Contemporary Art Commons^™

Containment, Quin Mittelstead

Theses and Dissertations

This thesis explores “containment" (the act of keeping something within limits) as both oppressive control and a mode of self-regulation, grounded in the author’s experience with epilepsy. Paintings deploy grayscale grounds, restrained palettes, and contrasting rapid/slow gestures; emergent color, texture, and altered substrates map psychological states, bodily impulses, and reactive processes. Research into witchcraft, remedial items, and eugenics (notably Buck v. Bell) informs works that link historical censorship and institutional violence to contemporary stigma. Sculptural installations (nets, jute, flawed Faraday-like enclosures) and cannibalized studio materials probe systems that restrain thought, media, and bodies. By introducing unpredictable variables with found supports, …

Self-Fashioning In Contemporary Figurative Painting, Hal Hardin

School of Art Undergraduate Honors Theses

This paper positions my painting practice as a form of resistance to historical constructions of gender, identity, and visibility, shaped by my experience as a queer, nonbinary person navigating womanhood in the American South. Drawing on Stephen Greenblatt’s concept of self-fashioning and Judith Butler’s theory of gender performativity, I argue that Western figurative painting has long disciplined the feminine body, exploiting it and commodifying it into an easily consumable object.

In response, I appropriate and distort these visual conventions. My figures refuse to behave: they stretch, slouch, and linger in ambiguity, resisting fixed interpretation. Placed in spaces of visibility and …

Rooted Transformations, Ricardo D. Moctezuma

Electronic Theses, Projects, and Dissertations

In my ventures through art I realized that I underwent an experience that was tailored to my process of release. As I struggled to share my emotions, I became distant and dissociated, I felt detached from others and even from myself. This process was something I visualized in my art from, the Tears, to Self Destruction, to the Release and onto the Garden. I’ve always felt myself in a state of Release, partly healed and partly damaged. All I knew was that the garden represented a new beginning for me, I just never knew what that Garden was. Time passes …

The Southwest Black Artists Collective: Afro-Modern Ecology, Kinship, And Collectivity In The Desert Southwest, Bradley L. Petty

Art History Theses and Dissertations

This thesis examines the Southwest Black Artists Collective (SBAC) as a site of

Afro-diasporic kinship, artistic production, and spatial intervention within the Desert

Southwest. Operating within a region where Black populations are comparatively small

and institutional support is diffuse, SBAC emerges as both a response to and a

reconfiguration of the regional artistic landscape. The Collective constructs an affirming

community through shared artistic practice, exhibitions, and the maintenance of The

Projects/Space in Tucson, Arizona, where public engagement and private creative

exchange coexist.

Drawing on theories of human ecology, this study expands existing frameworks

by introducing the concept of Afro-modern ecology, …

Cannibal Ghouls Of Japan: The Representation Of Cannibalism In Contemporary Japanese Manga, Nico Indovina

Research and Creativity Symposium

A noticeable uptick in depictions of cannibalism has appearing in the last few years in Japanese manga. It has appeared across several genres of the medium and has given rise to questions over its inclusion. Previous research connected the inclusion to the Japanese oni, a creature originating in Buddhist art, as early as the 8th century in Japan. This article argues that the connection goes beyond simply the oni and also derives inspiration from real cannibals of the 20th century in Japan and theory on monsters. The visual similarities between the historical representations and those of contemporary Japanese manga …

The Living Archive: Photography, Social Media, And The New Frontier Of Activism, Lundyn C. Herring

LSU Master's Theses

This thesis seeks to analyze the discursive field and technology of photography and its multi-faceted role in the oppression of colonized people under Western imperialism. Among the main collection highlights of many established state-run archival institutions are photographic records consisting of surveillance images, mugshots, and other visual media as representations of the political hegemony that is exerted over governed peoples. From the mid-19th century to 2026, much has shifted in the realm of photography with the introduction of smartphones, accessible technology, and social media platforms during the beginning of the twenty-first century. As states and powerholders apply the technology of …

Within Boundaries: Collecting And Exhibiting Chinese Contemporary Art In M+, Hong Kong, Lei April Liu

Masters Theses

This thesis investigates how M+, Hong Kong’s museum of twentieth- and twenty-first-century visual culture, collects and exhibits Chinese contemporary art under political and institutional constraint. It argues that M+ operates through adaptive autonomy, a condition in which curatorial and educational strategies transform limitation into method. By analyzing the museum’s formation, exhibition practices, and comparison with other Asian institutions such as the Asia Culture Center in South Korea, the Power Station of Art in China, and the National Gallery Singapore, the study reveals how M+ sustains visibility of Chinese contemporary art with political sensitive topic through 绥靖 (Sui Jing; subtle appeasement) …

Following The Thread: Maria Lai’S 1981 Legarsi Alla Montagna, Claire Borre

Theses and Dissertations

This thesis examines Maria Lai’s (1919-2013) Legarsi alla montagna (1981), a three-day, relational project in which seventeen miles of ribbon were wound through the Sardinian town of Ulassai. In its conception, execution, and legacy, Lai’s project represented a significant challenge to traditional monumentality.

