Other History of Art, Architecture, and Archaeology Commons^™

A Methodological Dismantling: Manet’S Olympia And The Rupture Of The Western Reclining Nude, Abigail Charlotte Van Hoak

Student Scholar Symposium Abstracts and Posters

The question is whether Édouard Manet was shaped by his era or doing the shaping, and Olympia answers it. It was not an accident but a methodical dismantling of a centuries-old tradition, and by refusing to look away from modern life he forced everyone else to reckon with it too. The reclining nude has never recovered. For centuries, artists from Titian to Ingres constructed a genre around idealized bodies, mythological distance, and an uncontested male gaze that rendered real women into timeless passive objects. Manet inherited that tradition and refused to perpetuate it. Through the theoretical frameworks of Berger and …

The Tests Of Time: An Examination Of Contemporary Indigenous Artwork On Display In Southern Museums, Gwendolyn R. Pfrenger

Honors Theses

This paper examines current practices in three Southern museums of varying sizes and missions as they relate to the curation and display of Indigenous art. Specifically, the paper aims to investigate the place of contemporary Native art in art and anthropology museums: How does display vary across the two disciplines? What is its role, now that cultural institutions are becoming more progressive and making a stronger push toward representing artists from minority groups? This is a fairly new area of study, especially for art history, so much of what is discussed here is drawn from art historians, anthropologists, and museum …

Rediscovering Ancient Greek Pigmentation, Cynthia-Rose Seeds

Departmental Honors & Graduate Capstone Projects

This thesis paper will discuss various questions relating to pre-Greco-Roman Ancient Greek paint pigments. In recent years discoveries of paint samples on Ancient Greek sculptures and architecture are becoming increasingly common, contradicting the stereotype that history has made of Ancient Greece having a pristine white aesthetic in their artwork. (Brinkmann, 2008) The various paint pigments that can be found throughout excavations in Greece, as well as the general history of pigments, create a new narrative when it comes to the art of Ancient Greece. Using various evidence such as pigment samples, artworks, textual primary sources, and scholarly research, this thesis …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Art Worker: Atlanta’S Contemporary Art History And The Workers Who Shaped It, Abigail D. Miller

Master's Projects

There is a contradiction at the heart of the relationship between artists and the public in the United States. Art is considered culturally important and beneficial to the public, yet hardly any public funding is paid directly to artists for their labor. Moreover, because the nature of art production in contemporary society does not align easily with capitalism’s need for constant growth and profit, artists are often on the economic fringes in a constant state of precarity. These conceptual arguments are explored in this project, and the related research aims to position artists as members of the working class who …

F Is For Frida: An Illustrated Guide Of Women Artists From A To Z, Emily Kohls

Master of Liberal Studies Projects

F is for Frida: An Illustrated Guide of Women Artists from A to Z is an illustrated children’s book that aims to teach young readers the alphabet and about art history by presenting to them a diverse range of women artists from the Baroque period to the modern day.

Each letter of the alphabet is accompanied by a portrait and brief biographical description of a woman artist whose name corresponds to that letter. The visuals of the book were designed to make the reader feel like they are viewing artwork in a gallery. For example, each portrait has been made …

Back To Nature: Marie Antionette And The Cottagecore Fantasy, Rose Caughie

Anthós

This essay is an examination of the legacy of Marie Antionette's Chemise a la Reine. At the end of the 18th century, a portrait of the queen in this dress caused scandal and outrage. Despite, or perhaps because of this, the Chemise a la Reine became a staple in the wardrobe of the Western woman. Today, this style continues to be popular. This is particularly notable in the Cottagecore aesthetic movement. Much like Marie Antionette's use of this style, Cottagecore fashion carries deep ties to an escapist pastoral fantasy. However, more important is the continued legacy of Neoclassicism and the …

Both Human And Holy: A Veneration Of Personhood Through Mythic Means, Abigail Porter

MFA in Visual Arts Theses

Mythology acts as a reflection of humanity, a connection of personhood and storytelling that spans through history. This essay covers how the ideas of myth, personhood, archetype, and portraiture remain central to my work. The nature of mythology is innately human in all aspects, centering on ideas being both fictitious and truthful - which allows the ideas of the dualistic aspects between the personhood and mythos with the figures worked with. My work is about people; I elevate the figure into mythic while using those myths to discuss the aspects of identity. My work leans heavily upon my own fixation …

Disinheritance As Critique: The Paintings Of Lynette Yiadom-Boakye, Sabo Kpade

Masters Theses

Artistic influence can either be overbearing or liberating for the impressionable artist who is determined to arrive at an individualized artistic identity. One key strategy deployed by the artist is disinheritance as a means by which identity and meaning are created. In her paintings and etchings, British-Ghanaian painter Lynette Yiadom-Boakye has demonstrated several modalities of disinheritance by which she has arrived at a distinct approach to portraiture. Broadly, they come under two categories of major and minor disinheritance, each of which is conditioned by a variety of factors that range from aesthetic to philosophical, personal to political. They signify points …

Choppy Forgeries: A Vr Sculpting Game, Jonah Warren

Frameless

Choppy Forgeries is a fast-paced sculpting game made for virtual reality headsets. The game is intended to give players the opportunity to practice and appreciate the skills associated with artmaking and sculpture (Seeley and Kozbelt, 2008, 163–166) in a fun, light- hearted, competitive context. The game also requires players to closely examine and engage with famous classical sculpture from art history through its gameplay.

