien poetry. One of these new poems, “Ferrum et Sanguis,” includes an interesting series of addenda and subtitles written by Tolkien that give insight into the origins and inspirations for the poem. Furthermore, the interpretation given by the editors in their commentary on the poem misses the specific reference and applies it to a different source. The real source for the poem is very likely found in the Advent Vespers of the …

The Enduring Enigma Of Tom Bombadil: From Riddlic Styling To Metaphorical Encounter, Derek Simon

Journal of Tolkien Research

Conversationalists and critics alike continue to take delight in Tom Bombadil, yet remain perplexed by his enduring enigma. Interpretive positioning appears to be determined by the semantics of the term enigma deployed and how it intersects with any of the several textual standpoints adopted. The primary contention of this article is that the enigma is intentionally both a riddle (noun) and a riddling (verb). Reading the enigma through literary features of the Old English riddle-song can yield an alternate interpretation of Tom Bombadil that has received scant attention in critical commentary. In support of this contention, I propose to read …

Tolkien's 'Beloved' _Pearl_, Jane Beal Phd

Journal of Tolkien Research

Abstract: This essay explores Tolkien’s life-long engagement with the fourteenth-century, Middle English, dream vision poem called Pearl. It examines the inspiration he took from the poem through reading, reciting, copying, editing, translating, and teaching it to undergraduate students at the University of Leeds and Merton College, Oxford University. Milestones in Tolkien’s work on Pearl include his edition of it, produced with E.V. Gordon and Ida Gordon for Oxford University Press (1953), and a metrical translation of it that he worked on from 1920s onwards, which was published with Allen & Unwin in London and Random House in New York …

“‘And Númenor Went Down Into The Sea’: Tolkien, Beowulf, And The Masochistic Jouissance Of Westernesse”, Christopher Vaccaro

Journal of Tolkien Research

In Tolkien, Enchantment and Loss, John Rosegrant avers that Tolkien wrote of the downfall and destruction of Númenor in order to release a personal emotional complex (John Rosegrant, Tolkien, Enchantment, and Loss, 118-20). In this essay, I examine in greater detail the emotional power of this story and relate it to the psychological notion of primary masochism (Freud, Deleuze, Bersani) and the pleasures connected to the dissolution of the self. The Beowulf poem renders conspicuous the dependency of heroic Anglo-Saxon male subjectivity on experiences of masochistic desire and the Death Drive, the desire to be unburdened of great …

Tolkien, "The Battle Of Maldon," And "The Homecoming Of Beorhtnoth": Poetic Allusions And The Experience Of Time, Anna Smol

Journal of Tolkien Research

J.R.R. Tolkien’s alliterative verse play, “The Homecoming of Beorhtnoth Beorhthelm’ s Son,” is his critical and creative response to the Old English poem “The Battle of Maldon.” Tracing his influence on “Maldon” criticism through his “Ofermod” essay, which posits a continuum of alliterative poems dealing with the nature of heroism, from Beowulf to Sir Gawain and the Green Knight, the discussion then turns to how Tolkien can claim a place in that tradition and how critics have applied his ideas about war and heroism to some of his other works, especially The Lord of the Rings. An analysis …

Introduction To The Special Issue On "J.R.R. Tolkien And Medieval Poets", Jane Beal Phd

Journal of Tolkien Research

This is an “Introduction” by Dr. Jane Beal to the Special Issue of the Journal of Tolkien Research on the theme of “J.R.R. Tolkien and Medieval Poets” in honor of Richard C. West.

It begins with an overview of previous scholarly work on the intersections of medieval poetry with Tolkien’s literary corpus. It explains the process of creating this special issue, which is a festschrift in West’s honor, and it gives an overview of the contents of each of the seven academic articles included in it by contributors Dr. Anna Smol, Dr. Christopher Vaccaro, Dr. Kristine Larsen, Dr. Deidre Dawson, …

Fallen Kingdoms And Ancient Monoliths: The Influence Of Atlantis And Egypt In Tolkien’S Númenor, Charlotte J. Brockway

Journal of Tolkien Research

In light of the recent publication of The Fall of Númenor, my essay aims to focus on Tolkien’s, somewhat underappreciated, influences on Gondor; particularly Ancient Egypt. This essay looks at Plato's Timaeus and Critias, Ignatius Donnelly's theories, and examines the Atlantean and Egyptian motifs in Tolkien’s version of Westernesse, in particular, the remnants of Atlantean civilization survived by Egyptian colonists which mirror the Realms of Exile (Gondor and Arnor).

