History of Gender Commons^™

The Fantasy Of “Home”: Locating Dislocation, Loss, And Silence, Roksana Badruddoja

Wagadu: A Journal of Transnational Women's & Gender Studies

The meaning(s) of “home” are once again a robust conversation in the American national landscape as we continue to struggle over postcolonial empire-inspired borders. As a queer Person of Color, Woman of Color, and Mother of Color in the U.S.; an American offspring of Bangladeshi Muslim immigrant parents; and a professor of social inequalities, I am particularly concerned about thinking through neoliberal anti-liberatory U.S. racialization projects and the notion of “home” or what I call the “neoliberal home.” I concern myself with diverse languages, images, myths, and rituals through which “home” is represented and constituted, and from the dispatches of …

Artist Statement: Tutorial On Radiance, Kearra Amaya Gopee

Wagadu: A Journal of Transnational Women's & Gender Studies

Tutorials on Radiance explores a queerness beyond the physical body and extends to the lived environments of queer people. I am particularly focused on Anglophone Caribbean cultures of queerness. I will be looking specifically at the boundaries of the 2D image in relation to queerness, portraiture and visibility.

A Vacation Is Not Activism Part Iii —On Tourism And Ecosocial Disasters, Bani Amor

Wagadu: A Journal of Transnational Women's & Gender Studies

No abstract provided.

Review Of Melancholia Africana By Nathalie Etoke, Lanham: Rowman & Littlefield, 2019, Kristen Kirksey

Wagadu: A Journal of Transnational Women's & Gender Studies

Melancholia Africana: The Indispensable Overcoming of the Black Condition by Nathalie Etoke, is equal parts ruminative meditation and urgent call to action for Black Africans and those in the diaspora. The titular concept, melancholia africana, is “an extensible concept that examines how sub-Saharans and people of African descent cope with loss, mourning, and survival in a practice of everyday life contaminated by the past.”

Review Of Progressive Dystopia: Abolition, Anti-Blackness, And Schooling In San Francisco, By Savannah Shange, Durham: Duke University Press, 2019, Siobhan Brooks

Wagadu: A Journal of Transnational Women's & Gender Studies

Alexis de Tocqueville, the French sociologist, in 1831 visited the United States to observe U.S. democracy, and in 1835 he wrote Democracy in America. One of the observations Tocqueville made was that slavery coexisted with ideals of freedom. This observation from almost 200 years ago informs Savannah Shange’s groundbreaking book, Progressive Dystopia: Abolition, Anti-Blackness, and Schooling in San Francisco.

The Evolution Of The “We Can Do It” Poster And American Feminist Movements, Reina Aguirre

McNair Research Journal SJSU

World War II created mass destruction and economic distress but was also responsible for creating new opportunities for women. The war had torn families apart and had altered family dynamics. The high demands of the wartime economy called for a reevaluation of American women’s roles in society. In 1942, Pittsburgh artist J. Howard Miller was hired by the Westinghouse Company’s War Production Coordinating Committee to create a range of propaganda posters to encourage women to join the war effort.^[1] The most iconic was christened “Rosie the Riveter” and further popularized by Norman Rockwell. These images exemplified how the government …

Medieval Infertility: Treatments, Cures, And Consequences, Zia Simpson

The Forum: Journal of History

Since the first civilizations emerged, reproductive ability has been one of the most prominent elements in assessing a woman’s value to society. Other characteristics such as beauty, intelligence, and wealth may have been granted comparable consequence, but those are arbitrary and improvable. Fertility is genetic, and for centuries it was beyond human control. Among the medieval European nobility, fertility held even greater power. The absence of an heir could, either directly or indirectly, bring about war, economic depression, and social disorder. Catholicism provided a refuge by allowing barren women to retain their hopes, while simultaneously enriching Rome’s coffers. Other women …

Material Encounters: Making Memory Beyond The Mind, Ariel Wills

Masters Theses

Can acts of making carry the memories of our embeddedness within the world? This thesis explores how making things can nurture a sense of kinship that cuts across the organic and inorganic, erasing the distinction between living and dead, material and spiritual. Through handwork such as art-making, sewing, knitting, cooking, woodworking, and beyond, the burden of remembering and of archiving is shared across human and non-human bodies, cultivated through practices of making, and through the materials themselves. By recounting the stories of my family’s experience as Jewish immigrants in the United States, I aim to reveal how their domestic practices …

Women’S Advocate Or Racist Hypocrite: Gertrud Scholtz-Klink And The Contradictions Of Women In Nazi Ideology, Mary C. S. Frasier

