Open Access. Powered by Scholars. Published by Universities.®
Other History of Art, Architecture, and Archaeology Commons™
Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art and Design (14)
- Social and Behavioral Sciences (11)
- History (9)
- Latin American Languages and Societies (8)
- International and Area Studies (7)
-
- Latin American History (7)
- Latin American Studies (7)
- Contemporary Art (6)
- Ethnic Studies (6)
- Latina/o Studies (6)
- Other International and Area Studies (6)
- Race, Ethnicity and Post-Colonial Studies (6)
- Theory and Criticism (6)
- Slavic Languages and Societies (5)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (4)
- Anthropology (4)
- Christianity (4)
- Religion (4)
- Archaeological Anthropology (3)
- Christian Denominations and Sects (3)
- Astrophysics and Astronomy (2)
- Classics (2)
- European History (2)
- History of Christianity (2)
- History of Religions of Western Origin (2)
- Other Astrophysics and Astronomy (2)
- Other Religion (2)
- Keyword
-
- International Space Station (3)
- Folk art (2)
- Viktor Vasnetsov (2)
- Abramtsevo (1)
- Alexandra Fedorovna (1)
-
- Altarpieces (1)
- Antiquities market (1)
- Art embroidery (1)
- Astronautics (1)
- Book review (1)
- Byzantium (1)
- Chain of custody (1)
- Chaîne opératoire (1)
- Crafts (1)
- Crew Station Design (1)
- Crewed Spaceflight (1)
- Daniela Bleichmar (1)
- Data Management (1)
- Discard practices (1)
- Elena Prakhova (1)
- Embroidery (1)
- Folk painting (1)
- Grand Duchess Elizaveta Fedorovna (1)
- Handicrafts (1)
- ISS Module (1)
- Icon painting (1)
- Icons (1)
- Image analysis (1)
- Kiev (1)
- Kustar (1)
Articles 1 - 19 of 19
Full-Text Articles in Other History of Art, Architecture, and Archaeology
Molding The Mass Viewer: New Insights Into The Early Soviet Art System, Wendy Salmond
Molding The Mass Viewer: New Insights Into The Early Soviet Art System, Wendy Salmond
Art Faculty Articles and Research
"Monographs on the visual culture of the Soviet period are infrequent enough that the appearance of two in one year is a cause for celebration. Chicago University Press has published long-awaited books on El Lissitzky (1890–1941) and Aleksandr Deineka (1899–1969), contemporaries who occupied very different spheres in the early Soviet art system and different niches within the historiography of Soviet art. Designer and architect Lissitzky was an acclaimed member of the international avant-garde, while the figurative painter and graphic artist Deineka is still relatively little known outside the context and cliches of Socialist Realism. Only rarely did their paths cross …
Archaeology In Space: The Sampling Quadrangle Assemblages Research Experiment (Square) On The International Space Station. Report 1: Squares 03 And 05, Justin St. P. Walsh, Shawn Graham, Alice C. Gorman, Chantal Brousseau, Salma Abdullah
Archaeology In Space: The Sampling Quadrangle Assemblages Research Experiment (Square) On The International Space Station. Report 1: Squares 03 And 05, Justin St. P. Walsh, Shawn Graham, Alice C. Gorman, Chantal Brousseau, Salma Abdullah
Art Faculty Articles and Research
Between January and March 2022, crew aboard the International Space Station (ISS) performed the first archaeological fieldwork in space, the Sampling Quadrangle Assemblages Research Experiment (SQuARE). The experiment aimed to: (1) develop a new understanding of how humans adapt to life in an environmental context for which we are not evolutionarily adapted, using evidence from the observation of material culture; (2) identify disjunctions between planned and actual usage of facilities on a space station; (3) develop and test techniques that enable archaeological research at a distance; and (4) demonstrate the relevance of social science methods and perspectives for improving life …
First Approximation Of Population Distributions On The International Space Station, Justin St. P. Walsh, Rao Hamza Ali, Alice C. Gorman, Amir Kanan Kashefi
First Approximation Of Population Distributions On The International Space Station, Justin St. P. Walsh, Rao Hamza Ali, Alice C. Gorman, Amir Kanan Kashefi
Art Faculty Articles and Research
This paper presents an analysis of data derived from thousands of publicly available photographs showing life on the International Space Station (ISS) between 2000 and 2020. Our analysis uses crew and locational information from the photographs’ metadata to identify the distribution of different population groups—by gender, nationality, and space agency affiliation—across modules of the ISS, for the first time. Given the significance of the ISS as the most intensively inhabited space habitat to date, an international cooperative initiative involving 26 countries and five space agencies, and one of the most expensive building projects ever undertaken by humans, developing an understanding …
Postorbital Discard And Chain Of Custody: The Processing Of Artifacts Returning To Earth From The International Space Station, Justin St. P. Walsh, Alice C. Gorman, Paola Castaño
