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Caribbean Languages and Societies Commons™
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- Black literature (16)
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- Jamaica Kincaid (2)
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Articles 1 - 30 of 48
Full-Text Articles in Caribbean Languages and Societies
Death, Dreaming, And Diaspora: Achieving Orientation Through Afro-Spirituality, Liz Johnston, Jaime Elizabeth Johnston
Death, Dreaming, And Diaspora: Achieving Orientation Through Afro-Spirituality, Liz Johnston, Jaime Elizabeth Johnston
LSU Doctoral Dissertations
Enslavement, colonization, and the systems that uphold racial injustice were and still are a series of new, unfathomable, and challenging experiences that prompt individuals within the diaspora to seek orientation. How does a human cope with centuries of attempts at the systematic destruction of their humanity, culture, and identity? How can they reclaim that identity, especially when so much of it seems lost? I address these questions by utilizing texts from the expansive body of work regarding ethnographic-historical-religious studies on Afro-spiritual practices to better analyze instances in literature in the ongoing practice of diasporic orientation. In this project, I argue …
The Rise Of An Eco-Spiritual Imaginary: Ecology And Spirituality As Decolonial Protest In Contemporary Multi-Ethnic American Literature, Andrew Michael Spencer
The Rise Of An Eco-Spiritual Imaginary: Ecology And Spirituality As Decolonial Protest In Contemporary Multi-Ethnic American Literature, Andrew Michael Spencer
English Theses and Dissertations
The Rise of an Eco-Spiritual Imaginary reveals a shared ecological aesthetic among contemporary U.S. ethnic writers whose novels communicate a decolonial spiritual reverence for the earth. This shared narrative focus challenges white settler colonial mythologies of manifest destiny and American exceptionalism to instantiate new ways of imagining community across socially constructed boundaries of time, space, nation, race, and species. The eco-spiritual imaginary—by which I mean a shared reverence for the ecological interconnection between all living beings—articulates a common biological origin and sacredness of all life that transcends racial difference while remaining grounded in local ethnicities and bioregions. The novelists representing …
2022 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies
2022 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies
IGGAD Conference Programs
Program of the 2022 IGGAD Conference: Who Owns This? Communities, Heritage, and Preservation.
El Laboratorio Cinegráfico De Pedro Pietri, Rojo Robles Mejias
El Laboratorio Cinegráfico De Pedro Pietri, Rojo Robles Mejias
Publications and Research
En su relato “Lost in the Museum of Natural History” Pedro Pietri se inserta en la narración como personaje y como fuente de historias inspiradas en la violencia de los géneros del western, los biker films y los melodramas. Esta aproximación a la experimentación literaria, la alteración sensorial y fílmica escenifica una crisis en la enunciación y la representación que hecha luces sobre las relaciones entre las desigualdades sociales, la violencia y la subjetividad.
2020 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies
2020 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies
IGGAD Conference Programs
Program of the 2020 IGGAD Conference: Without Borders: Tracing the Cultural, Archival, and Political African Diaspora.
Knowledge Networks: Contested Geographies In The History Of Mary Prince, Leah M. Thomas
Knowledge Networks: Contested Geographies In The History Of Mary Prince, Leah M. Thomas
ABO: Interactive Journal for Women in the Arts, 1640–1830
The History of Mary Prince, a West-Indian Slave, Related by Herself (1831) is the first published woman’s slave narrative. In her History, Prince describes horrendous physical violence to which she and other enslaved peoples of African descent are subjected as well as the corresponding psychological and sexual abuse they endure. While Prince “speaks” the sexual abuse to some extent, how she knows what she knows goes unspoken. She expresses her knowledge of reading and writing and, at times, of the law, but she does not explain how she obtains this knowledge or knows what she knows. Her optimism to …
2019 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies
2019 Iggad Conference Program, Charles Joyner Institute For Gullah And African Diaspora Studies
IGGAD Conference Programs
Program of the 2019 IGGAD Conference: Tracing the African Diaspora: Places of Suffering, Resilience, and Reinvention.
