Public History Commons^™

Hymn To Freedom: Obama's 150th Proclamation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This post is about the President's proclamation on Tuesday. I was heartily pleased by this action from the White House. It phrasing brings to mind an intellectual fusion not unlike that crafted through Daniel Webster's 1830 pronouncement of, "Liberty and Union, Now and Forever, One and Inseparable." Certainly the 19th century conception of Liberty and our modern conception of the term, as adeptly pointed out in the most recent episode of Backstory with the American History Guys, are not the same. Still, Obama's proclamation keenly joins the two Northern war aims and war outcomes at the hip. "The meaning of …

Governor Wise's War: My Misconception (Part 1), John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I worked in the living history branch at Harpers Ferry National Historical Park for three years, wearing old timey clothing and talking to visitors about the meanings of John Brown. Harpers Ferry is where I began to understand what the concept of interpretation means, and how it is such a radically different concept from academic history. [excerpt]

Traces Volume 39, Number 1, Kentucky Library Research Collections

Traces, the Southern Central Kentucky, Barren County Genealogical Newsletter

Traces, the South Central Kentucky Genealogical Society's quarterly newsletter, was first published in 1973. The Society changed its name in 2016 to the Barren County Historical Society. The publication features compiled genealogies, articles on local history, single-family studies and unpublished source materials related to this area.

Review Of A Question Of Command: Counterinsurgency From The Civil War To Iraq, Gregory A. Daddis

History Faculty Articles and Research

A review of A Question of Command: Counterinsurgency from the Civil War to Iraq, by Mark Moyar.

The Civil War Centennial: Inspiration For The Civil Rights Movement?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I read Richard Williams' Old Virginia Blog, not because I agree with what he has to say but explicitly because it gets me so corking mad. Interspersed with tea party rants and modern political diatribes, Williams is an interesting (and sometimes frightening) voice of modern Confederatism and Southern exceptionalism.

"...The Way Things Were Back Then": Why Making Excuses For Slavery Doesn't Work, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Presentism. Aside from historical revisionism, it is perhaps the 'epithet' with which the modern historian find themselves branded the most. I've been reading again a series of screeds by Bill Vallante, a Confederate reenactor and SCV member from Commack, NY (thanks to John Hennessy). I've read these pages before, but this time around was struck by the abject vitriol which oozes from the language employed. A line in one piece in particular stood out to me as quite angry:

"Add a heavy dose of presentism (judging or interpreting the past according to the standards of the present), mix thoroughly and …

The Rebel Flag: Offputting Symbol Or Point Of Pride?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In 2004, Gettysburg College hosted an art exhibit by John Sims, a Florida based artist and ethnomathematician. The exhibit focused on varied recolored versions of the Confederate Flag. The press outrage was quick and damning. I should know, I was quoted in it (in the Civil War News).

Back in 2004, I called the exhibit, "sickening," and condemned the college for, "trying to distance itself from the town by rejecting the Civil War past in which it is steeped." I was wrong. I figured that out no sooner than passing through the doors of the art gallery and viewing …

On Dogs And Ponies And 'Three Days In July' Syndrome (Part 2), John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

What happened in Chambersburg and Fairfield in April of 1861? Certainly not events which were earth shattering for the nation as a whole. But to the citizens of the bustling southern Pennsylvania urban centers, it was their world. [excerpt]

Youtube Wednesday: Why I'M Celebrating The Civil War 150th (And Why You Should Too), John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's quite a bit of talk within the interpretive community about the word, "celebration." The word is tiptoed around and eschewed. Its use raised ire in Charleston Harbor this past December. These debates over commemoration versus celebration, no doubt, will crop up again and again over the next few years. We, as a community, are nearly afraid of one misstep. We catch our words as they escape our mouths, quickly correcting ourselves every time "celebration" accidentally emerges trips over our teeth. We seem afraid to say that we are celebrating an American bloodbath of biblical proportions. I can understand this …