Student Publications

The Reichsfrauenführerin, Gertrud Scholtz-Klink, led the National Socialist Women’s League from 1934 until she went into hiding in 1945. During her career in the Nazi Party, she created a female focused sector of the party that promoted pronatalist propaganda, discouraged women from engaging in politics, and urged women to only perform gender-suitable work. In contradiction to her message, Scholtz-Klink was the highest-ranking female political figure and a divorcee, who regularly chose her political career with the Nazi Party over her duties in the private sphere. Although she had little to no political power in the inner circle because of her …

Misrepresentation Of Victimhood During The Victorian Period, Elizabeth Davidson

Graduate Student Research Symposium

The sensation novel in the Victorian period often portrayed female victims as “fallen women.” These women encompassed those who suffered from addiction, engaged in prostitution, changed their identities, or were otherwise homeless. However, “fallen women” were generally misrepresented in both novel and reality. Anne Catherick, the female victim in The Woman in White by Wilkie Collins, and the victims of Jack the Ripper are all represented as ending up in precarious situations resulting in their deaths by their own accord. However, these sets of victims traversed a multitude of missteps and unavoidable tragedy before their untimely deaths. The women who …

Making The Violin Fashionable: Gender And Virtuosity In The Life Of Camilla Urso, Maeve Nagel-Frazel, Petra Meyer Frazier, Antonia Banducci

DU Undergraduate Research Journal Archive

In the late nineteenth century, the violinist Camilla Urso (1840-1902) was widely recognized as the preeminent female violinist in the United States. As a nationally famous celebrity, Urso became a pedagogue and role model to subsequent generations of female violinists. Both the wide-ranging geographic spread of Urso’s career and her direct advocacy for women violinists played a pivotal role in changing cultural ideals of violin performance from a militant and masculine bravura tradition into a fashionable pursuit for young women. A classmate of HenrykWieniawski (1835-1880) and a concert rival of the Norwegian virtuoso Ole Bull (1810-1880), Urso’s career rested on …

Beyond "Viuda De": Practical Approaches To Promoting Mexican Books Printed At Women-Owned Businesses, Taylor Leigh, Colleen Barrett

Library Presentations

Women print shop owners have existed for much longer than most people realize; the first examples in Mexico date to the seventeenth century. Unfortunately, these texts are not always clearly described in a way that is findable beyond searching “viuda de.” Though many title-pages describe their businesses in terms of being a widow of their husband, these business owners deserve credit for their entrepreneurial efforts and should be findable in their own right. This poster would highlight the strategies and steps taken by a Hispanic Studies Librarian and a Rare Books Librarian to better promote these types of works held …

#Aminext: The Link Between European Colonization And Gender-Based Violence In Contemporary South Africa, Jenna Meredith Pagel

Capstone Showcase

Alarmingly, the female murder rate in South Africa is five times the global average (BBC News 2019). According to data from 2017 and 2018, a woman is murdered every four hours in South Africa (Wilkinson 2019). More than 30 women were killed by their spouses in August 2019, and at least 137 sexual offenses are committed per day in South Africa (Francke 2019).

For this thesis, and in order to understand why South Africa has some of the highest rates of violence against women in the world, I consult a number of scholars who conclude that the overall issue of …

Women And World War One: Perspectives On Women's Role In Wwi Literature, Rachel Michelle Brown

All Master's Theses

This thesis analyzes the changing gender roles of British women who served as caretakers in World War One. Often overlooked for their contributions, the women who worked on the frontlines of the war defined the changing role of women during and after the war in several crucial ways: 1) the general expectations of women’s gender role, 2) how women perceived and acted in motherhood, and 3) how women constructed and maintained heterosexual, homosocial, and platonic relationships. Using a gender theory approach, this thesis analyzes two semi-autobiographical fictional texts, Evadne Price’s Not So Quiet: Stepdaughters of War, published in 1930, and …

The Nana Yaa Asantewaa War: Analysis Of The Political Institutions Of The Asante During The War Of The Golden Stool And The Existing Narratives, Angela Danso Gyane

Senior Independent Study Theses

The War of the Golden Stool was the last in the Anglo-Asante Wars, where the Asante fought against the British colonial agenda. According to the Asante oral history, Nana Yaa Asantewaa was at the forefront of this war. She was the commander, but most of the literature to not reflect this oral history. Therefore, this study seeks to address two essential questions: how did gender dynamics in the Asante Kingdom's political system shape their Resistance against the British in 1900- 01? Moreover, how does the analysis of oral histories from the matrilineal culture of the Asante decenter Western narratives of …

