Public History Commons^™

Stewart W. Woods: A Peculiar Casualty At Fort Wagner?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Captured in the darkness of July 18th on a sandy beach in South Carolina was a native of Adams County. Stewart W. Woods, born in Heidlersburg around 1836, found himself in the hands of the rebels, among a handful of his compatriots in the 54th Massachusetts. The fighting of Woods' war was over and his fate was unclear. Stewart was a free man, born under the folds of the same American flag under which he now fought. At some point, he had drifted over the mountain range and called Carlisle home when the war erupted in 1861. [excerpt]

A New Theory For Battle Landscapes - Toward An Interpretive Future, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's a misunderstanding. The misunderstanding has been long and deep. It goes something like this:

Your crusade to destroy the current practice of military history on battlefields is a form of fundamentalism just like the supposed fundamentalism of military history you aim to change. [excerpt]

To My Great Great Grand Uncle - On The Occasion Of The 150th Anniversary Of Your Death, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Dear William Henry,

I'm writing this standing near the spot where you died, exactly 150 years ago nearly to the second. I'm typing on a tiny screen, a technological marvel that lets me share the stories of men like you with the world instantly.

They've put up a monument to you and the 17 other men who died along with you along the banks of Plum Run creek. We call this place "The Valley of Death" now. I think you among all people who have walked this green earth would understand why.... [excerpt]

Stormclouds Gather On The Horizon, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The first few stanzas of a poem by Howard Glyndon from the folds of The Lutheran and Missionary from late August of 1863:

The days of June were nearly done;The fields, with plenty overrun, Were ripening 'neath the harvest sun In fruitful Pennsylvania!

[excerpt]

Memory And Meaning: Civil Rights In Lee's Backyard, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I walked up the long winding path named for Mary Custis and her family home. As I ascended the steps I stopped to quickly pay my respects to Robert Todd Lincoln. But he wasn't my quarry for the day. As I came to the top of the steps, Robert E. Lee's home hove into view. I've been inside Lee's house a few times. Each time has been interesting, but relatively hollow. Those four walls lack the raw power that the surrounding acres seem to ooze. [excerpt]

Meanings: Where This Is All Headed, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Human tragedy, human triumph and continuing struggle, each of its own epic proportions. One convoluted war holds inside the tripartate meanings of sorrow for 620,000 lost, joy for 4 million saved and the uneasiness that the struggle for freedom would still continue 150 years later. [excerpt]

Born In Slavery: One Grave In Chambersburg, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A simple epitaph with amazing impact: "Born in Slavery, Died Feb 15 1908." Those words speak and speak loudly. Thomas Burl wanted it to be known for eternity that he was a slave. And he wanted it to be known that he wasn't when he died. That label defined his whole life. It defined who he was when he had the name "slave" forced on him when he was born. And it again defined him through its absence after 1863. [excerpt]

Fire On The Mountain: A Forest Fire Ignored?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There was a massive forest fire on the South Mountain at the edge of Adams County. It ripped through thousands of acres of woodland along the crest of the ridge. The undergrowth went up like a match. The spring up to this point had been unusually dry. And a fire started. [excerpt]

Rewind: Good Morning To The Night, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Today is a special day, a momentous day. It's a day I've thought about for a long time. A day for beginnings and a day for looking back. So I'm looking back for today's blog, to one of my favorite posts. It's simple and meaningful to me. It's about a place that has changed my life so much. And today the ripples from that place are changing it again. And it's wonderful. [excerpt]

Hearing His Voice: What Does "War" Have To Say?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Lee is formulating his plan to move northward, to invade Federal territory once again and lean on the United States' popular will to fight. And War will see the fruits of that decision. He'll see it all. And we're still working to tell his tale, bit by bit. [excerpt]

From A Place Of Fear: Death, Slavery & Stonewall, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Earlier this spring, I sat in Gettysburg at the "Future of the Civil War" conference and listened to an intern talk about how he had been scared to interpret. He was afraid of his visitors, afraid to tell them about a place. [excerpt]