Art And Aids: Viral Strategies For Visibility, Stephen Baylor Pillow

Honors Theses

“Art & AIDS: Viral Strategies for Visibility” examines the complex relationships between social stigma, healthcare, homophobia, and mortality, and how these impacted the lives of Western artists and manifested in their works. Most of the art discussed in this thesis was produced during the height of the AIDS crisis (late-1980s to mid-1990s). During this period, gay artists and their allies employed new strategies in their work to inspire activism, and convey intense emotions –– predominantly frustration, grief, and anxiety –– associated with HIV/AIDS. In the U.S., the inaction of the Reagan administration was largely due to widespread homophobia kindled by …

Carpets As Signifiers Of Historical Change: The Azerbaijani Carpet Industry From The Mid-Nineteenth To Late Twentieth Century, Jill Boggs

Senior Theses

The Azerbaijani carpet industry, long recognized as an important piece of Azerbaijan’s cultural heritage, transformed dramatically between the mid-nineteenth and twentieth centuries in response to political, economic, and social changes that took place under the Russian Empire and the Soviet Union. During this period, the carpet industry began to use modern weaving techniques and materials, favored factory production over traditional hand-woven designs, and created pieces for exportation rather than personal or community use. These developments contribute to two historical schools that view the Soviet Union as either a prison of nations, stifling non-Russian cultures, or a nursery of ethnic identities, …

Saving Adele: A History Of The Portrait Of Adele Bloch-Bauer I, Ariel A. Furman

Quest

Individual Research Project

Research in progress for HIST 1302: United States History II

Faculty Mentor: Kyle Wilkison, Ph.D.

Nothing ruins an enriching intellectual experience quite like having it assigned. Consequently, Honors History 1302 students began by identifying their own passions and interests. They then chose topics of immediate and abiding personal interest and produced research projects that reflected that energy and commitment. Their research probed a marvelous variety of historical topics from culture, medicine, science, politics, and economics. They researched and wrote about anti-fascist American comic books during World War II, disturbing historic treatments for the mentally ill, advances in …

Art For Animals: Visual Culture And Animal Advocacy, 1870-1914 By J. Keri Cronin, Gina M. Granter

The Goose

Teview of J. Keri Cronin's Art for Animals: Visual Culture and Animal Advocacy, 1870-1914

Rediscovering Brazil: The Marajoara Style In Modernist Art And Design, Alyson Brandes

Student Scholar Symposium Abstracts and Posters

During the Portuguese rule of Dom Pedro II until 1889, through the years of the First Brazilian Republic (1889-1930) and into the First Vargas Regime (1930-1945), Brazil struggled to solidify a strong national identity that would finally unify the country and legitimize its rich cultural heritage. The discovery and excavation of Marajó Island in the 1870s provided evidence of a great, ancient civilization, and inspired Brazilian Art Deco and early Modernist artists. Polychrome ceramic urns, vessels, and tangas (female pubic covers) were among the most abundant archaeological finds, many with zoomorphic and geometric motifs that show the cultural importance of …

Intertextuality And Iconography In Sergei Iukhimov's Illustrations For The Lord Of The Rings: Five Case Studies, Joel Merriner

Journal of Tolkien Research

Intertextuality and Iconography in Sergei Iukhimov’s Illustrations for The Lord of the Rings: Five Case Studies

Abstract

J.R.R. Tolkien once remarked in a letter to his publisher that his friends had been so impressed by Pauline Baynes’ illustrations for Farmer Giles of Ham that they labelled his text a “commentary on the drawings”. This apparently light-hearted anecdote conceals an interesting truth: the relationship between text and image can be problematic and the reading of an illustration depends largely on the culturally acquired discursive precedents which an individual viewer brings to the act of looking. This situation may be further …

The Paper Zoo: 500 Years Of Animals In Art By Charlotte Sleigh, Gina M. Granter

The Goose

Review of Charlotte Sleigh's The Paper Zoo: 500 Years of Animals in Art.

Editors’ Introduction: Continuing The Conversation, Renee Mcgarry, Virginia Spivey

Art History Pedagogy & Practice

No abstract provided.