Will To Remember: Counter-Archives In The Work Of Alvarez, Danticat, And Díaz, Megan Elizabeth Feifer
Will To Remember: Counter-Archives In The Work Of Alvarez, Danticat, And Díaz, Megan Elizabeth Feifer
LSU Doctoral Dissertations
This dissertation argues the essays, fiction, non-fiction, and non-profit work of authors Julia Alvarez, Edwidge Danticat, and Junot Díaz produce counter-narratives that when assembled, create a counter-archive of the Rafael Leonidas Trujillo dictatorship and its lasting effects. To support this claim, I analyze the various genres and medias they employ throughout the late 20thand early 21st centuries as redressing not only the “official” state history of the dictatorship, but also the overarching construction of history with a capital “H”. Through a close reading of form and the thematic concerns present in their work, I demonstrate how they …
El Mundo Anti-Negro Y Los Hip-Hop Blues: Los Rakas Y J-Cole, Josué R. López
El Mundo Anti-Negro Y Los Hip-Hop Blues: Los Rakas Y J-Cole, Josué R. López
The Quiet Corner Interdisciplinary Journal
Tenemos que contender con el mundo anti-negro. Los Rakas, un dúo artístico panameño-estadounidense, y J-Cole, un artista afro-estadounidense, utilizan al hip-hop como una avenida para comunicar sus ansiedades, sufrimientos y fortalecerse en la lucha infinita al ser el Otro Oscuro. Los blues forman parte de como uno lidia con la permanencia del racismo y nuestra existencia en un mundo anti-negro. A través de Frantz Fanon, Derrick Bell y Lewis Gordon, argumento que el estilo musical de J-Cole y Los Rakas constituye una forma de los hip-hop blues. Examino las canciones “Sueño Americano” y “Neighbors” para analizar cómo los artistas entienden …
“The Only Way Out Is In”: Negotiating Identity Through Narrative In The House On Mango Street And The Brief Wondrous Life Of Oscar Wao, Brianna E. Taylor
“The Only Way Out Is In”: Negotiating Identity Through Narrative In The House On Mango Street And The Brief Wondrous Life Of Oscar Wao, Brianna E. Taylor
Steeplechase: An ORCA Student Journal
While aimed at vastly different audiences, Sandra Cisneros’s beloved coming-of-age story The House on Mango Street and Junot Díaz’s Pulitzer Prize-winning debut novel The Brief Wondrous Life of Oscar Wao both uniquely capture the complexities of navigating the hyphenated territory between their respective Mexican-American and Dominican-American identities. Cisneros engages readers with the simple yet profound narrative voice of Esperanza in a series of vignettes that subtly reveal a growing consciousness of her role as a young Mexican-American woman and her creative consciousness as an artist. Through the multifaceted narrative perspective of Yunior, Díaz skillfully weaves together “ghetto nerd” Oscar de …
Emily And Annie: Doris Lessing's And Jamaica Kincaid's Portraits Of The Mothers They Remember And The Mothers That Might Have Been, Daryl Cumber Dance
Emily And Annie: Doris Lessing's And Jamaica Kincaid's Portraits Of The Mothers They Remember And The Mothers That Might Have Been, Daryl Cumber Dance
English Faculty Publications
In 2008 at the age of eighty-nine, Nobel laureate Doris Lessing returned to the mother who has haunted her life and her literature in order to rewrite a fictional account of the life that might have been and a biographical account of the life that she actually lived in Alfred & Emily. Her efforts to finally exorcise the powerful and hated figure that has hounded her for most of her eighty-nine years call to mind similar efforts throughout the canon of fifty-nine-year-old celebrated Antiguan-American novelist Jamaica Kincaid to free herself. Both writers take advantage of and seek to find …
'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance
'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance
English Faculty Publications
Olive Senior informs us in 'The Poem as Gardening, the Story as Su-Su: Finding a Literary Voice' that Jamaican elders believe the ground is the place where ancestral wisdom is located and they will explain and validate their warning or advice by saying, 'Grung tell me wud' (36). Jamaican linguist/literary critic/poet/and novelist Velma Pollard has put her ear to the ground of Jamaica and shared many important words of ancestral wisdom with us. This was a natural development for the talented girlchild born into an artistic family in Woodside, Jamaica, a rural community rich in folk traditions: her father was …
