Oral History Commons^™

Santería In A Globalized World: A Study In Afro-Cuban Folkloric Music, Nathan Montgomery

Lawrence University Honors Projects

The Yoruban people of modern-day Nigeria worship many deities called orichas by means of singing, drumming, and dancing. Their aurally preserved artistic traditions are intrinsically connected to both religious ceremony and everyday life. These forms of worship traveled to the Americas during the colonial era through the brutal transatlantic slave trade and continued to evolve beneath racist societal hierarchies implemented by western European nations. Despite severe oppression, Yoruban slaves in Cuba were able to disguise orichas behind Catholic saints so that they could still actively worship in public. This initial guise led to a synthesis of religious practice, language, and …

Enduring Music: Migrant Appalachian Communities And The Shenandoah National Park, Madeline Marsh

Senior Honors Projects, 2010-2019

This paper is an archival study of the displaced children of families formerly living in the Shenandoah National Park which spans from Strasburg to Waynesboro, Virginia. The study looks at interviews, from the JMU Special Collections archives, of these children in the 1970-80s, nearly fifty years after their forced migration from the 197,438 acres that comprised the park. Change and pressure during the 1930s-40s combined with national policy began the nostalgic preservation and veneration of the culture of these people of the Blue Ridge Mountains; through the archives, a clear and diverse picture of the perspectives and lifestyles of people …

Dan Maloon: Dayton Music History Project, Dan Maloon, Chris Wydman

Dayton Music History Project Records (MS-607)

Video interview with Dan MaLoon, bass player and member of the popular local band, Bearcreek.

Cowboy Art Song: A Contextual And Musical Analysis Of Libby Larsen's "Cowboy Songs", Ann Gabrielle Richardson

Dissertations

This dissertation sprang from a combination of two personal interests: cowboy culture and classical art song. The union of my cowgirl heritage with my career as a classical vocalist has long fueled an interest in a particular niche of repertoire: soprano art song with thematic connections to the North American cowboy. A conducted state of research reveals no scholarly literature exploring this specific topic. Libby Larsen’s collection, Cowboy Songs, fulfills the aforementioned niche, successfully capturing the spirit, musical idioms, and cultural themes of the North American cowboy.

Chapter I lays a contextual foundation for cowboy song, providing a catalogue …

Steve Carrasas: Dayton Music History Project, Steve Carrasas, Chris Wydman

Dayton Music History Project Records (MS-607)

Video interview with Steve Carrasas, local musician and band member of The Outcasts and December’s Children, discussing Dayton music scene in 1960’s.

Story Circle: Dayton History Music Project Records, Rick Webster, James Carter, Leonard Davis, Jim Foreman, Fran Davis Razor, Vicki Van Winkle Craycraft, Dan Maloon, Steve Carrasas, Ira Stanley, Gary Hill, Vondal Moore, Dawne Dewey, Chris Wydman

Dayton Music History Project Records (MS-607)

A story circle on the history of music in Dayton was moderated by Dawne Dewey and Chris Wydman from the Wright State Special Collections and Archives. Local musicians were gathered together to talk about the music scene in Dayton. They recalled venues, bands, and performers in the Miami Valley Region.

Experience And Enjoy Therapeutic West African Drumming, Danny S. Daniels

National Youth Advocacy & Resilience Conference

This presentation is designed to introduce the benefits of a therapeutic West African drumming program to educators and mental health professionals. Participants will engage in a basic drumming class where they will experience the academic and socio-emotional benefits of drumming while practicing an African rhythm. How to relate American School Counselor Association (ASCA) standards as well as Georgia Performance Standards (GPS) and Common Core Georgia Performance Standards (CCGPS) will be explained and demonstrated by the presentation facilitators.

Guest Editor's Introduction, Sherlynn Allen-Harris

The Journal of Traditions & Beliefs

No abstract provided.

Acknowledgments And Disclaimer, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

2018 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

A Former Student And Colleague Remembers Gil Scott-Heron, Linwood Gato Martinez-Bentley

The Journal of Traditions & Beliefs

No abstract provided.

The Legacy Of Gil Scott-Heron, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Books: Suggestions For Further Reading, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

The Value Of Black Lives: The Effect Of The Digital Age On African American Identity And Political Participation, Lauren Grimes

The Journal of Traditions & Beliefs

No abstract provided.

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

The Wings Over Jordan And The Scholarship Of Oral History, Regennia N. Williams, Glenn Brackens

The Journal of Traditions & Beliefs

No abstract provided.

Ua94/6 Gemini 15 Memories, Karen Mahaffey

Student/Alumni Personal Papers

Answers given by Karen Mahaffey to WKU Gemini jazz bands questionnaire in spring of 2016. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 75 Memories, Jeff Jones

Student/Alumni Personal Papers

Jeff Jones' answers to WKU Gemini jazz bands questionnaire. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 14 Memories, Nancy Cron

Student/Alumni Personal Papers

Answers given by Nancy (Hill) Cron to WKU Gemini jazz bands questionnaire in spring of 2016. See Gemini Jazz Bands online exhibit for more information.

Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas

The Journal of Traditions & Beliefs

No abstract provided.

Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju

The Journal of Traditions & Beliefs

No abstract provided.

Ua94/6 Gemini 15 Memories, Pam Thurman

Student/Alumni Personal Papers

Pam (Livingston) Thurman's answers to WKU Gemini jazz band questionnaire. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 14 Memories, Nancy Pollard

Student/Alumni Personal Papers

Nancy (Baker) Pollard's answers to WKU Gemini jazz bands questionnaire. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 14 Memories, Karen Matchus

Student/Alumni Personal Papers

Karen (Warren) Matchus' answers to WKU Gemini jazz band questionnaire. See Gemini Jazz Bands online exhibit for more information.

Ua94/6 Gemini 15 Memories, Merry Herbert

Student/Alumni Personal Papers

Merry Herbert's answers to WKU Gemini jazz band questionnaire. See Gemini Jazz Bands online exhibit for more information.

The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu

The Journal of Traditions & Beliefs

No abstract provided.

African And African-Influenced Sacred Music, Suzanne Flandreau

The Journal of Traditions & Beliefs

No abstract provided.

2017 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Acknowledgments And Disclaimer, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

An Illustrated Introductory Note, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.