Other History of Art, Architecture, and Archaeology Commons^™

Art 106 Gallery Guide Writing Assignment, Julie Applebaum

Open Educational Resources

This 3-page essay (400-500 words) assignment builds upon the visual analysis skills students will develop in their Art 106 Introduction to Modern and Contemporary Art class. Students visit the Metropolitan Museum of Art together and choose a work to study carefully using a close looking protocol guide which is submitted as a key component of their assignment requirements. Completed essays will be added to the Art 106 at the Met Open Lab project, a gallery guide for the 19th century French art galleries at the Metropolitan Museum of Art.

Landscaping The Exotic And The Ancient Through Picturesque: Reconsidering The Impact Of David Roberts’S Egypt And Nubia, Sophie Cooke

Theses and Dissertations

This thesis considers David Roberts’s use of picturesque art for imperial Britain and analyzes the ways Egypt and Nubia played an influential role in the cultural transmission of ancient Egypt. By confronting both antiquity and modernity, his Egyptian landscapes are evidence of how Western picturesque artworks influence historical narratives.

Arts-Based Sustainability: From New York To Malawi, Martha B. Lerski

Publications and Research

Recognizing that libraries serve multiple constituencies and subject areas, this chapter documents and advocates for development of transdisciplinary arts-based research (ABR) and culture-related projects linked to environmental challenges. Libraries contribute collections and spaces, as well as the research of library and information scientists. Libraries are currently among invisible contributors to sustainability planning and services. The chapter will link this invisibility to the value of what visual arts refer to as negative space elements in subjects ranging from traditional ecological knowledge to environmental science. Library collections, projects, and research contribute to education for sustainable development (ESD) as required to achieve the …

Louis-Léopold Boilly’S Toddler In Mamluk Costume, Circa 1803: Feminism And Orientalism In The Napoléonic Era, Jessie Polk

Theses and Dissertations

Privately held until it came into the Met collection, Toddler in Mamluk Costume by Louis-Léopold Boilly was not widely known and hasn’t been extensively studied. This thesis seeks place it in context and argues that it is likely a portrait of a girl, a niece of Napoléon I, Zénaïde Bonaparte.

Body Of Work: Wax As Medium In Art And Science In Enlightenment Bologna, Kristen Pou

Theses and Dissertations

Eighteenth-century Bologna is well known for its body of accurate and precise wax anatomical models. However, wax was also used for non-scientific purposes: for portraiture and religious artworks. This paper sets forth an argument to explain the scholarly neglect of enlightenment Bolognese waxworks that did not depict anatomized human bodies.

Adaptation For Whom? Understanding The Impacts Of Dyke Policies On Small-Scale Farmers In Ca Mau Province Of Vietnam, Nguyen Minh Quang, Nguyen Van Minh, Nguyen Vo Chau Ngan, Martha B. Lerski

Publications and Research

Low-lying deltas worldwide are extremely vulnerable to sea-level rise. As the risks of climate-induced flooding become increasingly clear, the thirst for infrastructure-driven adaptation increases. This highlights a patent need to understand the impacts of engineering adaptation solutions, especially those targeting built structures such as dykes and sluices, on farmers from a bottom-up, farmer-centred perspective. The study addresses this call by examining cases where dyke policies, while successful in some dimensions, have undermined small-scale farmer livelihoods in Ca Mau ― Vietnam’s southernmost rural province. It identifies areas in need of attention and adds empirical data related to this group of farmers. …

Identifying Intangible And Biocultural Heritage Elements Toward Environmental Understanding: Engaging Stakeholders Through Art, Martha B. Lerski

Publications and Research

Grounded in a case study in Barbuda in the Caribbean, this research examines sustainability from the perspective of what arts and heritage can contribute to community engagement and local and broader understandings about the environment. This article documents a growing body of literature recognizing the role of arts and culture, including local knowledge and traditional ecological knowledge (TEK), in climate change endeavors. Art and TEK present expansive world views. Contextual information situates research done on the island of Barbuda pre- and post-Hurricane Irma. Visual arts workshops engaged community members in mixed methods research. Results documented cultural elements, particularly intangible and …

“Liberté, Égalité, Sororité”: The Revolutionary All-Female Studio Of Adélaïde Labille-Guiard, Julia Oxman

Theses and Dissertations

This thesis offers the first in-depth exploration of French portraitist Adélaïde Labille-Guiard’s all-female studio. It argues that her efforts toward expanding access to women’s arts education played a key role in the foundation of a larger movement for gender equality in the wake of the French Revolution.

