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2015

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Institution
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Articles 301 - 303 of 303

Full-Text Articles in Other History of Art, Architecture, and Archaeology

In The Center Of The Periphery: Yasuo Kuniyoshi’S Art, Life, And The Japanese Artists' Community During The Interwar Period, Takayuki Yamada Jan 2015

In The Center Of The Periphery: Yasuo Kuniyoshi’S Art, Life, And The Japanese Artists' Community During The Interwar Period, Takayuki Yamada

Dissertations and Theses

No abstract provided.


K-12 Educational Programs In Contemporary Art Museums: An Examination Of University And Non-University Non-Collecting Institutions Of Contemporary Art, Susan Moser Jan 2015

K-12 Educational Programs In Contemporary Art Museums: An Examination Of University And Non-University Non-Collecting Institutions Of Contemporary Art, Susan Moser

Theses and Dissertations

This museum thesis project will provide an overview of kindergarten through 12th-grade (K-12) educational programs at six non-collecting art institutions within the United States, contextualized within a selected historiography of art museum education. This project is designed to aid the Virginia Commonwealth University Institute for Contemporary Art (ICA). The ICA is a non-collecting institution that will be located on VCU’s Monroe Park campus. As the ICA staff sets out to articulate a vision and scope for its K-12 education programs, it will benefit from the information offered in this thesis project, especially given that there is no existing …


Conjoined Lucuma Fruit Vessels: Evolution & Context In Nasca Art, Carley Elder Jan 2015

Conjoined Lucuma Fruit Vessels: Evolution & Context In Nasca Art, Carley Elder

Theses and Dissertations

The function of a ceramic vessel is often evaluated in relation to its form. Vessels with complex forms can be challenging to analyze from this perspective and require a different approach. One such example is an overlooked yet long-lived specialized vessel type in the form of conjoined lúcuma fruits found throughout the ancient Andes. The main object of this study is a Nasca version of this vessel type in the Virginia Museum of Fine Art. This study explores the relationship between form and iconography, rather than function. It examines how Nasca potters adopted the conjoined lúcuma form vessel and adapted …