Other History of Art, Architecture, and Archaeology Commons^™

El Arte De "Lágrimas En La Lluvia", Todd K. Mack

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

Uno de los elementos destacados de Lágrimas en la lluvia, la excelente novela de ciencia ficción de la madrileña Rosa Montero, es la genial inclusión de obras de arte con fines simbólicos dentro de la obra. Entre estas obras de arte se incluye el famoso cuadro de Johannes Vermeer, Una señora escribiendo una carta con su criada. En este artículo, el dr. Todd Mack muestra cómo este cuadro presagia el principal dilema de la protagonista de la novela. Bruna Husky es una replicante, y por eso sabe exactamente cuánto tiempo vivirá. El conocimiento de su inescapable fin hace …

Review Of Peruvian Featherworks: Art Of The Precolumbian Era, Amy Buono

Art Faculty Articles and Research

A review of Peruvian Featherworks: Art of the Precolumbian Era, edited by Heidi King.

Textile Terminologies From The Orient To The Mediterranean And Europe, 1000 Bc To 1000 Ad, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Zea E-Books Collection

The papers in this volume derive from the conference on textile terminology held in June 2014 at the University of Copenhagen. Around 50 experts from the fields of Ancient History, Indo-European Studies, Semitic Philology, Assyriology, Classical Archaeology, and Terminology from twelve different countries came together at the Centre for Textile Research, to discuss textile terminology, semantic fields of clothing and technology, loan words, and developments of textile terms in Antiquity. They exchanged ideas, research results, and presented various views and methods.

This volume contains 35 chapters, divided into five sections: • Textile terminologies across the ancient Near East and the …

Beginner's Mind, Martin L. Benson

LSU New Orleans Theses and Dissertations

My art distills my relationship to spirituality, digital culture, and the practices and side-effects therein, into a simplified visual language. The work manifests in the form of paintings, drawings, and light sculptures. Meditation and mindfulness training are a large part of my influence and interests. I often wonder how mindfulness practice can be mirrored in my artwork, not only in my process for creating the work, but also with what the resulting imagery does for the viewer. My intention is to provide an art form that invites one to look and experience one’s own capacity to observe, without the need …

Black Matter, Kahlil Irving

Graduate School of Art Theses

History as we know it, is inherited. Racism, fascism, white supremacy, and Eurocentric dominance have been presented as normal and acceptable within our society for many years. This has allowed police officers to execute Black American’s and not be acquitted for their horrendous crimes. As an activist I want to challenge the status quo. As an artist I am interested in investigating how I can present ideas embody or reflect contemporary issues and concerns. Using different colors can aggressively change how an object is perceived. Historical objects hold many important.

I explore many mediums, but an anchor material that I …

Viewing Heaven: Rock Crystal, Reliquaries, And Transparency In Fourteenth-Century Aachen, Claire Kilgore

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis examines reliquaries and objects associated with medieval Christian practice in fourteenth-century Aachen. The city's cathedral and treasury contain prestigious relics, reliquaries, and liturgical items, aided by its status as the Holy Roman Empire's coronation church. During the reign of Holy Roman Emperor Charles IV (r. 1349-1378), reliquaries, pilgrimage, and architecture reflect late medieval interests in vision, optics, and transparency. Two mid-fourteenth century reliquaries from the Aachen Cathedral Treasury, the Reliquary of Charlemagne and the Three-Steepled Reliquary, display relics through rock crystal windows, in contrast to the obscuring characteristics of earlier reliquaries. Not only do the two reliquaries visually …

The Possibilities Of The Video Game Exhibition, Elizabeth Legere 2762328

Theses and Dissertations

This paper is an examination of video games as an artistic medium, and of their current presentation in art museums like the Museum of Modern Art in New York, as well as an attempt to come up with better modes of presentation for them within a museum space. Using a general understanding of video game theory and aesthetics, it might be possible to begin to look at solutions to the issues posed by current methods of presentation and interpretation, and to examine whether video games’ complicated aesthetic and artistic importance can be better highlighted by a new mode of display …

Bad Curation: Exhibiting "Degenerate Art", Hannah Colletti

Undergraduate Research Conference

In a time of censorship and social control under the ideology of the Nazi regime, Hitler and his counterparts produced an exhibition to discredit artistic developments deemed inappropriate and counterproductive for society. This project analyzed the ''Degenerate Art'' exhibition within the context of Nazi Germany, giving particular attention to the curatorial methods used to display the works, in order to understand the purpose of this exhibition and evaluate its impact.

