Medieval Studies Commons^™

Hell On Earth In Garth Nix’S Old Kingdom, John Rosegrant

Online Midwinter Seminar (OMS)

I explore psychological meanings embedded in the Old Kingdom. Its River of Death is a hell impinging on life: Like Dante’s Inferno it has nine sectors; the dead take hideous Boschian forms; and helped by necromancers wielding “free magic” they often return to life. On this metaphor Nix builds the insight that desiring to live deeply and joyously risks turning hellish if early life was loveless. Necromancers and Free Magic are battled by Abhorsens and others wielding “Charter magic,” Free Magic transformed by symbols. Immersion in the Charter gives a joyous experience of connection to all life. Symbolization must …

Those Queer Devils: Queercoding Villains, Devils, And Demons In Mythopoeic Film And Media, Grace Moone

Online Midwinter Seminar (OMS)

In the early years of Hollywood’s Golden Age, The Hays Code functioned as a rigid morality code designed to shape the norms of Western culture. Its far-reaching impacts remain visible even decades after its enforcement was no longer required. In this talk, we will explore one of the most pervasive elements of the code’s legacy: the prohibition against showing LGBTQ characters in a positive light, and the resulting phenomenon of “queer-coding” characters. The practice of portraying LGBT+ characters through a lens of villainy and stereotype to adhere to the Hays Code requirement that queerness be punished and depicted as undesirable …

Animated Dancing To Hell And Back: Disney’S Fantasia, Matthew Elfenbein

Online Midwinter Seminar (OMS)

Imaginative images of Heaven and Hell capture the sociocultural engagement with Walt Disney’s Fantasia (1940), which demonstrates animated dancing bodies to represent the descent and passage of the hero’s journey. This journey is presented with many different forms of conflict and images that become unique through the qualities of the animated screendance. This form of dance on film is accentuated by the visualization of imaginative bodies, a conflict between knowledge and curiosity, and the spectacle of layering images on top of symbolic meanings to emphasize the power of identification with the audience. The spectators of this film are engaged with …

From Hell (Or Not): Representations Of Merlin And His Origins In The Comics, Michael A. Torregrossa

Online Midwinter Seminar (OMS)

The Arthurian figure of Merlin has a long literary history, but he never seems able to shake off the effects of his parentage. In medieval tradition, Merlin is sired by inhuman powers: first a seemingly benign dæmon and then a decidedly wicked demon. This preternatural aspect to his conception grants Merlin the skills and powers he uses to support the realm, yet it also taints him as someone potentially dangerous. Although Merlin’s background cannot be changed, creative artists often choose to ignore or alter his origins, especially when retelling his story for mass audiences. In contrast, other creators, usually those …

Denethor’S Descent Into Hell, Craig Boyd

Online Midwinter Seminar (OMS)

One character in Tolkien’s Legendarium stands out as one of the more morally sad and complicated individuals: Denethor, the Steward of Gondor. Although he tries to defend the kingdom he cares for, his own significant moral weaknesses subvert even the best of his intentions. His despair, provoked by the death of his favorite son—and the apparent death of his other son—sends him into a spiral of self-destructive harm from which there is no return. What accounts for this are three factors. First, his self-imposed isolation from others cuts him off from the necessary fellowship that could sustain his character; his …

Feasting At The Threshold: Transubstantiation, Queer Desire, And Homonationalism In Diane Duane’S The Tale Of The Five, Taylor Driggers

Online Midwinter Seminar (OMS)

Diane Duane’s ongoing pulp fantasy series The Tale of the Five (1979- ) is set in a world marked by constant bodily transgressions and surprises, where a human and dragon can occupy the same body and become lovers and a one-night stand can bring one face-to-face with God. This essay will argue that Duane’s series articulates eroticism in a manner comparable to Linn Marie Tonstad’s (2016) queer re-visioning of transubstantiation and bodily and spiritual transformation through the Eucharist. Acts of eating and drinking serve to highlight how characters’ pansexual, polyamorous relations with each other and the love of the Goddess …

The Underworld As The Heroine’S Journey Home: Marvel, Xena, And Mythic Reimaginings, Valerie Estelle Frankel

Online Midwinter Seminar (OMS)

