United States History Commons^™

Of Causes And Casualties: Safeguarding The Legacy Of The American Civil War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

750,000 and rising. 2.5 percent of the population. Greater than all other American wars combined. No matter how one describes them, the casualties incurred as a result of the American Civil War are nothing short of astounding. To those who study this devastating conflict, the numbers of the fallen can seem old friends, as the cost of great battles such as Antietam or Gettysburg are burned into memory. Yet is it possible that disproportionate emphasis has been placed on the bloody toll of the Civil War? [excerpt]

Postage Due: Stewardship, Stamps And A Watch Pocket, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Why do we forget that people are human? I've been asking myself that question more and more lately. Partially it's driven by a laundry list of things happening in the world, vitriolic attacks on humanity, both strangers and friends. I just see cruelty looming sometimes, particularly over the lowest in our society. [excerpt]

Special Collections Roadshow At Gettysburg College: William B. Mccreery’S Pow Memoir, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Episode Two of Special Collections Roadshow at Gettysburg College explores Colonel William B. McCreery’s Prisoner of War memoir and uses the text as a segway to discuss Libby Prison and POW experience. Filmed and edited by Val Merlina, ’14

Folly At Fredericksburg: A Wound To The Pride Of The 127th Pa, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

After three months in Washington, the Dauphin County Regiment was at last headed south. Resentment in the ranks at the last-minute transfer had been replaced by enthusiasm for the coming battle. At last, the men were to see the fight they had enlisted to join. [excerpt]

War Beyond The Battlefield: From The Potomac To The Rappahannock, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

“Be careful what you wish for.” Had the volunteers of Dauphin County’s 127th Regiment heard the old adage before marching off to war in the summer of 1862? Undoubtedly. even if they had, it was far from their minds as they drilled and waited and guarded the perimeter of Washington. These men had enlisted to fight, but now they found themselves consigned to guard duty for their first three months in the Army. Their fortunes would soon change, however, for better or for worse; unbeknownst to them, the Battle of Fredericksburg lurked in their future. [excerpt]

Throwing The Switch: Eisenhower, Stevenson And The African-American Vote In The 1956 Election, Lincoln M. Fitch

Student Publications

This paper seeks to contextualize the 1956 election by providing a summary of the African American political alignment during the preceding half-century. Winning a greater portion of the black vote was a central tenant of the 1956 Eisenhower Campaign strategy. In the 1956 election a substantial shift occurred among the historically democratic black electorate. The vote shifted because of disillusionment with the Democrats and Eisenhower’s civil rights record. The swing however, was less pronounced for Republican congressional candidates. This paper draws upon extensive primary material, including countless newspapers, magazines, the NAACP Papers, and published primary sources to form the core …

Facing The Apocalypse: Bomb Shelters And National Policy In Eisenhower’S Second Term, Angela A. Badore

Student Publications

This paper explores the issues of civilian defense from a federal perspective during Eisenhower’s second term, particularly focusing on the issue of bomb shelters during the period from 1956-1958. Despite widespread efforts to promote bomb shelters, or fallout shelters, during this period, no significant progress was made toward a federal program. By examining federal efforts such as the Holifield Committee, the Gaither Committee, Operation Alert, and the National Shelter Policy, this paper shows that efforts to set up shelter programs actually made the public and the Eisenhower administration less likely to trust such programs at all.

I Am Who I Am: The Book Of Exodus And African American Individuality, Joseph L. Kirkenir

Student Publications

Scholars often attempt to construct collective ideologies in order to generalize the beliefs and views of entire populations, with one target population frequently being the African American community during the latter half of the nineteenth century. Unfortunately, doing so fails to recognize the individuality of the population’s members and, especially in the case of the country’s oppressed Blacks, establishes a system where assumed notions and ignorant ideas abound. One might argue that the popularity of the book of Exodus in the time’s African American expressive outlets indicates that there did exist a collective ideology based upon the biblical narrative. However, …

Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power

Student Publications

Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …

A Rising Image And A Brighter Future: Gettysburg College In Spring 1929, Jesse E. Siegel

Student Publications

The spring semester of 1929 at Gettysburg College saw a unique combination of ambition and aspiration from many different quarters of the college community. While the college still struggled with antiquated student life and a male-dominated population, the college broke new ground by building its first ever library, winning the conference basketball title, and seeing a new generation of female students gain academic prominence. At the peak of the Roaring Twenties and led by College President Henry Hanson, Gettysburg College was creating for itself a brighter future.