Precolumbian Textiles In The Ethnological Museum In Berlin, Lena Bjerregaard, Torben Huss

Zea E-Books Collection

The Ethnological Museum in Berlin, Germany, houses Europe’s largest collection of PreColumbian textiles—around 9000 well-preserved examples. Lena Bjerregaard, editor and compiler of this volume, was the conservator for these materials from 2000 to 2014, and she worked with many international researchers to analyze and publicize the collection. This book includes seven of their essays about the museum’s holdings – by Bea Hoffmann, Ann Peters, Susan Bergh, Lena Bjerregaard, Jane Feltham, Katalin Nagy, and Gary Urton. The book’s second part is a 177-page catalogue, arranged by periods and styles, of 273 selected items that represent the collection as fully as possible, …

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.

Listening For Licia: A Reconsideration Of Latin Licia As Heddle-Leashes, Magdalena Öhrman

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The semantic field of Latin licium and its plural form licia is undoubtedly wide, with the term applied to thread both generally and in specific legal, medical and magical usage as well as in relation to weaving, and this paper does not aim to survey Latin usage of this term comprehensively. Rather, it focuses on one of the uses of licia in Latin literary sources, namely those where licia appears to denote heddle-leashes. Two much-discussed passages occur in Augustan poetry where licia may be used in this sense: Vergil’s Georgics 1.285 and Tibullus elegy 1.6.79. Both passages have been subject …

Provenance Investigations Of Raw Materials In Pre-Columbian Textiles From Pachacamac; Strontium Isotope Analyses, Karin Margarita Frei, Lena Bjerregaard

PreColumbian Textile Conference VII / Jornadas de Textiles PreColombinos VII (2016)

Pachacamac was considered a sanctuary or oracle by several of the pre-Columbian Andean cultures. As a pilgrimage destination, the site was rich in archaeological artifacts and yielded also many well preserved textiles. Some of the objects found at Pachacamac are considered offerings by the pilgrims to their Gods, and the majority are assumed to be of nonlocal origin. Others are from the Ychsma people, who lived in Pachacamac and the nearby Rimac Valley during the last centuries before the conquest. We have investigated 10 pre-Columbian textile samples, which were supposedly excavated at the archaeological site of Pachacamac, Peru. The textiles …

Observations On The Terminology Of Textile Tools In The Edictum Diocletiani On Maximum Prices, Peder Flemestad, Mary Harlow, Berit Hildebrandt, Marie-Louise Nosch

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Edictum Diocletiani et collegarum: The so-called Edict of Maximum Prices was issued in AD 301 as part of a comprehensive administrative and financial reform released in the reign of the Roman emperor Diocletian. Diocletian came to power in AD 284 after a period in Roman history traditionally understood as a time of ‘crisis’, produced by a series of inter-related factors: a frequent turnover of emperors; problems with the economy in terms of production and coinage; incursions by various tribes on the edges of the empire; internal unrest; the rise of Christianity and periodic persecutions. Diocletian’s actions were arguably pragmatic …

Ellis H. Minns And Nikodim Kondakov’S The Russian Icon (1927), Wendy Salmond

Art Faculty Books and Book Chapters

"Kondakov’s magnum opus [The Russian Icon] failed to win an audience. Though it appeared just in time for a surge of popular interest in Russian icons abroad, it never became the book of choice for the English-speaking public seeking a guide through the ‘dark forest’ of the icon’s history... My chapter offers some suggestions for why this crude caricature of Kondakov’s work took hold in the 1920s and became axiomatic throughout the Soviet period. In particular, it considers the role that Minns’s translation may have played, however inadvertently, in cementing this impression. Minns’s interventions in and framing of …

Textile Terminologies From The Orient To The Mediterranean And Europe, 1000 Bc To 1000 Ad -- Covers & Frontmatter, Salvatore Gaspa, Cécile Michel, Marie-Louise Nosch

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Front and "back" covers

Title page

Copyright page

Preface

Acknowledgements

Table of contents

Jewish Terminologies For Fabrics And Garments In Late Antiquity: A Linguistic Survey Based On The Mishnah And The Talmuds, Christina Katsikadeli

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The main texts of the Rabbinic literature, the Mishnah and the Talmuds encompass a wide range of textile and clothing terms embedded in everyday situations as well as in ritual contexts. A great deal of intertextuality shared both by the Mishnah and the Talmuds as well as by other exegetic works like the Tosefta and the early Midrash – not to mention the Bible – makes these texts a valuable source for the investigation of cultural history and language change and contact, even in micro-contexts, in adherence to the traditions and heuristics of historical comparative linguistics, concerning etymology, language change …

Conceptualizing Greek Textile Terminologies: A Databased System, Kalliope Sarri

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

One of the major challenges in costume and textile research is dealing with the vast number of terms related to textiles and garments, especially because similar terms are found in different languages and dialects, in various regions and over long periods of time, where they have survived in a complicated network of linguistic and cultural interrelations. There have been many attempts to collect textile terms in glossaries as parts of costume studies or as parts of museum archival projects. These glossaries however are usually limited to specific topics, geographical areas, languages, and time periods.

