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Articles 871 - 900 of 1192
Full-Text Articles in United States History
An 1858 Patent Office Report: The Joy Of Being Wrong, John M. Rudy
An 1858 Patent Office Report: The Joy Of Being Wrong, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
I love being wrong. I think every historian should love that feeling. Finding that one small piece of evidence that puts a crack in your perception of the past and makes you restructure your view of the flow of history is a joy.
I had one of those moments a few weeks ago at Adams County Historical Society, digging through the vertical files for random things. I go digging every week or so, simply immersing myself in the raw material of the past and seeing what floats to the surface. [excerpt]
M'Er F'Ing History: Speaking In Our Audience's Language, John M. Rudy
M'Er F'Ing History: Speaking In Our Audience's Language, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
I was talking to Jake the other night about Cookie Monster. Really, we were talking about the theory behind Cookie Monster's latest strategic move and how we could all learn a thing or two from him. Which move was that? The short, furry blue monster's brilliant foray into pop culture with "Share It Maybe," the music video parody of Carly Rae Jepsen's song "Call Me Maybe." In one day, Cookie has racked up 2.3 million hits on the less-than-four-minute video. [excerpt]
Guest Post: John Rambo Fights The Civil War, Aaron Urbanski
Guest Post: John Rambo Fights The Civil War, Aaron Urbanski
Interpreting the Civil War: Connecting the Civil War to the American Public
Today we offer another of our “Guest Post Wednesday” extras, with some meditations on Rambo from Aaron Urbanski. Yeah, we’re not kidding... Rambo. Aaron is a graduate of the GMU American History Masters program and alumnus Ranger of the NPS. [excerpt]
Ring The Bells: "Happy 149th Birthday, America!", John M. Rudy
Ring The Bells: "Happy 149th Birthday, America!", John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Friend of the blog and stalwart DC area historian Aaron Urbanski posted a pithy update to his Facebook wall on Monday, a status update which has infected my brain over the past couple days. The idea is so infectious, so amazingly simple yet profound that I'm shamelessly stealing it and blowing it up to epic proportions. [excerpt]
Every Man A Historian Means Every Man: Speaking With The Fringe, John M. Rudy
Every Man A Historian Means Every Man: Speaking With The Fringe, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
The amazing power of the internet age is the pure democratizing ethic it has injected into our culture. We aren't simply pleased when the world around us solicits and listens to our opinions, we've come to expect it. Every news story has a comment thread; every article asks for our feedback. The White House solicits input from the American "user" and offers meaningful responses. In short, we are a people who are growing more vocal in our daily lives. The brilliant constitutional law professor and master of cultural understanding Lawrence Lessig has called our culture "Read-Write" as opposed to "Read-Only." …
Cartoons, Campaigns, And Bottle Caps, Emily A. Francisco
Cartoons, Campaigns, And Bottle Caps, Emily A. Francisco
Blogging the Library
I can’t help but wonder what my AP U.S. History teacher, Robert C. Lemire, Jr., would say if he knew I was designing an exhibit on the Election of 1860. I get chills every time I crack open a book from the research stack on my desk; suddenly I can hear his college-style lectures all over again, drilling me about the differences between popular sovereignty and free soil. Who knew that after two years of being out of high school, the old curriculum would find its way back to me? I’ll have to shoot Mr. Lemire an email. [excerpt …
Lost And Found: Where The Iconic Meet, John M. Rudy
Lost And Found: Where The Iconic Meet, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
I know exactly when I began believing in the Muppets again. I am a child of the '80s. I was five years old when Jim Henson died. I remember watching the TV with my Mom crying beside me as Frank Oz's Fozzie, Richard Hunt's Scooter and Dave Goelz's Gonzo read to their friends the condolence letters sent by thousands of grieving fans. I remember the slow building of "Just One Person." [excerpt]
Good Morning To The Night: Requiem For My Battlefield, John M. Rudy
Good Morning To The Night: Requiem For My Battlefield, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
The fireflies have started to appear around Gettysburg. We have a new sliding glass door in the kitchen that I can press my face against and see them. I did it the other night when Jess mentioned they're out there. [excerpt]
College Kids With Guns: Hidden In Plain Sight, John M. Rudy
College Kids With Guns: Hidden In Plain Sight, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Sunday morning found me out in the field with a stalwart group of Gettysburg devotees: the Gettysburg Discussion Group's annual spring Muster. When the coordinator of this year's Muster put out the call for something a bit different, perhaps something in town for Sunday, my ears perked up. I've been looking for groups to test out the nuggets of the College's Civil War story on and the GDG seemed like the perfect group of guinea pigs. [excerpt]
