Holocaust and Genocide Studies Commons^™

The Anatomy Of Resistance: Jewish Life, Struggle, And Revolt In The Vilna And Warsaw Ghettos, Theodore A. Evison

Swarthmore Undergraduate History Journal

On September 1, 1939, the Germans invaded Poland, marking the start of WWII. In the following months, the Nazis established an inconceivable array of ghettos meant to concentrate the Jewish population and facilitate their deportation to killing centers across continental Europe. Of the over 1,000 ghettos set up throughout Nazi-occupied territory, this paper focuses on two, Vilna and Warsaw. Despite the hellish conditions imposed on the Jews in the Vilna and Warsaw ghettos—conditions rivaled only by the killing centers that awaited most of their inhabitants—an important phenomenon took form: the Jews of the ghettos resisted. How, it must be contended, …

Nazi Education In Vienna: The Solidification Of Antisemitism And German Nationalism In The Classroom, Abigail J. Seiple

Student Publications

In contemporary Austrian schools there is an alarming number of students who know little of Austria's involvement in WWII. They see Austria as a victim of Hitler and as a conquered nation. This post-war victimization myth has survived in schools that works to undermine feelings of Austrian responsibility in the days following the Anschluss. However, this victimization myth is threatened by looking at education on the eve of the Anschluss to Nazi policy and Nazi sentiments that had already existed for decades in Austria.

A Summer Of Mass Murder: 1941 Rehearsal For The Hungarian Holocaust, George Eisen

Purdue University Press Books

Most accounts of the Holocaust focus on trainloads of prisoners speeding toward Auschwitz, with its chimneys belching smoke and flames, in the summer of 1944. This book provides a hitherto untold chapter of the Holocaust by exploring a prequel to the gas chambers: the face-to-face mass murder of Jews in Galicia by bullets.

The summer of 1941 ushered in a chain of events that had no precedent in the rapidly unfolding history of World War II and the Holocaust. In six weeks, more than twenty thousand Hungarian Jews were forcefully deported to Galicia and summarily executed. In exploring the fate …

'The Street Scene Prologue': Holocaust Survivors, The American Nazi Party, And Exodus, Jason Van

LSU New Orleans Theses and Dissertations

During the early 1960s when the American Civil Rights movement was beginning to gain momentum, another movement across the world was taking place to solidify the newly formed country of Israel as a sovereign state. To commemorate the foundation of Israel, American director Otto Preminger created the film Exodus, adapted from a book of the same name by Leon Uris. George Lincoln Rockwell, leader of the American Nazi Party, decided to take action by traveling throughout the country with his closest members to protest the film. Rockwell and his group of Nazis were outraged by the pro-Zionist depictions and the …

Sounds Of The Reich: Nazi Party Radio And Speeches, Katelyn Hanners

Undergraduate Research Symposium

Radio broadcasts and speeches were key aspects of Nazi regime propaganda. From March 1927 to when the Nazi party won power in March 1933, Hitler made 455 public appearances, reaching close to 4.5 million people. Radio was the leading medium during the Great Depression and during all of WWII. Nazi propaganda focused on the effectiveness of the message, not the means through which it was relayed. Nazis liked simplistic and straightforward ideas with no underlying interpretations. Studies have shown that campaigns do not change the opinions of the masses. Rather, they confirm what the people already believe. In the case …

Constraints On Art During The Nazi Era And The Shift To Modern Art After World War Ii, Aria Spencer

Undergraduate Research Symposium

Due to the severe anti-Semitic beliefs expressed by the Nazi Regime both during and before World War II, the production of art was censored to fit the governments ideal perception of the regime. This caused forms of modern art and expressionism to be deemed dirty or unfit for Germans. The Nazis associated modern art with Judaism and destroyed both the art and the artists. Once the Nazis were removed from power, there was a surge in the creation of modern art. World War II and the defeat of the Nazis prompted a large expressionistic art movement throughout Germany. Through the …

‘A Hussy Who Rode On Horseback In Sexy Underwear In Front Of The Prisoners’: The Trials Of Buchenwald’S Ilse Koch, Mark A. Drumbl, Solange Mouthaan

Scholarly Articles

Ilse Koch’s trials for her role in atrocities at the Nazi Buchenwald concentration camp served as visual spectacles and primed her portrayal in media and public spaces. Koch’s conduct was credibly rumored to be one of frequent affairs, simultaneous lovers, and the sexual humiliation of prisoners. The gendered construction of her sexual identity played a distortive role in her intersections with law and with post-conflict Germany. Koch’s trials revealed two different dynamics. Koch’s actions were refracted through a patriarchal lens which spectacularized female violence and served as an optical space to (re)establish appropriate feminine mores. Feminist critiques of Koch’s trials …

The "Art" Of War: The Influence Of Propaganda Music During World War Ii, Karissa L. Andrews

Honors Capstones

Capstone submitted as a graduate requirement for the BSU Honors Program.

Review Of The Healing Wound: Experiences And Reflections, Germany, 1938-2000, Michael F. Russo

Faculty Publications

No abstract provided.

0353: Rolf Lindner Letters, 1939-1940, Marshall University Special Collections

Guides to Manuscript Collections

Photoreproduction of letters written to Josephine Davis of South Point, Ohio by Rolf Lindner, a member of the Hitler youth from Saxony, Germany.