"I Put The Tale Back Where I Found It": Feeling The Past Through "The Warmth Of The Human Voice", Daryl Cumber Dance
"I Put The Tale Back Where I Found It": Feeling The Past Through "The Warmth Of The Human Voice", Daryl Cumber Dance
English Faculty Publications
In this article, I examine my revelations and growth related to folk culture and literature connected to the African American community. I borrow from and play on the Sudanese formulaic ending for the folktale; it seemed to me appropriate - even obligatory- that "I put the tale back where I found it." This maxim is symbolic, reflecting what I find one of the most characteristic elements of Black folklore - that is, the focus on the group, the community, in terms of the source of the historical situation of the tale; the moral lesson; the content, style, and delivery; and …
Sucking Salt: Caribbean Women Writers, Migration, And Survival By Meredith M. Gadsby (Book Review), Daryl Cumber Dance
Sucking Salt: Caribbean Women Writers, Migration, And Survival By Meredith M. Gadsby (Book Review), Daryl Cumber Dance
English Faculty Publications
The folk will tell you that salt can either save you or destroy you. Toni Cade Bambara's Velma of The Salteaters realized that her survival depended on learning "the difference between eating salt as an antidote to snakebite and turning into salt, succumbing to the serpent." The lesson of similar folk wisdom is the subject of Meredith M. Gasby's Sucking Salt, where she propses as a new framework for the examination of Caribbean women's writing the survival techiniques implied in "sucking salt," techiniques suggested in her aunt's reflections on people she knew. Tantie expounded: "Little salt won't kill …
Constructing Black Selves: Caribbean American Narratives And The Second Generation By Lisa D. Mcgill (Book Review), Daryl Cumber Dance
Constructing Black Selves: Caribbean American Narratives And The Second Generation By Lisa D. Mcgill (Book Review), Daryl Cumber Dance
English Faculty Publications
Using second generation Americans Harry Belafonte, Paule Marshall, Audre Lorde, Piri Thomas, and the meringue hip hop group Proyecto Uno, Lisa D. McGill considers in Constructing Black Selves: Caribbean American Narratives and the Second Generation the issues of identity formation of those whose heritage ultimately includes Africa, the Caribbean, and the United States, most often New York City. Though her subjects come from different national, racial, and language backgrounds; though they have made their names in different media; and though they have different views of race, identity, and culture, she convincingly makes the argument that "African America becomes powerful site …
Who Was Cock Robin? A New Reading Of Erna Brodber's Jane And Louisa Will Soon Come Home, Daryl Cumber Dance
Who Was Cock Robin? A New Reading Of Erna Brodber's Jane And Louisa Will Soon Come Home, Daryl Cumber Dance
English Faculty Publications
Much has been written about the quest of Brodber's protagonist Nellie for identity, for wholeness, for balance, for sanity, for finding her way back home into the community. Nellie's efforts to find herself and to integrate into the community will be easier, Brodber declared in a speech in 1988, "when Jane and Louisa come home, i.e., when the women find themselves" (Notes). Brodber also observed in that same speech, "'coming' rather than 'being' is the appropriate action word with which to address the issue of integration into the community," a fact suggested by the game that gives the title to …
Ismith Khan (1925-2002), Daryl Cumber Dance
Ismith Khan (1925-2002), Daryl Cumber Dance
English Faculty Publications
Trinidadian novelist who explored the conflicts experienced by East Indians in the Caribbean as well as the racial diversity that characterizes the region. A brilliant storyteller, he created memorable characters through whom the sights and cadences of Trinidad will forever live.
