Public History Commons^™

For Duty, Honor, And Family: Color Bearers In The Civil War, Savannah A. Labbe

The Gettysburg Compiler: On the Front Lines of History

In doing research for a previous post, I learned about the stand of the Sixteenth Maine at the Battle of Gettysburg. What struck me most about their sacrifice was the fact that before they were captured they made sure to tear up their colors and distribute the pieces among the men. They did this in order to ensure that the Confederates wouldn’t be able to capture their colors, an act that would have disgraced the Sixteenth Maine and detracted from their valiant sacrifice. In addition, this allowed the men to keep a piece of their flag, to be reminded of …

Sherry Laverne Chisholm Bland

African American Funeral Programs

Sherry_-Laverne-_Chisholm_Bland.pdf - Funeral program for Sherry Laverne Chisholm Bland

Margaret Marie Evans

African American Funeral Programs

Funeral program for Margaret Evans. Service was held on January 24, 2017 in Villa Rica, Georgia.

Finding Meaning In The Flag: Birth Of A Symbol, Olivia J. Ortman

The Gettysburg Compiler: On the Front Lines of History

he only logical place to start our journey with the Confederate flag is at its birth to examine meanings bestowed upon it by the Confederate soldiers. To do this, we must look at the history of flags within the Confederate nation. Upon its creation in 1861, the Confederate nation immediately set out to design a new flag. Headed by South Carolina’s former state representative, William Porcher Miles, a committee was formed to choose a design that would be original to the Confederacy while remaining reminiscent of the U.S. flag. Although Southerners had split from the Union itself, they were not …

Wilfrid François

African American Funeral Programs

No abstract provided.

Thomas Wilder Sr.

African American Funeral Programs

Thomas--Tom--Wilder.pdf - Funeral program for Thomas Wilder Sr.

2017 Mlk Keynote Emory Douglas Program, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Program for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Educational Foldout, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Educational foldout for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Educational Foldout, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Educational foldout for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

2017 Mlk Keynote Emory Douglas Program, Center For Social Equity & Inclusion, Emory Douglas

Martin Luther King, Jr. Series

Program for the 2017 MLK Keynote Address: Emory Douglas. An artist, educator and human rights activist, Emory Douglas served as the Minister of Culture for the Black Panther Party from 1967-80. Best known for his political drawings and cartoons in the Black Panther Newspaper, he articulated the injustices experienced by African Americans living in the inner city, the growing militancy and organization among urban black youth in the face of police violence and the need for community-based social programs. 2017 MLK Keynote, Emory Douglas discusses the process, meaning and impact of his artwork then and now.

Annie Mae Saxon

African American Funeral Programs

No abstract provided.

Oral History With Maxine Turner, Matthew R. Griffis

Oral History Archive

Maxine Turner was born in 1940 in Holt, Alabama, and moved to Meridian, Mississippi when she was three years-old. After living in the George Reese Courts, Turner’s family moved to 34^th Avenue and 13^th Street in the northwest part of town. They attended St. Paul Methodist Episcopal Church, just across the street from the 13^th Street library.

Turner began using the library when she was in third grade, mostly for personal reading and to support her schooling. She attended several of Meridian’s segregated schools, including St. Joseph Catholic School, Meridian Baptist Seminary, Wechsler Junior High School and …

Lillie Bell Bailey Smith

African American Funeral Programs

No abstract provided.

Finding Meaning In The Flag: Contextualizing The Confederate Flag, Olivia J. Ortman

The Gettysburg Compiler: On the Front Lines of History

When I first learned about the removal of the Confederate flag from South Carolina’s state building in July of 2015, I was angry like many other people. For me, it wasn’t about the actual removal of the flag, but rather the arguments sparked around it. I understood not flying the flag on a state building; as such a building represents state and country, and the Confederate flag symbolizes neither the United States nor South Carolina. However, I didn’t understand the public hatred towards the flag.

[excerpt]

Ms. Louise Cuyler

African American Funeral Programs

Ms_Louise_Cuyler.pdf - Funeral program for Louise Cuyler

American Battleship At War: Uss New York, Keith J. Muchowski

Publications and Research

This invited blog post tells the story of the USS New York, a dreadnought built just prior to the outbreak of the First World War and decommissioned after World War II.

Tyre Dartanione Parks

African American Funeral Programs

Funeral Program for Tyre Dartanione Parks on Jan. 4, 2017 at Ben Samuel Hill Memorial Chapel

From Farmers To Soldiers: Raising A Civil War Volunteer Regiment, Savannah A. Labbe

The Gettysburg Compiler: On the Front Lines of History

How did one transform a group of raw recruits, of men who had no military knowledge, into soldiers? It was not an easy task, especially since many of the men had never even touched a weapon, let alone knew how to use one. This task often fell to private citizens, who, out of patriotic sentiment or the prospect of becoming commissioned, persuaded their neighbors to join their regiment. While this method was convenient and inexpensive for the government it often meant that the commissioned officers were inexperienced and underqualified, chosen only for their skills of persuasion. Because of this, transforming …

Lily Mae Harris

African American Funeral Programs

No abstract provided.