Fugitive Formalisms: Strategies Of Dissemblance And Dissent In The Work Of Queer-Identifying Artists, 1970–Present, Rowan Diaz-Toth

Theses and Dissertations

Utilizing case studies of works by Hélio Oiticica, Scott Burton, and Felix Gonzalez-Torres as points of departure, this thesis puts forth a speculative historical framework for reconsidering queer art practices up through the present day in opposition to regimes of visibility and transparency, exploring the subversive, fugitive potential of non-representational formalisms.

The Double Gaze: Weaving Historical, Decolonial, And Indigenous Perspectives Through Maruch Sántiz Gómez’S Creencias., Elisa Gutiérrez Eriksen

Theses and Dissertations

The Double Gaze examines Maruch Sántiz Gómez’s series Creencias (1994-2000) at the intersection of sociopolitical changes in southeastern Mexico and the 1995 Johannesburg Biennial. Drawing on Rita Segato’s “capillary disobedience” and the Mayan philosophy of kab’awil, the research considers Creencias as a theoretical proposal for reading Indigenous art practices.

Closest Yet Farthest: Zhou Li And The Boundaries Of Contemporary Chinese Art, Langcheng Zhou

Pomona Senior Theses

The global visibility of contemporary Chinese art has been formed by politically legible or culturally identifiable styles, which often explicitly reference social critique, political history, or traditional Chinese visual elements and media. Because of the rapid expansion of the global art market, these visual identifiers quickly became the most effortless and efficient determinants for an artwork’s representativeness of the contemporary Chinese art scene. This framing undeniably helped international audiences to establish a recognizable narrative, but has also narrowed the range of practices that define the field. This thesis argues that Zhou Li’s abstract practice expands the boundaries of what contemporary …

Sparks: A Love Story, Stacey Kramer

MA Projects

In 1953 Robert Rauschenberg and Jasper Johns met through a mutual friend, thus sparking a romantic and creative partnership that would endure until late 1961. At a time when it was illegal to be in a same-sex relationship, these two artists collaborated and inspired each other, and together they changed the course of contemporary art. Breaking free of the Abstract Expressionists, they chartered an artistic path forward and beyond while working from their adjacent studios, sharing intimacies and a similar mindset.  The two artists often channeled a shared sensibility and aesthetic, developing their own symbolic language even as they avoided …

Transmission/Reception, Ma'ayan Noy

MA Projects

From the 1940’s to the 70’s the California-based artist Wallace Berman produced a wide-spreading oeuvre, encompassed drawing, collage, assemblage, single channel video, and three dimensional object making. His practice was deeply informed by his interest in Jazz, Kabbalah and Jewish mysticism, film, and poetry, and more. The transmission and reception of an everflowing stream of references which informs Berman’s creative intake and output adopts a mystical undertone in his grand oeuvre. The unifying theme for Transmission/Reception asserts the centrality of Kabbalistic influences on Berman’s practice, his affinity and spiritual regard for the act of creating. Transmission/Reception underscores Berman’s underlying belief …

He Rengao Super-Consciousness Imagery, A Global Touring Exhibition, Jun Dong

MA Projects

Focusing squarely on He Rengao’s long-developed visual philosophy, this exhibition will take the form of a solo presentation introducing Super-Consciousness Imagery to New York audiences. As one of China’s most established contemporary artists, He has spent decades refining a highly introspective and philosophically grounded painterly language. This exhibition aims to situate his mature body of work within an international conversation, foregrounding painting as a site where civilizational imagination, spiritual inquiry, and aesthetic experimentation converge. The exhibition title, Super-Consciousness Imagery, encapsulates two key elements central to He’s artistic practice; it refers to the expanded state of awareness the artist seeks to …

The Lost Art Of Club Photography: Capturing Nyc’S Nightlife And Cultural Legacy From The 1980s To The 1990s, Madeleine M. Canfield

MA Theses

This thesis examines how club photography in New York City’s nightlife of the 1980s and 1990s both shaped and reflected cultural identity, and investigates why this visual practice has largely disappeared in the age of social media. By focusing on photographer Steve Eichner and his documentation of iconic moments from one of Peter Gatien’s four mega-clubs, this thesis analyzes published photographs and articles to examine how visual representation shaped the culture it portrayed. The research demonstrates that club photography was instrumental in shaping public perception of nightlife, capturing the spontaneity, creativity, and energy of the era. It also highlights how …