In Search Of Nella Larsen: A Biography Of The Color Line By George Hutchinson (Book Review), Daryl Cumber Dance
In Search Of Nella Larsen: A Biography Of The Color Line By George Hutchinson (Book Review), Daryl Cumber Dance
English Faculty Publications
With In Search of Nella Larsen, George Hutchinson makes the third major attempt to provide a biography of the elusive Harlem Renaissance author Nella Larsen (1891-1964), the mulatto daughter of immigrants from Denmark and the Danish West Indies whose life and fiction were shaped largely by her mixed emotions about her racial heritage and her feelings of abandonment by her white mother, stepfather, and sister. In his introduction, Hutchinson makes much of the errors of prior Larsen biographers Charles R. Larson (Invisible Darkness: Jean Toomer and Nella Larsen [1993]) and Thadious M. Davis (Nella Larsen, Novelist of …
Bennett, Louise, Daryl Cumber Dance
Bennett, Louise, Daryl Cumber Dance
English Faculty Publications
Louise Bennett, affectionately called Miss Lou, is Jamaica's most beloved folk poet, performer, and collector; she was born in Kingston, Jamaica, on September 7, 1919. Her father, a baker, died when she was seven years old, and her mother worked as a dressmaker to provide for her only child. She was educated in Jamaica at Calabar Elementary School, Excelsior High School, and St. Simon's College, after which she received a scholarship to study at the Royal Academy of Dramatic Art in England.
A Conversation With Velma Pollard, Daryl Cumber Dance
A Conversation With Velma Pollard, Daryl Cumber Dance
English Faculty Publications
Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.
The Colored Girl In The Ring: A Guyanese Woman Remembers By Brenda Chester Doharris (Book Review), Daryl Cumber Dance
The Colored Girl In The Ring: A Guyanese Woman Remembers By Brenda Chester Doharris (Book Review), Daryl Cumber Dance
English Faculty Publications
Brenda Chester DoHarris's The Colored Girl in the Ring: A Guyanese Woman Remembers joins the company of some of the most memorable works of Caribbean literature, those classic accounts of coming-of-age, such as George Lamming's In the Castle of My Skin, V. S. Naipaul's A House for Mr. Biswas, Michael Anthony's The Year in San Fernando, Merle Hodge's Crick Crack, Monkey, Erna Brodber's Jane and Louisa Will Soon Come Home, Zea Edgell's Beka Lamb, Jamaica Kincaid's Annie John, and Beryl Gilroy's Sunlight on Sweet Water. Like most of the bildungsromans - and …
My Brother By Jamaica Kincaid (Book Review), Daryl Cumber Dance
My Brother By Jamaica Kincaid (Book Review), Daryl Cumber Dance
English Faculty Publications
In Jamaica Kincaid's six previous autobiographical novels and essays (At the Bottom of the River, 1984; Annie John, 1985; A Small Place, 1988; Annie, Gwen, Lily, Pam and Julie, 1989; Lucy, 1990; and The Autobiography of My Mother, 1996), her readers have the feeling that she has told all about her troubled life in Antigua and her painful emotional conflicts with her family (especially her mother). We discover with her new memoir, My Brother, however, that some things have been just too painful to tell - until now. Clearly the most obvious …
Beryl Gilroy: A Bio-Literary Overview, Daryl Cumber Dance
Beryl Gilroy: A Bio-Literary Overview, Daryl Cumber Dance
English Faculty Publications
In 1992 when I joined the faculty at the University of Richmond, I taught a class in black women's literature to a group of mainly white students who had previously read little or nothing in this body of literature. One young senior--a white male--did a paper comparing the sympathetic portrayal of the white male character in Beryl Gilroy's Stedman and Joanna and Bebe Moore Campbell's Your Blues Ain't Like Mine. His enthusiasm for the rich body of literature to which I had introduced him continued after he graduated, and he often wrote to me about books he was reading …
African-American Proverbs In Context By Sw. Anand Prahlad (Book Review), Daryl Cumber Dance
African-American Proverbs In Context By Sw. Anand Prahlad (Book Review), Daryl Cumber Dance
English Faculty Publications
Growing up in Hanover, Virginia, "surrounded by people who cast the world in vibrant and poetic colors," Sw. Anand Prahlad "fell in love with proverbs at an early age" (ix). This lifelong love affair has resulted in a rich collection of African American proverbs that expanded as Prahlad went through college and graduate school, and did postgraduate research. All the while, he was sharpening his critical skills and developing the theoretical framework to establish a model for use in examining the varied components of proverbial speech in the African American community, proceeding on the assumption that in order to understand …
Notice The Mistletoe, Daryl Cumber Dance
Notice The Mistletoe, Daryl Cumber Dance
English Faculty Publications
Selection of African-American folklore on the winter holidays.
