Medieval Studies Commons^™

Magistra Doctissima: Essays In Honor Of Bonnie Wheeler, Dorsey Armstrong, Ann W. Astell, Howell Chickering

Festschriften, Occasional Papers, and Lectures

The editors of this volume use its title to honor Bonnie Wheeler for her many scholarly achievements and to celebrate her wide-ranging contributions to medieval studies in the United States. There are sections on Old and Middle English Literature, Arthuriana Then and Now, Joan of Arc Then and Now, Nuns and Spirituality, and Royal Women. As the editors note in the introduction, the volume "confirms Bonnie's commitment to the multidisciplinary study of the Middle Ages" and affirms her conviction "that the medieval and the modern are best viewed not as 'the past' and 'the present' but as interpenetrative categories."

The Medieval Dark Horse: Challenge And Reward In The Middle English Lyric, Andrew S. Marvin

English Faculty Publications

“The Medieval Dark Horse: Challenge and Reward in the Middle English Lyric” explores the genre’s history and literary merits while addressing the question of why this valuable and extensive body of literature has largely gone untapped by scholars.

The introductory sections detail the historical and modern contexts of the lyric, including the state of scholarship, manuscripts, editions, dating issues, purpose, audience, types of lyrics, and themes. This background informs a discussion of the genre’s difficulties and offers solutions with which to counter them. Close readings of eight poems are included to exemplify the lyric’s thematic range, stylistic diversity, and literary …

The Unbought Grace Of Life: Chivalry In Western Literature, Richard N. Boggs

Master of Liberal Studies Theses

The code of chivalry has a rich literary history. From the violence and misogyny of pre-chivalric ancient Greece and Rome, the chivalric code was constructed in a deliberate effort to curb and improve the most violent aspects of male behavior. The chivalric male ideal was built upon the tripartite foundation of the ancient archaic virtues, the gallantry of Germanic barbarians, and the Christian beatitudes. Chivalry sought a male ideal which brought raw strength and power under the concept of legitimate authority. By casting the literary male ideal – the knight – into the role of the defender of the weak …

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …

Sir Gawain And The Green Knight And The History Of Medieval Rhetoric., Joseph Turner

Faculty and Staff Scholarship

During the Middle Ages, rhetoric and literature were thoroughly intertwined, whereas current notions of disciplinarity, in which literature and rhetoric are constructed as separate traditions, muddy our understanding of medieval practice. This essay reads Sir Gawain and the Green Knight, an anonymous fourteenth-century poem, as engaged in a Ciceronian debate over the ramifications of legislative rhetoric on civic decision-making. Because of the paucity of information on medieval rhetorical practice, it concludes, literature is a resource that illuminates this neglected and misunderstood historical period.

Desert Islands: Europe's Atlantic Archipelago As Ascetic Landscape, Paul Siewers

Faculty Contributions to Books

A focus on early literatures around the Irish Sea as both archipelagic and ascetic in their engagement of the environment.

Green Worlds And Ecosemiotics, Paul Siewers

Faculty Conference Papers and Presentations

"Overlay landscapes" in Early Insular literatures, and how they connect early medieval cosmology with current-day ecosemiotics..

Singing The Story: Narrative Voice And The Old English Scop, Lisa M. Horton

The Hilltop Review

The picture of Anglo-Saxon society that we receive through its literature is a direct result of the life of the Old English scop. His personality and experiences filter into the stories that he tells and provide nuanced interpretations of both histories and legends, while his position within Anglo-Saxon society allows him direct access to the great events and persons of his time. As an active participant in his society, at the feet or even at the right hand of a king, he wields profound influence; as an observer and commentator on his society, he records and interprets both reality and …

Ecopoetics And The Origins Of English Literature, Paul Siewers

Faculty Contributions to Books

An ecocritical survey of early English literature, focusing on the "green world" trope.

The Ecosemiosphere: Story And Region In Insular Medieval Literatures, Paul Siewers

Faculty Conference Papers and Presentations

Reflections on the interrelation of environmental humanities studies, physics and semiotics, as part of an international panel introducing ecosemiotics and biosemiotics to the North American ecocriticism communtiy at large.

