United States History Commons^™

At All Costs: The Stand Of The 16th Maine At Gettysburg, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

The order to hold to the last, to continue fighting, to refuse to break no matter the cost, is often held to be a noble and heroic concept, especially in the Victorian context of the nineteenth century and the American Civil War. The most famous action of this kind at the Battle of Gettysburg is of course the stand of the 20th Maine on Little Round Top on July 2, 1863, which has been popularized through the writings of Michael Shaara and the 1993 film Gettysburg. The 20th Maine’s commanding officer, Col. Joshua Lawrence Chamberlain, reflects upon this unique …

Shaw's Backside: The Other Side Of An Icon, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This week I find myself in Boston, one of the couple of American cities which call themselves the cradle of liberty. But I'm not drawn like a moth to the Revolution. It's just not my bean.

Instead, I find myself in the awkward position of standing at a visitor desk and asking a park ranger what will interest a Civil War geek in a Revolutionary-bent city. That dog don't hunt so well. [excerpt]

Plunge Into Shonash Ravine: Thinking 4th Dimensionally In Interpretation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This piece was written for NAI's annual workshop this coming fall, but not everyone will have the chance to be in Reno to hear my presentation come November. So, why not give you a sneak peak of what I'm planning on discussing in Nevada? [excerpt]

Stuff White People Like #1863, Joseph Stephen Slowinski

SURGE

There I sat: sun burning my neck, sweat pouring down my face, watching grown men play at death. I’d been meaning for years to get to Gettysburg to see the reenactment, and this past July, I was lucky enough to be there for the 150th anniversary of the battle. And so there I was, sitting in a grandstand in the middle of a farm in rural Pennsylvania, surrounded by fellow white people, watching a Confederate soldier get shot in the back for pretending to desert in the face of the Union cavalry. He flopped to the ground in front of …

Child's Play: War, Toys And Avoiding The Trivial, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This past weekend, I let my two hobbies combine. I spend a good chunk of my spare time doing incessant, weird and wild historical research. If you've read along on the blog for any appreciable time, you know the odd corners I've turned finding peculiar and striking stories both here in Gettysburg and beyond.

But I have another hobby.

I am an Adult Fan of LEGO. [excerpt]

Birthday Party, Cheesecake, Jelly Bean, Boom: The Easy Sesquicentennial Ends, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's been a good deal of digital ink spilled recently over whether the sesquicentennial is over. A provocative question can erupt into a torrent of thought.

But those thoughts have been brewing in my mind for a while now, since the whirlwind here in Gettysburg died down to a dull roar from the fever pitch of a few weeks ago. The tourist tide has subsided. The streets are easier to drive.

But most importantly, the press inquiries have died away. Nearly every day of the anniversary week, I had an e-mail or a voice-mail asking me to help a reporter …

Finding The Good: An Emotional Anniversary, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I am an exacting judge of interpretive product. I realize this. My boss and I have had a few discussions about how both of our standards, sometimes, might be just a bit too high.

I still am not convinced that pure and utter excellence is not too much to ask for on every interpretive program. All too often, though, I don't find it.

When I do see amazing moments, it thrills me. I get outrageously excited. Through my entire experience as a visitor at the sesquicentennial celebration at Gettysburg, two programs stand out as verging on that sort of gleaming …

Stewart W. Woods: A Peculiar Casualty At Fort Wagner?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Captured in the darkness of July 18th on a sandy beach in South Carolina was a native of Adams County. Stewart W. Woods, born in Heidlersburg around 1836, found himself in the hands of the rebels, among a handful of his compatriots in the 54th Massachusetts. The fighting of Woods' war was over and his fate was unclear. Stewart was a free man, born under the folds of the same American flag under which he now fought. At some point, he had drifted over the mountain range and called Carlisle home when the war erupted in 1861. [excerpt]

A New Theory For Battle Landscapes - Toward An Interpretive Future, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's a misunderstanding. The misunderstanding has been long and deep. It goes something like this:

Your crusade to destroy the current practice of military history on battlefields is a form of fundamentalism just like the supposed fundamentalism of military history you aim to change. [excerpt]

July 3, 2013 Reflection: A Chance Encounter, Ian A. Isherwood

The Gettysburg Compiler: On the Front Lines of History

In a July 4 letter to his father-in-law, General Alexander Hays expressed reserve. “Yesterday was a warm one for us,” he wrote. “The fight of my division was a perfect success […] We are all sanguine of ridding our soil of the invaders.”