A Changing Force: The American Civil War, Women, And Victorian Culture, Megan E. Mcnish

Student Publications

The American Civil War thrust Victorian society into a maelstrom. The war disrupted a culture that was based on polite behavior and repression of desires. The emphasis on fulfilling duties sent hundreds of thousands of men into the ranks of Union and Confederate armies. Without the patriarchs of their families, women took up previously unexplored roles for the majority of their sex. In both the North and the South, females were compelled to do physical labor in the fields, runs shops, and manage slaves, all jobs which previously would have been occupied almost exclusively by men. These shifts in society, …

Warriors Of Dauphin County: The 127th Pennsylvania Volunteers, Kevin P. Lavery

The Gettysburg Compiler: On the Front Lines of History

When Pennsylvania Governor Andrew Gregg Curtin charged the men of his state to enlist in July 1862, he was desperate for soldiers to fill the federal quota set for Pennsylvania. Heeding the call, William Jennings – citizen of Harrisburg and then the Adjutant of Camp Curtin – approached the governor to proffer his services to state and nation. Curtin acceded; if Jennings could form a regiment, the ambitious young officer would be granted its colonelcy. [excerpt]

An Ernie Banks Season, Steven Gimbel

Philosophy Faculty Publications

The dawn of the baseball season is an existential moment. For big market teams with owners willing to pay for marquee players, and general managers who build playoff-bound teams, it is a time of great anticipation.

It's also a time of hope, albeit dim, for those die-hard fans of teams who are off the playoff pace by double digits year in and year out. Their cautious optimism is one that illuminates the human condition. [excerpt]

Prisoner Experiences: Memoirs Of Libby Prison, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Numerous books have been written on the contested topic of Civil War prisons and prisoners of war. Scholars struggle with who to blame for the outrageous and horrible conditions of the prisons. Some speculate that the Southerners were crueler to their captives while others say the opposite. As well, scholars question whether the conditions of the Southern prisons were better or worse than the prisons in the North. [excerpt]

Wartime Reminiscences: The Story Of William R. Tanner’S Civil War Service, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

Veteran war stories are some of the most fascinating windows into the past that students of history can experience. With World War II veteran numbers quickly diminishing and the risk of these accounts of history being lost, the importance of collecting and passing on veteran stories to future generations is vital. Such was the case with those who fought in the Civil War. As the twentieth century approached, droves of veterans began disappearing from the pages of history. The need for those veteran stories from America’s bloodiest war to be recorded and published became not only important to the veterans …

Special Collections Roadshow At Gettysburg College: 37th New York Infantry Kepi, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Val Merlina uses a Civil War kepi as a gateway to discuss immigrant culture in America during the 1860s.

Notation And Memorandum: Special Artists And Their Portrayal Of The American Civil War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

As the first war to see the extensive use of photography, the American Civil War was brought home to civilians in hundreds of photographs portraying camp life or the aftermath of battles. Due to the nature of nineteenth century photography as well as safety concerns, however, photographers were not able to capture scenes of actual combat for their viewers. This task fell instead to men known as Special Artists or “Specials,” hired by the illustrated periodicals of the day to travel with the armies and sketch all manner of events associated with the military, including battles as they progressed. [ …

Competing Stories: The Gardner Saga Continues, Brianna E. Kirk

The Gettysburg Compiler: On the Front Lines of History

In 1893, two Philadelphia doctors from the Mütter Museum sent surveys to Civil War amputee veterans in order to compile records on their war amputations circa thirty years after seeing combat. One of those surveys found its way into the hands of Clark Gardner, a fifty-four year old double amputee vet who served in the 10th New York Heavy Artillery. (An introduction to Garnder can be found here.) Gardner’s responses to the survey are quite compelling and provided vivid details about his war amputations, the healing processes, difficulties he encountered, and artificial limb usage. [excerpt]

Mocking A Perilous Prediction: Currier And Ives’ Political Cartoons, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Currier and Ives’ political cartoons, while comical, also represent the general undertones of the time as well as people’s feelings regarding this era of political controversy. The election of 1860 was an incredibly important one because, not only were there numerous political and social divides, but the South had threatened to secede. The political cartoon “The Irrepressible Conflict” or “The Republican Barge in Danger,” released in 1860, gives historians a good understanding of the reactions to not only Seward’s speech but also the wariness of Lincoln’s nomination and eventual election. [excerpt]

Satirizing Strife: Currier And Ives Political Cartoons, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Currier and Ives’ prints were a large part of the media during the Civil War era. Not only were Romantic prints sold and hung in people’s parlors, but cartoons were also very popular. It is important to remember that Currier and Ives’ goal was not to produce fine art, but to make a product that was attractive to middle-class consumers. Thus, political and social cartoons became a way to attract customers. They tried to stay away from controversial topics; however, their Darktown series was one of their best-selling series of the day. Today, the Darktown series is rarely displayed and …