On Dogs And Ponies And 'Three Days In July' Syndrome (Part 1), John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In 1961, Gettysburg played host to a kick-off event for the Civil War Centennial. The town commemorated the sendoff of the Independent Blues, a militia company which marched off to war in the aftermath of the firing on Fort Sumter. The affair was huge. The Diamond was closed off to traffic as actors in old time clothes strutted through a political rally on the square. Spectators watched from the sidewalks as speakers mounted a wagon and gesticulated wildly at the crowd. Gettysburg College's students, wielding trumpet and drum as they did for Football games on Nixon Field, stood in for …

Montgomery: The Murals In The Dome, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A broad sweeping portico looms behind the gay couple riding horses on a summer's afternoon. The man wears a brown coat and tall black top hat. The woman dresses in the finery of the turn-of-the-century. A hunting dog stands at attention as the horses stride across the plantation's spacious lawn. Back on the porch, a black "mammy" figure watches over a young girl. [excerpt]

Montgomery: Jeff Davis' Seal Of Solomon, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Set into the marble steps of Alabama's Capitol building is a brass star. Gleaming against the white stone, the star stands at the top of the stairs on the Capitol's west face. The star reads, "Placed by Sophie Bibb Chapter Daughters of the Confederacy on the spot where Jefferson Davis stood when inaugurated President of C.S.A. Feb. 16. 1861." [excerpt]

Why It's Interpretive: Bid 'Em In, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Browsing the provocative blog "Jubilo! The Emancipation Century" recently, I came upon a post featuring a curious YouTube video.

So why did Bid 'Em In speak so deeply to me? I think it's because it places you in the shoes of the 15 year old slave woman being auctioned. It's not an intellectual investigation of slavery. It's not an historical narrative written after the fact of a particular event. It's visceral. [excerpt]

Lee Chapel: Lost Cause Artifact And Culture Shock, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I had the privilege to accompany a group of undergraduate students recently on a whirlwind tour of the Wilderness, Richmond and Appomattox. Our tour took us along the I-81 corridor on the way back to Gettysburg, so why not stop in Lexington for a Civil War two-fer. [excerpt]

"And You May Ask Yourself: Am I Right? Am I Wrong?", John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This blogging endeavour is dangerous. Blogging, I believe, should be a personal medium, where you wear your heart on your sleeve and let the real "you" hang out. That's scary. [excerpt]

Growing Closer : Density And Sprawl In The Boise Valley, Todd Shallat (Editor), Brandi Burns (Editor), Larry Burke (Editor)

Faculty & Staff Authored Books

How might we build modern cities as good as the neighborly places lost to suburbia's sprawl? Growing Closer surveys the housing patterns and trends. Sponsored by Boise State University, the anthology was written and produced by graduate and undergraduate students in the 2010 "Investigate Boise" field school on urban affairs.

Longhunter, Southern Kentucky Genealogical Society Newsletter Volume 34, Number 1, Kentucky Library Research Collections

Longhunter, Southern Kentucky Genealogical Society Newsletter

No abstract provided.

Kentucky Humanities Council Catalog 2011-2012, Kentucky Library Research Collections

Kentucky Humanities Council Catalog

The Kentucky Humanities Council is an independent, nonprofit affiliate of the National Endowment for the Humanities committed to providing programs and services that facilitate an understanding and appreciation of Kentucky’s cultural heritage and future. The Council’s program catalog features scholars from across the Commonwealth who make presentations on a myriad of humanities topics. Later, costumed actors, who delivered dramatic monologues about Kentucky’s famous, infamous, and composite personalities, were added. The catalog has gone by various titles over the years: Kentucky Humanities Resource Center, Kentucky Humanities Council Speakers Bureau, Whole Humanities Catalog, and Humanities Catalog. This …

Traces Volume 39, Number 4, Kentucky Library Research Collections

Traces, the Southern Central Kentucky, Barren County Genealogical Newsletter

Traces, the South Central Kentucky Genealogical Society's quarterly newsletter, was first published in 1973. The Society changed its name in 2016 to the Barren County Historical Society. The publication features compiled genealogies, articles on local history, single-family studies and unpublished source materials related to this area.