Woman Or Warrior? How Believable Femininity Shapes Warrior Women, Jessica D. Mccall

UNLV Theses, Dissertations, Professional Papers, and Capstones

My dissertation is an exploration of how femininity is constructed in the characters of warrior women. I define and apply my theory of believable femininity: the notion that in order for characters gendered female to be accepted by an audience, specific textual markers must render them submissive to a dominating male figure. I examine the following warrior women at length: Britomart and Radigund from Spenser's The Faerie Queene; Christine de Pizan's treatment of Amazons in her Book of the City of Ladies and Hippolyta's specific portrayal by de Pizan in comparison to Shakespeare's Midsummer Night's Dream, and the …

Chaucer’S Reading List: Sir Thopas, Auchinleck, And Middle English Romances In Translation, Ken Eckert

UNLV Theses, Dissertations, Professional Papers, and Capstones

Middle English romance has never attained critical respectability, dismissed as ―"vayn carpynge" in its own age and treated as a junk-food form of medieval literature or kidnapped for political or psychoanalytical readings. Chaucer‘s Tale of Sir Thopas has been explained as an acidly sarcastic satire of the romances‘ supposedly clichéd formulas and poetically unskilled authors. Yet such assumptions require investigation of how Chaucer and his ostensible audience might have viewed romance as a genre. Chaucer‘s likely use of the Auchinleck manuscript forms a convenient basis for examination of the romances listed in Thopas. With the aid of a modern translation, …

Mythology In The Middle Ages: Heroic Tales Of Monsters, Magic, And Might, Christopher R. Fee

Gettysburg College Faculty Books

Myths of gods, legends of battles, and folktales of magic abound in the heroic narratives of the Middle Ages. Mythology in the Middle Ages: Heroic Tales of Monsters, Magic, and Might describes how Medieval heroes were developed from a variety of source materials: Early pagan gods become euhemerized through a Christian lens, and an older epic heroic sensibility was exchanged for a Christian typological and figural representation of saints. Most startlingly, the faces of Christian martyrs were refracted through a heroic lens in the battles between Christian standard-bearers and their opponents, who were at times explicitly described in demonic terms. …

In Memoriam Karl Heinz Göller (May 13, 1924 - April 22, 2009), Richard Utz

Medieval Institute Affiliated Faculty & Staff Publications

Eulogy on academic teacher, adviser, and mentor; founding dean of the College of Languages and Literatures at the University of Regensburg, Germany; and founder and honorary president of the German Medieval Academy (Mediävistenverband).

Borrowing In Context : The Importance And Artistic Implications Of Chaucer's Use Of Sources In The Merchant's Tale, Austin Taylor Mcintire

Theses, Dissertations and Capstones

In this thesis, I consider the implications of Chaucer not only as a man of his age but also as a poet who made deliberate decisions to borrow, imitate, and adapt the work of others, specifically in the context of The Merchant’s Tale. Chapter I of this thesis establishes the significance of the medieval understanding of auctor and auctoritas during the medieval literary period and, furthermore, examines Chaucer’s artistic output both during his career as a court poet and following his removal to Kent in an attempt to reach a clearer understanding of Chaucer’s use of source material when composing …

The Pencil, The Pin, The Table, The Bowl And The Wheel, Valerie Allen

Publications and Research

The commodity created under global capitalism originates from everywhere and seems to have been made by everyone. Endlessly fungible, it is also endlessly divisible. Analysis of the commodity reveals the indissoluble link between commodification and technologization. Although the medieval commodity is a very different kind of object, not issuing from an economy dedicated to commodity production, and being produced more regionally, the link between production and technology applies to the Middle Ages as much as it does to now. Medieval technology, in particular road-building, is commonly regarded as a regression in comparison to Roman engineering skills. I argue, however, for …

Review Of Elisabeth Vavra, Ed. Der Wald Im Mittelalter, Richard Utz

Medieval Institute Affiliated Faculty & Staff Publications

No abstract provided.

King Of The Who? The Collective Unconscious And The Crafting Of National Identity In The Medieval Arthurian Tradition, Melissa Ridley-Elmes

Theses & Honors Papers

This thesis examines the ways in which British writers of old have attempted to create a sort of ideal, national, British identity through the archetypal image of King Arthur, the “once and future king.” Drawing from sources such as Malory, Laʒamon, and Geoffrey of Monmouth, this thesis suggests that these authors’ texts, along with the texts of others who have modified the myth throughout history, have helped change and develop the way in which Britons think of themselves and their nation over the course of time.

Alexander In The Himalayas: Competing Imperial Legacies In Medieval Islamic History And Literature, Anna Akasoy

Publications and Research

In 1888, Rudyard Kipling published a collection of stories in a volume with the title The Phantom Rickshaw and Other Tales. The collection includes the short story The Man Who Would be King, in which Kipling's alter ego, a British journalist in India, makes the acquaintance of a pair of adventurers, Daniel Dravot and Peachey Carnehan, who demand his help as a fellow Mason. The two shady characters have set out to take advantage of divisions among the natives and are determined to install themselves as kings in Kafiristan, a remote region inhabited by pagans in the north of the …

Literary Influences On Dante's Use Of Fear In The Commedia, Andrew Pearson

Presentations

This presentation explores the literary influences that may have guided Dante's use and development of fear reflected and directed by his use of the word paura. These influences include Aristotle, Cicero, St. Augustine, St. Benedict, and St. Thomas Aquinas. The presenter also suggests a distant echo of fear finding its way into John Milton's Paradise Lost.

