Latin American History Commons^™

¡Salud! Sacrificing The Sacred Sip: A Critical Analysis Of The Impact Of The Spiritual Conquest On Alcohol Traditions In Central México, Elizabeth Vilchis

Graduate Theses/Dissertations

By thoroughly investigating the available primary sources, this thesis will convey the importance of the Mesoamerican inebriating drink pulque in both the ethos and mythos of ancient Nahua society, examining how the ritual use of pulque became problematic in the eyes of the Spaniards, by investigating the cultural and ideological contradictions or double standards that enabled the tensions, struggles, and violence with which the Spanish colonial regime repressed the ritual use of pulque. This thesis compares the Nahua ethos and mythos of pulque to the Christian ethos and mythos of wine, highlighting the parallels perceived by Spaniards in Central México …

The Game Of Chance, Alieth Caceres

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Through my first semester at college, I was faced with the capability of not coming back due to being from a low-income family. Being a first-gen, I didn’t have anyone to guide me and I went from place to place begging for something to hold on to. My biggest goal for my family and I is to graduate from college and it is unfair that this opportunity will come short only because of financial problems. In some moments I felt all was lost, some telling me that I couldn’t and should just give up. All the connections I had reached …

Breaking Barriers First-Gen Experiences, Fiorella Salazar, Alondra Hernandez, Alieth Caceres, Aolanni Jimenez-Gonzalez, Alberto Martinez, Karol Martinez, Jesus Arias, Julian Melendez Miranda, Gabby Flores, Isabell Lachinpour, Jefferson Ramos, Annette Gomez, Zahir Pineda, Alejandra Rodriguez, Carla Bueno

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

In Breaking Barriers: First-Gen Experiences, first-gen students showcased their stories through poems, art, research, and personal reflections. Every story reflects resilience and creativity as they navigate their educational and personal journeys with a first-gen identity. These are stories that we can connect to and learn from to further build bridges for future generations in The First to Go Program!

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

"Breaking Barriers: First-Gen Experiences", Julian Melendez Miranda

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Journey to college as a first-generation student, navigating challenges and self-doubt.

First Gen Voices, Jesus Arias

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Looking back at my first semester, I’ve made some truly fond memories. Starting off with an amazing group of people in the program and going on our retreat helped me find a community I could rely on. This community has remained by my side, even during challenging times, and for that, I’ll always be grateful. Whether it was tackling escape rooms or being part of First Year Seminar, the first-gen community has shown itself to be incredibly strong and tightly connected.

The First Generation, Alberto Martinez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

My poem basically describes how I feel as a first-generation student is. Many of us including myself, felt as if we were alone, not knowing if we have someone by our side, but through our experience, we do share a common ground. First to go is a place where we all can share that and is a place where we do not have to be alone but have the support of those around us who can relate to how we feel.

Roots, Aolanni Jimenez-Gonzalez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This poem closely focuses on my experience and acceptance of my first-generation identity. Language is a symbol of my heritage from my family and how I carry hope and resilience as I navigate my everyday life. I want to depict my journey through language and how it serves as a powerful source to communicate with my loved ones and others. While appreciating the roots and strength of my family and striving to live out my dreams and be the first of many to come.

Balance, Alondra Hernandez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Through the poem, I wanted to explain my journey as a First Gen student who was struggling to balance school and work. I also wanted to represent the many students who are facing the same fight everyday. My hope was to show encouragement and motivation to keep going.Making sure to remind yourself to live each day knowing you're doing your best.

First Doubts, Carla Bueno

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

As first-gen students, we often struggle with the identity and responsibility of being the firsts to navigate through the unknown. With this, doubts of our ability to succeed come naturally and these can be consuming. My advice is to not be afraid of using resources available and asking questions as these are the first steps into finding our way in institutions not built for us.

Dreams To Reality, Annette Gomez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Beneath the shade of the trees, I reflect on the weight of my family’s dreams and the determination it takes to pursue a degree. The clear blue skies and open spaces remind me that possibilities are just as boundless, even when the roads feel steep. Here, amidst the peace and beauty I find the strength to strive as a First-Generation Latina student.

A New Beginning, Jefferson Ramos

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

The purpose of my reflection is to demonstrate to other individuals, especially first-generation students, my experience with the college process, along with the obstacles I faced, the doubts, and everything that comes along with being the first person in your family to attend a higher education institution in the United States. In my reflection, I describe the process that I experienced, from the very beginning of high school to the start of my college journey. To finalize my reflection, I leave the reader with three important tips I have learned along the journey: being resilient, not being afraid of new …

My Experience, Gabby Flores

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This essay reflects personal experiences starting college and navigating new environments that are new to me.

