Cultural History Commons^™

Divided Maryland: Antietam 150th Interpretive Talk, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A few weeks ago, I spent an amazing weekend interpreting the Dunker Church. Not many of you were able to visit that amazing place on that amazing weekend.

For those of you out there who didn't get to see my talks that weekend, or for those of you who would like to live them again, check out this MP3 recording of the presentation, with added music and sound. [excerpt]

Camels In North America: The Effects Of Islam & Globalism On U.S. State Law, Connor H. Richardson

Student Publications

A paper detailing the introduction of camels to the U.S in the 1850s as part of an army experiment and their effect of Nevada's state laws.

Willem Blaeu's 'Asia Noviter Delineata': Expressions Of Power Through Naval Might And Natural Knowledge In Dutch Mapmaking, Joshua W. Poorman

Student Publications

This paper situates Dutch mapmaker Willem Blaeu’s Asia noviter delineata—part of the Stuckenberg Map Collection in the Gettysburg College Special Collections—within the larger framework of Renaissance thought and a shifting colonial balance of power. The map’s pictorial marginalia expresses a Dutch quest for empirical knowledge that echoed contemporary cabinets of curiosities throughout early modern Europe. Similar to these cabinets, Blaeu’s map can be seen as a cartographic teatro mundi, used to propagate Dutch hegemony through both a robust naval presence and an expanding geographic and natural knowledge of the world.

The Coverings Of An Empire: An Examination Of Ottoman Headgear From 1500 To 1829, Connor H. Richardson

Student Publications

This paper investigates the socio-economic and religious implications of hats worn in the Ottoman Empire from the mid-sixteenth century to 1829, when they were all replaced with the legendary fez. It acts as an initial compendium, drawing heavily from primary sources to explain who wore which style of headgear and why.

Veritas: The Power Of The Real, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

There's something about touching the actual thing, something about contacting the real that makes a distant world come immediately to life. There's an excitement about that moment when you see and touch something a piece of another world. A Thomas the Tank Engine character reminded me of this fact recently. Watch the young boy's face as he picks Stanley back up in a cornfield after his favorite toy travels to space and back. [excerpt]

Victim Of Emancipation: Adams County Flustered, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Republican stalwart newspaper The Adams Sentinel ran nothing in its folds hinting at the editor's elation over the Emancipation Proclamation in the days following the document's release. In a terse column, headed, "Proclamation of the President," ran the document, unadorned with either accolades or contempt. Elsewhere in the paper's folds, the news hovered back and forth over the fields around Sharpsburg and word of the lackadaisical pursuit of Lee's army into Virginia. The deep meaning of one of Lincoln's most momentous moments seemed to be lost on the Republicans of south-central Pennsylvania, as they eschewed the topic, pussyfooted around …

Four Days In Heaven Spending Four Days In Hell, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I spent four days this past weekend wallowing in the depths of hell. Around me swirled the maelstrom of battle, a spinning vortex of blood, death, destruction and loss. Outside the windows, every patch of ground is a reminder of the sacrifice and heartache.

If you squinted your eyes, or better yet closed them completely, you could see it all. [excerpt]

Sharpsburg, Maryland: 150 Years Later, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

If you are somewhere in the mid-Atlantic region over this next weekend, are obsessed with studying and understanding the Civil War and aren't going to be trying your damnedest to be in Sharpsburg, Maryland this weekend, you might want to check your pulse. [excerpt]

You Don't Get A Tour; Come Back Next June, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A friend of mine and former supervisor said something to me the other day. I deeply respect him; he taught me the very basics of interpretation. But his words shocked me. I still don't know exactly how to process them.