The Zea Mexican Dairy: 7 Sept 1926 - 7 Sept 1986. By Kamau Brathwaite (Book Review), Daryl Cumber Dance
The Zea Mexican Dairy: 7 Sept 1926 - 7 Sept 1986. By Kamau Brathwaite (Book Review), Daryl Cumber Dance
English Faculty Publications
I may be hard put to classify the latest work of noted poet, historian, literary critic, linguist, and Africanist Kamau (Eddie) Brathwaite, but I have no problem describing it - compelling, riveting, unforgettable! Begun when Brathwaite received the devastating news that his wife Doris (his Zea Mexican) was dying of cancer, it is a paean to her, a record of his efforts to deal with her dying, death, and absence, an account of their relationship, and an autobiographical confessional. The Zea Mexican Diary includes diary entries, letters, memorates, an epigraph, expressions of sympathy, confessions, autobiographical narrative, poems - but whatever …
Various Black Virginians As Told To Daryl Cumber Dance, Daryl Cumber Dance
Various Black Virginians As Told To Daryl Cumber Dance, Daryl Cumber Dance
English Faculty Publications
Shuckin' and Jivin': Folklore from Contemporary Black Americans, published in 1978, derived from fieldwork done far a doctoral dissertation at Virginia Commonwealth University by Daryl Cumber Dance (the only woman named Daryl I have heard of aside from Daryl Hannah). She gathered stories and verses from black Virginians in colleges, senior citizens' centers, and a penitentiary. Though she doesn't bring to the party an editorial touch as enlivening as Zora Neale Hurston's, she has an ear and-unlike far, far too many assiduous collectors of folktales - knows how to capture vocal rhythms on a page.
Matriarchs, Doves, And Nymphos: Prevalent Images Of Black, Indian, And White Women In Caribbean Literature, Daryl Cumber Dance
Matriarchs, Doves, And Nymphos: Prevalent Images Of Black, Indian, And White Women In Caribbean Literature, Daryl Cumber Dance
English Faculty Publications
Universally, male writers have tended to create images of women which reveal the familiar male tendency to view women merely as functionaries whose role basically is determined by male needs, male motivations, male fears, and male fantasies. When woman is submissive, docile and pure, she is to be protected and revered; then, she is the virgin/goddess. When she is assertive and strong, she is to be avoided and despised; then, she is the bitch/shrew. When she is passionate and active, she is to be resisted and feared; she is the whore/temptress. While this genera] categorizing of women characters carries over …
An Interview Of Paule Marshall, Daryl Cumber Dance
An Interview Of Paule Marshall, Daryl Cumber Dance
English Faculty Publications
This Interview was conducted at the home of Paule Marshall in Richmond, Virginia, on June 14, 1991. Much of our discussion focused on Ms. Marshall's recently completed novel, Daughters, published this fall by Atheneum, which she characterizes here as "perhaps my most personal novel." There are, of course, frequent references to her earlier works, which include Brown Girl, Brownstones (1959), Soul Clap Hands and Sing (1961). The Chosen Place, the Timeless People (1969), Praisesong for the Widow (1983), and Reena and Other Stories (1983).
"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance
"He's Long Gone": The Theme Of Escape In Black Folklore And Literature, Daryl Cumber Dance
English Faculty Publications
Throughout their experiences in this country, certain segments of the Black population have viewed themselves as enslaved, whether they were chattel owned by slaveowners prior to emancipation, whether they were impressed into peonage and forced to work on white plantations and in chain gangs after slavery, whether they were victims of sharecropping systems that virtually reenslaved them during the twentieth century, whether they were the repressed and disfranchised and persecuted in Southern Jim Crow towns throughout the first half of the twentieth century, whether they are those trapped by unemployment and poverty today, or whether they are among the Blacks …