Constructing Minimalism: Canon Formation, Exclusion, And The Afterlives Of An Aesthetic, Lucy Ewert

MA Theses

Academics, critics, curators, and artists alike have perpetually struggled to agree on a coherent definition of Minimalism since its inception. Who is included in the historical canon, what its defining characteristics are, and the movement's legacy have long since been contested. This thesis will explore the origins of Minimalism, tracing its emergence from movements such as Abstract Expressionism, and discuss the early values that shaped its perception through a handful of fundamental voices. The study will also survey three of Minimalism’s modernist predecessors, questioning the extent of influence these movements may have had.  Understanding the origins of Minimalism will set …

Neither Innocent Nor Illicit: Breaking The Gaze In Lisa Yuskavage’S Candy-Colored World, Kristin Kiley

MA Theses

This thesis examines the evolution of Lisa Yuskavage’s female nude. Drawing on theorists such as John Berger, Lynda Nead, and Laura Mulvey, this study explores how varying perspective dictates the very meaning of nudity in conjunction with sex. Through a deep analysis of Yuskavage’s oeuvre, tracing her progression from the submissive, Kewpie-like sex babies of the 1990s to the introspective multi-figure compositions and studio scenes from the 2000s up until the 2020s, the audience discovers that their ultimate discomfort with sexually engaged women positions them as antagonists in Yuskavage’s candy-colored world. From the 1980s to the present day, this thesis …

A Visual Analysis Of The Work Of Anna Weyant For Art Historical Precedent, Jordan Arnold

MA Theses

This paper examines the rapid ascent and artistic evolution of Anna Weyant, whose blend of technical rigor, stylized figuration, and sly narrative tension has positioned her as a leading name in contemporary figurative painting. While her market visibility and high-profile representation have often overshadowed critical engagement with her work, a close analysis reveals a steadily developing practice grounded in a set of consistent formal concerns: controlled light and shadow, psychologically charged compositions, and a sustained dialogue with art-historical precedents. By situating Weyant’s paintings in relation to the psychological realism of the Dutch Golden Age, the uncanny and erotic undercurrents of …

The Postmodern Frontier: Richard Prince And The Neoliberal Spectacle Of The American Dream, Taïs Khassanova

MA Theses

This thesis examines the oeuvre of Richard Prince’s as a sustained allegory of contemporary American visual culture, beginning with his Cowboys series as the point of origin from which his later appropriations, including Girlfriends, Spiritual America, and New Portraits, unfold. Through the recursive gesture of appropriation, Prince’s Cowboys expose the myth of rugged independence as a corporate fiction, revealing how the frontier ethos was redeployed under the Reagan presidency to naturalize neoliberal ideology. Building on this premise, the thesis traces how such logic extends throughout Prince’s subsequent body of work, as his Girlfriends refigure the cowboy’s masculine autonomy as the …

When Fine Art And Commercial Art Merge: A Playbook For Emerging Artists Without Gallery Representation To Create Successful And Sustainable Careers, Regina Escobedo Guerra

MA Theses

Pursuing a career as an artist comes with no clear path nor directions. The first years after graduating are filled with confusion and uncertainty. Emerging artists are oftentimes unequipped with the necessary resources to create sustainable and profitable careers. In a saturated market where only a select few are able to make a living solely from art, artists need to gain autonomy and control over their practices. This thesis provides emerging artists with no gallery representation with the tools to create an independent career that prioritizes artistic authenticity and sustains profit. Through a dismissal of the negative perceptions placed on …

Can A Curator Influence Their Nation’S Art Market Value? Adriano Pedrosa, The 60th Venice Biennale, And The Global Repositioning Of Brazilian Art, Maria Joana Ventosa

MA Theses

The 60th Venice Biennale (2024), curated by Brazilian curator Adriano Pedrosa, the first Latin American curator, and the first curator based in the Global South to lead the Venice Biennale, revived long-standing debates concerning visibility and marginalization, who controls canon formation and, in a market where visibility directly affects value, the power of dictating the market. The curator furthered this discussion by curating a show literally titled “Strangers Everywhere”, focused on representations by artists who identify as “othered”, through, for example colonisation and erasure of native cultures, immigration or queerness.  This thesis examines the evolving role of biennials as platforms …

The Language Of Value: Lot Note Complexity And Auction Performance In Abstract Expressionism, Artur Sharifullin

MA Theses

This thesis asks a simple question: does the language in lot notes relate to price and to whether a lot beats or misses its estimate? I study eight Abstract Expressionist artists: Ad Reinhardt, Adolph Gottlieb, Barnett Newman, Franz Kline, Joan Mitchell, Lee Krasner, Robert Motherwell, and Sam Francis because their works are less representational and often need supporting text to explain the context. The main sample includes only lots sold for more than $1 million at Christie’s or Sotheby’s in New York or London over the past ten years. I measure a small set of writing features that are easy …

