Public History Commons^™

"Round Eye" At The Wall: The Power Of What We Call Things, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I went on a battlefield tour this weekend with Garry Adelman. It was an amazing experience, as any tour with Garry is, because he delves into how we conceptualize landscapes just as much as what happened on those landscapes 150 years ago. My mind was churning the entire time. Of anyone, both those who work for those places and those who just generally love those places, Garry (and his partner in crime Tim Smith) is tops on the list of most effective living time machines. Like always, Garry got me thinking on 15 different levels, and I'd wager that the …

Hazel R. Mccollum

African American Funeral Programs

No abstract provided.

0797: The Woman's Club Of Huntington, Marshall University Special Collections

Guides to Manuscript Collections

The Woman’s Club of Huntington Collection includes materials from the early 1900s to the 2020s that document the club’s civic, cultural, and social work. The collection contains meeting minutes, club officer reports, financial records, membership lists, and correspondence. It also includes materials related to the club’s departments, events, and projects, such as newsletters, programs, and scrapbooks.

Records from the General Federation of Women’s Clubs and the West Virginia Federation of Women’s Clubs are included, along with documents about the club’s property and the sale of its clubhouse. Photographs, plaques, awards, and memorabilia show the club’s long history of community involvement. …

Berdie Mae Wiggins

African American Funeral Programs

No abstract provided.

Fifty Shades Of Blue And Grey: Civil War Torture Porn?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Over the past few days I've been thinking about violence. We are a culture of violence. We idolize blind rage and violence, we normalize it and worship it....

We, as a collective American culture, promote violence, normalize it as the proper reaction to any given problem and outright encourage it. [excerpt]

Ms. Lula Mae Canty

African American Funeral Programs

No abstract provided.

Karlyn Ellis

African American Funeral Programs

No abstract provided.

Lawrence Carson Conaway, Jr.

African American Funeral Programs

No abstract provided.

An 1858 Patent Office Report: The Joy Of Being Wrong, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I love being wrong. I think every historian should love that feeling. Finding that one small piece of evidence that puts a crack in your perception of the past and makes you restructure your view of the flow of history is a joy.

I had one of those moments a few weeks ago at Adams County Historical Society, digging through the vertical files for random things. I go digging every week or so, simply immersing myself in the raw material of the past and seeing what floats to the surface. [excerpt]

Mrs. Sarah F. Golden

African American Funeral Programs

Mrs_Sarah_-F-_Golden.pdf - Funeral program for Mrs. Sarah F. Golden

Joseph H. Jimerson

African American Funeral Programs

No abstract provided.

Osborn Correll Johnson Jr.

African American Funeral Programs

No abstract provided.

M'Er F'Ing History: Speaking In Our Audience's Language, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I was talking to Jake the other night about Cookie Monster. Really, we were talking about the theory behind Cookie Monster's latest strategic move and how we could all learn a thing or two from him. Which move was that? The short, furry blue monster's brilliant foray into pop culture with "Share It Maybe," the music video parody of Carly Rae Jepsen's song "Call Me Maybe." In one day, Cookie has racked up 2.3 million hits on the less-than-four-minute video. [excerpt]

Roace Parks

African American Funeral Programs

No abstract provided.

Guest Post: John Rambo Fights The Civil War, Aaron Urbanski

Interpreting the Civil War: Connecting the Civil War to the American Public

Today we offer another of our “Guest Post Wednesday” extras, with some meditations on Rambo from Aaron Urbanski. Yeah, we’re not kidding... Rambo. Aaron is a graduate of the GMU American History Masters program and alumnus Ranger of the NPS. [excerpt]

Mrs. Sarah Agnes Cone Lee

African American Funeral Programs

No abstract provided.

Shanell Marvette Strickland Thomas

African American Funeral Programs

No abstract provided.

Mr. Nathaniel Wagner Sr

African American Funeral Programs

No abstract provided.

Betty Asque Davis

African American Funeral Programs

No abstract provided.

"Artifacts" Galore!, Emily A. Francisco

Blogging the Library

Back on my first day of training, Meggan told me about a new feature that the Library was in the process of adding to select exhibits. Ever heard of QR codes? Well, through “artiFACTS,” these codes will soon be changing the way Gettysburg students can interact with special items and displays. [excerpt]

Irene Pauline Parrish Dowdell

African American Funeral Programs

No abstract provided.

Mr. Louis Devine Sr.

African American Funeral Programs

No abstract provided.

Ring The Bells: "Happy 149th Birthday, America!", John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Friend of the blog and stalwart DC area historian Aaron Urbanski posted a pithy update to his Facebook wall on Monday, a status update which has infected my brain over the past couple days. The idea is so infectious, so amazingly simple yet profound that I'm shamelessly stealing it and blowing it up to epic proportions. [excerpt]

Landmark Report (Vol. 30, No. 2), Kentucky Library Research Collections

Landmark Report

Newsletter published by the Landmark Association; this local group advocates the preservation, protection and maintenance of architectural, cultural and archaeological resources in Bowling Green and Warren County, Kentucky.

Longhunter, Southern Kentucky Genealogical Society Newsletter Volume 35, Number 2, Kentucky Library Research Collections

Longhunter, Southern Kentucky Genealogical Society Newsletter

No abstract provided.

Traces Volume 40, Number 2, Kentucky Library Research Collections

Traces, the Southern Central Kentucky, Barren County Genealogical Newsletter

Traces, the South Central Kentucky Genealogical Society's quarterly newsletter, was first published in 1973. The Society changed its name in 2016 to the Barren County Historical Society. The publication features compiled genealogies, articles on local history, single-family studies and unpublished source materials related to this area.

The Albert Kahn Factory: Repurposing Historic Industrial Spaces, Hannah Loncharich

Historic Preservation Final Projects

No abstract provided.

Ornament Of The City: Forest Cemetery National Register Nomination, Kelly A. Johnston

Historic Preservation Final Projects

No abstract provided.

Mamie Dunston-Hall

African American Funeral Programs

No abstract provided.

Every Man A Historian Means Every Man: Speaking With The Fringe, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The amazing power of the internet age is the pure democratizing ethic it has injected into our culture. We aren't simply pleased when the world around us solicits and listens to our opinions, we've come to expect it. Every news story has a comment thread; every article asks for our feedback. The White House solicits input from the American "user" and offers meaningful responses. In short, we are a people who are growing more vocal in our daily lives. The brilliant constitutional law professor and master of cultural understanding Lawrence Lessig has called our culture "Read-Write" as opposed to "Read-Only." …