The Holy Thorn Of Glastonbury And The Two Trees Of Valinor, Giovanni Carmine Costabile

Journal of Tolkien Research

An old wooden church in Glastonbury rose on the site of the Abbey church taking its place after a fire burnt it. This old church is traditionally considered to have been the eldest church in England, founded by Joseph of Arimathea after landing upon the British shore. Such a legend, probably spread after the Norman Conquests by the Abbey monks who needed to fund the monastery, also relates that Joseph planted his staff upon the highest hill in Glastonbury, and the staff grew branches and roots, transforming into a wonderful thorn tree which, unlike common thorns, bloomed twice a year, …

The Tale Of ‘Aldarion And Erendis’: Not Just A Medieval Love Story, Sara Brown

Journal of Tolkien Research

J.R.R. Tolkien’s ‘Aldarion and Erendis: The Mariner’s Wife’, published in the Unfinished Tales of Númenor and Middle-earth, is a cautionary tale of a failed marriage that also serves as an indicator of the moral decline of Númenor in the Second Age of Middle-earth. In this relationship is the beginning of the Downfall, heralding the shadow of evil that will entangle events into the Third Age. This paper explores the significance of this story to the history of Middle-earth, as well as its possible roots in medieval texts such as the Prose Edda and the Icelandic Laxdaela Saga.

What Does It Mean To Talk About Tolkien And Diversity? A Look Within And Without The Legendarium, Yvette Kisor

Journal of Tolkien Research

“What Does It Mean to Talk about Tolkien and Diversity? A Look within and without the Legendarium” considers racial diversity by focusing on the structure of Tolkien’s universe, both how it is modelled on ancient and medieval concepts like the Great Chain of Being and the Declining Ages of Man, but also remakes those models. In addition, it considers responses to racial structures perceived in Tolkien’s work.

The Dragon Is Not An Allegory: Reading Tolkien’S Monsters In Medieval Contexts, Cait Coker, Ruthann Mowry

Journal of Tolkien Research

In his letters, J.R.R. Tolkien stated both that he considered LOTR “a fundamentally religious and Catholic work” (no. 172) but that he considered the work “built on or out of certain ‘religious’ ideas, but is not an allegory of them (or anything else)” (no. 283). However, Tolkien was also a medievalist, and understood that texts always contained a multitude of readings as documentary objects that were kept and used in specific ways. Creatures and imagery contained in medieval books provided
information to the reader, as when bestiaries explicate fauna with attributes both real and metaphysical. They thus combine fiction and …

Tolkien's Tevildo - Of Fables, Rings And Cats, Polina Svadkovskaia

Journal of Tolkien Research

The article explores Tolkien's process of deconstructing two medieval beast fable narratives in his creation of Tevildo, Prince of Cats, whereby he strategically aligns the feline with malevolence. It further posits that the magic of the One Ring is presented preliminarily in The Tale of Tinúviel in two forms: Tevildo's golden collar and the enchantment he uses to control other cats. Tevildo is thus endowed with tokens of villainy reminiscent of Sauron's: however, the cat fails at projecting fear due to the underlying moralistic element of the story and the fragmentation of the magic his power relies upon.

Sam's Song In The Tower: The Significance Of 'Merry Finches' In J.R.R. Tolkien's _Lord Of The Rings_, Jane Beal Phd

Journal of Tolkien Research

In The Lord of the Rings, Samwise Gamgee climbs the Tower of Cirith Ungol to try to rescue his master and friend, Frodo Baggins, who has been taken captive by Orcs. When Sam is near despair because he cannot find Frodo, Sam sings a song that makes reference to “merry finches.” What is the significance of this phrase in his lyrics? To answer this question, my essay first explores J.R.R. Tolkien’s ornithological knowledge, especially of finches in England, which is readily demonstrated from a letter he wrote to his son, Christopher Tolkien (July 7, 1944), about his observations of bullfinches …

‘Where Now Bucephalus And The Proud Eormanric?' The Interplay Of Gothic And Classical References As A Tacit Background Behind The Wanderer, Tolkien's Anglo-Saxon Source, Giovanni Carmine Costabile

