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Articles 1 - 30 of 90
Full-Text Articles in Medieval Studies
Architecture As Political Symbolism: Power, Authority, & The Built Form, Naomi Minwalla
Architecture As Political Symbolism: Power, Authority, & The Built Form, Naomi Minwalla
Senior Honors Projects, 2020-current
This study examines how architecture functions as a medium of political symbolism, exploring the ways in which built environments communicate authority, ideology, and collective identity. Drawing on theoretical perspectives from Émile Durkheim, Max Weber, and Murray Edelman, the research first establishes how political symbols shape social cohesion, legitimize authority, and construct political meaning. The study then applies architectural interpretation frameworks developed by Martin Warnke, Erwin Panofsky, and Alois Riegl to analyze how symbolic meaning is embedded within architectural form, spatial organization, and ornamentation.
Using a qualitative comparative case study design, the research analyzes two major religious structures: the Seville Cathedral …
Secured Through Stone: The Power, Monuments, And Memory Of Thyra Danmarkarbót And The Jelling Dynasty, Jacquelyn Truitt
Secured Through Stone: The Power, Monuments, And Memory Of Thyra Danmarkarbót And The Jelling Dynasty, Jacquelyn Truitt
History ETDs
Sometime in the mid-tenth century on the Jutland peninsula of Denmark, the Viking Age Queen Thyra (d. ca. 958/9) passed away and the epithet Danmarkarbót—Denmark’s Adornment—was skillfully carved onto her memorial runestone. Yet Thyra’s story has been clouded by few and unreliable textual sources, by differing assessments of her familial background that have emerged from those sources, and by misrepresentations of the material culture relating to her. This thesis explores Thyra and her place within the Viking Age Jelling dynasty through textual and material evidence and considers how the construction of both medieval and modern memory work and memorialization …
Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson
Hemispheres Of Faith: Mapping The Global Journey Of An Ivory Rosary Bead At The Metropolitan Museum Of Art, Mary M. Thompson
Theses and Dissertations
Hemispheres of Faith reattributes a carved ivory rosary bead in the Metropolitan Museum of Art to the Quito School in 18th-century Ecuador. Through examining the trade history of the Manila Galleons, material analysis, and iconographic study, Hemispheres of Faith challenges the bead's European origins and reveals the object as a product of global exchange, devotional practice, and colonial artistic collaboration within the Spanish Empire.
Theological Rituals Of Death: An Archaeological Case Study Of A Thirteenth Century Christian Burial Site, Makayla J. Bowman
Theological Rituals Of Death: An Archaeological Case Study Of A Thirteenth Century Christian Burial Site, Makayla J. Bowman
Research and Creativity Symposium
This study examines the theological principles reflected in the burial practices of El Corral de los Condes, a thirteenth-century cemetery associated with the Knights of Calatrava at Zorita de los Canes, Spain. Founded during the Crusades, the Knights combined monastic vows with military service, emphasizing poverty, chastity, and obedience. Archaeological evidence from El Corral de los Condes reveals burials devoid of grave goods, consistent with Christian ideals of renouncing earthly possessions at death, as exemplified in Athanasius’ Life of Antony. The orientation of burials along an East/West axis, with heads facing east, aligns with early Christian eschatology, symbolizing the …
Remedios Varo: Peregrinaciones, Julia Condes
Remedios Varo: Peregrinaciones, Julia Condes
Honors Undergraduate Theses
At the time of her death, the artist Remedios Varo (1908–1963) left behind over 500 works of art, the majority of which were created in her adopted country of Mexico. Known for her meticulously crafted fantastical paintings, Varo underwent exile and displacement due to first the Spanish Civil War, and later World War II, which led her to relocate to Mexico, where she would create prolifically for the remainder of her life. This paper will examine the effect of those experiences on the artist and the work she produced, attesting to Varo’s ability to translate complex emotions regarding the human …
Speculum Feminarum: Feminine Representation And Identity In Fifteenth-Century France, Karli R. Snyder
Speculum Feminarum: Feminine Representation And Identity In Fifteenth-Century France, Karli R. Snyder
Art & Art History ETDs
Late medieval views of women in Western European culture, specifically in fifteenth-century France, were predicated on the ideologies of "other." According to normative sociocultural attitudes of this period, women were immoral, lascivious, and indulged in frivolity. Their culturally acceptable and, therefore, natural roles were delineated solely as that of wife and mother. Although the origin of these views is obscured by time, there are scores of textual and visual examples of this cultural labeling. This thesis focuses on how the ideologies of feminine sociocultural roles developed and matured during the late Middle Ages. By comparatively analyzing copies of the visual …
Vision, Repetition And Redemption: Envisioning Universal Salvation In A Group Of Six Carolingian Ivory Book Covers, Valerie Thai
Vision, Repetition And Redemption: Envisioning Universal Salvation In A Group Of Six Carolingian Ivory Book Covers, Valerie Thai
Theses and Dissertations
Six Carolingian ivory plaques share almost identical imagery. This thesis focuses on the figures of Synagoga and the rising dead repeated in the compositions. As the ivories are Gospel covers used in Mass, this study demonstrates how these motifs appeal to the congregation, conveying the Christian tenet of universal salvation.
Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile
Orpheus And The Harrowing Of Hell In The Tale Of Beren And Lúthien, Giovanni Carmine Costabile
Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature
Critics have observed that Beren and Lúthien’s tale is a Christian retelling of the myth of Orpheus and Eurydice. The “Harrowing of Hell” tradition is widespread in Italy as attested by the mosaic of San Marco among others, but it is in France that the Ovid Moralized reconnects it to Orpheus who descended into the Underworld to save Eurydice (an already late antique parallel) and therefore attests a happy ending version of the story that can be found in medieval England and also in various classical sources, perhaps even in the original legend of Orpheus. The apocryphal Harrowing is also …
The Mosaic Programs Of The Basilica Of San Vitale And The Great Palace Of Constantinople: A Unique Reinvention Of Roman Pasts, Justine Spencer
The Mosaic Programs Of The Basilica Of San Vitale And The Great Palace Of Constantinople: A Unique Reinvention Of Roman Pasts, Justine Spencer
University Honors Theses
The Church of San Vitale and the Great Palace of Constantinople offer remarkable examples of artistic productions in early Byzantine mosaics. Bridging from the same Roman past they reinvented a classical medium with their unique interpretations of earlier traditions. They exemplify the diversity of Byzantine artistic productions that could coexist within the same medium and era. The mosaics of the Great Palace were part of a secular governmental public space and found deep in the heart of the Eastern Roman Empire. The mosaics of the Church of San Vitale were made for the domain of the newly reconsecrated Orthodox church …
Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis
Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis
Dissertations, Theses, and Capstone Projects
This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …
Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland
Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland
Tenor of Our Times
Fra Angelico stood at the crossroads of two major art movements in the early 15th century, the old International Gothic style, and the new Renaissance style. During his stay at San Marco between 1436, when the monastery moved to Florence, and 1445, when Fra Angelico was summoned to Rome, his work reflected elements of both the International Gothic style and the Renaissance style. However, in his works at San Marco, his panel paintings were more conservative, painted with more Gothic conventions than his frescos, which exhibited elements of the rising Renaissance.
Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb
Legends Of Light: Crafting Middle Grade Fantasy In The Tradition Of Catholic Philosophy And Medieval Visual Culture, Bernadette Lamb
MFA in Illustration & Visual Culture
This essay promotes the writing and illustrating of middle grade literature that mirrors the wonder-inducing experiences of leafing through an illuminated manuscript and stepping into a Gothic cathedral. An examination of Catholic medieval visual culture moves into a discussion on its underlying philosophy and theology, which are profoundly centered on relational healing and the dignity of the human person. Christian writers including St. Pope John Paul II, C.S. Lewis, J.R.R. Tolkien, Josef Pieper, Madeline L’Engle, Dr. Bob Schuchts, Makoto Fujimura, and Andrew Peterson inform an exploration of mercy, forgiveness, and love as self-gift in the context of illustration and storytelling …
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
A Poor Third? A Reexamination Of Manuscript And Print Markets In Fifteenth And Sixteenth-Century Rouen, Kate Hodgson
School of Art Undergraduate Honors Theses
Manuscript and print scholars of the fifteenth and sixteenth centuries have deemed Rouen a ‘poor third’ to the workshops in Paris and Lyon. Lacking the cultural status and political influence of these two major centers of book production, Rouen’s manuscript tradition has been coined an “eclectic” group of illuminators who were limited to a local, discontinuous demand for books and whose regional role hardly even bears examination. However, Between 1419 and 1449, Rouen was an epicenter of political and economic exchange between Normandy and England. The city’s manuscript ateliers experienced a period of unparalleled patronage from an international, elite clientele, …
Of Word And Stone: The History Of Medieval Spain Through The Lens Of Architecture And Language, Samantha Hernandez
Of Word And Stone: The History Of Medieval Spain Through The Lens Of Architecture And Language, Samantha Hernandez
Architecture Undergraduate Honors Theses
Medieval Spain is a unique summation of religious and cultural communities. Through the built forms of Al-Andalus, there is unique preservation of societal imprints that parallel the formation of the Castilian language. These two mediums—architecture and language—are a telling of the culture and history of the region. By first observing the historical formation of Spanish, and in turn the various communities which inhabited the Iberian Peninsula, one may find many correlations with architecture created at the same time. After understanding the historical making of the Spanish language, it is important to analyze the language itself and how it differs from …
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Publications and Research
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …
Propagation Vs Intrusion: Islamic Influences In Medieval Georgia, Jake Hubbert
Propagation Vs Intrusion: Islamic Influences In Medieval Georgia, Jake Hubbert
Studia Antiqua
No abstract provided.
