Modern Art and Architecture Commons^™

On Stage: Startling Visibility, Operatic Drama, And George Tooker’S Un Ballo In Maschera, Alex Del Dago

Art Inquiries

As a part of its centennial advertising campaign, the Metropolitan Opera in New York commissioned the American figurative painter George Tooker (1920-2011) to create a fine art image inspired after Giuseppe Verdi’s 1859 opera, Un Ballo in Maschera. Within the artist's composition, themes around masquerading, skepticism, and surveillance arise, all of which are common threads within both Tooker’s and Verdi’s work. Primary questions that can be asked from looking at this type of subject matter include: who is truthfully themselves, who may be someone other than they initially say they are, and most importantly, how does the ambiguity of gendered …

Radiance After Exile: Visionism And The Art Of M, Lola Montgomery

Staff Scholarship - Australia & Dubai

This essay introduces and critically examines Visionism, the artistic philosophy developed by contemporary Australian painter M. Emerging from a practice shaped by early success, prolonged creative exile, and eventual return, Visionism is presented not as a stylistic movement but as a visual philosophy concerned with atmosphere, symbolism, transcendence, and the persistence of intensity after critique. Situating Visionism within contemporary debates surrounding postmodernism and metamodernism, the essay argues that M's work occupies a distinctive position within a broader cultural shift toward renewed engagements with meaning, affect, and sincerity.

Drawing on the artist’s own reflections, alongside theoretical perspectives from David Sudnow, Timotheus …

Ever-Present: Exposing The Complex Emotions We Try To Hide, Madison Porter

Honors Projects

Through large brushstrokes and bold colors, my paintings are a culmination of who I am and how I see myself in the world. To explore my sense of self, I learned to process my insecurities through intentional compositional choices and experimental color palettes. This series is as authentic as I can be, depicting raw, emotional figurative work, following in the footsteps of my modern artist predecessors.

41.82379°N, 71.38497°W, Xiaotong Cai

Masters Theses

I, Xiaotong Cai, have known an abandoned bridge was lifted and stuck at 64-degree from 1976. I have walked and bent down towards it for over 60 times, each paralleling a journal entry. The visits and 27,351 words (up until May 5th) are the living proof: observation, encounters, correspondence, collectively and personally. It’s been nine months since it emerged in flux. Two flesh. A moving outsider and a still bridge. How can an Unused giant activate a human body? Who is the attractor and intervener?

Here, my solution is to conduct a series of small gestures. I say, interpreting without …

Open_______, Eitan Boiarsky

Masters Theses

This thesis examines how ambiguity can function as a deliberate design strategy rather than a condition to eliminate. While modern design traditions have prioritized clarity, efficiency, and immediate legibility, this work revisits Umberto Eco's concept of the Open Work and Oskar Hansen's Open Form to argue that openness is not a failure of design but a method within it.

Through a series of workshops and object-based experiments, ambiguity is structured as a design instrument that invites interpretation rather than delivering fixed meaning. Participants encounter unfamiliar forms with deliberately withheld information, producing moments of hesitation, speculation, and reinterpretation. These encounters demonstrate …

Jewelry As A Portable Sanctuary, Yuhao Li

Masters Theses

This thesis examines how individuals remain intact in the presence of emotional difficulty. Rather than treating protection as withdrawal, the research proposes that stability emerges through the construction of an interior structure capable of holding vulnerability without collapse. Drawing on psychological theory, philosophy, and spatial thinking, it frames emotional repair as a spatial condition: an interior that can contain experience and be returned to when external conditions become unstable.
Within this framework, jewelry is redefined as a material extension of this interior. Positioned between body and world, it operates as a structure of containment, functioning as a portable …

Humanist Abstractions: Zilia Sánchez’S Forms Of Symbolism And The Reframing Of The Picture Plane, Sydney Srnka

Theses and Dissertations

This thesis examines the culturally specific visual language within the work of Zilia Sánchez through an analysis of her biography and semiotic strategies, arguing that meaning in her work emerges through the materiality of form, rather than through conventional stylistic categorization. It reconsiders how art-historical movements are used to organize artists, proposing a framework better suited to Sánchez’s practice. The issues of reception and legibility have shaped Sánchez’s career as an exile whose experience of displacement informed her shaped canvases. These works articulated a simultaneously unique and universal sense of experience. In researching Sánchez’s history, an alternative story for the …

Public Art And Military Technology At The Mexico-U.S. Border: Disrupting Boundaries On Battlegrounds, Anna Luise Kaunert

Theses and Dissertations

This thesis examines how contemporary artists Rubén Ortiz Torres, Chico MacMurtrie, rafa esparza, and Cassils transformed military technologies into powerful artworks that interrogate the Mexico-U.S. border as a battlefield. Together, their works illuminate militarization and surveillance technologies at the border and the violent enforcement of U.S. immigration policy.