A Living Image: Newspaper Sketches In The American Civil War, Bryan G. Caswell

The Gettysburg Compiler: On the Front Lines of History

Photography: the ability to capture a moment in time exactly as it appeared, to then preserve it for posterity, even mass produce it for a wide viewership. A relatively new concept by the beginning of the American Civil War, photography quickly came into its own in the hands of such legends as Matthew Bray and Alexander Gardner as they sought to document the furious storm which had swept over the land. Photographs of the Civil War are prolific, and for many the memory of the conflict is intertwined with black-and-white photographs of unsmiling men and corpses bloating in the sun. …

For Those At Home: The Romantic Nature Of Civil War Lithography, Megan A. Sutter

The Gettysburg Compiler: On the Front Lines of History

Lithography, the art of drawing on stone, was an important part of American Victorian culture during the Civil War. Not only did lithography provide news in pictorial form, but it also was widely displayed in the home. With the economic move from home to factory during the early 19th century, the home became more of a “sanctuary” in which women could decorate and display. [excerpt]

Tales From A Boston Customs House: “Worthy” Suffering, S. Marianne Johnson

The Gettysburg Compiler: On the Front Lines of History

Despite Francis Clarke’s argument that men who suffered in exceptional ways, such as amputees, were regarded as national martyrs and held up as the emblem of sacrifice to the nation, this argument cannot be applied wholesale to all exceptional sufferers in the post-war North. Although men who lost limbs in battle were often remembered in terms of glory and treated as national heroes, those who suffered in non-heroic ways, such as prisoners of war and the victims of non-combat related accidents, were often treated as less deserving of honor. [excerpt]

Tales From A Boston Customs House: “Living Monuments”, S. Marianne Johnson

The Gettysburg Compiler: On the Front Lines of History

The image of the amputee is a classic one in the memory of the American Civil War. Francis Clarke has argued that the long-suffering and sacrificial Union amputee became a national martyr to the righteousness of their cause. While this view was manifested in various ways throughout the postwar North, the case of double-arm amputee Lewis Horton serves to give depth insight into–and possibly push back against–this argument. [excerpt]

Tales From A Boston Customs House: Recovering From Trauma, S. Marianne Johnson

The Gettysburg Compiler: On the Front Lines of History

After losing both arms in a gunnery accident aboard the USS Rhode Island in 1863 and being told he would not live, Medal of Honor recipient Lewis Horton resolved that he would recover and be with his family again soon. The double amputation, completed within an hour of the accident, was successful, but Horton lost a significant amount of blood and could merely wait and hope. Eighty days after amputation, the ligatures — cords left in the limb to hold arteries closed until they had sufficiently healed — were removed, and healing commenced quickly. Shortly after, he was discharged and …

Theater Of War: Booth And Beyond, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Lastly, we come upon perhaps the best known actor of the Civil War era, John Wilkes Booth. Of course, the reason memory allows us to recall the name is not because of the merits achieved through his profession, but rather because he murdered the elected executive official – United States President Abraham Lincoln. Booth, a product of a theater family, was a dramatic, eccentric, and impatient being. He wanted the leading roles, did not want to prepare the role, but to simply play the role. His brother, Edwin Booth, a talented poetical performer, one might deduce, did prepare for his …

Theater Of War: Combining Entertainment And Art, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Did the theater work to benefit the causes for north or south, dependent upon region? Sautter stated that this phenomenon was less common than many might expect. Many actors stated their neutrality, or as one Civil War era actor said, “I am neither northerner nor southerner.” Still others simply responded to the war by leaving the country. One must consider the “clannish nature” of theater of the time in order to understand how actors could have taken the neutral role during a war of ideals: many actors were born into theater life, therefore did not grow up in any one …

Theatre Of War: A Witness To Love, Tragedy, And Parody, Valerie N. Merlina

The Gettysburg Compiler: On the Front Lines of History

Central to American nineteenth century life was the theater. As the fratricidal fighting of the American Civil War broke out and divided the nation, this centrality remained, and audiences crowded into the theaters. For both north and south, the theater provided an outlet through which Americans could enjoy plays, performances, music, and variety shows that appealed to all social classes of American society. However, in order to understand the operations of theater companies during the war itself, it is first essential to examine the state of the theater as a concept during the mid-nineteenth century, and in the pre-war years. …

I'Ve Seen The Promised Land: A Letter To Amelia Boynton Robinson, Mauricio E. Novoa

SURGE

You asked if I had any thoughts or comments at the end of our visit, and I stood and said nothing. I opened my mouth, but instead of giving you words my throat was sealed by a dam of speechlessness while my eyes wept out all the emotions and heartache that I wanted to share with you. The others in my group were able to express their admiration, so I wanted to do the same. [excerpt]

Confederates In The Swimming Pool, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I was swimming last night and thinking about dead Confederates. Someday, it's utterances like that which are going to see me involuntarily committed to an asylum. But it's true. I swam and thought about dead Confederates. [excerpt]