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Haïti Et L’Afrique Noire : De La Primauté À La Marginalité, Du Modèle Au Contre-Modèle, André Ntonfo

Présence Francophone: Revue internationale de langue et de littérature

As we know, Haiti, the first Black republic in the world, commemorated the bicentennial of its independence in 2004. This paper examines how that unique experience has been received by the Black world in general and by independent African states in particular, as well look at the place that Haiti occupies in their imagination. This paper will examine Haiti’s role as an ideological place of structuring and as a real space for experimentation with post-colonial strategies applied to independent Black nations, especially in sub-Saharan Africa. The author will demonstrate how Haiti, from its position as a pioneer for these nations, …

Réalisme Merveilleux Et Rire Macabre Contre La Zombification, Anastasil Delarose Makambo

Présence Francophone: Revue internationale de langue et de littérature

The substance of this analysis is to use fiction, especially the novel, to observe Haiti and Black Africa some 200 years and 40 years, respectively, after independence. The contemporary novelists of these two time periods stress “zombification”, which is their common destiny. They denounce it by means of several scriptural strategies, such as magic realism and macabre laughter. The first contributes to reveal “zombifying” authorities such as houngans, wizards, politicians and their militia. The second is used to make “zombificators” ridiculous by showing how their ranting leads them to appear weak before their rebel victims.

Les Pouvoirs Du Récit : Un Remède Au Chaos Du Monde? En Attentant Le Vote Des Bêtes Sauvages, Madeleine Borgomano

Présence Francophone: Revue internationale de langue et de littérature

Right from his first novel, Les Soleils des Indépendances (1970), Kourouma introduced the theme of the reversed world, a baroque metaphor for the state of Africa after Independence. In Monnè (1990), telling the history of this reversal, he insisted on its linguistic roots. Consequently, En attendant le vote des bêtes sauvages (1998) shows how this reversal in the context of Cold War, favoured the genesis and development of dictatorial powers leading to an actual apocalypse. This victory of Chaos is told as a donsomana, traditional song of expiation among the Malinke hunters. The forms and magic virtues of this song …

La Vie Et Demie Ou Les Corps Chaotiques Des Mots Et Des Êtres, Caroline Giguère

Présence Francophone: Revue internationale de langue et de littérature

Due to its polysemy, corporality has several functions in the works of Sony Labou Tansi. More than descriptive or thematic elements, the novelistic bodies in La vie et demie are at the same time meeting points for multiple meanings, objects and producers of discourse. This study aims to demonstrate how the writing of the body is symbolic of a disorder that characterizes the forms and contents of Sony Labou Tansi’s novels and invites the reader to reflect on language and its power.

Trop De Soleil Tue L'Amour : Une Expression De L'Écriture Du Mal-Être De Mongo Beti, Rodolphine Sylvie Wamba

Présence Francophone: Revue internationale de langue et de littérature

The classical and dissident African writer Mongo Beti perpetually uses the theme of man’s quest for freedom in everything he does. In fact, the philosophy of “Rubénism” is found in each of his works. Given that man must survive in the “ocean of shit” he lives in, the writer, using a popular language, freely chooses to add some humour to everyday life. Thus, the text we studied appeared as a genuine thriller, complete with comedy and tragedy, which presents a deviation from more formal writing. This is the main idea of this analysis, which consists of showing Trop de soleil …

Chaos Temporel Et Chaos Romanesque Dans Allah N'Est Pas Obligé D'Ahmadou Kourouma, Nathalie Roy

Présence Francophone: Revue internationale de langue et de littérature

This paper proposes an analysis of time representation in Allah n’est pas obligé with concepts taken from Temps et récit. It aims to show that in relation to Kourouma’s novel, one of Ricoeur’s hypothesis is revealingly insufficient. This hypothesis actually questions representation modes occuring in the text, exposing one of the sources of fictional chaos.

Transcrire L'Horreur Sur L'Espace De La Page, Bernadette Ginestet-Levine

Présence Francophone: Revue internationale de langue et de littérature

Rachid Boudjedra’s Timimoun uses the theatrical convention of a minibus taking tourists to the desert. In this mini-bus, news from the outside world is brought through the radio, which plays the part of a messenger. The narration moves forward by a progression of press releases that report bombings committed by terrorists. The barbarian nature of the acts is transcribed on the page by means of typography. The spatial/visual convention itself is set in concentric lexical fields – liquid, then desertic – erected as fences in an attempt to confine the unbearable.

Folie Et Écriture Dans Calomnies De Linda Lê, Ching Selao

Présence Francophone: Revue internationale de langue et de littérature

This article proposes to explore the many faces of madness through a reading of Linda Lê’s Calomnies, in which two narrative voices are presented. The following shall demonstrate how this novel reproduces a “romantic” perception of madness as encountered in Michel Foucault’s work. Although this narrative text introduces a mad narrator speaking in the “I” persona, it nonetheless points out the difficulties of letting madness speak for itself. These difficulties are also examined in this study.