Caribbean Sensibility, Olivia A. Davis

MA Projects

The Caribbean is a region with a complex history, from the displacement of Indigenous communities to the forced migrations of the transatlantic slave trade and the arrival of indentured laborers from Asia. This has produced a region where questions of identity and belonging remain constant. Caribbean Sensibility explores how artists form the Caribbean and its diasporas navigate these complexities, transforming histories of displacement into creative expression. The exhibition draws on Trinidadian scholar Patricia Mohammed’s concept of a “Caribbean sensibility,” an emotional and aesthetic orientation based in hybridity. It is “the dissonance between a seemingly imported religion and our homegrown private …

Objective Chance, Convulsive Beauty And The Marvelous Within Fashion, Ellen Silva

MA Projects

Objective Chance, Convulsive Beauty and The Marvelous within Fashion is an exhibition inspired by the early idea of Surrealism specifically how the concepts of objective chance, convulsive beauty and the marvelous are intertwined and represented within fashion in the 21st century. The audience will be able to witness for themselves the use of these themes throughout the Surrealist movement by viewing works of fashion and artwork side by side. Some of the references are unmistakable, but some of them must be viewed with more of a conceptual focus as Surrealism was not only an art movement, but originally a philosophical …

Beyond Recognition: The Surrealist Strategy Of Face Concealment In The Portraits Of René Magritte And Ewa Juszkiewicz, Darina Kravchenko Eldridge

MA Theses

This dissertation investigates the evolution of the Surrealist strategy of face concealment from a modernist device of perceptual estrangement into a contemporary tool of feminist and postcolonial critique within portraiture. By obscuring the most recognisable marker of identity, it evokes a complex and unsettling emotional response in the viewer, transforming the act of looking at another person into an encounter with absence. The study situates this transformation within broader aesthetic and ideological discourses, drawing on feminist art history as articulated by Linda Nochlin and Griselda Pollock, alongside John Berger’s Ways of Seeing, Jacques Derrida’s hauntology, the Zeigarnik effect and Guy …

From It-Girls To Obscurity: What Happened To The Stettheimer Sisters?, Catherine Pierce Higgins

MA Theses

This dissertation explores the lives and impact of the three Stettheimer sisters, Florine, Carrie and Ettie, cultural innovators, and major influencers of a distinctive, feministic strand of American modernism in New York between 1914 and 1950. The Stettheimer sisters did not use their privilege to assimilate into society but to create an alternate artistic universe, resisting the male hierarchies of the dominant avant-garde. By controlling a salon, an intellectual and creative social center where artists, writers, and intellectuals such as Marcel Duchamp, Georgia O’Keeffe and Carl Van Vechten held court, they were able to create an environment in which femininity, …

Marc Chagall And The Jewish Experience: A Personal Modernism In The Parisian Avant-Garde, Samantha Desanctis

MA Theses

Marc Chagall and the Jewish Experience: A Personal Modernism in the Parisian Avant-Garde examines the interplay between Marc Chagall’s Jewish heritage and his engagement with the Parisian avant-garde of the early twentieth century. Chagall’s upbringing in the Russian Empire deeply informed his visual language, which persisted even as he explored the techniques and innovations of modernist movements. This thesis analyzes Chagall’s early works alongside close readings of key paintings such as I and the Village, 1911, Homage to Apollinaire, 1911–12, Self-Portrait with Seven Fingers, 1912–13, and Green Violinist, 1923–24, considering symbols, colors, compositions, and recurring motifs drawn from religion, tradition, …

Reconstructing The Surreal: Female Artists And The Transformation Of Surrealist Aesthetics, Erin Regan

MA Theses

This thesis examines the role and legacy of female artists who took part in the Surrealist visual art movement of the early 20th century. Canonical accounts have historically privileged the contributions of male artists, marginalizing women to the fringes of the movement by framing female artists as being primarily relevant as muses for their male peers. This study contests this historiographical misconception, relying upon visual analysis and archival research, as well as drawing from psychological, feminist, and postmodern theory, ultimately arguing that their artistic and theoretical innovations fundamentally restructured Surrealism’s visual vocabulary, theoretical objectives, and cultural legacy. This thesis is …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Considering The Ethics Of Conserving American Art: White Nationalism And The Evolving Meanings Of Nineteenth-Century Genre And Landscape Painting, Evan M. Crocker