Book Review: Derelict Paradise: Homelessness And Urban Development In Cleveland, Ohio, J. Mark Souther

History Faculty Publications

No abstract provided.

Rowan County Veterans On The Wall At Freedom Park, Rowan County Historical Society.

Rowan County Histories Collection

A list of military veterans on the Rowan County (Kentucky) Veterans Wall at Freedom Park in Morehead, Kentucky.

Morgan County - A History Of Cannel City & Caney, Kentucky Through Newspapers, 1885-1922 (Draft), Ron Gevedon

County Histories of Kentucky

A First Draft of History A history of Cannel City & Caney, Kentucky through newspapers 1885-1922 by Ron Gevedon in 2011.

Morgan County - The Forgotten War Remembered In Morgan County, Kentucky, W. Lynn Nickell

County Histories of Kentucky

The Forgotten War Remembered in Morgan County, Kentucky by W. Lynn Nickell published in 2011.

Morgan County - A Picture Album #4, W. Lynn Nickell

County Histories of Kentucky

Morgan County: A Picture Album #4 by W. Lynn Nickell reprinted in 2011 from the original published in 2009.

The Writings Of Fred Brown Jr., Fred Brown Jr.

Rowan County Histories Collection

A collection of articles published by Fred Brown Jr. on his personal experiences and historical events in Eastern Kentucky.

Cooking Up A Nation: Food, Culture, And Identity In The Early American Republic, Karen Anne Bailor

All Master's Theses

Post-Revolutionary American food, common and genteel, acted as both a construct of and contributor to the development of an American national identity as well as a national culinary identity. From 1796 and into the early nineteenth century, Americans actively strove to distinguish themselves from their British backgrounds. As a result, the public discourse of American food shifted to reflect new values of simplicity and equality. Additionally, a new American cuisine began to take shape which embraced native crops, linking those who consumed them to the American soil, and ultimately, the new nation. Through the presence of particular dishes at politically …

Traces Volume 38, Number 3, Kentucky Library Research Collections

Traces, the Southern Central Kentucky, Barren County Genealogical Newsletter

Traces, the South Central Kentucky Genealogical Society's quarterly newsletter, was first published in 1973. The Society changed its name in 2016 to the Barren County Historical Society. The publication features compiled genealogies, articles on local history, single-family studies and unpublished source materials related to this area.

Traces Volume 38, Number 2, Kentucky Library Research Collections

Traces, the Southern Central Kentucky, Barren County Genealogical Newsletter

Traces, the South Central Kentucky Genealogical Society's quarterly newsletter, was first published in 1973. The Society changed its name in 2016 to the Barren County Historical Society. The publication features compiled genealogies, articles on local history, single-family studies and unpublished source materials related to this area.

Libel In Mississippi, 1798-1832, Muriel Ann Everton

Dissertations

The Mississippi Territory officially became part of the United States in 1798. The territory was to be governed under the rules of the Northwest Ordinance, but those who went to govern the area found a culture that required the use of common law to settle the disputes arising from prior governments under other nations. With no precedents on which to rely, disputes led, at first, to dueling and then to libel cases. Both common law and common sense prevailed while many of the disagreements were aired publicly in newspapers. Mississippi’s first printer, Andrew Marschalk, using his First Amendment rights, wrote …

Glatfelter Hall: A Colorful History, Kaitlyn Roman

Hidden in Plain Sight Projects

"I had facilities paint over the ugly pink leafy border that went all around my office." With that statement it seemed as though my lead had hit a dead end. But what Professor Ben Bruce, the current head of the Management department, had just told me was just the beginning of a puzzle waiting to be pieced together. Professor Dan DeNicola of the Philosophy department had shared with me a story describing a stenciled artwork located on the fourth floor of Glatfelter Hall with roots stemming in a secret literary society. Immediately this story captivated my interest and that afternoon …