The “perfect success” for Hays was his command’s role in the repulse of Pettigrew’s division in what has become known as Pickett’s Charge. It was an unquestionable victory for his division and the Army of the Potomac. Yet Alex Hays’s matter-of-fact letter was not buoyant with the egoism so easily ascribed to generals after their victories. Hays …

Hopkins And Anthony: A Struggle Over Freedom, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This piece is the original draft of a piece I wrote for the Philadelphia Inquirer, which appeared last week as part of the paper's Gettysburg sesquicentennial coverage. Here's the full, uncut piece for your perusal.

“A Great Weight At My Heart:” A Personal Reaction To Pickett’S Charge, Rebekah N. Oakes

The Gettysburg Compiler: On the Front Lines of History

“When our great victory was just over the exultation of victory was so great that one didn’t think of our fearful losses, but now I can’t help feeling a great weight at my heart. Poor Henry Ropes was one of the dearest friends I ever had or expect to have. He was one of the purest-minded, noblest, most generous men I ever knew. His loss is terrible. His men actually wept when they showed me his body, even under the tremendous cannonade, a time when most soldiers see their comrades dying around them with indifference.”

When twenty-one year old Henry …

To My Great Great Grand Uncle - On The Occasion Of The 150th Anniversary Of Your Death, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Dear William Henry,

I'm writing this standing near the spot where you died, exactly 150 years ago nearly to the second. I'm typing on a tiny screen, a technological marvel that lets me share the stories of men like you with the world instantly.

They've put up a monument to you and the 17 other men who died along with you along the banks of Plum Run creek. We call this place "The Valley of Death" now. I think you among all people who have walked this green earth would understand why.... [excerpt]

A New Birth Of Freedom, Allen C. Guelzo

Civil War Era Studies Faculty Publications

The president of the United States had been more than usually agitated ever since the news of a major collision of the Union and Confederate armies around Gettysburg, Pennsylvania, first flew along the telegraph wires to the War Department on July 1, 1863. For days, he was clouded with “sadness and despondency” until the message arrived, announcing a great victory for the Union. That was followed almost at once by news from Secretary of the Navy Gideon Welles: another dispatch had come in, “communicating the fall of Vicksburg [Mississippi] on the fourth of July.” At once, Abraham Lincoln’s mood changed, …

Mad Dan, Allen C. Guelzo

Civil War Era Studies Faculty Publications

Did Daniel Sickles, the Union's most notorious general, save the day for the Army of the Potomac at Gettysburg? That's exactly what he wanted you to believe.

Just Fields: 30 June 1863, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

South of Gettysburg as midnight chimed on June 30th and the calendar flipped over to July, a quiet peach orchard sat at the corner of a narrow lane and the road to Emmitsburg. It was just a peach orchard. [excerpt]

There Is Still Time: Contingency And History, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

"...and it's all in the balance, it hasn't happened yet, it hasn't even begun yet, it not only hasn't begun yet but there is still time for it not to begin against that position and those circumstances which made more men than Garnett and Kemper and Armistead and Wilcox look grave..."

William Faulkner's Intruder in the Dust has that beautifully evocative passage that anyone worth their salt contemplating a Pickett's Charge program has considered including in their ebb and flow. Faulkner was a master of language, and his passage about, "every Southern boy fourteen years old," is a particularly artful. …

Stormclouds Gather On The Horizon, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The first few stanzas of a poem by Howard Glyndon from the folds of The Lutheran and Missionary from late August of 1863:

The days of June were nearly done;The fields, with plenty overrun, Were ripening 'neath the harvest sun In fruitful Pennsylvania!