Hell is traditionally a place of torment, where the young heroine, like Persephone or Eurydice, is kidnapped by the patriarchy, leaving others to rescue her. The last few decades, however, have offered a model closer to Sumerian Inanna, in which the heroine is enlightened by hell or even conquers it. Angela, Queen of Hel: Journey to the Funderworld by Marguerite Bennett (2016) gives its heroine this path. Winning back her beloved, Angela, sister of Thor and Loki, becomes queen of the underworld but then prefers to bring Sera back to earth in a flip on Eurydice. The Xena episode “Fallen …

Infernal Landscape In Jacob’S Ladder (1990) In Light Of Carl G. Jung’S Theory Of Individuation, Fryderyk Kwiatkowski

Online Midwinter Seminar (OMS)

Carl G. Jung’s conception of the human psyche as an inner realm that gives access to profound, numinous experiences inspired many artists and popular culture authors to portray heaven and hell as symbolic expressions of the opposite forces within the human psyche rather than cosmological or supernatural regions. In my paper, I will concentrate on how the Hollywood film Jacob’s Ladder (1990) directed by Adrian Lyne, by portraying the main character’s descent into a deathbed vision depicted as hellish reality, reflects Jung’s theory of individuation, a process of self-realization that aims at reconciling various elements of the psyche and achieving …

Hell On His Mind: Dean Winchester’S Journey To Hell And Back, Anna Caterino

Online Midwinter Seminar (OMS)

Season three of Supernatural (2005-2020) closes with a shot of Dean Winchester (Jensen Ackles) in Hell. The place has no discernible features and resembles neither the long waiting line nor the gothic castle of later seasons. The few elements that do characterize it, however, make it look like a brain, the labyrinth of ropes reminiscent of neurons. This association introduces Hell as a place that exists first and foremost in Dean’s dead. The lack of establishing shots and the abstract terms used to discuss Hell, damnation, and Dean’s experience further support this claim, working in its favor. After all, the …

The Righteousness Of The Damned In Jeffrey Konvitz’S The Sentinel, Raymond G. Falgui

Online Midwinter Seminar (OMS)

The paper will examine the nature of the damned in Jeffrey Konvitz’s 1970s pulp horror novel The Sentinel by using a framework utilized by C.S. Lewis in The Great Divorce, wherein damnation involves a species of spiritual blindness that masquerades as righteousness and shields the damned (for a time) from an awareness of their ultimate condition. Specifically, the paper will provide a character analysis of the co-protagonist Michael, arguably one of Konvitz’s more complex literary creations, and the role he plays in briefly elevating a generic genre-contrived plot into the realm of true spiritual horror. While making such a …

Welcome And Announcements, Mythsoc Stewards

Online Midwinter Seminar (OMS)

Welcome and Announcements

Join us for a screening of the Welcome and Announcements video, and have a cup of coffee before we get started!

What Could A Trans Book History Look Like? Toward Trans Codicology, J D. Sargan

Criticism

This article draws on critical trans studies and queer archival practice to propose a book historical mode that extends what we know about the premodern trans experience beyond the recovery of individual biographies. Instead of turning to textual sources for the identification of transness, the author looks to Susan Stryker’s call for the “recuperat[ion of] embodied knowing as a formally legitimated basis of knowledge production.” Bibliography, he suggests, makes claims of objectivity that engender a particular reluctance to respond to such calls. But the lived reality of archival research is one of affective embodiment. Affect theory is an area that, …

Envisioning A World Without Rape In Late Fifteenth-Century Dream Narratives, Boyda J. Johnstone

Medieval Feminist Forum: A Journal of Gender and Sexuality

Recent scholarship has been preoccupied with questions of rape and consent in late medieval literature, partly influenced by the Me Too movement while we continue to grapple with Geoffrey Chaucer’s allegation of raptus. In such a climate, medieval texts that likewise challenge the normalization of rape in literature and society require renewed attention and critical interest. The three fifteenth-century poems I examine in this article, The Assembly of Ladies, The Floure and the Leafe, and The Isle of Ladies, push Chaucer’s dream vision tradition in a new direction, presenting us with female-centered models of cooperation, care, and governance. …

Haunting At Troy: Troy Narratives, Trauma, And Desire For The Past In Late Medieval English Literature, Woo Ree Heor