Circulations, Resémantisations. Le Palimpseste Aporétique, Béatrice Joyeux-Prunel

Artl@s Bulletin

Pourquoi trouve-t-on si peu d’études sur les resémantisations à l’œuvre dans les circulations artistiques ? Pourquoi dispose-t-on encore moins de théorie générale pour comprendre ces resémantisations ? Ce papier, s’interrogeant sur les questions que lève une approche circulatoire de l’histoire de l’art, passe en revue les méthodes et les sources qui peuvent contribuer à y répondre. Qu’est-ce qui porte le sens d’une œuvre d’art ? Comment le sens se constitue-t-il et évolue-t-il selon les temps et les lieux ? Quels sont les facteurs qui le font changer ? Quelles sont les conséquences possibles d’une resémantisation artistique ? Y a-t-il des …

Looking Beyond The Canon: Localized And Globalized Perspectives In Art History Pedagogy, Aditi Chandra, Leda Cempellin, Kristen Chiem, Abigail Lapin Dardashti, Radha J. Dalal, Ellen Kenney, Sadia Pasha Kamran, Nina Murayama, James P. Elkins

Art History Pedagogy & Practice

Our pedagogical choices make art history classrooms political spaces of cultural production. Through a global exchange of ideas we consider questions of imbalance between western and non-Western materials and differing art history pedagogies in introductory courses and reveal teaching methods shaped by varied local contexts.

Kristen L. Chiem suggests re-routing students to the fundamentals of art historical inquiry rather than to a specific time or region. Abigail L. Dardashti’s essay re-configures the global art history course by focusing on artworks that defy the neat West and non-West categories. Radha J. Dalal discusses a curriculum that includes a series of courses …

Editor’S Introduction: Advancing Sotl-Ah, Virginia B. Spivey Phd, Renee Mcgarry

Art History Pedagogy & Practice

No abstract provided.

Making The Absent Present: The Imperative Of Teaching Art History, Beth Harris Phd, Steven Zucker Phd

Art History Pedagogy & Practice

Since its emergence in 2005 as a free and open online resource for instructors, students, and the general public, Smarthistory has made numerous groundbreaking changes and advances for better teaching and more engaged learning. Playing upon the theme "making the absent [art work] present,” we explain how Smarthistory’s lively dialogic pedagogy combined with a rich variety of image views, reconstructions, google street views, diagrams, and essays has successfully replaced the traditional dependence on an art history text for many instructors. The result is an enhanced experiential and contextual experience for the student. For a discipline whose works were often accessible …

Anxiety Through Art, Brianna Mclean

Undergraduate Theses, Professional Papers, and Capstone Artifacts

Artists Louise Bourgeois, Salvador Dalí, and Francisco de Goya were all successful artists who used their varying degrees of anxiety or fear to aid their work. In a survey of their lives, and a brief exploration of their work, one will come to understand the personal events that contributed to the fear-inducing tones of their art. Their willingness to air their personal grievances has given them credibility in the art world to this day.

Introduction. Stars, Water Wings, And Hairs. Bernini’S Career In Metaphor, Claudia Lehmann, Karen J. Lloyd

Art Faculty Books and Book Chapters

Examining Bernini's works from 1665 on, from Paris and Rome, this book demonstrates the wealth of material still to be drawn from close visual and material examination, archival research, and comparative textual analysis. On the whole, this collection deals with Bernini's position as the leading creator of portraits - in oils, marble, monumental architecture, and metaphor - of some of the most powerful political players of his day. These studies speak to the growing distance of Gallic absolutism from the fading dreams of papal hegemony over Europe, and to the complexities of Bernini's role as mouthpiece, obstacle, and flatterer of …

Appropriation And The Art Of The Copy, Elizabeth K. Mix

Scholarship and Professional Work – Arts

This essay focuses on why and how copying occurs within the field of visual art and identifies shifts in the perception of the role of copying over time as indicated by changing terminology. Copies are ubiquitous in our culture today. They are especially prevalent on the Internet in the form of mash-ups and memes. While appropriation (the quoting or borrowing of an earlier artist's work or style) is generally considered a postmodern strategy, the practice has, in fact, a long and complicated history that includes the tradition of academic copying (a method of artistic training whereby students copy the works …

Method And Meaning: Selections From The Gettysburg College Collection, Yan Sun, Shannon Callahan, Ashlie M. Cantele, Maura E. D'Amico, Xiyang Duan, Devin N. Garnick, Allison J. Gross, Emily A. Zbehlik

Schmucker Art Catalogs

What is art historical study and how it should be carried out are fundamental questions the exhibition Method and Meaning: Selections from the Gettysburg College Collection intends to answer. This student-curated exhibition is an exciting academic endeavor of seven students of art history majors and minors in the Art History Methods course. The seven student curators are Shannon Callahan, Ashlie Cantele, Maura D’Amico, Xiyang Duan, Devin Garnick, Allison Gross and Emily Zbehlik. As part of the class assignment, this exhibition allows the students to explore various art history methods on individual case studies. The selection of the works in the …

An Abridged Visual History Of Graphic Design, Tierney Cunningham

Art and Design

This is a documentation of the research, design methods, and production of “An Abridged Visual History of Graphic Design.” First the documentation explains the choice to create an illustrated design history book. Then, it describes the research methods and findings of the process, as well as a detailed description of the design decisions made for each graphic movement covered. It provides in-progress illustrations and covers the production methods for the two final books.