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
Meet Me In The Middle Ages: Engaging With Fantasy, Reality, And Collaborative World-Building, Amanda Greene
MFA in Illustration & Visual Culture
This critical essay accompanies and describes my thesis project, Medievalia Miscellany, a magazine for middle-grade readers which explores the world of medieval fantasy through art, comics, stories, and activities. Throughout the essay, I use my own term “archaeological upcycling” to discuss and explore a variety of relationships between ideas of parts and a whole. I then use it to characterize the way stories are created out of many different parts and how these parts help a reader to relate to both the world of the story and the world in which they live. I describe the genre of medieval fantasy …
Res Historica, Volume 1, Lynneth Miller Renberg Phd, Alpha Rho Epsilon Phi Alpha Theta
Res Historica, Volume 1, Lynneth Miller Renberg Phd, Alpha Rho Epsilon Phi Alpha Theta
Res Historica
The inaugural journal of historical research by Anderson University students, Res Historica.
The editorial team for this edition of Res Historica was Dr. Lynneth Miller Renberg, Hunter Curlee, and Johnathan Sorce. Cover art for this volume is the Phi Alpha Theta: Alpha Rho Epsilon logo created by Dr. Lynneth Miller Renberg.
Medieval Weathers: An Introduction, Michael J. Warren
Medieval Weathers: An Introduction, Michael J. Warren
Medieval Ecocriticisms
Introduction to the first volume of Medieval Ecocriticisms.
Beauty, Real Or Apparent: Christian Kings, Muslim Artisans, And The Development Of An Imperial Image Through The Silk And Horticulture Industries In Sicily. (Ca. 1090-1190), Casey K. Brown
History ETDs
In the wake of the Norman conquest of Sicily in the second half of the eleventh century, the Mediterranean island housed a diverse collection of Greek, Latin, and Muslim communities. Norman kings chose Palermo to become the seat of Latin-Christian Sicilian government for its productivity and strategic location and included the island into the complex world of self-fashioning politics and exchange. For Sicilian and ‘foreign’ Muslims alike, the imperious pose Roger II and his successors held created a precarious balancing act between the real and imagined worlds of Sicily. The content of this thesis is primarily concerned with the impact …
As Above, So Below: Italian Amuletic Practices Following The Black Death, Danielle Pigeon
As Above, So Below: Italian Amuletic Practices Following The Black Death, Danielle Pigeon
Art History Theses and Dissertations
This thesis explores the production of amuletic rings in the Italian peninsula following the arrival of Yersinia pestis during the mid-fourteenth century. By examining patterns of ornamentation on a selection of Italian rings, I establish connections to the trauma experienced by individuals left in the wake of the plague and argue that these objects offered a sacralized model of protective adornment to counteract the threat of a fatal and seemingly unstoppable illness. Italian amuletic rings can thereby be read as a material response to the anxieties of mass death and bodily horrors that accompanied outbreaks of the Black Death.
