Public History Commons^™

The Complexity Of A Soldier: Mitchell Anderson’S Life, Death, And Legacy, Ryan Bilger

The Gettysburg Compiler: On the Front Lines of History

It is hard to believe that this is my last semester as a Civil War Institute Fellow, but that time has indeed come. When offered my choice of projects for this term, I figured it would only be appropriate to finish out my work on the Killed at Gettysburg project with one last deep dive into the life and legacy of a soldier who died here in Pennsylvania. I know I have stated this several times in my previous reflections on the project, but I feel that Killed at Gettysburg profiles offer an excellent way to consider the battle from …

Scarboro Grove Baptist Church Cemetery, Alvin D. Jackson

Tour Programs

No abstract provided.

Mildred T. Freeze

African American Funeral Programs

No abstract provided.

Cenovia Lyons

African American Funeral Programs

No abstract provided.

Cutting Through The Ranks: The Navy’S Forgotten Legacy, Cameron T. Sauers

The Gettysburg Compiler: On the Front Lines of History

The bearer of this sword was a member of a United States Navy that rapidly grew in power during the Civil War, increasing its enlistment 500% and developing the first ironclad ship. However, even as the Navy was in the midst of its transition, one thing remained in place: The U.S. Model 1852 Navy Officer’s Sword. The sword is still used in the Navy today, albeit for ceremonial purposes. Yet, for all that this sword symbolizes, very few scholars have given much attention to it or the sailors who used it in the Civil War. The common soldier has received …

Mildred Lewis Johnson

African American Funeral Programs

Interment at West Memory Gardens in Moraine, Ohio

Review: Looming Civil War, Olivia Ortman

The Gettysburg Compiler: On the Front Lines of History

In Looming Civil War, Phillips writes about the future, specifically, the one predicted by nineteenth-century Americans in the years preceding the Civil War. Challenging dominant narratives of the war, Phillips argues that nineteenth-century individuals were fully aware of a looming civil war and that many believed it would be a long, bloody, and disastrous conflict, not just a short excursion. As individuals looked to the uncertain future, they all made predictions unique to their race, religion, gender, and location. Some white southern elites saw the looming war as an Armageddon that would destroy civilized society, while abolitionists and slaves …

Written And Oral Histories Of The Chicano Movement At New Mexico Highlands University, 1968-1970, Julianna C. Wiggins

Spanish and Portuguese ETDs

This thesis presents spoken, written, and drawn histories produced before the Chicano Movement at New Mexico Highlands University in November 1970 and the discourses which have followed in the movement’s wake fifty years later. This qualitative study explores the campus climate at NMHU using the student newspaper Highlands Candle. Its contents from 1968 until 1971 are contrasted with the multiple voices of a generation which adopted the term Chicano as a racial identifier into the NMHU vernacular. Social factors including the formation of student-of-color groups and the return of veterans from the Vietnam War appear to change the student …

John Lester Littles Jr.

African American Funeral Programs

No abstract provided.

Effie Lyle

African American Funeral Programs

No abstract provided.

A Map Based On The "Hold-To-Light" Binder, Amanda Leach

Student Projects from the Archives

The Hold-to-Light cards in the David P. Campbell Postcard Collection have a wide dispersion over the United States and Europe, and even one from Argentina. The Copper Window cards, however, are predominately travel postcards, which show a popular tourist attraction. These cards are indeed clustered in the New England Area. This tells us that these coastal states were popular travel destinations in the early 1900s. To explore this interactive map, please follow the link below:

https://www.google.com/maps/d/viewer?mid=1Wkjl4QLAxLYX7ukvp84fgIcV4TsNTB0G&ll=35.41926243680842%2C-97.16311076875001&z=4

Capturing Hold-To-Light Postcard Images: A Video, Richard Marko

Student Projects from the Archives

One of the major challenges we faced in working with our binder from the David P Campbell Postcard Collection was getting digital images of the postcards with their Hold-to-Light effects. After a few attempts with the scanner it was decided that photography was the best way to capture these images. In order to best capture the Hold-to-Light a special card holder was constructed. The holder helped make photographing the cards less time consuming and produced the best quality images in showing the effects of the cards. The construction process and instructions for this card holder can be found in this …

Hold-To-Light And Other Specialty Postcards, Zoe Orcutt

Student Projects from the Archives

The "Hold-to-Light" binder in the David P. Campbell Postcard Collection deals primarily with cards that contain some type of visual effect when viewed. The majority of the cards’ visual effects can be viewed when held up a light. For this, they are usually called HTL (hold-to-light) cards, or transparency cards. There were three specific processes used in printing these HTL Cards: Die-cutting, Transparency, and Slide-Transparency.