Dissertations, Theses, and Capstone Projects

The mythical city of Troy functioned as an imagined point of origin for many medieval nations, providing a tangible connection to the legendary past and nation-building tools useful for the ruling class. Troy provided a convenient foundation narrative upon which ideas of collective identity could be built for these nations, and England, where construction of a homogeneous past was difficult due to frequent ruptures in its development of communal identity, was an eager producer and consumer of such a legitimizing device. However, the trauma of war and destruction intrinsic in Troy narratives also generates potent political anxiety about the reanimated …

Selecting Authority: The Compiler And Female Mystical Sources In Speculum Devotorum, Caitlin J. Branumthrash

Medieval Feminist Forum: A Journal of Gender and Sexuality

The fifteenth-century Speculum devotorum, or Mirror to Devout People, is best known for incorporating the texts of mystical women into its narrative of the life of Christ, likely because it has an explicitly stated female audience—a nun of Syon. Rather than considering how the female audience may have perceived the female sources in Speculum devotorum, this article investigates the compiler’s views of his female sources based on how he incorporates them into his work. I argue that the compiler treats his female sources as full auctores, but he only includes their works when he addresses what he considers female …

Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb

MFA in Illustration & Visual Culture

This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …

‘Where Now Bucephalus And The Proud Eormanric?' The Interplay Of Gothic And Classical References As A Tacit Background Behind The Wanderer, Tolkien's Anglo-Saxon Source, Giovanni Carmine Costabile

Journal of Tolkien Research

The famous lines "Where now the horse and the rider?" from The Two Towers, spoken by Théoden in Peter Jackson's film, but recited by Aragorn in Tolkien's original text, find an unquestionable source in the Anglo-Saxon poem The Wanderer, and as such received detailed comment by the Professor as a scholar, stating that it is not very important to identify who the rider being cited might be, as long as we admit he is a "type". In order to understand the type of this rider, then, we only have to look for similar occurrences of the evergreen "ubi …

Final Master's Portfolio, Tooba Amin

Master of Arts in English Plan II Graduate Projects

Tooba Amin covers the following topics in her Final Master's Portfolio: Capitalism, Medievalism, Women's Studies, and Indigenous Studies.

Understanding Authoritarianism, Fascism, Far-Right Politics, And Anti-Democratic Processes, Paul Viafranco

Master of Arts in English Plan II Graduate Projects

In this portfolio, Paul Viafranco seeks to understand the rise of Authoritarianism, Fascism, Far-Right Politics, and Anti-Democratic Processes, by delving into Executive Order 9066, Marine Le Pen’s use of medievalism, Donald Trump’s discourse, and the various factors that contribute to the need for seeking asylum or refugee status.

From Pedagogical To The Practical: A Study Linked By Japanese Themes, Kennedy Lomont

Master of Arts in English Plan II Graduate Projects

This portfolio consists of three essays linked by Japanese themes and also includes a practical project. These papers delve into the subjects of Japenese incarceration, magical girl anime, and Noh theater. My practical portion contains the materials that I have created and refined for job search purposes.

George Colvile's Translation Of The Consolation Of Philosophy, Ian Cornelius

English: Faculty Publications and Other Works

The Consolatio philosophiae of the Roman statesman and philosopher Boethius (fifth/sixth century) was read and studied intensely in medieval western Europe and repeatedly translated into vernacular languages. Medieval commentaries on this text and translations of it claim attention today as case studies in a history of reading, for they exemplify the practices of medieval literary scholasticism. In an English context, the final flowering of this reading tradition may be placed in the year 1556, when John Cawoode printed a new translation of the Consolatio by a ‘George Coluile, alias Coldewel’. The translator remains unidentified. The translation is a medieval throwback …

“Þer Watz Mete, Þer Watz Myrþe, Þer Watz Much Ioye”: The Manipulative Sotilte Of Middle English Romance, Kelly Evans

English Theses and Dissertations

The Middle English sotilte and its Middle French counterpart, the entremet, refer to the elements during a feast that conjure wonder. Like “feast” and “banquet,” both terms have been used interchangeably, with the entremet coming to signify a sweet dessert at the end of a meal in modern usage of the term. In Middle English romance, the sotilte of the feast builds upon the connotations that “subtlety” carry—guile, artifice, craft, even deceit.

