Yiddish Language and Literature Commons^™

Lost In Translation: A Critical Analysis Of The Libretto In Handel's Messiah, Jordan Lehto, Aaron Escamilla, Eden H. Nimietz

2020 Festschrift: Georg Frideric Handel's "Messiah"

Handel’s Messiah is renowned for its lush sound and richly developed message regarding the rejoicing of Christians and the celebration of religion through their faith in a divine savior. Not only is the full oratorio performed by countless ensembles every year, but many scholars have spent months, and even years, poring over its libretto. The conclusions they have come up with regarding the intentions of the librettist, Charles Jennens, have sparked much controversy over the years. Because of Jennens’ personal, religious beliefs, many scholars are concerned that much of his libretto is designed to discredit all other religions and proclaim …

Book Review: Rachmil Bryks, May God Avenge Their Blood: A Holocaust Memoir Triptych, Brian Horowitz

Occasional Papers on Religion in Eastern Europe

Excerpt: "For the many readers who have never heard of Bryks, I beseech you to get this volume. You are likely to feel as I do, that here is a rare thing, a genuine writer who is ours, writes in Yiddish, although the material belongs to all humanity."

Nazi-Confiscated Art: Eliminating Legal Barriers To Returning Stolen Treasures, Stephanie J. Beach

Loyola of Los Angeles Law Review

World War II ended over three-quarters of a century ago, but there still remain prisoners of war. Before and during the war, the Nazis confiscated approximately 650,000 works of art—an “art theft” orchestrated by Adolf Hitler to rid society of Jewish art and artists and to collect worthy works to build his own art capital. Seventy-five years later, looted Holocaust-era artworks are still either undiscovered or in the possession of museums across the globe without proper ownership attribution or payment to Holocaust survivors or their heirs. There are modern remedies, such as the 1998 Washington Conference on Holocaust Era Assets, …

Survivor’S Guilt And The Ethics Of Remembering In Isaac Bashevis Singer's The Slave And Cynthia Ozick’S “The Shawl”, Ryne Menhennick

All NMU Master's Theses

The focus of this thesis is an analysis of post-Holocaust Jewish-American literature with a specific emphasis on texts set in Europe. In particular, I examine how Jewish-American authors who lived in the United States during the Holocaust address issues of trauma and survivor’s guilt through fiction. Informed especially by Theodor Adorno and Elie Wiesel, I examine the ethics of fictionalizing the Holocaust. Furthermore, this thesis considers both trauma theory and the psychology of grief to investigate the ways in which the Jewish-American community at large responded to the cultural destruction perpetrated by the Nazis during the Holocaust. Chapter One analyzes …

“A Palace On A Mountaintop”: Building Isaac Bashevis Singer’S House Of Justice, Mia Rachel Schiffer

Senior Projects Spring 2020

In the early and mid twentieth century, as social and political movements fractioned Jewish communities in Eastern Europe, Isaac Bashevis Singer turned with singular focus to “the idols” of love and literature. Exploring the changing face of Jewish life through storytelling, he encountered the same questions of spiritual and social transformation, of continuity and dissolution at the center of political debate.

This project asks how morality and ethics function in the context of cataclysm in Singer’s work. By parsing the author’s personal history recorded in two autobiographies, "In My Father’s Court" and "Love and Exile," and his novels "Enemies, a …