The …
Reassessing Alabaster Sculpture In Medieval England, Elizabeth C. Teviotdale, Jessica Brantley, Stephen Parkinson
Reassessing Alabaster Sculpture In Medieval England, Elizabeth C. Teviotdale, Jessica Brantley, Stephen Parkinson
Studies in Iconography: Themes and Variations
This volume offers fresh approaches to both the material and the subject matter of late medieval English alabaster sculptures, bringing them into dialogue with twenty-first-century scholarship on pre-modern visual culture. Devotional alabaster images, too often thought of as a narrowly English “folk art,” were avidly collected and appreciated throughout Europe in the late Middle Ages. This collection of essays seeks to place the alabasters within a variety of late medieval textual and visual contexts, taking into account questions of materiality, the role of seriality in the changing modes of artistic production of the late Middle Ages, and broad debates about …
Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb
Playing At The Crossroads Of Religion And Law: Historical Milieu, Context And Curriculum Hooks In Lost & Found, Owen Gottlieb
Articles
This chapter presents the use of Lost & Found – a purpose-built tabletop to mobile game series – to teach medieval religious legal systems. The series aims to broaden the discourse around religious legal systems and to counter popular depiction of these systems which often promote prejudice and misnomers. A central element is the importance of contextualizing religion in period and locale. The Lost & Found series uses period accurate depictions of material culture to set the stage for play around relevant topics – specifically how the law promoted collaboration and sustainable governance practices in Fustat (Old Cairo) in twelfth-century …
Designing Analog Learning Games: Genre Affordances, Limitations And Multi-Game Approaches, Owen Gottlieb, Ian Schreiber
Designing Analog Learning Games: Genre Affordances, Limitations And Multi-Game Approaches, Owen Gottlieb, Ian Schreiber
Articles
This chapter explores what the authors discovered about analog games and game design during the many iterative processes that have led to the Lost & Found series, and how they found certain constraints and affordances (that which an artifact assists, promotes or allows) provided by the boardgame genre. Some findings were counter-intuitive. What choices would allow for the modeling of complex systems, such as legal and economic systems? What choices would allow for gameplay within the time of a class-period? What mechanics could promote discussions of tradeoff decisions? If players are expending too much cognition on arithmetic strategizing, could that …
Lost & Found: New Harvest, Owen Gottlieb, Ian Schreiber
Lost & Found: New Harvest, Owen Gottlieb, Ian Schreiber
Presentations and other scholarship
Lost & Found is a strategy card-to-mobile game series that teaches medieval religious legal systems with attention to period accuracy and cultural and historical context.
Set in Fustat (Old Cairo) in the 12th century, a great crossroads of Islam, Judaism, and Christianity. The Lost & Found games project seeks to expand the discourse around religious legal systems, to enrich public conversations in a variety of communities, and to promote greater understanding of the religious traditions that build the fabric of the United States. Comparative religious literacy can build bridges between and within communities and prepare learners to be responsible citizens …
Acts Of Meaning, Resource Diagrams, And Essential Learning Behaviors: The Design Evolution Of Lost & Found, Owen Gottlieb, Ian Schreiber
Acts Of Meaning, Resource Diagrams, And Essential Learning Behaviors: The Design Evolution Of Lost & Found, Owen Gottlieb, Ian Schreiber
Articles
Lost & Found is a tabletop-to-mobile game series designed for teaching medieval religious legal systems. The long-term goals of the project are to change the discourse around religious laws, such as foregrounding the prosocial aspects of religious law such as collaboration, cooperation, and communal sustainability. This design case focuses on the evolution of the design of the mechanics and core systems in the first two tabletop games in the series, informed by over three and a half years’ worth of design notes, playable prototypes, outside design consultations, internal design reviews, playtests, and interviews.
Inventing Christine De Pizan: Art And Authorship In Late Medieval France, Adria Leigh Woodruff
Inventing Christine De Pizan: Art And Authorship In Late Medieval France, Adria Leigh Woodruff
Senior Independent Study Theses
The Book of the Queen (Harley 4431) is one of the most exquisite and fascinating manuscripts of late medieval France. Compiled for Queen Isabeau of Bavaria between 1411 and 1415 by Christine de Pizan and her small workshop, the codex is one of the largest and most illuminated of Christine’s works. While the literature on the poems of the book is vast, the miniatures have received significantly less attention. I endeavor to contribute to the literature on Christine de Pizan’s illuminations, as they serve as important amplifications of her allegories. Therefore, it is necessary to examine her miniatures in order …
The Locus Of Meaning In Medieval Art: Iconography, Iconology, And Interpreting The Visual Imagery Of The Middle Ages, Lena Eva Liepe
The Locus Of Meaning In Medieval Art: Iconography, Iconology, And Interpreting The Visual Imagery Of The Middle Ages, Lena Eva Liepe
Studies in Iconography: Themes and Variations
This book addresses the status and relevance of iconography and iconology in the contemporary scholarly study of medieval art. There is a widespread tendency among art historians today to regard the study of iconography and iconology in the tradition of Erwin Panofsky as an outmoded and trivial pursuit. Nonetheless, Panofsky’s three-level interpretative model sits firmly in the methodological toolkit of art history, and remains a common point of reference among adherents and adversaries alike. Iconography and iconology demands to be taken seriously as a feature of continued praxis in the discipline. The book contains a collection of essays on the …
Janja Majstorovic, Marija Maracic, Josipa Karaca