Deceiving Angels Ii, Alejandra Rodriguez

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

I share a dream with my family. The dream of graduating from college, getting a good job, and living a better life. A life where we won’t be financially tied down. I am now attending Loyola Marymount University and pursuing a degree in Animation. I’m the first in my family to pursue a degree in Film & Television, and even though I can’t help the thoughts that I should be doing something more “impactful,” I know that it’s my passion and that it is the combined efforts of my family and those who have helped me, that led me here. …

Trailblazin, Zahir Pineda

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

My "trailblazin" collage is just a collage of me and my brother as we grew up. It was just us two for the majority of our childhood and we were always pushed to make the most of our education here in the US. Growing up I always relied on him, and he made sure to be there to guide me and help me learn from his mistakes. Fast forward to now and we're both at LMU together, and the same way he trailblazed the path for me, I hope to do for my two younger siblings. It symbolizes what has …

Introduction

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

No abstract provided.

Family Dynamics In Everything, Everywhere, All At Once, Isabell Lachinpour

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

This paper was originally a submission for my general psychology final. The prompt for it was to analyze any topic covered in class and connect to any form of fictional media. I chose to study the social psychology behind the relationships of immigrant parents and their children, connecting it to the movie Everything, Everywhere, All At Once by Daniel Scheinert and Daniel Kwan. I especially picked this movie because of how connected I felt to the characters in the movie as I have gone through some of the same experiences they have and know many immigrant children that have felt …

The Catholic Church And Their Response To The Rise Of Human Rights Abuses By The Military Regimes In Argentina And Brazil: A Comparative Analysis On The Argentine And Brazilian Church From The 1960’S To The 1980’S, Mya Miller

Global Studies Senior Capstone

This study is primarily focused on the Catholic Church's role in Argentina and Brazil throughout the 1960's to 1980's. It explores the historical and political context of Latin America amidst Cold War influence which resulted in the rise of military dictatorships who resorted to violence due to their strong political views. The Catholic Church, at the time, was experiencing deep internal tension which, in some cases, lead to an unfortunate lack of action despite their vast influence and their ability to aid their communities in need.

Images Of Sacrifice: Religion, Power, And Colonial Ambition In The Americas, Louise Hancox

The Ozark Historical Review

The article addresses images of sacrifice from Mesoamerica and the adoption of this imagery during Protestant colonization as a way to limit the Spanish power. The author posits that while initially serving the purpose of demonizing the Spanish Catholic presence in the Americas, the use of this imagery led Protestant powers to assert claims of religious and political superiority over both the Spanish and the indigenous peoples.

"Esta Es Mi Tierra, Esta Es Mi Lucha" An Analysis Of The Intersectional Latino Immigrant Community Organizing In Maywood, California, Alma D. Alvarado

Electronic Theses, Projects, and Dissertations

The city of Maywood serves as a microscope for major systemic issues that happen on a global scale and are often magnified in the Los Angeles area. The location and timeframe serve to analyze how Latino immigrant communities in southeast Los Angeles faced discrimination in the late 90s and early 2000’s. This study shows how these communities come together and organize to combat major problems, exploring topics like immigration, housing, environmental justice, policing, and overall community organizing. This story focuses on how an underrepresented community without a voice became politicized. Maywood is a town that struggles in progress, but its …

Industrialization And Immigration: Latino And Hispanic Immigrants In The South Carolina Upstate, Matthew D. Girardeau

All Theses

European investment in the South Carolina Upstate created favorable conditions for Latino immigration. French tire manufacturer Michelin came to the region in the 1970s, and the construction of the largest BMW plant in the world in the 1990s greatly impacted the local economy. The Upstate had a history of outside investment, beginning with Northern industrialists in the textile industry and later European companies that provided equipment for textile mills. The automotive industry did not necessarily employ Latinos, but the money generated by the sector created booming construction and service industries. Latinos built a community in western Greenville County and established …

The Intertextuality Of Father Camilo Torres Restrepo’S Academic Thinking And The Foundation Of The First Sociology Department In Colombia, Catalina Honsowetz