Journal of Tolkien Research

The famous lines "Where now the horse and the rider?" from The Two Towers, spoken by Théoden in Peter Jackson's film, but recited by Aragorn in Tolkien's original text, find an unquestionable source in the Anglo-Saxon poem The Wanderer, and as such received detailed comment by the Professor as a scholar, stating that it is not very important to identify who the rider being cited might be, as long as we admit he is a "type". In order to understand the type of this rider, then, we only have to look for similar occurrences of the evergreen "ubi …

Second Age, Middle Age, Norbert Schürer

Journal of Tolkien Research

The recent releases of the volume The Fall of Númenor and the series The Lord of the Rings: The Rings of Power raise the question: What is the significance of the Second Age of Tolkien’s legendarium? This article suggests that Tolkien conceived of the Second Age as parallel to the Middle Ages in our world, which were the focus of his academic career in his studies of Old and Middle English language and literature. As various frameworks and overviews for the legendarium demonstrate, Tolkien thought of the Second Age, like the Middle Ages, as uniquely looking backwards and forwards …

The Enigma Of Goldberry: Tolkien’S Narrative Braiding Of Genre- And Symbol-Related Vocabularies In The Withywindle River-Daughter, Derek Simon

Journal of Tolkien Research

The enigma of Goldberry continues to stimulate diverse readings of her narrative in the Withywindle Cottage episode. The root contention of this article is that Goldberry’s enigma is textured through Tolkien’s complex narrative braiding of multiple genre- and symbol-specific vocabularies woven together throughout her episode. The effort to interpret the enigma of Goldberry needs to be grounded in the philological, lexical, and thematic signifiers circulating in her storyline. These mythopoeic signifiers are variously conveyed by the genre- and symbol-related vocabularies influencing her enigma in the narrative. Where much of the critical commentary has justifiably considered a single strand of source …

“Pearls” Of Pearl: Medieval Appropriations In Tolkien’S Mythology, Kristine Larsen

Journal of Tolkien Research

An analysis of Tolkien's original characters Earendil and Elwing, as well as the minor character the Sleeper in the Tower of Pearl, presented at the International Medieval Congress 2022, University of Leeds, UK. Comparisons are drawn with the Middle English poem Pearl.

The Cosmic Catastrophe Of History: Patristic Angelology And Augustinian Theology Of History In Tolkien's "Long Defeat", Edmund M. Lazzari

Journal of Tolkien Research

Much of the poignancy of J.R.R. Tolkien's literary universe comes from its atmosphere of tragedy. The Silmarillion and The Lord of the Rings take place in a universe where noble and heroic actions are most often small candles lit against the inexorable march of evil. This backdrop of tragedy, which Galadriel names "the long defeat," is certainly influenced by Tolkien's views of Germanic mythologies, but it also draws much from the medieval notions of evil in Patristic Angelology and St. Augustine's theology of human history. These twin understandings of evil ultimately lead to one conclusion in Tolkien: the need for …

Eotenas And Hobbits: Finn And Hengest, And Tolkien’S Speculation About Origins, Nicholas Birns

Journal of Tolkien Research

This essay examines Tolkien’s Finn and Hengest, particularly concentrating on Tolkien’s interpretation of the word eotenas as meaning Jutes rather than ‘monsters’. As opposed to “Beowulf: The Monsters and The Critics,” where Tolkien emphasizes supernatural elements at the expense of history, Tolkien’s lecture on the Finnsburg episode in Beowulf and the Finnsburg fragment seems to present Hengest as an English national hero, despite the bloodiness and vengeance of his reprisals against Hnaef and the Frisian court. The use of the word 'eotenas,' which can be constructed as either 'monsters' or 'Jutes,' is at the nub of the conflict here, …

Guþcwen And Ides Ellenrof – The Old English Warrior Woman As Role Model For Female Characters In Tolkien’S Works, Flora Sophie Lemburg

Journal of Tolkien Research

This paper examines the connection between the motif of the Old English warrior woman and Tolkien’s female characters. It provides a critique of Leslie Donovan’s paper “The valkyrie reflex in J. R. R. Tolkien´s The Lord of the Rings: Galadriel, Shelob, Éowyn and Arwen” and contrasts previous research on Tolkien’s female characters focussed either on gender-studies or on a “Germanic” influence with a more direct and specific connection between Medieval English and his works. The motif of the Old English warrior woman is established by investigating the female characters Judith, Elene, and Juliana from the Old English poems Judith, …