Face À La Meute – Narration Et Folie Dans Les Romans De Boubacar Boris Diop, Susanne Gehrmann

Présence Francophone: Revue internationale de langue et de littérature

The article analyses the narrative techniques and the theme of madness in three novels by the Senegalese writer Boubacar Boris Diop, caracterised by narrative polyphony and metatextual reflexion on the production of a story. The speech of protagonists affected by “intellectual madness” plays a strategic role in the structure of the novel which, as a hybrid genre, draws on oral and literary traditions in a still splintered aesthetic. The image of the pack represents an unreasonnable society condemning a so-called mad individual whose madness consists in bringing a counter-memory of the foundation myths.

Parties Annexes

Présence Francophone: Revue internationale de langue et de littérature

No abstract provided.

Werewere Liking Et La Poétique Du Jeu Pour Libérer L'Imaginaire Postcolonial Africain, Kasereka Kavwahirehi

Présence Francophone: Revue internationale de langue et de littérature

This essay addresses the issue of poetics and political stakes in Werewere Liking's novel, Elle sera de jaspe et de corail. While this novel has been presented as illustrative of the Negro-African aesthetics rooted in orality, the present article argues that Liking's poetics of hybridity is a postcolonial strategy whose aim is the liberation of African imagination and creativity. The essay ends by suggesting some similarities between Liking's project and that of the Congolese philosopher, especially in his philosophical essay, L'Afrique va-t-elle mourir? Bouscu/er l'imaginaire africain. Through their works, Ka Mana and Werewere Liking are examining the conditions for a …

Patrice Emery Lumumba : Entre Metaphore Et Metonymie, Justin K. Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

The purpose of this text is to analyze the historiography devoted to Patrice Lumumba and the use of rhetoric that launched him into legend. The metaphor characterizes Lumumba in his journey towards death and the alienation of identity, rendering concrete a kind of degradation, of the animated and the unanimated. Further, the metaphor breaks down into a string of fragments, or of metonymical qualities. Lumumba's struggle for justice, equality, purity, truth, and the ideal translates the drama of which he is a victim into an extreme search for the ideal. This drama expresses itself by a notable use of the …

Lectures Mythophores Des Recits De L'Origine Dans N'Zid De Malika Mokeddem, Mireille Rosello

Présence Francophone: Revue internationale de langue et de littérature

In 1957, Barthes critiqued the omnipresence of imperialist myths. Is his study of the collusion between myths and colonialism still relevant today? Rather than looking for a new canon of postcolonial myths, Rosello proposes to distinguish between two critical stances: demystification and demythification. Rosello suggests that literature can afford to take the risk of mythification through a reading of a "mythoforic" novel: Malika Mokeddem's N'zid, a text that remythifies and demystifies the opposition between nomads and sedentaries.

Gommage Et Résistance Dans Le Processus De Mythification Postcoloniale, Robert Fotsing Mangoua

Présence Francophone: Revue internationale de langue et de littérature

Using the central figures of Um Nyobe and Patrice Lumumba, this paper aims to show that postcolonial mythology is a confrontation of two tendencies: on one hand, the colonial and postcolonial States, whose efforts tend to rub out history and its great faces, and on the other, artists and thinkers from Africa or abroad who want to establish the memory and the deeds of the missing as a source of inspiration for the present and next generation.

Mango Beti Et Les Mythologies Postcoloniales : Héritier Et Inspirateur, Nathalie Etoke

Présence Francophone: Revue internationale de langue et de littérature

Mango Beti belongs to a nationalist tradition embodied by Ruben Um Nyobe, the Cameroonian revolutionary. This paper analyzes how the writer manages to rebuild the aborted Rubenist ideal through fictional devices. Charismatic leaders such as Martin Luther King and Nelson Mandela, who have been able to bring about social change and improve the living conditions of their people, also nurture Beti's political commitment. What is the link between the writer and these inspiring men? Is Mongo Beti himself a similar inspiration for other African writers?

Mythologie Postcoloniale Française Ou La Quête Permanente Du Livre Rose De La Colonisation, Armelle Cressent

Présence Francophone: Revue internationale de langue et de littérature

This article touches on four books about colonization, which were recently published in France and which are intended for wide readership. This article underlines how the authors maintain the myth of a "rather beautiful" French Colonization or/and how they tend to avoid a too brutal questioning of the French colonial past in their writings.

