Italian Literature Commons^™

Embodied Cognition And The Grotesque In Calvino's La Giornata D'Uno Scrutatore And Sanguineti's Capriccio Italiano, Marco Caracciolo

CLCWeb: Comparative Literature and Culture

In his article "Embodied Cognition and the Grotesque in Calvino's La giornata d'uno scrutatore and Sanguineti's Capriccio italiano" Marco Caracciolo analyzes the multiple dimensions of embodied experience and how they can be brought to bear on literary texts. Drawing on scholarship in cognitive science, he argues that the embodiment of people's engagement with the world emerges from the interaction between the physical structure of the body and socio-cultural practices. Caracciolo shows how such nexus of biological make-up and culture can give rise to particularly complex meanings in the representation of grotesque bodies. In order to illustrate his postulates, Caracciolo …

Autotraduction, Traduction Interculturelle Et Intersémiotique Dans La Quarta Via De Kaha Mohamed Aden, Simone Brioni

Department of English Faculty Publications

No abstract provided.

Postcolonialismo, Subalternità E New Italian Epic: Intervista Con Wu Ming 1, Simone Brioni Dr.

Department of English Faculty Publications

No abstract provided.

Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera

Modern Languages and Literatures Annual Graduate Conference

In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.

Futurism In Venezuela: Arturo Uslar Pietri And The Reviews Indice And Válvula, Giovanna Montenegro

Comparative Literature Faculty and Student Scholarship

The short-lived revue válvula, published in Caracas in 1928, was symbolic of the cursory invasion of Futurism into Venezuela, and of the fate of the avant-garde in that country between the 1920s and 1930s. At a time, when the nation was struggling to shake itself from the patriarchal influence of the caudillo Juan Vincente Gómez (1857-1935), and was simultaneously on the eve of a shift from an agricultural to an oil-based economy, artistic avant-garde movements arrived in cultural centres such as Caracas and Maracaibo not with the boom and thunder appropriate to war-loving Futurism but, rather, trickled in slowly, gradually …

Juveniles In Early Modern Jewish-Italian Communities Between Family Control And Kabbalistic Piety, Roni Weinstein

Early Modern Workshop: Resources in Jewish History

The presentation discusses conceptions of childhood, youth, and marriage in Italian Jewish Culture.

The text reproduced is an excerpt from a mid-seventeenth century work by Pinhas Baruch Monselice.