Papering Over Colonial Legacies: Chinoiserie, Chinese Wallpaper, And Exotic Obfuscation At Harewood House, Carolyn J. Bishop

Theses and Dissertations

Harewood House is an estate emblematic of eighteenth-century evolutions in aesthetic philosophy, capital flows and social dynamics in the British empire. Built by the Lascelles family, it embraces an eclectic neoclassical decorative style that includes chinoiserie. This thesis argues that this exoticizing decorative strategy, and particularly its Chinese wallpaper – as both fine art and consumer good – translated the Lascelles' fortune, amassed through colonial exploits in the Caribbean, into advancement through domestic British hierarchies.

Tarot Fabula: Radical Digital Cards, Shuffled Narrative Structures, And Playing The Future In An Era Of Algorithms, Rachel M.L. Dixon

Dissertations, Theses, and Capstone Projects

Since their earliest recorded use in the 1400s, tarot cards figure as objects for game play, artistic creativity, spiritual divination, and self-discovery. Tarot Fabula (https://tarot-fabula.com) introduces a ludic, interactive website interface that challenges 20th century tarot reading practices as linear narratives. Statistically random reshufflings of tarot decks from archival collections prompt the reader to become a narrative co-creator, drawing them into conversation with traditional reading and interpretive practices as they remix narrative elements portrayed on the cards. Tarot Fabula’s shuffling and reshuffling of cards as historical objects merges contemporary computational methods for generating random results with an interrogation of …

Ripe Spoils, Yan Cynthia Chen

Theses and Dissertations

Chen’s practice primarily focus on sculptures and installation. She explores the interplay between the idea of nature and the constructed environment, by examining how language informs what we know. The central thesis, "Ripe Spoils", employs citrus fruits as symbols for bodily experiences and personal identity, investigating their cultural and historical significance. Her sculptures summon the qualities and embedded meanings in materials like paper pulp and clay, wax and citrus fruits, often resulting in abstracted forms evocative of the human body. This thesis paper and exhibition reflect on themes like mortality and the essence of self.

Chinese-English Dictionary Enable Select Search …

Stourhead In Arcadia Ego: The English Countryside And The Expanding British Empire In Eighteenth-Century, Rachel C. Sherr

Theses and Dissertations

Stourhead Gardens, an emblematic eighteenth-century landscape, reflects Britain's socio-cultural and imperial changes. Owned by the Hoare family, it melds classical influences and Enlightenment ideals. Existing research deciphers its iconography, but this thesis broadens the perspective, placing Stourhead in its era's socio-cultural context. It's a narrative rich in cultural and historical significance, shedding light on identity, art, and culture, past and present.

Justice, Pandemics, And Museums In Cyberspace: Archaeology Museums’ Decolonization Projects During The Covid-19 Pandemic, Samuel Besse

Dissertations, Theses, and Capstone Projects

This paper explores three Archeology Museums (Historic St. Mary’s City, James Madison’s Montpelier, and the American Museum of Natural History), their attempts at addressing the colonial narratives that museums are built on, and how the Covid-19 pandemic and protests over George Floyd’s death affected these projects. I place a special effort on the online presence of these museums, as this is the main way visitors interacted with the museums during the pandemic. After discussing the origins of museum’s decolonization efforts and their efforts to make an online presence, I talk about the Covid-19 pandemic and the events around George Floyd’s …

The Ring Quarry Mining Complex: A Preliminary Archaeological Investigation Into Ancient Native American Sites In Northwestern New Jersey, Joseph D. Cusack

Theses and Dissertations

The Ring Quarry Mining Complex (RQMC) in northwestern New Jersey is an archaeological, Pre-Contact Native American mining and habitation complex. The RQMC was a primary source of tool stone in the Vernon Valley of New Jersey for thousands of years. Evidence of human occupation within the study area extends from the Paleoindian through the Contact Period. This study focuses on the ancient chert quarry and surrounding sites across a landscape making up a habitational complex.