The Space Between “Seen” And “Unseen:” Queer People And The 1915-1945 New Negro Renaissance, Claudia R. Campanella

Dissertations and Theses

In November 1926, a group of Black artists, writers, and activists created the first and only edition of Fire!!, edited by novelist Wallace Thurman. Fire!! was created by a younger generation of New Negroes and “devoted to the younger Negro artists” who dissented from the mainstream ideas of the New Negro Movement and used the magazine to spread their own views on the 1915-1945 New Negro Renaissance. Fire!! and other texts speaking to this dissent against a Black intellectual middle class image of the movement will be studied in reference to showcasing the multi-faceted elements of the movement touching …

Andrea Revised: Andrea Dworkin: The Feminist As Revolutionary By Martin Duberman, Phyllis Chesler

Dignity: A Journal of Analysis of Exploitation and Violence

No abstract provided.

From The Womb To The Word: Pregnancy And Pregnancy Metaphors In 16th And 17th Century English Literature, Kelly S. Westeen

Graduate Theses and Dissertations

This dissertation employs a feminist theoretical lens in exploring the gendered uses of pregnancy and pregnancy metaphors in the production and dissemination of literary works in early modern England. By also examining the history of the printing press and the role it played in gendered textual production, early modern constructs of family and the role of mothers, as well as obstetric medicine and childbirth, I aim to demonstrate that mothering and authorship were congruent activities for female writers. Conversely, I argue that male writers of the period who employed metaphors of gestation did so not to try to claim biological …

Acknowledging Our Past: Race, Landscape And History, Alea Harris, Kaycia Best, Dieran Mcgowan, Destiny Shippy, Vera Oberg, Bryson Coleman, Luke Meagher, Rhiannon Leebrick Ph.D., Phillip Stone

Student Scholarship

This book is the product of nearly a year's worth of student research on Wofford College's history, undertaken as part of a grant by the Council of Independent Colleges in the Humanities Research for the Public Good initiative. The research was supervised and directed by Dr. Rhiannon Leebrick.

"Guiding Research Questions:

How did Wofford College and its early stakeholders support and participate in slavery?

How is the legacy of slavery present in the landscape of our campus (buildings, statues, names, etc.)?

How can we better understand Wofford as an institution during the time of Reconstruction through the Jim Crow era? …

Biljana Jovanović, A Rebel With A Cause Or: On ‘A General Revision Of Your Possibilities’, Tijana Matijević

Wagadu: A Journal of Transnational Women's & Gender Studies

By analysing Yugoslav writer Biljana Jovanović’s early novels, the essay follows her possible literary speculations on the capacity of the Yugoslav society to fulfill the promises of the revolution, together with her imagining of an alternative form of sociability, as that which could result in universal, human emancipation. Offering a peculiar portrait of the urban society of the late seventies in Yugoslavia, in her novels Jovanović tests if and how the problem of women’s emancipation is connected to the problems of class. Yet, a failure of class emancipation, an ‘impossibility to revise’ the society is antagonized from the scrupulous and …

Veronica Porumbacu’S ‘Return From Cynthera’ (1966): A Conceptual Manifesto Of Socialist Feminism, Ovidiu Ţichindeleanu

Wagadu: A Journal of Transnational Women's & Gender Studies

Veronica Porumbacu (1921-1977) was a Romanian poet and translator who has been unjustly forgotten today due to her proletcultist poems of the 1950s. Yet her work was widely published and well-known during the socialist regime, and is especially relevant for the two decades of growth and ideological innovation of the 1960s and 1970s. In my article I analyze a remarkable volume of hers published in 1966, situating it in the context of her work and in the wider frame of the political context of Romania. I argue that Return from Cythera can be considered a conceptual manifesto of socialist feminism, …

Agency, Biography, And Temporality: (Un)Making Women’S Biographies In The Wake Of The Loss Of The Socialist Project In Yugoslavia, Tanja Petrović, Jovana Mihajlović Trbovc

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay seeks to deepen our understanding of women’s agency in socialist societies. Focusing on socialist and post-socialist Slovenia, it explores the ways agency reveals itself in interviews with and biographical portraits of the socio-politically active women – or “political workers” (politične delavke), as they were called during Yugoslav socialism – Mara Rupena Osolnik and Aleksandra Kornhauser Frazer. In these texts, agency unfolds as a mosaic of multiple, naturally intertwined activities and engagements aimed at the common good and at improving the position of women and other socially marginalized groups. This kind of agency – understood as the ability to …

Editorial: Gender Relations And Women’S Struggles In Socialist Southeast Europe, Dijana Jelaca, Nikolay Karkov, Tanja Petrović

Wagadu: A Journal of Transnational Women's & Gender Studies

For readers versed in the tradition of North Atlantic feminist theory, the intersection of “socialism” and “feminism” is relatively uncomplicated. As a rule, the theory proffers a critique of the “double oppression” that women experience under patriarchy and capitalism, with the exact relationship between these two systems then up for debate. While often not explicitly thematized, the theory’s geographical roots in North American and Western European struggles and contexts inform its epistemological practice and organizational protocols.