Subversion D'Un Mythe Colonial : Le« Grand Blanc De Lambaréné » Dans Le Roman Francophone D'Afrique, Sylvère Mbondobari

Présence Francophone: Revue internationale de langue et de littérature

Among its goals, this study aims to throw new light on the representation of the West in African Francophone literature. In this respect, it will examine some characteristic aspects of the image of the "Grand Blanc de Lambarene" - Albert Schweitzer - produced by the African imagination. For the first time, this paper shows which discursive and structural strategies are used by Sylvain Bemba and Seraphin Ndaot to represent Albert Schweitzer, to express their convictions, and how they confer a thematic or aesthetic aspect to their text. To be fully heuristic, the representation of Schweitzer requires that we reconstitute the …

Présupposés Idéologiques Et Discours Critique Dans Présence Francophone, Lydia Martel

Présence Francophone: Revue internationale de langue et de littérature

This paper illustrates the way Humanities’ categories have allowed us to read traces of cultural crossing in African fiction since the 70s. Many articles published in Présence Francophone turn the 19th century’s anthropological model around, whilst others oppose Judeo-Christian and African myths. Some propose a monolithic vision of identity, until in-between positions appear, revealing the many elements of identity in a much easier way. Among these components, the Western and African modes of knowing are pointed out by studies relying on the works of Lévi-Strauss, Bachelard and Bakhtine.

Rhétorique De La Réception Des Oeuvres Francophones Dans Présence Africaine, Josias Semujanga

Présence Francophone: Revue internationale de langue et de littérature

This article analyses the Reception discourse towards African and Caribbean Literatures in French. We will analyse some articles published in Présence africaine to show how this journal played a leading part in the promotion of African and Caribbean Literatures in French since its beginning in 1947 to now.

Le Rôle De La Critique Dans La Réception De L’Oeuvre Romanesque De Rachid Boudjedra, Valérie Lotodé

Présence Francophone: Revue internationale de langue et de littérature

The favorable reception given by French criticism to some of Rachid Boudjedra’s novels can’t be explained by their literary quality only. In fact, the media’s opinion has been influenced by the image of the "authentically Algerian writer" that Boudjedra conveyed, as well as by the political context. Since the emergence of Algerian Literature in French journalistic and academic literary criticism, critics are bounded by ideological a priori.

La Critique Et Léopold Sédar Senghor / Léopold Sédar Senghor Et La Critique, Fernando Lambert

Présence Francophone: Revue internationale de langue et de littérature

L. S. Senghor has maintained a double relation with criticism: his poetical work has provoked plentiful critical production and the poet has always been in dialogue with his critical examiners. Furthermore, he has practised literary criticism himself. Criticism relating to Senghor comes from two quite different sources. From 1945 to 1960, the European criticism is outstanding, while the African criticism confines itself more to peripheral questions in the Senghorian poetical work: French language

and "Negritude". The withdrawal of the poet from the political stage in 1980 is a significant date for critical production in Africa. Let us add that the …

Discours Préfaciels Et Réception En Littérature Africaine De Langue Française, Sélom Komlan Gbanou

Présence Francophone: Revue internationale de langue et de littérature

Decisive instance between the text and its reader, the preface plays an important role in the reception of the literary work, as Gerard Genette emphasizes in his essay Seuils (1987). The present analysis proposes a reading of the stategies used in the prefaces of francophone African Literature from colonial times to the present. Who introduces whom? Why and how? These are a few of the questions this article deals with.

L’Aventure Du Discours Critique, Justin K. Bisanswa

Présence Francophone: Revue internationale de langue et de littérature

The text traces the course of African Literature’s critical adventure. For a long time, studies have been focused on African identity. The critic is often ethnologic, anthropological, cultural and attracted by exoticism. The critic is also attentive to everything that indicates the difference with occidental culture and without which the African text would only be an outline. There is also the frequent intrusion of empty concepts in African Literature criticism (for example : tradition, relatives, ethnic group, oral character, traditional religion, African rhythm, solidarity, communion between the living and the dead). From the criticism of humor and sources, to criticism …

Écriture Et Identité Dans La Littérature D’Afrique Du Sud : Le Cas D’André Brink, Robert Mangoua

Présence Francophone: Revue internationale de langue et de littérature

By engaging his works against apartheid, André Brink chose at the same time to face a double problem of identity: identity of his writing and his personal identity. To the first problem he responds by the relationship with the alter ego (borrowing from others) and to the second by his identification to Africa. His texts, luxuriant in “intertextual relations” but essentially oriented towards Europe, reveals a eurocentric reflex in him that revokes the problem of his personal identity.

Écriture Du Destin Et Destin De L’Écriture, Regards Croisés Sur René Philombe Et Mongo Beti, Pierre Fandio

Présence Francophone: Revue internationale de langue et de littérature

The objectives of self-determination displayed by the Cameroon cultural and political agents look identical. However the present communication, that examines the reception of the works of Mongo Beti and René Philombe in Cameroon and its implications on the relationship between the writers and the dominating political order, reveals that the harmony is only a concealment. In fact, the political order conceives the institution of its own discourse exclusively either in terms of exclusion all nonconformist speech or in terms of its dominance.