Pioneers Of Evacuation, Pioneers Of Resettlement: The Photographic Archive Of The Japanese American Incarceration And The Settler Colonial Imaginary, Christina Hobbs

Theses and Dissertations

This thesis reexamines the photographic archive of the Japanese American incarceration during World War II produced by the US government, arguing that these images “restage” the evacuation, incarceration, and resettlement periods through a settler colonial “pioneer” mythology, thereby obscuring the precarity of Japanese Americans' racial positionality between “settler” and “native.”

North Of The Grid: The Black Experience Of 17th -19th Century Rural New York City, Stephanie E. Barnes

Dissertations, Theses, and Capstone Projects

In the United States, transatlantic slavery was a racial project and template for race-making which created a country that relied on institutions that were organized and performed through social stratification. Today, the nation still operates on systemically racist institutions that have benefited whites while disadvantaging ‘others.’ The narratives presented in American history are rooted in whiteness and benefit the white community while marginalizing nonwhites. Over two hundred years of slavery history in this country has been purposely manipulated and left out. My research focuses on using an historical archaeological framework to research and share the lives of free and enslaved …

A Parar Para Avanzar: To Stop/To Stand/To Strike To Advance, Christina N. Barrera

Theses and Dissertations

This paper presents the first fragments of a political framework outlining how I situate my work, which lives between “craft” and “art” models of making and between colonized and colonizing traditions. My writing proposes ways of making and being informed by practices, strategies, and organizing that work towards greater autonomy and liberation under these conditions.

Rethinking Watteau In The Context Of Early Eighteenth-Century Bourgeois Culture, Bronwyn C. Roe

Theses and Dissertations

This thesis reexamines the work of Antoine Watteau through a social-art historical lens. Traditionally, Watteau's fêtes galantes have been closely aligned to the culture of the French nobility. However, a closer look into the artist's background, training, social milieu, and the class identity of his primary buyers reveals an alternative class alignment, inviting new interpretations for Watteau's most elusive work. This thesis challenges the close association between Watteau and the French nobility and aims to broaden the socio-visual landscape from which Watteau was drawing, namely that of a burgeoning bourgeois consumer culture. In particular, the culture of emulation, with its …

Ungrading In Art History: Grade Inflation, Student Engagement, And Social Equity, Lauren Disalvo, Nancy Ross

Art History Pedagogy & Practice

Traditional academic pedagogies require that professors assign students grades in a system that creates hierarchies of power of professor over student. This system assumes that grades serve as an intrinsic motivator for students to improve in an academic setting. Many studies suggest that professor-assigned grades do not function as assumed. This article explores one alternative to the traditional system, known as ungrading, a practice whereby students assign themselves grades after a semester of frequent feedback and reflective assignments. This study offers a thematic literature review of ungrading in many disciplines and a small study of ungrading in upper-division art history …

Hudson Yards: Hybrid Capital's New Home, Massimo D. Scoditti

Dissertations, Theses, and Capstone Projects

This thesis focuses on the material and metaphysical aspects of the Hudson Yards, the largest private development in US History. With its roots in the administration of Michael Bloomberg, the site is representative of neoliberal ideology. It is also one in which cultural production is central. This is in terms of the rationalization and mythos of the building of the space itself and the dreamworlds created to obscure the mechanisms of extraction and accumulation that make such a complex possible. The Hudson Yards is particularly interesting because, as Cindi Katz might suggest, topography lines connect it to transnational capital. And …

Unesco, Heritage Preservation, And Photography: Balthazar Korab’S “North Yemen: Land And Buildings” And Mario Cresci’S Matera: Immagini E Documenti, Sarah M. Wolberg

Theses and Dissertations

I explore two architectural photo-essays that engage with (reflecting, rebutting, questioning) the concepts of cultural heritage, particularly with regard to preserving vernacular architecture in cities with UNESCO World Heritage status—Balthazar Korab’s photo-essay “North Yemen: Land and Buildings” (1978–81) and Mario Cresci’s 1975 Italian photobook Matera: Immagini e documenti.

Museum Exhibition Assignment, Matthew Reilly

Open Educational Resources

This is a general assignment requiring students to think critically about museum exhibitions in major New York City institutions: The American Museum of Natural History, and the Metropolitan Museum of Art. Options are provided for students to visit these spaces virtually or in person.