Creating a diachronic and global costume …

Sasanian Exegesis Of Avestan Textile Terms, Miguel Ángel Andrés-Toledo

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Zoroastrian religion, taking its name from the prophet Zoroaster, Greek version of the Avestan name Zaraϑuštra, developed in South and Central Asia out of the Indo-Iranian religious practices going back to the 2nd millennium BC, and is one of the few ancient Indo-European religions that still survive, concretely in some communities in Iran, India and the diaspora. The most ancient Zoroastrian sacred texts, commonly designated as the Avesta, were orally composed and transmitted during the 2nd and 1st millennia BC in the most archaic Iranian language preserved, known as Avestan, until they were eventually put down to writing in …

Ordinary People’S Garments In Neo- And Late-Babylonian Sources, Luigi Malatacca

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The investigation of textiles and clothes in ancient Mesopotamia has been anything but neglected in Assyriological studies. For the Neo- and Late Babylonian periods, in particular, two fundamental monographs have shed light on the clothes worn by the deities worshiped in lower Mesopotamia. 2 Scholars, however, have focused almost exclusively on clothing in the cultic context. This is due to a prevalence of textual sources – mostly economic or administrative documents – recording clothing items worn by divine images during festivals and rituals. Sources on the clothes worn by common people, instead, are close to non-existent. Still, we cannot overlook …

Zur Textilterminologie Auf Römischen Bleitäfelchen: Probleme Der Lesung Und Interpretation, Herbert Graßl

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Die Vorlage und das Studium römischer Bleitesserae, das in den letzten Jahren einen beachtlichen Aufschwung erlebt hat,1 lieferte gerade für die kaiserzeitliche römische Textilwirtschaft viele neue Einsichten. Dazu zählen neben dem in diesem Wirtschaftszweig tätigen Personenkreis vor allem die Herstellung, Verarbeitung und Vermarktung von Textilien, ihre Bezeichnungen und auch Preise in verschiedenen Provinzen des Imperiums. Trotz aller neuer Erkenntnisse bleibt auf diesem Feld aber noch viel zu tun: die Lesung der Texte ist häufig nicht gesichert, die inhaltliche Deutung auch wegen der häufigen Verwendung von Abkürzungen schwierig, dazu kommt noch die verstreute und oft nur schwer erreichbare Publikationsform. Dass sich …

A Name Of A Private Factory (Or Workshop) On A Piece Of Textile: The Case Of The Document A.L.18 (Vienna), Anne Regourd, Fiona J. L. Handley

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

The Arabic Leinwand (A.L.) collection is held by the Department of Papyrus (Papyrussammlung) in the Austrian National Library of Vienna.1 The collection was acquired in Egypt in the late 19th century by an antiquity trader in Cairo commissioned by Joseph von Karabacek, the famous papyrologist, and contains 68 items.2 Almost all of these have an association with writing, hence the reason why they were collected for the Library, and only eight objects have no association at all. The language for the most part is Arabic with a few texts in Greek, or with Greek with Arabic. The collection of pieces …

A Diachronic View On Fulling Technology In The Mediterranean And The Ancient Near East: Tools, Raw Materials And Natural Resources For The Finishing Of Textiles, Elena Soriga

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Among the operations required in the overall cycle of the ancient production of textiles, Greek and Roman sources refer to the fulling of woollen fabrics as the most complex and expensive technical process performed both in the 1st millennium BC and the 1st millennium AD. Indeed, the finishing of woollen clothes needed a large amount of time, energy and labour, as well as involving the use of specialized skills and costly raw materials. Fulling fulfilled two functions that were necessary for the proper finishing of cloth, namely the scouring and consolidation of the fibres in the fabric. Woven cloth straight …

Flax And Linen Terminology In Talmudic Literature, Nahum Ben-Yehuda

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Material culture data is mentioned in Talmudic (or ‘rabbinical’) literature when a relevant legal (‘halakhic’) or homiletic (‘midrashic’) context arises. Therefore, certain details may be lacking or ambiguously stated. This however is not presented in a systematic and detailed manner, such as in ‘Pliny’s Natural History’.2 Additional classical authors mention flax and linen. First and foremost: Diocletian3 in his edict of maximum prices. And in less scope and detail: Xenophon,4 Virgil,5 Strabo,6 Columella,7 Pausanias,8 and Theodosius II9 – in his codex. In some instances, these sources may be useful for comparison, contrast and clarification – to Talmudic sources. It is …