Thinking Of The Ending And Beginning Of A War, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

My lecture in class this week focused on Reconstruction, the end of war and the continuing Civil War. So I've been thinking a lot about those final moments of the Civil War and the coming of the continued century worth of conflict. And that means this photo has been on my mind, the quintessential inversion of the rebel capital, as Lincoln is forever enshrined there, a constant reminder of how the war ended and how the war still continues with different means on different cultural fronts. [excerpt]

Building The War One Brick At A Time, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I've been waiting for this moment since 1996. Back then, when I was 11, My favorite toy came out with figures from my favorite era. The LEGO Western line was an amazing crossover of my love for history and my love for tiny ABS building blocks. [excerpt]

Big Interp: Processing Massive Meaning, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's been this term bandied about in the historical circles I've been running in of late: Big Data. As far as I've gathered, it's the byproduct of our information age, when more and more data gets fed into more and more machines and is accessible at the fingertips of more and more inquiring minds. [excerpt]

Dark Town's Wealth: A 150-Year-Old Rock-And-Roll Concert Review, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I have a lot of odd things scattered around my house, weird ephemera and bric-a-brac that I've picked up here and there as I've studied history.

Some of them are treasures, like CDVs of long-dead College professors and original pieces of decking from the USS North Carolina. Some are less treasures and more, well, junk. Most folks toss old newspapers within a few days of reading. In the Civil War Era, I'm sure many a page of newsprint went to start an honest mother's hearth in the morning or a pile of moist kindling in some godforsaken camp. [excerpt …

We're Not Important: Historian In An Operating Room, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Sometimes, historians (both public and academic) seem to have this oddly overblown sense of self-worth. I'll admit that I'm prone to this every so often. I'm wont to note that historic sites are temples of democracy, that interpreters ultimately are in the business of creating citizens and saving America and that in defining the past we find the present and chart the course for the future. [excerpt]

Wilmington: A World Turned Upside Down, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's an old myth that, as he ordered the flag brought down and the post at Yorktown surrendered, General Cornwallis ordered his fife and drum corps to play The World Turned Upside Down a traditional British Christmas song written in protest of the aristocracy outlawing raucous celebration. In its lyrics, the paupers are made kings and the kings made paupers. The song was more than likely not played during the surrender. But myths are often potent and always telling.

An Unexpected Hiatus And A Few Remarks, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

After a hiatus I've felt guilty about for days, I'm returning to the keyboard to rejoin the blogosphere. A bout of my own sickness and some family sickness kept me away from the keyboard. But I return, turning up once again like a bad penny. I've got plenty of things in the works, from Twitter to the New York Tribune, from the proto-Scott-Joplin to continuing my deep dives into Gettysburg's past. But for now, I wanted to take you inside the late, great Future of the Civil War conference held this weekend at Gettysburg College. My battle with a nasty …

Food, Fuel And Fodder: Civil War Carbon Footprints, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Thursday morning finds me presenting to a group of fellow NPS folks on the possibilities of the interpretive futures. So I've dragged out some older, weirder interpretive dreaming from a few years back. It's something I worked up for my friend and boss David Larsen to prove that topics like Climate Change can be discussed from any perspective and in any context. But this sort of dreaming can't stay locked in drawers, left on the backs of envelopes and stuffed away in digital filing cabinets back at work. So here's a peek at what I'm presenting. It's a way of …

War Against Slavery Without A Black Soldier In Sight?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I've been lying to people. OK, not exactly lying, just not telling the whole truth. One of my favorite lines to use when I worked in Washington at the Lincoln Cottage was that the, "most important part of the Emancipation Proclamation came near the end, where it says that black men, the former slaves, can serve in the army and navy, that they can fight for their very own freedom." [excerpt]

Out Of Sorts: Finding The Passion Behind The Article, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The individual letters used to layout and print a newspaper in the 19th century were called sorts. Each letter was a sort. But the individual sorts that make up the words don't always give you the full story behind an article. They often aren't quite enough. [excerpt]