The Fate Of National Socialist Visual Culture: Iconoclasm, Censorship, And Preservation In Germany, 1945–2020, Denali Elizabeth Kemper

Theses and Dissertations

This thesis explores how Nazi architecture, fine arts, and ephemera survived the postwar period and were gradually rehabilitated through study and exhibition. Each chapter surveys the changing reception of Nazi art from 1945-2020, leading to its display in German museums as historical documents and “visual culture,” rather than “fine” art.

Son Of Esther, Shah Of The Persian Empire: The Judeo-Islamic-Persian Tapestry Of Ardashirnameh’S Miniature Paintings, Gilad Bendavid

Dissertations and Theses

No abstract provided.

Northwest Coast Native Art Beyond Revival, 1962–1992, Christopher T. Green

Dissertations, Theses, and Capstone Projects

Histories of “primitivism” in the avant-garde show that Euro-American modernism was always engaged in the appropriation of nonwestern and Indigenous art, with particular interest in Northwest Coast Native art forms by the Surrealists, Abstract Expressionists, and Indian Space Painters. However, there has been little consideration for how Northwest Coast Native artists chose to engage with the styles and tenets of Western modern art. To date, the history of post-war Northwest Coast Native art has been dominated by what is known as the Renaissance, a narrative in which artists pursued a neo-traditional style in modern times through the recovered and revival …

The Berbers: Constructed Identities By Foreigners On African Soil, Zineb Askaoui

Dissertations, Theses, and Capstone Projects

This thesis examines the textual evidence pertaining to the identity of the local North African population of Morocco. In examining the literature about North Africans and the inscriptions in North Africa, I wish to determine who their authors were. Since North Africa has been invaded and colonized multiple times throughout history, the available literature written by both the foreigners who colonized it and the locals yielded interesting and sometimes contrasting results.

The names that address the local North Africans are pertinent expressions of identity or of forceful submission. This study examines four different terms that have been used to describe …

Tracing The Human-Avian Relationship In Iceland, Melanie Sua

Theses and Dissertations

An in-depth investigation explores the history of birds in Iceland and the interaction between birds and humans from the 9th through the 19th century, with the help of archaeological evidence, traditional and historical materials.

The Modern Formulation Of Chinese Art History And The Building Of A Nation In Early Twentieth-Century China, Chennie Huang

Dissertations and Theses

At the dawn of the twentieth century, the Chinese formulation of art history underwent dramatic changes. It moved away from the traditional narratives that did not follow a strict chronology to adopt the Western linear model which emphasizes progress and national identity. Based on the premodern tradition, the modern formulations of Chinese art history began as a political strategy for nation building amid the political upheavals, including military attacks on China that led to the end of Qing imperial rule and the beginning of the Republican era (1912-1949).

In the early 1900s, while exiled in Japan, Liang Qichao 梁啟超 (1873-1929), …

Legal Frameworks For Protecting Cultural Heritage In Conflict Zones, Marcie M. Muscat

Dissertations and Theses

Cultural heritage has always been at risk during times of war. UNESCO first endeavored to address the issue shortly after World War II, in 1954, when it passed the first of three signature conventions to protect against the damage, destruction, and pillage of cultural property in times of armed conflict. Lacunae and other deficiencies in their frameworks, however, rendered these conventions difficult to enforce and largely ineffectual. This study offers an assessment of the strengths and limitations of the UNESCO system of cultural-heritage protection, with a particular focus on the 1954 Hague Convention. It is argued that, by superseding certain …

Claiming The Remains Of The Past: The Return Of Cultural Heritage Objects To Colombia, Mexico, And Peru, Pierre Losson

Dissertations, Theses, and Capstone Projects

My research explores the reasons why three Latin American states (Colombia, Mexico, and Peru) claim the return of cultural heritage objects from holding institutions in the Western World, such as museums and universities. The literature on returns and restitutions, which focuses on questions of ownership and possession of objects, opposes two conceptions of cultural heritage: on the one hand, the internationalists argue that the location of a cultural object must be decided according to the interests of science and education, for the benefit and in the name of humankind; on the other hand, the nationalists consider that cultural heritage is …