Other History of Art, Architecture, and Archaeology Commons^™

Applying Decolonizing Theories And Methodologies In Archaeology To Two Collaborative Cultural Resource Management Projects, Cydney K. Lanthier

Dissertations and Theses

Decolonizing theories and methods were employed during two separate graduate research projects. The methods of the initial project were informed by political ecology, the landscape-level historical ecology theory, Tribal sovereignty, traditional ecological knowledge (TEK), Indigenous archaeology, and community based participatory research (CBPR). The initial project was based entirely on CBPR and purposed to gain National Register of Historic Places (NRHP) nomination as a Traditional Cultural Property (TCP) over a portion of the traditional landscape. This project was cancelled before completion. However, several methods involved in CBPR were employed before then. The second project took on more of the historical ecology …

The Mounted Warrior: An Investigation Into An Unpublished Coptic Textile Featuring Equestrian Imagery, Elizabeth Hines

University Honors Theses

The warrior on horseback visual motif has existed for millenia. Such equestrian imagery was widely distributed in the visual arts and material culture, including that of textiles. This scholarly exploration centers on an unpublished Coptic Egyptian textile fragment portraying a warrior atop a horse in motion, presenting an analysis of its symbolic significance and potential cultural functions. Through an intricate examination of the artifact and comparative study with contemporaneous first millennium CE eastern Mediterranean material culture, this extraordinary equestrian motif and its implications for understanding ancient visual narratives is realized. By situating the textile fragment within its historical and cultural …

Engram, Vol. 3 2024, Portland State University. School Of Art + Art History + Design

Engram: A Journal of Art History Student Writing

• Foreword, Angela Griffin

• The Emperor’s Old Clothes: Textile as a Tool for the Emperor in the Later Byzantine Empire, Lila Durrett

• The Virgin of Vladimir’s Impact on Medieval Russian History, Maisy Holt

• Rethinking Gender Essentialism in Art Historical Discourse around the Oeuvre of Judith Leyster, William Herbert Holt III

• The Allegories of Rubens and Brueghel the Elder’s The Sense of Touch, Molly Schwartzman

Back To Nature: Marie Antionette And The Cottagecore Fantasy, Rose Caughie

Anthós

This essay is an examination of the legacy of Marie Antionette's Chemise a la Reine. At the end of the 18th century, a portrait of the queen in this dress caused scandal and outrage. Despite, or perhaps because of this, the Chemise a la Reine became a staple in the wardrobe of the Western woman. Today, this style continues to be popular. This is particularly notable in the Cottagecore aesthetic movement. Much like Marie Antionette's use of this style, Cottagecore fashion carries deep ties to an escapist pastoral fantasy. However, more important is the continued legacy of Neoclassicism and the …

Engram, Vol. 2 2023, Portland State University. School Of Art + Art History + Design

Engram: A Journal of Art History Student Writing

• Editorial Foreword, Hailey Brink

• Reading Queerness in Hilma af Klint’s Diagrammatic Abstractions, Ana Bane

• Opus Anglicanum and May Morris: An Art Historical Study in Meaning Through Time, Rose Caughie

• The Development of El Greco’s Technique Through Mary Magdalen, Natalie Dunlap

• The Great Gold Belt Buckle of Sutton Hoo: A Look at Scandinavian Influence on Anglo-Saxon Style, Elizabeth Hines

• The Late Avar Treasure of Nagyszentmiklos, Ashley Hood

• Demystifying the Authorship of Artemisia Gentileschi’s 1622 Susanna and the Elders Aaron, Lindsay Wilson

• Research-Based Fiction: Redemption in Ruins, John Hooley

An Experimental Study Of Norton And Thule Cooking Pot Performance, Caelie Marshall Butler

Dissertations and Theses

Ceramic technology was adopted by hunter-gatherers of the Paleo-Inuit Norton tradition in the Western Arctic between 2800 and 2500 years B.P., corresponding with an increase in the use of aquatic resources. Pottery production and use continued until approximately 1,500 BP, and resumed during the Neo-Inuit Birnirk and Thule periods, approximately 1,350 years BP. The technical characteristics of Norton and Thule ceramics suggest they performed differently when used for cooking, with Norton ceramics best suited for cooking using direct or suspended heat, and Thule ceramics best suited for indirect heat. Prior experimental archaeological research has focused on Thule ceramics, with limited …

Diversity Analysis Of The Portland Art Museum's Exhibitions: A Closer Examination Through An Art Historical Lens, Emma Lancaster-Huggins

University Honors Theses

This thesis is an analysis on the diversity of the exhibits held at the Portland Art Museum in Portland, Oregon over a near ten year period, spanning from 2013 to 2022. By analyzing the ways in which the Portland Art Museum has increased the diversity of its exhibitions over the past ten years, this thesis will focus on four specific examples:

1. Carrie Mae Weems: Three Decades of Photography and Video,
2. Constructing Identity: Petrucci Family Foundation Collection of African-American Art,
3. Contemporary Native Photographers and the Edward Curtis Legacy, and
4. Frida Kahlo, Diego Rivera, and Mexican Modernism.

By situating this analysis within …

Engram, Vol. 1 2022, Portland State University. School Of Art + Art History + Design

Engram: A Journal of Art History Student Writing

• Matthew Paris Itinerary Maps, the Holy Land, the Crusades and the Idealization of Pilgrimage, Amber Shrewsbury

• Clay Pilgrimage Tokens of Qal’at Sem’an, Ashley Hood

• Magical Amulets and Their Uses in Menstrual Health, Kelsey Bucks

• Attendant Statues to God Nabu: Gods, Kings, and Scholars, Rose Caughie

A Collaborative Approach To Cultural Resource Risk Assessment, Preservation, And Prioritization: A Case Study From Sauvie Island, Oregon, Phillip James Daily

Dissertations and Theses

New and increasing threats to cultural heritage resources have pushed archaeologists, land managers, and Indigenous peoples to develop strategies to identify at-risk resources, determine condition, vulnerabilities, and value of said resources, and then provide mitigation and preservation prioritizations and recommendations for the future. One such strategy is the risk assessment approach. Typically, to guide ongoing and future management of vulnerable cultural resources, risk assessments consider preexisting archaeological data, alongside geomorphological and hydrological landform characteristics, to prioritize sites for preservation. While such assessments have been conducted around the globe, they have not been widely applied on the Lower Columbia of Oregon …

The Significance Of Christian Iconography In Communist Mexican Muralism Of Diego Rivera, Rachel Renee Amaro

University Honors Theses

This study compares two of Rivera's fresco mural paintings; Liberation of the Peon (1923) at the Secretaria de Educación Publica building in Mexico City, Mexico and Agrarian Leader Zapata (1930) located at Palacio de Cortés in Cuernavaca, Mexico to two Renaissance Christian paintings to highlight the similar use of Christian iconography. This analysis argues that although groundbreaking in style, Rivera's art relied heavily on Christian iconography that not only came from his own background of knowledge, but also enabled him to speak to the people of Mexica in a time when they relied heavily on his art to tell the …

The History Of British Art And The Burkean Sublime, Natalie Ware

Young Historians Conference

A Philosophical Enquiry into the Beautiful and the Sublime by British philosopher Edmund Burke, published in 1757, proposed a concrete definition of the aesthetics concept of the sublime. This definition solidified the place of the sublime in the minds of British artists and philosophers from the Baroque period onward into the current contemporary art culture. The sublime has periodically been embraced, redefined, or even claimed as fatal to art itself. As British artists have struggled to grapple with the sublime throughout the centuries, the works that they’ve created out of this discourse have become emblems of the sublime controversy and …