Perhaps the most well-known of all Middle English sotiltes is the sudden intrusion of the Green Knight during the Christmastide feast in Sir Gawain and the Green …

Second Age, Middle Age, Norbert Schürer

Journal of Tolkien Research

The recent releases of the volume The Fall of Númenor and the series The Lord of the Rings: The Rings of Power raise the question: What is the significance of the Second Age of Tolkien’s legendarium? This article suggests that Tolkien conceived of the Second Age as parallel to the Middle Ages in our world, which were the focus of his academic career in his studies of Old and Middle English language and literature. As various frameworks and overviews for the legendarium demonstrate, Tolkien thought of the Second Age, like the Middle Ages, as uniquely looking backwards and forwards …

History Of The Book: Arthurian Books And The (Counter-) Reformation, Blaire Zeiders

Printing and the Book During the Reformation: 1450-1650, an NEH Summer Seminar for College and University Teachers

Syllabus for book history-oriented senior-level course on representations of King Arthur in the Reformation and Counter-Reformation.

Some Corrections To The Notation Of Verse Structure In Two Recent Editions Of Middle English Alliterative Poems, Ian Cornelius

English: Faculty Publications and Other Works

In Germanic alliterative verse the fundamental unit of meter and rhythm is the half-line. Editions of older Germanic alliterative poems now usually record this feature in their typographic design: the poetry is lineated and coordinate half-lines are separated with whitespace. For Middle English alliterative poems, the usual presentation has been in undivided long lines, but several recent editions separate half-lines with whitespace or punctuation-marks. The present essay examines the half-line divisions in John Burrow and Thorlac Turville-Petre’s Piers Plowman B (2014/2018) and Ad Putter and Myra Stokes’s Cleanness, Patience, and Sir Gawain and the Green Knight (2014). Burrow …

Extreme Translation: Six Medieval Lessons For Everyone, Michelle Warren

Dartmouth Scholarship

No abstract provided.

Bibliography, Alison Langdon

Faculty/Staff Personal Papers

Bibliography of publications by Alison (Ganze) Langdon.

N.C. Wyeth, Howard Pyle, And The American Imagination: Medieval Myth In 19th- And 20th- Century Children’S Literature, Alyssa Kowalick

West Chester University Master’s Theses

This thesis attempts to elucidate how the illustrated images and text of the medieval myths of King Arthur and Robin Hood were translated from an English national epic to an American classic and used, I argue, to construct a new American identity. My analysis looks at both the written word and illustrated images in Howard Pyle’s The Story of King Arthur and His Knights and The Merry Adventures of Robin Hood, as well as The Boy’s King Arthur written by Sidney Lanier and illustrated by N.C. Wyeth, and Robin Hood written by Paul Creswick and illustrated by N.C. Wyeth. …

Takamiya Ms 23, Its Exemplar, And The Editio Princeps Of Piers Plowman, Ian Cornelius, J. Eric Ensley

English: Faculty Publications and Other Works

New Haven, Beinecke Library, MS Takamiya 23 is a mid sixteenth-century copy of the B Version of Piers Plowman, distinguished by pervasive linguistic modernization. The manuscript derives from a source very similar to that used by Robert Crowley for the editio princeps, a textual affiliation that remains unexplained. In their critical edition, George Kane and E. Talbot Donaldson collated Takamiya 23 in full but did not print its unique variant readings and the manuscript has not figured in recent textual scholarship on Piers Plowman. This neglect has led to some conclusions that should be revisited, particularly regarding …

The Enigma Of Goldberry: Tolkien’S Narrative Braiding Of Genre- And Symbol-Related Vocabularies In The Withywindle River-Daughter, Derek Simon

Journal of Tolkien Research

The enigma of Goldberry continues to stimulate diverse readings of her narrative in the Withywindle Cottage episode. The root contention of this article is that Goldberry’s enigma is textured through Tolkien’s complex narrative braiding of multiple genre- and symbol-specific vocabularies woven together throughout her episode. The effort to interpret the enigma of Goldberry needs to be grounded in the philological, lexical, and thematic signifiers circulating in her storyline. These mythopoeic signifiers are variously conveyed by the genre- and symbol-related vocabularies influencing her enigma in the narrative. Where much of the critical commentary has justifiably considered a single strand of source …