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Simone Schwarz-Bart : Quel Intérêt? Classer L’Inclassable, Christiane Ndiaye Dec 2003

Simone Schwarz-Bart : Quel Intérêt? Classer L’Inclassable, Christiane Ndiaye

Présence Francophone: Revue internationale de langue et de littérature

Critics do not agree on what constitutes the interest of the works of Schwarz- Bart. However, four major tendencies are apparent in the many critical studies of her works: some are interested in the "creole experience" her novels are said to portray, others in the "feminine experience", while others again in the "mythological" dimension and the question of what is borrowed from oral literature. These different approches interpret the works of Schwarz-Bart essentially in the perspective of "testimony" and, even though there is a consensus as to the originality of her writing, there is little analysis of the specific techniques …


Réceptions De L’Oeuvre D’Émile Ollivier : De La Difficulté De Nommer L’Écrivain Migrant, Joubert Satyre Dec 2003

Réceptions De L’Oeuvre D’Émile Ollivier : De La Difficulté De Nommer L’Écrivain Migrant, Joubert Satyre

Présence Francophone: Revue internationale de langue et de littérature

Abstract: Who is a migrant writer? That’s the question asked by Québec institutions which legitimatize literature, including journalistic critics and scholars. The aim of our paper is to make an inventory of the terms employed by these institutions to name Émile Ollivier (1940-2002), an Haitian novelist who has been exiled in Québec since the mid-sixties. These terms reveal a discontent and vagueness in the attempt to link the novelist to a nationality or a country. Between appropriation and dismissal, this multiplicity symbolizes a resistance to frankly consider this writer as a Quebecer. We also refer to the "in-between" of all …