Old, Worn Bibles: What Did She Feel?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A simple photo for today, taken back in September standing in the Dunker Church. A visitor, giddy and laughing, gets so close to the Dunker Bible standing inside of the footprint of the Dunker Church on the eve of the anniversary of battle. Why? What is it that made her so happy? [excerpt]

Sunrise With Lincoln And Meanings With Chuck, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I walked 150 years on Monday. I walked across a great chasm of history. Physically, I walked from the Arlington Cemetery Metro Station across Memorial Bridge, then continued down the National Mall to 4th Street, where I witnessed one of the most peculiar regularly scheduled celebrations that Americans observe: the Inauguration of the President. But along the way, I met the past alive on the landscape. I watched the sky turn from murky black into hopeful, bright pink and orange sitting alongside the savior of the nation. Lincoln and I watched as the early light of sunrise silhouetted the brightly-lit …

25425 & 20500: Zip Codes For A Revolution, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I put on my coat and headed out the door today around lunchtime. My excuse was to grab a sandwich to munch on at my desk, but I was really hunting something very different. The Post Office is right along High Street down the block from work and Tuesday was the first day they've been open this year. [excerpt]

Two More Proclamations For A Special New Years Eve, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

'In accordance, as I believe, with the will of our Heavenly Father, and by direction of your great and good friend, whose name you are all familiar with, Abraham Lincoln, President of the United States, and Commander-in-Chief of the Army and Navy, on the 1st day of January, 1863, you will be declared "for ever free."' [excerpt]

Resolute On The Eve Of Emancipation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In the eyes of William Lloyd Garrison, Abraham Lincoln stood waffling on the issue of slavery in the early days of December 1862. To be quite fair, in Garrison's eyes nearly anyone aside from William Lloyd Garrison stood waffling on the issue of slavery most of the time. [excerpt]

Kings And Princes: Christmas In Gettysburg, 1862, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In a house along the first block of the north side of Chambersburg Street, a small metallic ticking noise signaled change. The calendar read December 24th, 1862. The rhythmic tapping was a voice, reaching out in code along thin strips of metal dangling from poles running to the east out of town. Soon, "Hanover, York, Harrisburg, and Baltimore," were sending their glad tidings to Gettysburg's citizens. Then soon, Gettysburg found herself on that Christmas Eve connected, "with all the world and the rest of mankind," the Adams Sentinel reported. In the home of John Scott along Chambersburg Street, the telegraph …

Adventus: The Great Coming Of 1862, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A couple of weeks ago, I spent a weekend in Harpers Ferry helping to interpret that amazing place for the National Historical Park's annual Christmas 1864 event. One of the greatest joys of my desk job in interpretive training is getting back out into a parkscape to test out new ideas and practices. This time it gave me the chance to experiment out in the field, wearing the olde-timey clothes of the 1860s and discussing how hammers, anvils and black labor won the war through the U.S. Quartermasters Depot at Harpers Ferry. The event is amazingly fun and infinitely powerful …

In Response To Kevin: Truncated And Sliced, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There is not one program given on any Civil War battle landscape that cannot, somewhere in it's natural flow and using resource-specific elements and tangibles, discuss the cause and context of the war in a meaningful and thematically-integrated way. Period. Full Stop.

Furthermore and because of this, there is no reason or excuse not to cover the cause and context of the war in a meaningful, thematically-integrated and site-specific way in every personal services program in some manner or fashion. Period. Full Stop. [excerpt]

Spielberg's Dead Wrong About The Dead; Or, The Places In The Movie Where I Cried, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I stood in front of the rostrum in the National Cemetery with my parents. They hadn't seen the movie yet. My best-friend was next to them. He hadn't seen it yet. Another compatriot joined us who had seen it, but we were definitely outnumbered in our little knot of folks within the massive crowd. As Spielberg continued speaking, I leaned in to the group. "You really need to see the movie," I said, knowing that no matter whose ears it hit the odds were it'd hit a meaningful target. [excerpt]