"My Trouthe For To Holde-Allas, Allas!": Dorigen And Honor In The Franklin's Tale, Alison Ganze

English Faculty Publications

Though others have explored in detail the deep and abiding concern with honor Arveragus and Aurelius evince in the tale, Dorigen’s own preoccupation with honor—no less significant in the tale’s exposition of trouthe—has not received much critical attention. Indeed, the question of Dorigen’s honor is often preempted by analysis of the (masculine) chivalric code of honor, which subsumes female honor within it. Yet an analysis of Dorigen’s promise to Aurelius and of her despairing complaint will reveal that she, too, participates in the same concept of trouthe that binds her male counterparts, one that privileges trouthe not simply as honor …

Landscapes Of Conversion: Guthlac's Mound And Grendel's Mere As Expressions Of Anglo-Saxon Nation Building, Paul Siewers

Faculty Contributions to Books

An examination of the Old English poem Beowulf as a landscape-text, expressing the Anglo-Saxon project of political hegemony over native peoples and environments.

The Concentration Of Carnivalesque Themes In The Shared Fabliaux Of The Decameron And The Canterbury Tales, Timothy R. Jordan

All-Inclusive List of Electronic Theses and Dissertations

Geoffrey Chaucer's interest in social interactions in The Canterbury Tales is easy to see through his pilgrims' estate-based conflicts with each other. In addition to the frame narrative, the interest in social interaction is also apparent in the characters of the individual tales and as a reflection of the conflict between the individual pilgrims. Most of these social interactions embody what is called the camivalesque: free, open, contact between people due to the suspension of social hierarchies. Mikhail Bakhtin has described the camivalesque as characteristic of medieval thought. In medieval literature, the genre of the fabliau, short bawdy stories that …

"The Play's The Thing": Considering The Morality Play In Morality Play, Heather Kennedy Mcdonald

UNIversitas: Journal of Research, Scholarship, and Creative Activity

The paucity of details about secular theater in the fourteenth century allows Barry Unsworth to imagine what a troupe of players would look like if we could examine them right at the time when "a totally new form of drama was being born" (Unsworth, "Barry Unsworth on Fourteenth Century Life and Theatre"). In his novel Morality Play, he imagines poor, itinerant players competing with the large guilds that put on an entire cycle of plays with the backing of unlimited funds. He conjectures that these players would be an amalgamation of different types of troupes that endeavored …

A Contemporary Reading Of Augustine’S Confessions, Sharon Cantor

The Oswald Review: An International Journal of Undergraduate Research and Criticism in the Discipline of English

No abstract provided.

Famous Infidelity: Geoffrey Chaucer's Criseyde And Robert Henryson's Cresseid, Erin R. Johnson

Honors Capstones

Capstone submitted as a graduation requirement for the BSU Honors program.

Otto Gründler: In Memoriam (1928-2004), Richard Utz

Medieval Institute Affiliated Faculty & Staff Publications

Eulogy on Director of the Medieval Institute at Western Michigan University.

Medieval Nominalism And The Literary Questions: Selected Studies, Richard Utz, Terry Barakat

Medieval Institute Affiliated Faculty & Staff Publications

Like few other topics in the academic study of medieval literature, the search for the possible parallels between philosophical and literary texts reveals the not always peaceful coexistence among the three basic approaches to the study of medieval literature and culture: While hard-core medieval philologists would not accept any claims for a “literary nominalism” unless direct textual dependence can be demonstrated, scholars in medieval studies and the comparative study of medieval literature have shown themselves more accepting of investigations which diagnose a certain nominalistic Zeitgeist, mentality, or milieu especially in late medieval culture; and scholars preferring presentist/postmodern approaches have wholeheartedly …

Gods, Heroes, & Kings: The Battle For Mythic Britain, Christopher R. Fee, David A. Leeming

Gettysburg College Faculty Books

The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and …

Chaucer And The Discourse Of German Philology: An Addendum, Richard Utz

Medieval Institute Affiliated Faculty & Staff Publications

Contains several additions to the “Annotated Bibliography” of German and Austrian Chaucer criticism between 1793 and 1948 published in Chaucer and the Discourse of German Philology (Turnhout: Brepols, 2002)