He said something like, "I saw you leading a tour on Friday with three visitors. It takes something to go out there when you know you're only going to get so few people. I respect you for it; I couldn't do it." [excerpt]

Facts, Damned Lies And Statistics: A 55 Year Stumbling Block, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I have to admit something: when it comes to interpretation, I'm making this all up as I go along. I don't have some magical cache of best practices stored up, waiting to deposit them week after week in posts here on the blog. Most of what I know about interpretation I've stumbled upon, either in the thoughts of others shamelessly stolen and added to my toolbox or as rough experiments based on my so-called common sense. [excerpt]

The King Of Rock, Roll N' Interpretation, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Last week was "Elvis Week" in Memphis. I don't know that because I follow Elvis. In fact, I really can't stand Elvis Presley's music. About as far as I can go down that road is listening to "Suspicious Minds," every so often. Nothing else really speaks to me. [excerpt]

"...Our Hearts Tell Us There Is Something Else Out There.": Prowling The Halls Of The Mib, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

In the basement corridor of the Main Interior Building in Washington, D.C. is the most beautiful painting I've even seen. I've gotten the chance on a couple of occasions, while visiting the Department of the Interior Headquarters for meetings and whatnot for work to wander down outside of the cafeteria to see the mural. It is pure beauty, mostly forgotten and ignored by the folks who work in that building everyday. I get these weird looks while I stand in awe of the massive canvas, like I shouldn't stop and stare. I don't care. I take pictures. I gawk. My …

Thinking Fourth Dimensionally: How Battlefields Become Deloreans, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I have written before of my intense love for Back to the Future III. Part of the reason that film resonates with my movie-going soul is my abiding love of the 19th century. Part of me wishes I could hop into a Stainless-Steel Delorian and visit the past for a short stint. I'm pretty sure I'm too much of a pansy to last very long in the world of latrines and muddy water, but I'd love to see the past for even just one fleeting moment. [excerpt]

"Round Eye" At The Wall: The Power Of What We Call Things, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I went on a battlefield tour this weekend with Garry Adelman. It was an amazing experience, as any tour with Garry is, because he delves into how we conceptualize landscapes just as much as what happened on those landscapes 150 years ago. My mind was churning the entire time. Of anyone, both those who work for those places and those who just generally love those places, Garry (and his partner in crime Tim Smith) is tops on the list of most effective living time machines. Like always, Garry got me thinking on 15 different levels, and I'd wager that the …

Lincoln Speeches, Allen C. Guelzo, Richard Beeman

Gettysburg College Faculty Books

As president, Abraham Lincoln endowed the American language with a vigor and moral energy that have all but disappeared from today’s public rhetoric. His words are testaments of our history, windows into his enigmatic personality, and resonant examples of the writer’s art. Renowned Lincoln and Civil War scholar Allen C. Guelzo brings together this volume of Lincoln Speeches that span the classic and obscure, the lyrical and historical, the inspirational and intellectual. The book contains everything from classic speeches that any citizen would recognize—the first debate with Stephen Douglas, the “House Divided” Speech, the Gettysburg Address, the Second Inaugural Address—to …

Fifty Shades Of Blue And Grey: Civil War Torture Porn?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Over the past few days I've been thinking about violence. We are a culture of violence. We idolize blind rage and violence, we normalize it and worship it....

We, as a collective American culture, promote violence, normalize it as the proper reaction to any given problem and outright encourage it. [excerpt]

An 1858 Patent Office Report: The Joy Of Being Wrong, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I love being wrong. I think every historian should love that feeling. Finding that one small piece of evidence that puts a crack in your perception of the past and makes you restructure your view of the flow of history is a joy.

I had one of those moments a few weeks ago at Adams County Historical Society, digging through the vertical files for random things. I go digging every week or so, simply immersing myself in the raw material of the past and seeing what floats to the surface. [excerpt]

M'Er F'Ing History: Speaking In Our Audience's Language, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I was talking to Jake the other night about Cookie Monster. Really, we were talking about the theory behind Cookie Monster's latest strategic move and how we could all learn a thing or two from him. Which move was that? The short, furry blue monster's brilliant foray into pop culture with "Share It Maybe," the music video parody of Carly Rae Jepsen's song "Call Me Maybe." In one day, Cookie has racked up 2.3 million hits on the less-than-four-minute video. [excerpt]

Guest Post: John Rambo Fights The Civil War, Aaron Urbanski

Interpreting the Civil War: Connecting the Civil War to the American Public

Today we offer another of our “Guest Post Wednesday” extras, with some meditations on Rambo from Aaron Urbanski. Yeah, we’re not kidding... Rambo. Aaron is a graduate of the GMU American History Masters program and alumnus Ranger of the NPS. [excerpt]