"The People For Whom He Saved The Union": Ninety Years Ago In Dc, John M. Rudy
"The People For Whom He Saved The Union": Ninety Years Ago In Dc, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Reading the official Facebook page of one of my favorite history authors yesterday, I saw a pithy note about a "day of note." Ninety years ago this week, President Warren Harding dedicated the Lincoln Memorial at the west end of the National Mall in Washington, D.C. [excerpt]
Haupt-Enstance: Whatever Became Of Herman?, John M. Rudy
Haupt-Enstance: Whatever Became Of Herman?, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Tom Lehrer, on his 1965 album That Was The Year That Was, sang a send-up of then-Vice President Hubert Humphrey with his, "Whatever Became of Hubert." The song's been going through my head this past week or so, but with the name "Herman" taking the place of LBJ's second-in-command. [excerpt]
"Forever Free": It's Deja Vu All Over Again, John M. Rudy
"Forever Free": It's Deja Vu All Over Again, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
A friend and colleague has a great quip she uses when planning Civil War interpretation in the DC area. "Why," she asks, "would a black single mother with two daughters come to this event? What's here for her?" [excerpt]
You Can Hide `Neath Your Covers: Confronting The Boss, John M. Rudy
You Can Hide `Neath Your Covers: Confronting The Boss, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Public servants are paid to serve the American people. Do it well." Donald Rumsfeld, 2001
It's not often that I quote or even think about Donald Rumsfeld. I'm pretty sure he doesn't think about me at all. Still, that quote above is a keen (if obvious) observation that so often we in the world of public service Civil War interpretation forget. I work for the Federal Government in my 'real' job. This blog is where I brain dump everything else rattling around in my mind. Inspiration strikes at all hours, and last week the bolt came out of the blue …
4th And Goal: What Is The Interpretive Touchdown?, John M. Rudy
4th And Goal: What Is The Interpretive Touchdown?, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
What is the aim of historic interpretation? That seems like it would be a simple question to answer, but it's simply not. Historic interpretation seems to be a many headed Hydra, with each interpreter seeing their own purpose and their own goals within the craft. [excerpt]
Fateful Lightning: A New History Of The Civil War And Reconstruction, Allen C. Guelzo
Fateful Lightning: A New History Of The Civil War And Reconstruction, Allen C. Guelzo
Gettysburg College Faculty Books
The Civil War is the greatest trauma ever experienced by the American nation, a four-year paroxysm of violence that left in its wake more than 600,000 dead, more than 2 million refugees, and the destruction (in modern dollars) of more than $700 billion in property. The war also sparked some of the most heroic moments in American history and enshrined a galaxy of American heroes. Above all, it permanently ended the practice of slavery and proved, in an age of resurgent monarchies, that a liberal democracy could survive the most frightful of challenges.
In Fateful Lightning, two-time Lincoln Prize-winning …
Episode 61: The One With The Cannons, John M. Rudy
Episode 61: The One With The Cannons, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
This past weekend, I found myself in Milwaukee, Wisconsin for the annual meeting of the Organization of American Historians and the National Council on Public History. Sessions abounded on both the Civil War and interpretation, as well as any other American historical topic you could imagine. The OAH debuted their new Imperiled Promise report on NPS history practices (which Jake commented on last week). Kevin Levin participated with other Civil War folks on a Civil War Working Group discussing the course of the 150th and beyond. [excerpt]
Crowdsourcing History: When We All Get To Help, John M. Rudy
Crowdsourcing History: When We All Get To Help, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
I'm a bit bitter this week. The arrival of the Space Shuttle Discovery to the Washington, D.C. area has got me down. My first dream job as a kid, before I wanted to be a LEGO model designer or National Park Service ranger, was the illustrious position of space garbage man. I think part of that came from my grandfather's penchant for taking me around the neighborhood on trash day during his smoke breaks and picking through the fine assemblages of junk the neighbors had left by the curb. There was some sort of glamour in the idea of seeing …
Dead Is Dead: Why 20% Doesn't Matter, John M. Rudy
Dead Is Dead: Why 20% Doesn't Matter, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Over at Cosmic America, Keith Harris beat me to the punch on this one. But Jake can attest to the fact that, since the "news" of the revision of Civil War dead up by 130,000 broke, I have been grumbling on and off.