Master of Arts in Classical Studies

Abstract

The Intertextuality of Father Camilo Torres Restrepo’s Academic Thinking And The

Foundation Of The First Sociology Department in Colombia

Catalina Honsowetz

Southeastern University

Born ten years before the start of WWII, Father Camilo Torres Restrepo entered the world in Bogotá, Colombia, at a time riddled with poverty and violence. He belonged to a politically liberal family that never shied away from public service or controversy. Desiring also to serve, Camilo surprised his family and friends with a change in career after starting university. Father Torres abandoned the law to put on priestly robes, hoping to serve his neighbors most …

The Emotional World Of Ex-Confederate Expatriates In Latin America, 1865–1870, Chase H. Mccarter

History ETDs

From 1865 to 1870, tens of thousands of ex-Confederate soldiers, officials, and citizens fled the South for destinations in Latin America. They did so because their defeat in the U.S. Civil War instigated an emotional and identity crisis. Ex-Confederates felt that they could no longer live in the South given the changes wrought by Reconstruction. Rather than remain in the region, many looked toward Latin American states, such as Brazil, Mexico, Venezuela, and British Honduras (Belize), where they believed they could create a way of life like that experienced in the Old South. To do so, ex-Confederates sought settlement in …

Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon

Masters Theses

How do we engage with artwork that addresses complicated histories

of colonialism and political violence, specifically intangible and

incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote

Bravo, is named after and composed of the soil from a mass grave site

discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known

internationally for the femicide that has continued to haunt its streets and

peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film

Liminal cinematically documents the official exhumation of two mass graves

in the Ayacucho and Huánuco regions of the Andes highlands, where

thousands of …

Sobre Gerardo Sánchez Nateras, La Última Revolución. La Insurrección Sandinista Y La Guerra Fría Interamericana, Mateo Jarquín

History Faculty Articles and Research

A review of La última revolución. La insurrección sandinista y la Guerra Fría interamericana by Gerardo Sánchez Nateras.

Interview With Cristina Sayegh (2024-10-17)

Latino Virginia Oral History Project

Cristina Sayegh shared her multicultural background, detailing her mother's Colombian roots and her father's Palestinian roots with an upbringing in Kuwait. She moved frequently during her childhood, living in Florida, Dubai, and Virginia. Cristina attended Langley High School in McLean and is currently studying at VCU, majoring in International Studies with a concentration in Social Justice and a double major in Sculpture. She discussed her religious upbringing, her family's relocation from overseas to Florida, and then Virginia. In addition Cristina reflects on her experiences with the Latin community in NOVA and Richmond. Cristina also discusses her solo trip to Colombia …

Pura Vida: Reflections From Costa Rica, Lisette Gonzalez, Carolina Hernandez, Natalia Zevallos, Ailani Anglin, Isabela Jimenez, Melissa Johnson, Isabella Madrid, Xion Nelson, Alexia Pineda, Delaney Rendon, Chaylah Williams, Angel Vilchis

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

The First-Gen Voices Journal is proud to feature a special volume dedicated to the transformative experiences of first-generation college students on the recent Study Abroad Social Justice Immersion Trip to Costa Rica. Through this journey, participants gained a deeper grasp of activism and community building while engaging with social justice concerns on a worldwide scale. This volume will demonstrate the tenacity, enthusiasm, and vision of first-generation college students dedicated to societal change.

This issue features embedded film content. Experience the unique blend of text and film by clicking on the front cover image.

La Vida Rica, Angel Vilchis

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Through a first-person perspective, we travel along to Costa Rica with LMU’s First To Go students. Utilizing a long format, home video style, the goal is to communicate the authentic experiences that occurred during the trip. It’s one thing to be a young adult getting the chance to explore new parts of the world, but it’s a different privilege to get to do it with others that you can connect with. So much so that in the couple months preceding the trip, I found myself dealing with that post-trip depression. However, in that state, I found the beauty of being …

On My Heart, Chaylah Williams

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

I never thought that when I would start traveling internationally that it would be alone I always imagined it with my family, but never did I imagine traveling to really interact with the communities either I always thought of traveling as leisure. I guess I could say this impression was not implemented when OI started traveling as I started to notice how I didn’t want to do touristy things and I really just wanted to be. To be there to be present to be aware and I think that is what I enjoyed the most about my trip to Costa …

A Worthwhile Perspective, Delaney Rendon

First-Gen Voices: Creative and Critical Narratives on the First-Generation College Experience

Opening your mind to a new wide perspective can shed light onto the knowledge and culture that another country can show you. There is much beauty in Costa Rica but also struggles that need to be shared.