Ring The Bells: "Happy 149th Birthday, America!", John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Friend of the blog and stalwart DC area historian Aaron Urbanski posted a pithy update to his Facebook wall on Monday, a status update which has infected my brain over the past couple days. The idea is so infectious, so amazingly simple yet profound that I'm shamelessly stealing it and blowing it up to epic proportions. [excerpt]

Every Man A Historian Means Every Man: Speaking With The Fringe, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The amazing power of the internet age is the pure democratizing ethic it has injected into our culture. We aren't simply pleased when the world around us solicits and listens to our opinions, we've come to expect it. Every news story has a comment thread; every article asks for our feedback. The White House solicits input from the American "user" and offers meaningful responses. In short, we are a people who are growing more vocal in our daily lives. The brilliant constitutional law professor and master of cultural understanding Lawrence Lessig has called our culture "Read-Write" as opposed to "Read-Only." …

Lost And Found: Where The Iconic Meet, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

I know exactly when I began believing in the Muppets again. I am a child of the '80s. I was five years old when Jim Henson died. I remember watching the TV with my Mom crying beside me as Frank Oz's Fozzie, Richard Hunt's Scooter and Dave Goelz's Gonzo read to their friends the condolence letters sent by thousands of grieving fans. I remember the slow building of "Just One Person." [excerpt]

Good Morning To The Night: Requiem For My Battlefield, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

The fireflies have started to appear around Gettysburg. We have a new sliding glass door in the kitchen that I can press my face against and see them. I did it the other night when Jess mentioned they're out there. [excerpt]

College Kids With Guns: Hidden In Plain Sight, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Sunday morning found me out in the field with a stalwart group of Gettysburg devotees: the Gettysburg Discussion Group's annual spring Muster. When the coordinator of this year's Muster put out the call for something a bit different, perhaps something in town for Sunday, my ears perked up. I've been looking for groups to test out the nuggets of the College's Civil War story on and the GDG seemed like the perfect group of guinea pigs. [excerpt]

"The People For Whom He Saved The Union": Ninety Years Ago In Dc, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Reading the official Facebook page of one of my favorite history authors yesterday, I saw a pithy note about a "day of note." Ninety years ago this week, President Warren Harding dedicated the Lincoln Memorial at the west end of the National Mall in Washington, D.C. [excerpt]

Haupt-Enstance: Whatever Became Of Herman?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Tom Lehrer, on his 1965 album That Was The Year That Was, sang a send-up of then-Vice President Hubert Humphrey with his, "Whatever Became of Hubert." The song's been going through my head this past week or so, but with the name "Herman" taking the place of LBJ's second-in-command. [excerpt]

"Forever Free": It's Deja Vu All Over Again, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

A friend and colleague has a great quip she uses when planning Civil War interpretation in the DC area. "Why," she asks, "would a black single mother with two daughters come to this event? What's here for her?" [excerpt]

You Can Hide `Neath Your Covers: Confronting The Boss, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

Public servants are paid to serve the American people. Do it well." Donald Rumsfeld, 2001

It's not often that I quote or even think about Donald Rumsfeld. I'm pretty sure he doesn't think about me at all. Still, that quote above is a keen (if obvious) observation that so often we in the world of public service Civil War interpretation forget. I work for the Federal Government in my 'real' job. This blog is where I brain dump everything else rattling around in my mind. Inspiration strikes at all hours, and last week the bolt came out of the blue …

4th And Goal: What Is The Interpretive Touchdown?, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

What is the aim of historic interpretation? That seems like it would be a simple question to answer, but it's simply not. Historic interpretation seems to be a many headed Hydra, with each interpreter seeing their own purpose and their own goals within the craft. [excerpt]

Episode 61: The One With The Cannons, John M. Rudy

Interpreting the Civil War: Connecting the Civil War to the American Public

This past weekend, I found myself in Milwaukee, Wisconsin for the annual meeting of the Organization of American Historians and the National Council on Public History. Sessions abounded on both the Civil War and interpretation, as well as any other American historical topic you could imagine. The OAH debuted their new Imperiled Promise report on NPS history practices (which Jake commented on last week). Kevin Levin participated with other Civil War folks on a Civil War Working Group discussing the course of the 150th and beyond. [excerpt]