Towards Women’S Minor Cinema In Socialist Yugoslavia, Dijana Jelaca

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay theorizes the concept of women’s minor cinema in socialist Yugoslavia, conceptualized through examples of cultural texts that circulate within the so-called women’s genres: romance films, “chick flicks,” and TV soap operas. Women’s cinema is here not defined solely as films made by women, but rather, films that address the spectator as a woman, regardless of the spectator’s sex or gender. I argue that, in the context of Yugoslavia, such works frequently articulated emancipatory, feminist stances that did not demarcate a dichotomous opposition to the socialist state as such, but rather called for the state to fulfill its original …

The Return Of Jugoslovenka: An Unrequited Love Affair, Jasmina Tumbas

Wagadu: A Journal of Transnational Women's & Gender Studies

This essay considers women’s emancipation in Socialist Yugoslavia as central to the socialist project. I focus on the feminist art of the 1970s and 1980s, aswell as contemporary engagements with the question of Yugoslavia. I put in conversation performance works by Sanja Iveković, Vlasta Delimar, Marina Gržinić, and Šejla Kamerić. The title of this essay, “Return of Jugoslovenka: An Unrequited Love Affair” points to how contested the position of Yugoslav women was during socialism, and how much it remains so today, albeit for very different reasons. As I show in the article, Yugoslav women in the arts embraced socialism as …

The Other Side Of Everything, Dir. Mila Turajlić (Hbo Europe, 2017), Dragana Obradović

Wagadu: A Journal of Transnational Women's & Gender Studies

The Other Side of Everything is a documentary about an apartment in Birčaninova 20, a leafy street in Belgrade, Serbia. It is the family home of Mila Turajlić, the film’s director (known for her much-lauded film Cinema Komunisto from 2010), who uses this well-appointed interior to explore the intimacy of history.

General, Dir. Antun Vrdoljak (Hrvatska Radiotelevizija, 2019) The Diary Of Diana B., Dir. Dana Budisavljević (Pff, 2019), Sanjin Pejković

Wagadu: A Journal of Transnational Women's & Gender Studies

Ideologically charged arguments about truth, often linked to fabrications of the past, have been discussed for decades in post-Yugoslav countries. They have also contributed to memory conflicts in different discourses. In addition to relativizing historical facts, marginalization of one’s own crimes and enlargement of others have also contributed to fragmentation of the truth and the emergence of parallel stories about the historical past.

Review Of Gender In 20th Century Eastern Europe And The Ussr, Edited By Catherine Baker. London: Palgrave Macmillan, 2017, Katharina Wiedlack

Wagadu: A Journal of Transnational Women's & Gender Studies

The anthology Gender in 20th Century Eastern Europe and the USSR is a collection of fourteen essays on a wide range of gender-related topics, from motherhood to concepts of masculinity, sexuality, and professional work.

Lilijana Burcar, Restavracija Kapitalizma: Repatriarhalizacija Družbe [Restauration Of Capitalism: Re-Patriarchization Of Society], Sophia, Ljubljana 2015, Iva Kosmos

Wagadu: A Journal of Transnational Women's & Gender Studies

In her book Restavracija kapitalizma: repatriarhalizacija družbe (Restauration of capitalism: Re-patriarchization of society), Lilijana Burcar compares the systemic and structural conditions of women’s position in socialism and capitalism.

Chiara Bonfiglioli, Women And Industry In The Balkans. The Rise And Fall Of The Yugoslav Textile Sector. (I.B.Tauris 2019, 230 Pages, 1st Ed.), Agata Zysiak

Wagadu: A Journal of Transnational Women's & Gender Studies

“For us it was much better, for us personally, for people it was much better during socialism than it is today, in any case.” (p. 1) This quote from a textile worker opens Chiara Bonfiglioli’s book, but the story presented is by no means a nostalgic tour exploring collapsed factories or reproducing homo-sovieticus stereotypes.