Armenian Karmir, Sogdian Karmīr ‘Red’, Hebrew Karmīl And The Armenian Scale Insect Dye In Antiquity, Agnes Korn, Georg Warning

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

This paper looks at three terms denoting the colour ‘red’, viz. Armenian karmir, the obviously corresponding Sogdian word karmīr, and karmīl ‘scarlet’ found in the Hebrew Bible. It will first briefly discuss the etymology of these words (summarising an argument made elsewhere) and argue that the words in question represent a technical term for a red dye from Armenia produced by scale insects. We will then attempt to show that historical data and chemical analysis of extant historical textiles confirm the Armenian red as the relevant dye.

Late Biblical Hebrew karmīl occurs only three times. All three attestations are …

Textilnet.Dk – A Toolkit For Terminology Research And Presentation, Susanne Lervad, Tove Engelhardt Mathiassen

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Since February 2015, the digital dictionary or term database, textilnet.dk, has been accessible on the Internet.1 The purpose of this paper is to present the background and methods of this pilot project. Since 2010, the project has collaborated with The Danish National Research Foundation’s Centre for Textile Research (CTR), University of Copenhagen, and has gained moral support from Sabine Kirchmeier-Andersen, director of Dansk Sprognævn, the Danish National Language Advisory Committee.2 From 2011 to 2015, we have been working with generous funding from the Danish Ministry of Culture. The objective of textilnet.dk is to preserve and communicate the cultural heritage of …

Irritating Byssus – Etymological Problems, Material Facts, And The Impact Of Mass Media, Felicitas Maeder

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

Byssus and sea-silk made of the fibre beard of the Pinna nobilis – zoologically called byssus – have both become subjects of scholarly interest in the last decade. The subject is discussed not only in scientific books and journals, but also in mass media around the world. Although scientific research has clarified some old misunderstandings, the double meaning of the term byssus has created new doubts and scepticism in the scholarly debate, bearing the danger of new, additional erroneous interpretations. This article recapitulates the present state of knowledge and calls attention to the consequences of assumed ‘old/new knowledge’ entering the …

The Oscillum Misunderstanding, Francesco Meo

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

In this passage the Latin term oscillum refers to a particular class of objects: a small face or mask hung on trees during certain religious feasts celebrated by the Ausones in honour of Bacchus (Fig. 1). The Roman oscilla most probably derives from the Aἰῶραι, small images related to Dionysus hung on trees during the Aἰῶρα, an Athenian public feast. They were believed to purify the air as they swung in the wind. Both the Greek and the Latin words refer to objects used during particular sacred feasts, in the first case public and in the second case …

The Textile Terminology In Ancient Japan, Mari Omura, Naoko Kizawa

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

This paper investigates key Japanese words related to textiles and their production in ancient Japan that is during the 1st millennium AD. At this time the language known as ‘Old Japanese’ evolved and eventually systems for writing it down emerged, based on borrowing the Chinese characters. Textiles used for clothing, coverings, tax items, and ritual objects played an integral role in the society, and thus terms related to textiles provide insight into the life style, politics, religion and economy of Japan as it emerged from a tribal-based localized society into a centralized nation state. The linguistic study also points to …

Textile Terminology In Old High German Between Inherited And Loan Words, Roland Schuhmann

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

A particular language consists of course not only of words inherited from its respective parent language but contains also a certain amount of loan words (however, this amount differs depending on the respective language). This universal principle then also holds true for the speakers of the Germanic languages. The vocabulary of the Germanic languages includes not only the lexicon inherited from Proto‑Indo‑European but a range of languages later on heavily influenced it. In the times before the documentation of the Germanic languages, the two most important sources that influenced the Germanic lexicon were Celtic and (prolonged) Latin. Influence in the …

Terminology Associated With Silk In The Middle Byzantine Period (Ad 843-1204), Julia Galliker

Textile Terminologies from the Orient to the Mediterranean and Europe, 1000 BC to 1000 AD

During the 1st millennium AD, silk became the most desirable fibre in the Mediterranean region. While the expansion of silk production and consumption is widely acknowledged, specific features of the industry’s development are more difficult to discern. Chroniclers had little reason to document silk manufacturing processes, and producers were not inclined to record or publicise their trade secrets. Historical knowledge of silk comes mainly from accounts of its consumption in a variety of forms and contexts.

For the middle Byzantine period (AD 843-1204), the two most elaborated sources associated with silk date from the 10th century. The Book of the …