Once Upon A Time In Gettysburg: Sometimes It Works, John M. Rudy
Once Upon A Time In Gettysburg: Sometimes It Works, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Monday night, I took my class out on the 'battlefield.' I know some of them are taking my class because, "it's Gettysburg College and I should take a Civil War class before I leave." I couldn't resist the siren call to show them where they have lived for four years and transform the meanings of that ground for them. So we went on a campus tour, the battlefield they walk everyday when they go to class or dinner or out to party on a Friday night. [excerpt]
Guest Post: Fear And Loathing At Shiloh, Vanessa Smiley
Guest Post: Fear And Loathing At Shiloh, Vanessa Smiley
Interpreting the Civil War: Connecting the Civil War to the American Public
Everyone is and has been talking about the Shiloh 150th commemoration, whether it be the NPS event starting this week or the battle reenactment that took place this past weekend. It has been called the 'Antietam of the West.' All the events surrounding its 150th anniversary have been heralded as being one of 'the big ones' this year. Over 23,000 casualties of both sides in two days - a pretty significant and bloody battle. [excerpt]
James R. Killian, Jr., Sputnik, And Eisenhower: White House Science Advice And The Reformation Of American Science Education, 1955-1958, Dallas A. Grubbs
James R. Killian, Jr., Sputnik, And Eisenhower: White House Science Advice And The Reformation Of American Science Education, 1955-1958, Dallas A. Grubbs
Student Publications
This paper chronicles the often-overlooked relationship between President Dwight D. Eisenhower and Dr. James R. Killian, Jr., the first-ever appointed Presidential Science Advisor. Emphasis is placed on the role of Dr. Killian and the President’s Science Advisory Committee (PSAC) in advocating curricular reform in the fields of science and mathematics, a reformation which became doubly important following the successful launch of the Soviet satellite Sputnik I in 1957. This essay examines the efforts of Eisenhower and Killian to keep pace with the Russian scientific advances by improving American education in the scientific and technical fields. It concludes with a discussion …
The Reproductive Rights Movement: 1914-Present, Angela A. Badore
The Reproductive Rights Movement: 1914-Present, Angela A. Badore
Student Publications
The Reproductive Rights Movement has, throughout its history, been heavily affected by public perception. Both its proponents and opponents have therefore taken to using language in order to frame the controversial issues in ways that best achieve their respective objectives. This paper explores the terminology used to discuss such issues as birth control, sterilization, and abortion since 1914, when the term ‘birth control’ was first used.
Kingdom Comin': The Largest Slave Rebellion In U.S. History, John M. Rudy
Kingdom Comin': The Largest Slave Rebellion In U.S. History, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Over at Present in the Past, Michael Lynch recently posted a provocative question and accompanying video about slave revolt. It got the wheels in my head turning. It also helped that Monday night was my first lecture scheduled on my course syllabus to dig into the "political war." My mind's been swimming with concepts of violence and resistance, freedom and slavery.
Your Fortune: Fried Rice And John Brown, John M. Rudy
Your Fortune: Fried Rice And John Brown, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
I had Chinese food Sunday night and it got me thinking. I know that's a very random thing to say, but it's the truth. We don't usually consider Chinese food to be brain food, but for me it can be very powerful stuff. I like the stuff they serve up from the back of the Giant Supermarket here in town. The people who work the counter are always very nice and it tastes just clean enough. I like a bit of mystery in my pork fried rice. [excerpt]
Interpretive Vernacular: Pop Culture Is A Language, John M. Rudy
Interpretive Vernacular: Pop Culture Is A Language, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
I trust people who sound like me. I trust people who speak the same language as me. Part of this comes from a simple fact of understanding. I speak very little Spanish, even less French.
But I also speak other languages, and trust people who speak to me in those languages. [excerpt]
Confederates In The Dorm: Hidden In Plain Sight, John M. Rudy
Confederates In The Dorm: Hidden In Plain Sight, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
You can imagine the terror in the young 21-year-old's eyes as he realized who was charging down the Cashtown Pike into Gettysburg on the 26th of June. You can feel the chill that might have run down his spine as he realized that the rebel army he had deserted, the one he had escaped by running to the Federal lines, was crashing down upon him again. And the deserter's fate during this war was simple: execution. [excerpt]
Meaningless Landscapes Yield Meaningless Graffiti: Are We All To Blame?, John M. Rudy
Meaningless Landscapes Yield Meaningless Graffiti: Are We All To Blame?, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
It is a juvenile bit of graffiti. Someone has slathered spray paint across the chest and mustache of one of those iconic Gettysburg monuments: the 2nd company, Andrews (Massachusetts) Sharpshooters monument along "the Loop" just to the west of the Wheatfield. The news hist Facebook for me yesterday afternoon, when local historian and house history sleuth Kendra Debany posted the shocking photo on her wall. The kneeling figure now has two cartoonish blue female breasts and a blue handlebar adorning his lip. It is ridiculous. It is uncalled for. [excerpt]
History Not Hokum: Learning From Specters, John M. Rudy
History Not Hokum: Learning From Specters, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
What are we to make of those who literally try to raise the dead at our nation's historical locations? Can ghost tours ever be a successful medium (pun intended) for interpretation? [excerpt]
Practical Necromancy: Raising The Dead For Fun & Profit, John M. Rudy
Practical Necromancy: Raising The Dead For Fun & Profit, John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Our profession is a unique and somewhat strange one. We are paid, fundamentally, to give voice to the voiceless. History is taking the people of the past and breathing into their lungs, letting them speak and act again even though they are long dead. [excerpt]
A Letter Of Man: "And What Is 'Truth'?", John M. Rudy
A Letter Of Man: "And What Is 'Truth'?", John M. Rudy
Interpreting the Civil War: Connecting the Civil War to the American Public
Have you seen the letter making the rounds on the internet? It's been tough not to see the letter in the past week or so. And it certainly is powerful and meaningful. Jordan Anderson has struck a chord with modern audiences nearly 150 years after he dictated a snide and sarcastic letter to his former master. Reading over the former slave's word, it feels like he tailored his tone for the tongue-in-cheek, breezy style of the virtual world. [excerpt]