[excerpt]

George C. Wallace: Schoolhouse Door To Gettysburg, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In the days after his famed stand in the schoolhouse door, Alabama Governor George C. Wallace attended to the business at hand on his desk in Montgomery. Wallace served as chief executive in an office in the first home of the Confederacy. One of the things awaiting Wallace on his return from Tuscaloosa was a letter from Paul L. Roy of Gettysburg. [excerpt]

Memory And Meaning: Civil Rights In Lee's Backyard, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I walked up the long winding path named for Mary Custis and her family home. As I ascended the steps I stopped to quickly pay my respects to Robert Todd Lincoln. But he wasn't my quarry for the day. As I came to the top of the steps, Robert E. Lee's home hove into view. I've been inside Lee's house a few times. Each time has been interesting, but relatively hollow. Those four walls lack the raw power that the surrounding acres seem to ooze. [excerpt]

Meanings: Where This Is All Headed, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Human tragedy, human triumph and continuing struggle, each of its own epic proportions. One convoluted war holds inside the tripartate meanings of sorrow for 620,000 lost, joy for 4 million saved and the uneasiness that the struggle for freedom would still continue 150 years later. [excerpt]

Inside The Resource: Interpreting Is Pointing At Things, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

We preserve the places of the past for a very specific reason: they are places. They are physical manifestations of the past, either landscapes where that past was played out or the remnants of the people who made that past happen.

That was clear to me last week as I watched David Fox, one of Harpers Ferry's premier interpreters, twiddle a shaving mirror in the sunlight and shine a twinkling beam on the gravestone of Rev. Alexander Morrell in the cemetery at the end of Fillmore Street. [excerpt]

Gettysburg College & The Battle Of Gettysburg: A Civil War Walking Tour, John M. Rudy '07

Civil War Era Studies Faculty Publications

Originally compiled by John Rudy as a student project in 2007 at Gettysburg College, this new, revised edition of the Civil War Walking Tour booklet guides a visitor on a truly unique campus tour. Visitors can walk among buildings from the war era and learn how they were pressed into service during and after the Battle of Gettysburg. Likewise, many college figures such as President Henry Baugher, John "Jack" Hopkins (janitor), and many students are part of this complex and heroic story of Pennsylvania College's story in July 1863.

George Meade’S Mixed Legacy, Allen C. Guelzo

Civil War Era Studies Faculty Publications

George Gordon Meade was 47 years old the morning of June 28, 1863, when command of the Army of the Potomac was unceremoniously dumped into his lap by General in Chief Henry Hallcck, and there is no reason to doubt Meade's protest that the move rendered him the most surprised man in the entire Union Army. Meade had never wanted to be a soldier in the first place, much less take direction of an army that at that moment was facing perhaps its most daunting challenge. But compared to his immediate predecessors, Maj. Gens. Ambrose Burnside and Joseph Hooker, what …

Born In Slavery: One Grave In Chambersburg, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A simple epitaph with amazing impact: "Born in Slavery, Died Feb 15 1908." Those words speak and speak loudly. Thomas Burl wanted it to be known for eternity that he was a slave. And he wanted it to be known that he wasn't when he died. That label defined his whole life. It defined who he was when he had the name "slave" forced on him when he was born. And it again defined him through its absence after 1863. [excerpt]

Fire On The Mountain: A Forest Fire Ignored?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There was a massive forest fire on the South Mountain at the edge of Adams County. It ripped through thousands of acres of woodland along the crest of the ridge. The undergrowth went up like a match. The spring up to this point had been unusually dry. And a fire started. [excerpt]

Rewind: Good Morning To The Night, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Today is a special day, a momentous day. It's a day I've thought about for a long time. A day for beginnings and a day for looking back. So I'm looking back for today's blog, to one of my favorite posts. It's simple and meaningful to me. It's about a place that has changed my life so much. And today the ripples from that place are changing it again. And it's wonderful. [excerpt]

Hearing His Voice: What Does "War" Have To Say?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Lee is formulating his plan to move northward, to invade Federal territory once again and lean on the United States' popular will to fight. And War will see the fruits of that decision. He'll see it all. And we're still working to tell his tale, bit by bit. [excerpt]

Sockdologizing: Finally Laughing At The Lincoln Assassination, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I've taken solace in the fact that Abraham Lincoln died laughing. Sarah Vowell, in her riveting and powerful Assassination Vacation, speaks about how, "it is a comfort of sorts to know that the bullet hit Lincoln mid-guffaw. Considering how the war had weighed on him, at least his last conscious moment was a hoot." [excerpt]

From A Place Of Fear: Death, Slavery & Stonewall, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Earlier this spring, I sat in Gettysburg at the "Future of the Civil War" conference and listened to an intern talk about how he had been scared to interpret. He was afraid of his visitors, afraid to tell them about a place. [excerpt]