M. Storey-Bates Cards, Stacy Young, Emma Grosjean

Student Projects from the Archives

The M. Storey-Bates postcard binder in the David P. Campbell Postcard Collection includes 132 postcards that date from 1904-1918 and that feature a multitude of images. These images consist of photographs of Edwardian actors and actresses, cartoon illustrations, illustrations created from Dickens, paintings, and much more. All of the postcards that are included in the binder have been mailed to addresses in the United Kingdom, most certainly from other addresses in the UK. The majority of these postcards were mailed to Minnie Storey-Bates (1887-1959) from Ralph Duckworth (1885-1960). Their personal relationship included correspondence that consisted of mundane daily activities, check-ins, …

A Map Based On The Institutions, Asylums, Etc. Binder, Justin Veda

Student Projects from the Archives

This project creates a map that displays the real life locations of the institutions pictured in our Institutions, Asylums, Etc. binder’s postcards and creates a website that displays the information of the map and some of the information from Veronica Bagley’s project.

The David P. Campbell Postcard Collection, searchable at postcard.uakron.edu, is a key collection of the CCHP’s Institute for Human Science and Culture. The collection provides the raw material for this project.

Overview To The Institutions, Asylums, Etc. Binder Catalogue, Veronica Bagley

Student Projects from the Archives

This project involves compiling different tables, graphs, and indexes that cover the Institutions, Asylums, Etc. binder. I also made a glossary that covers some of the names of the institutions for which definitions may not be obvious. The intention was that these can be added to the binder for future researchers.

The David P. Campbell Postcard Collection, searchable at postcard.uakron.edu, is a key collection of the CCHP’s Institute for Human Science and Culture.

“None But The Brave Deserve The Fair?” An Analysis Of Lovers Postcards From The First World War, Randall Slonaker

Student Projects from the Archives

Over ten percent of postcards in the Lovers Portraits Vol. 1 binder feature couples where the man is wearing a military uniform, with twenty-two of these cards depicting men in World War I era, United States military garb. The images and captions featured on these cards evoke familiar ideas of romance, courtship, and marital fidelity. Therefore, I have chosen to write a short synopsis that groups all of the World War One themed cards in this binder in one of three categories: courtship and pursuit, domesticity and marriage, and marital commitment and fidelity. I have positioned the images and captions …

The Medium And The Message In Early Twentieth Century Postcards Picturing Courtship And Romance, Rosemary Herbert

Student Projects from the Archives

This examination of representative postcards from the Lovers Portrait Vol. 1 volume in the David P. Campbell Postcard Collection will use the postcards dating from the early twentieth century and the messages on them to illuminate facts about postcard production, postal history, family relationships, daily life, fashion strictures, and much more. With each card inspiring a piece of detective work that brings to light a nugget of information about a time gone by, this work also generally represents the kind of curiosities that the collection as a whole brings to light. It is hoped that it will serve as a …

Politics And Crisis In The 1850s: An Interview With Rachel Shelden, Ashley Whitehead Luskey

The Gettysburg Compiler: On the Front Lines of History

Today we are speaking with Rachel Shelden, Associate Professor of History at the University of Oklahoma. She is the author of Washington Brotherhood: Politics, Social Life, and the Coming of the Civil War (University of North Carolina Press, 2013), which received honorable mention for the Wiley-Silver Prize for the best first book on the Civil War and was a selection of the History book club. She is also the co-editor, with Gary W. Gallagher, of A Political Nation: New Directions in Mid-Nineteenth-Century American Political History (University of Virginia Press, 2012). Dr. Shelden serves as the book review editor for the …

Genora Hamm Biggs

African American Funeral Programs

No abstract provided.

To Remake A Man: Disability And The Civil War, Cameron T. Sauers

The Gettysburg Compiler: On the Front Lines of History

With a disability certificate and discharge from the military in hand, disabled citizens who had not long previously been abled bodied servicemen went through a period of emasculation followed by a return to waged labor which redeemed their sacrifice. These disability certificates were issued in large quantities by the sprawling northern bureaucratic machines created by the Civil War. The above-pictured certificate, issued to James Murray of the 56th New York, discharged Murray from service because, according to his regimental surgeon, he would “never be able to discharge his duty as a soldier.” Murray stood 5’8″ when he re-enlisted for three …

Charles Edward Glover Jr.

African American Funeral Programs

No abstract provided.

Phyllis Claire Walker Johnson

African American Funeral Programs

No abstract provided.

Mr. Willie Oglesby

African American Funeral Programs

No abstract provided.

Christopher J. Scott

African American Funeral Programs

No abstract provided.

Guillermo Elton "Bill" Young Sr.

African American Funeral Programs

No abstract provided.

Mrs. Eurika Nekole Reid

African American Funeral Programs

No abstract provided.

Shantia Mcnatt

African American Funeral Programs

No abstract provided.

Emmett Redding

African American Funeral Programs

No abstract provided.

Deaconess Willie B. Bacon

African American Funeral Programs

No abstract provided.