LSU Master's Theses

This thesis analyzes the stylistic and conceptual qualities of American genre and landscape painting from the antebellum period and how these qualities acted in service to establishing white nationalism before the Civil War. The intricate and calculated system of typing in genre painting presented carefully crafted idealizations of quintessential Americans, defined by their whiteness and maleness. Landscape painters of the early- to mid-nineteenth century endowed their compositions with a sense of wondrous opportunity which justified and upheld westward expansion under Manifest Destiny. At the intersection of genre and landscape practices sits plantation paintings—specifically house portraits—in which the plantation serves as …

Pedro Aceves Mfa Thesis, Pedro M. Aceves

Electronic Theses, Projects, and Dissertations

My Work is about looking at Cruising through a queer decolonial lens. Using multiple mediums such as photo, glass, Augmented reality, and film, I explore these queer histories and aesthetics through not just an anthropological approach but also an artistic epistemological approach weaving together narratives of prehispanic and modern queer Latinidad.

Painting The Other: Mary Cassatt's Spanish Portraits And The Feminine Gaze, Delaney Batter

Undergraduate Theses in Art History

The historical viewing of women artists, in conjunction with Mary Cassatt’s biography and later depictions of women and children, suggests that Cassatt's gender is identified within the art historical canon as an essential component to the interpretation of her work. The language attached to Cassatt's work is most often taken from discourses surrounding female-produced artwork of the nineteenth century, attaching passive and stereotypically feminine attributes like 'delicate,' 'light,' and 'tender' to the style, composition, and subjects of her works. These characteristics were among the accepted nineteenth-century descriptions of artworks, with inherent femininity translating to inherent domesticity.

Rather than further reducing …

The Creative Front, Aleksandr O. Barrett

Graduate Student Theses, Dissertations, & Professional Papers

Abstract

In this paper, I will discuss my thesis exhibition, The Creative Front, focusing on my materials, content, and context as they relate to each piece or body of work. This exhibition is the culmination of my work, which centers on my experience with the Russo-Ukrainian war. My work can be interpreted metaphorically, poetically, and directly through sculpture, installation, sound, and film. I am portraying very human stories and experiences from a full-scale war raging in Europe. My work is immersive, placing the viewer in an atmosphere of war, and conveying a sense of urgency and compassion for those who …

Essential Caretaking For Artists With Disabilities: Exploring The Overlooked Histories Of Hazel Knapp And Grandma Moses, Bryan P. Martin

Dissertations and Theses

This thesis explores the intersection of disability studies and art history, addressing the underrepresentation of disability in scholarship, especially concerning medical sociology and caretaking. Focusing on two early-twentieth-century self-taught American artists, Hazel Knapp (1908–95), who fell into obscurity, and Anna Mary Robertson Moses (1860–1961), best known as Grandma Moses, this is a comparative analysis of how disability influenced their artistic practices and shaped their divergent career outcomes. Knapp was born with Charcot-Marie-Tooth disease, a neurodegenerative disorder, and fell into obscurity due to a lack of support for her condition, but experienced a promising start to her career that included patronage …

Theopoetics Prothesis: An Exploration In Faith And Form, Elise Aleman, Elise Aleman

College of Graduate Studies: Theses & Dissertations

My work is rooted in the biblical definition of faith: “Now faith is the assurance of things hoped for, the conviction of things not seen” (Hebrews 11:1). Like the Bible’s layered complexity—its patterns, metaphors, and cultural references—faith is not merely intellectual but an active trust in what is unseen. It transcends knowledge, anchoring itself in conviction and hope. This intersection of theology and lived experience is at the core of my practice.

Theopoetics—a framework that fuses theology and artistic expression—shapes my approach, allowing faith to be embodied through form rather than merely explained. Two seemingly distinct bodies of work—one centered …

Queerform/Ing, Matthew Solon-Lee Weimer

Art Theses and Dissertations

My artwork is situated within and around vessels and the Queer Homoerotic World and explores sexuality as a Demisexual within them. This is accomplished through the two processes of my creation, Minivague and Queerform/ing: balancing sexual tension and explicit expression, while subverting traditional norms and stereotypes with queerness to distance oneself from stereotypical Gay Art. Altering/emphasizing makes the artwork more romantic, lighter, whimsical, softer, and tender than the figure/s and the situations actually are. The process is also emphasizing what one sees or wants to be seen. The Pink Boy becomes a celebration of intimacy of any form. I discuss …

With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner

Whittier Scholars Program

My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …

Aguaaaa!!!, Cory Villegas

Theses and Dissertations

“AGUA” is a call for new models of learning and sharing, celebrating the diasporic as a place of global revolution. Salsa, rooted in Latin American and Afro-Caribbean histories, is choreographer Cory Villegas’s expression of cultural legacy. As an Afro-diasporic dance, Salsa carries the wealth and variety of African and Indigenous roots. Villegas contextualizes her thesis event “Las Leyendas: An Afro Cuban Suite,” presenting herself and her troupe Soul Dance Co. as evidence that contradicts the erasure of Latin & Caribbean Culture in US dance history. The paper uses English and Spanish, written, visual, and oral materials with an accompanying webpage.