Postorbital Discard And Chain Of Custody: The Processing Of Artifacts Returning To Earth From The International Space Station, Justin St. P. Walsh, Alice C. Gorman, Paola Castaño
Art Faculty Articles and Research
Few items that comprise the material culture of the International Space Station ever return to Earth. Most are left on the station or placed on cargo resupply ships that burn up on atmospheric re-entry. This fact presents a challenge for archaeologists who use material culture as their primary evidence. Together with a sociologist, we observed the processes that have been developed by NASA contractors to handle and return items that come back to Earth on the Cargo Dragon vehicle. We observed two missions, CRS-13 and CRS-14, in January and May 2018, respectively, traveling to the locations of work and interviewing …
A Method For Space Archaeology Research: The International Space Station Archaeological Project, Justin St. P. Walsh, Alice C. Gorman
A Method For Space Archaeology Research: The International Space Station Archaeological Project, Justin St. P. Walsh, Alice C. Gorman
Art Faculty Articles and Research
How does a ‘space culture’ emerge and evolve, and how can archaeologists study such a phenomenon? The International Space Station Archaeological Project seeks to analyse the social and cultural context of an assemblage relating to the human presence in space. Drawing on concepts from contemporary archaeology, the project pursues a unique perspective beyond sociological or ethnographical approaches. Semiotic analysis of material culture and proxemic analysis of embodied space can be achieved using NASA's archives of documentation, images, video and audio media. Here, the authors set out a method for the study of this evidence. Understanding how individuals and groups use …
Museums As Realms Of (Dis)Enchantment, Amy Buono
Museums As Realms Of (Dis)Enchantment, Amy Buono
Art Faculty Articles and Research
"On the night of September 2, 2018, a blaze swept through Brazil's national museum, Museu Nacional, in Rio de Janeiro, destroying not only the colonial building, portions of which dated to the sixteenth century, but roughly 92 percent of the 20 million objects in its holdings. This was Brazil's greatest encyclopedic museum, incorporating (among many others) collections of natural history, anthropology, archaeology, and art, thus forming the most comprehensive museum collection in the nation. Along with its many unique and irreplaceable collections, the Museu Nacional was also home to the country's oldest Indigenous Brazilian and Afro-Brazilian materials (fig. 1)."
Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond
Viktor Vasnetsov’S New Icons: From Abramtsevo To The Paris “Exposition Universelle” Of 1900, Wendy Salmond
Art Faculty Articles and Research
This essay examines Russian artist Viktor Vasnetsov’s search for a new kind of prayer icon in the closing decades of the nineteenth century: a hybrid of icon and painting that would reconcile Russia’s historic contradictions and launch a renaissance of national culture and faith. Beginning with his icons for the Church of the “Savior Not Made by Hands” at Abramtsevo in 1880–81, for two decades Vasnetsov was hailed as an innovator, the four icons he sent to the Paris “Exposition Universelle” of 1900 marking the culmination of his vision. After 1900, his religious painting polarized elite Russian society and was …
Review Of Visual Voyages: Images Of Latin American Nature From Columbus To Darwin, Amy Buono
Review Of Visual Voyages: Images Of Latin American Nature From Columbus To Darwin, Amy Buono
Art Faculty Articles and Research
A review of Daniela Bleichmar's Visual Voyages: Images of Latin American Nature from Columbus to Darwin.
Exhibition Review: “Valeska Soares: Any Moment Now”, Amy Buono
Exhibition Review: “Valeska Soares: Any Moment Now”, Amy Buono
Art Faculty Articles and Research
A review of Valeska Soares' exhibition titled "Any Moment Now" at the Santa Barbara Museum of Art and later the Phoenix Art Museum in 2017 and 2018.
"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono
"Seu Tesouro São Penas De Pássaro": Arte Plumária Tupinambá E A Imagem Da América, Amy Buono
Art Faculty Articles and Research
"Os povos tupinambá do Brasil dos séculos XVI e XVII foram a primeira grande cultura de arte plumária das Américas encontrada pelos europeus. Os tupi eram uma sociedade agrícola seminômade, que habitava as florestas ao longo de quatro mil quilômetros da costa brasileira3. Como a cultura tupi foi majoritariamente efêmera, centrada em tradições cerimoniais que envolviam dança, som, movimento e adornos, eles permanecem uma das grandes sociedades do Novo Mundo menos conhecidas. A maior parte dos traços da cultura material tupi se perdeu, com exceção de algumas cerâmicas, armas e, mais importante, muitas peças deslumbrantes de arte plumária."
Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono
Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono
Art Faculty Articles and Research
A review of Peruvian Featherworks: Art of the Precolumbian Era, edited by Heidi King.
Embroidery In The Circle Of The Last Romanovs, Wendy Salmond
Embroidery In The Circle Of The Last Romanovs, Wendy Salmond
Art Faculty Articles and Research
This article essay examines the liturgical embroideries associated with the Empress Alexandra Fedorovna and her sister Grand Duchess Elizaveta Fedorovna. It suggests that the sisters’ needlework for sacred purposes was invested with a significance not seen in elite Russian society since the late seventeenth century. At a time when the arts of Orthodoxy were undergoing a state-sponsored renaissance, who was better suited to lead the resurgence of liturgical embroidery than the wife and sister-in-law of the Emperor, the last in a long line of royal women seeking to assert their piety and their power through traditional women’s work? In the …
"Moving Mortals To Tears And Devotion": Cinzio Passeri Aldobrandini, Torquato Tasso, And The Sorrowing Virgin, Karen J. Lloyd
"Moving Mortals To Tears And Devotion": Cinzio Passeri Aldobrandini, Torquato Tasso, And The Sorrowing Virgin, Karen J. Lloyd
Art Faculty Articles and Research
Torquato Tasso was inspired to pen his Stanze per le lagrime di Maria Vergine santissima e di Giesù Cristo nostro (Rome, 1593) by a painting of the sorrowing Virgin belonging to Cardinal Cinzio Passeri Aldobrandini (1551–1610). A nephew of Pope Clement VIII by his sister, Cinzio took on the Aldobrandini name in a practice known as an “aggregation.” The publication of Tasso’s Lagrime allowed Cinzio to promote himself as a devout prelate favored by the pope, but it did not ensure his influence and a true “blood” nephew, Pietro Aldobrandini, successfully challenged his authority. This essay examines the status of …
Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono
Historicity, Achronicity, And The Materiality Of Cultures In Colonial Brazil, Amy J. Buono
Art Faculty Articles and Research
"In this essay, I use three nontraditional forms from the visual culture of colonial Brazil—Tupinambá featherwork, Portuguese Atlantic mandinga pouches, and azulejos (tilework)— in order to meditate upon materiality and temporality as methodological problems with which our discipline should engage. Each of these art forms has historical trajectories that span cultures, continents, and centuries, a circumstance that raises questions as to how such diverse and stubbornly nonhistoricizable genres can be melded into a coherent historical narrative of the visual and material cultures specific to 'Brazil,' especially when two of them — the mandinga bags and azulejos — are not intrinsically …
Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono
Interpretative Ingredients: Formulating Art And Natural History In Early Modern Brazil, Amy Buono
Art Faculty Articles and Research
"In this article I look at two early modern texts that pertain to the natural history of Brazil and its usage for medicinal purposes. These texts present an informative contrast in terms of information density and organization, raising important methodological considerations about the ways that inventories and catalogues become sources for colonial scholarship in general and art history in particular."
Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono
Review Of Collecting Across Cultures: Material Exchanges In The Early Modern Atlantic World, Amy Buono
Art Faculty Articles and Research
A review of Collecting Across Cultures: Material Exchanges in the Early Modern Atlantic World, edited by Daniela Bleichmar and Peter C. Mancall.
Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd
Baciccio's Beata Ludovica Albertoni Distributing Alms, Karen J. Lloyd
Art Faculty Articles and Research
This article focuses on the artistic relationship between Baciccio and Gian Lorenzo Bernini.
Russian Icons And American Money, 1928-1938, Wendy Salmond
Russian Icons And American Money, 1928-1938, Wendy Salmond
Art Faculty Articles and Research
The article explores the marketing tactics and consumer expectations with regards to icons released in the street markets and provincial cities of Soviet Russia and acquired by American collectors from 1928-1938. These icons, including those from Byzantium in the tenth century, were seen as cultural commodities during the Russian revolution and the subsequent socialist construction. The Soviet apparatus Antikvariat was tasked with appraising the icon collections held by the Gosmuzeifond or the State Museum Reserve for exports.
The Solomenko Embroidery Workshops, Wendy Salmond
The Solomenko Embroidery Workshops, Wendy Salmond
Art Faculty Articles and Research
This article reevaluates the Solomenko Embroidery Workshops in the context of late nineteenth century Russia's rapid establishment of art colonies and centers dedicated to restoring the handicraft industries of the kustar.