Silliness And Stillness: A History Of Covenant Point Bible Camp In Michigan's Upper Peninsula, Mark Safstrom

Scandinavian Studies: Faculty Scholarship & Creative Works

"Silliness and Stillness" tells the history of Covenant Point Bible Camp, located in the Upper Peninsula of Michigan. Founded in 1926, it has primarily served the congregations of the Swedish Mission Covenant (now Evangelical Covenant Church), and represents the broader revival movements that produced that denomination in the nineteenth century. The story of this camp is also part of the history of the Christian camping movement that developed throughout the twentieth century in the United States and Canada. In addition to being an anniversary book for the particular community that calls the camp "home," it also presents the theological background …

Ultimate Witnesses - The Visual Culture Of Death, Burial And Mourning In Famine Ireland, Extract, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.

The Visual And Material Culture Of Death In Commemorative Exhibitions In National Cultural Institutions In Ireland, Siobhan Doyle

Conference papers

My doctoral research concerns the material and visual culture of modern Ireland with particular focus upon the role of exhibition display in commemoration and collective memory. Like many countries, Ireland has a chaotic past which results in challenges for museums in presenting history to satisfy the education and expectation of both national and transnational audiences. The Easter Rising of 1916 is the pivotal event in the creation of the modern Irish state and is widely recognised as a historical event upon which the cultural identity of Ireland is founded and consolidated. My research examines the challenges of displaying death and …

The Bullet In The Brick: Mediating Death In Museums, Siobhan Doyle

Conference papers

Objects derive their historical weight from the place where they are displayed and the authenticity surrounding them. An object which has received considerable media attention in the ‘Proclaiming a Republic’ exhibition at the National Museum of Ireland is a portion of a brick in which is embedded a bullet, which is said to have passed through the body of Francis Sheehy-Skeffington when he was executed by firing squad during the EasterRising in Dublin in 1916. In an effort to hide evidence that the execution had taken place, Sheehy- Skeffington’s body was hastily buried by the British Army and all bricks …

Half The World: Refugees Transform The City Of Trees, Todd Shallat (Editor), Kathleen Rubinow Hodges (Editor), Errol D. Jones (Editor), Laura Winslow (Editor)

Faculty & Staff Authored Books

Nearly 1 out of every 100 people worldwide is a person displaced and seeking asylum, imperiled by persecution and war. Half the World takes measure of that staggering crisis in stories from a city transformed.

Traces Volume 45, Number 4, Kentucky Library Research Collections

Traces, the Southern Central Kentucky, Barren County Genealogical Newsletter

Traces, the South Central Kentucky Genealogical Society's quarterly newsletter, was first published in 1973. The Society changed its name in 2016 to the Barren County Historical Society. The publication features compiled genealogies, articles on local history, single-family studies and unpublished source materials related to this area.

Guide To The Raymond Brandes Papers, Raymond Brandes

University Records

The Raymond Brandes papers largely pertain to Brandes' work as University of San Diego Dean of Graduate and Continuing Education, particularly related to his involvement with Archaeology courses. Under Brandes' direction, USD offered an Archaeology Technician Program to USD students, graduates, and community members. These included genealogy, historic site survey, and historic site preservation courses. Brandes led many of these courses with USD colleague James Moriarty. These records include fliers and brochures for the archaeology courses as well as correspondence and planning materials. Also included are materials Brandes collected to assist students beyond their graduation from USD. These materials include …

Painless Portal Partnerships: Collaboration And Its Challenges For Small Organizations, Christine Mcevilly

Publications and Research

This article addresses challenges inherent in collaborative archival projects involving both large institutions and small historical societies. It identifies these unique problems and outlines potential solutions to overcome these issues. Examples are drawn from the Portal to American Jewish History project and contextualized within the professional literature on ethnic or community archives and archival collaboration. This project collected metadata from a wide range of Jewish history archives and aggregated the records in a single searchable website.

Skin Deep: African American Women And The Building Of Beauty Culture In South Carolina, Catherine Davenport

Theses and Dissertations

“Skin Deep: African American Women and the Building of Beauty Culture in South Carolina,” examines how African American women in the state adapted door-todoor beauty systems into successful businesses between 1900 and 1960. Black beauticians in South Carolina built beauty parlors that would serve as critical community meeting spaces away from the cruelties of Jim Crow segregation, and in some instances became centers of activism. Through sources including memoirs, newspapers, city directories, and the Negro Motorist Green Book, I highlight the ways black beauty culture proved black women could be financially independent, beautiful, and politically active.

The thesis consists of …

Creating A Digital Exhibit On The Colonial Fur Trade In Florida: A Public History / Digital History Project, Benjamin Dibiase

Electronic Theses and Dissertations

This thesis project incorporates podcasts and high resolution digital imagery visualizations into a single online exhibit to democratize archival material on the web. It employs contemporary new museology and digital history methodological frameworks, and utilizes the burgeoning medium of podcasting to increase public understanding and interaction with an historical period. For this project I have partnered with the Florida Historical Society and have utilized original materials from their collection relating to the colonial fur trade in Florida. The study of the North American fur trade has recently expanded to include more information about the indigenous societies engaged in the trade …

A Place In The Sunshine State : Community, Preservation, And The Parliament House, Erin Montgomery

Electronic Theses and Dissertations

A Place in the Sunshine State, is a thesis project focused on the Parliament House Motor Inn in Orlando, Florida. This project nominated the Parliament House Motor Inn for inclusion on the National Register of Historic Places. This nomination was completed using both oral histories and more traditional historical source material. The Parliament House Motor Inn was evaluated using National Register Bulletins and the Secretary of the Interior's Standards for Preservation. This nomination was presented to give voice to a long-underrepresented community within the national narrative of the United States, along with giving the Parliament House the recognition it deserves …