“How Did Guernica Become The Important Painting And The Universal Symbol It Is Today?", Or Lebel

MA Theses

This thesis explores the intriguing journey that propelled "Guernica" from the initial obscurity of a commissioned artwork to its current status as a globally recognized symbol. The research unravels the multifaceted processes that have contributed to the transformation of a relatively overlooked artwork into an important painting and a universal emblem of protest, antiwar, and hope. The research addresses the fundamental question of how "Guernica" evolved into an important and universally recognized painting. Answering this question allows me to explore and explain how "Guernica," despite its lack of immediate recognition, grew to possess an enduring significance. The research also tackles …

The Spirit Of Female Modernity, Yuan Yuan

MA Projects

"The Spirit of Female Modernity" rejoices in the empowering synergy of women and art modernist aesthetics. It focuses mainly on the work of female artists, designers, musicians, and fashion brands that break several epochs and media. The goal is to motivate by illustrating how women in diverse artistic and design fields embraced and, in some cases, reinterpreted the language of modernist art to reflect their period's concept of modernity. This carefully curated exhibition highlights the new and thought-through role that women artists embarked on in helping to shape the history of art through the modernism lens of feminist practice. It …

The Unconscious Mind: Psychoanalysis And Art, Carlie Hoffer

MA Theses

The insights brought to society about the unconscious mind can be solely credited to Sigmund Freud’s groundbreaking works that were published in the early 1900’s. Specifically, the concept of the unconscious mind being a driver for human behavior was a unique theory that Freud introduced to a society that had never considered this possibility before this. The realization and acknowledgement of the unconscious mind as relevant to analyzing human behavior including art inspired other scholars and individuals in the field of psychology to explore a more nuanced understanding of human motivations. His novel ideas about human behavior emerged at a …

Straight Out-Of-The-Tube: Analysis And Conservation Of George Mathieu’S Pour Une Aliénation Définitive Du Logos, Christy H. Mccutchen

Art Conservation Master's Projects

Pour une aliénation définitive du logos (96.5 cm × 195.6 cm, Buffalo AKG Art Museum, Acc.1971:7), painted in 1955 by French artist Georges Mathieu (1921-2012) is an iconic example of Lyrical Abstraction. Mathieu launched this European counterpart to Abstract Expressionism in the post-war upheaval of 1947. His unorthodox methods present a unique combination of aesthetic concerns and intrinsic material instability. Mathieu’s technique involved squeezing oil paints out-of-the-tube directly onto his canvas with rapid and spontaneous calligraphic motions. The primary condition issue for Pour une aliénation définitive du logos was the failing adhesion between this thickly applied paint and the primed …

The Gilded Tropics: Winslow Homer And John Singer Sargent In Florida, 1886-1917, Theodore W. Barrow

Dissertations, Theses, and Capstone Projects

This dissertation examines the Floridian works of Winslow Homer and John Singer Sargent in the context of tourism, race, and the environment as perceptions of the tropics in an Anglo-American context. Both artists sojourned in Florida and produced a number of watercolors and related oils that not only testify to a rapidly-expanding tourist industry to the Sunshine State, but also update the Romantic myths of the tropics with a more sober, ironic Realist take. While Homer and Sargent continue to be popular subjects for studies and exhibitions on their own, this dissertation is the first to consider how their shared …

The Hospitality Of Doubt, Ian Grieve

Art Theses and Dissertations

This paper discusses the last two years of research toward a Master of Fine Art in Studio Art. I mainly address my painting practice, but while in the program, I have worked in collage, ceramics, intaglio printmaking, and sculpture. My paintings are thick, multilayered, and often contain ambiguous narratives. The pictures develop through engagement, openness, and response within the work. I seek and embrace connection with viewers of the work. The spectator ‘completes’ the art and enhances or alters the artworks meaning by observing it and applying their individual perspectives. I seek to incorporate a sense of nostalgia and familiarity. …