Reconstructing The Surreal: Female Artists And The Transformation Of Surrealist Aesthetics, Erin Regan

MA Theses

This thesis examines the role and legacy of female artists who took part in the Surrealist visual art movement of the early 20th century. Canonical accounts have historically privileged the contributions of male artists, marginalizing women to the fringes of the movement by framing female artists as being primarily relevant as muses for their male peers. This study contests this historiographical misconception, relying upon visual analysis and archival research, as well as drawing from psychological, feminist, and postmodern theory, ultimately arguing that their artistic and theoretical innovations fundamentally restructured Surrealism’s visual vocabulary, theoretical objectives, and cultural legacy. This thesis is …

Corporate Patronage In Art And Education: A Case Study Of Bloomberg's Interventions, Xiaojun Tian

MA Theses

This study focuses on the application of corporate sponsorship in the fields of art and education, delving deep into the interventions and cases made by Bloomberg L.P. in these two domains. Corporate sponsorship for the arts acts as a significant display of Cultural Corporate Social Responsibility (CSR), not only fostering diversity in the production of art institutions and artists but also having a profound effect on the educational sector. Utilizing case study methodology, this research deconstructs key projects and activities funded by Bloomberg, encompassing support for exhibitions and public art projects, as well as various initiatives aimed at art education, …

The Collapse Of The New Tendencies: How Did A Movement That Never Existed Cease To Exist, Tonka Protega

MA Theses

This thesis examines the short lifespan of the New  Tendencies. Although the  New Tendencies have gained renewed recognition over the last couple of years, there is still limited research on their final phase. To address this topic, I analyzed the narrative history of the  New Tendencies  , alongside the essays published in the exhibition catalogues. Additionally, I considered the historical and political situation in Croatia during this period, which influenced the manifestations. Ultimately, this thesis argues for the non-existence of the  New Tendencies  as a movement in the history of art and identifies the key reasons that led to its …

Global Art: An Economic Exploration Of The Factors Driving Sensible Gallery Expansion, James Mclennan

MA Theses

The goal of this thesis is to develop a practical and defensible decision tool to guide art gallery expansion. Focusing on four cities – New York, Hong Kong, London, and Doha – the thesis translates heterogeneous considerations into a matrix that scores each of the cities according to eight factors: Market & Demand; Regulation & Tax; Logistics & Shipping; Labor & Immigration; Legal Entity & Finance; Brand, PR & Audience; Competition & Benchmarking; and Risk. Sub-factors are scored and averaged to provide results on how each city scores against each other. The output is a ranked set of city recommendations …

Aura For Sale?: Art Merchandise And The Totalizing Culture Of Reproduction, Lily Paternoster

MA Theses

The art historical discipline largely excludes art merchandise from critical analysis, relegating it to being a marketing gimmick or gift shop opportunity. This failure to reconcile with the rapidly expanding enterprise for brand collaborations with fine artists has led to an overwhelming and unregulated commercial licensing industry, similar in mystique and ascend to that of the fine art market. Through the case studies of two post-humous artists and two living- Keith Haring, JeanMichel Basquiat, KAWS (Brian Donnelly), and Maurizio Cattelan- I argue that art merchandise exists on a constantly fluctuating scale between democratizing force and commodity. Despite its status on …

Evolving Motives: How Art Collecting Has Changed Across Generations, Giovanni Mazzoleni

MA Theses

This thesis elucidates the changing reasons for collection in recent years and focuses on three generations of collectors: those born before 1950; those born between 1951-1980; and those born after 1981. It commences with a literature review of the initial collecting motivations and challenges, motives based on socio-cultural, economic and technological advancements which foster the importance and reasons for collections. To make this investigation tangible, a quantitative survey was adopted. Forty-five participants, each ranking their levels of agreement from one to five based on an assessment of eight statements based on five motives: economic, normative, uniqueness, hedonic and intellectual. Descriptive …

From Fear To Familiarity: Folkloric Creatures And Cultural Identity In Contemporary Japanese And Filipino Art, Mariel Yulo Asuncion

MA Theses

Mythological and folkloric creatures have evolved beyond their traditional contexts to serve as tools through which contemporary artists reinterpret and express colonial memory, cultural experiences, and social anxieties. Both Japan and the Philippines mobilize their folkloric monsters as forms of commentary on modern conditions; however, they do so in distinct ways shaped by their differing cultural histories and belief systems. This study aims to analyze and compare how Japanese and Filipino contemporary artists reinterpret folkloric creatures within modern contexts. Employing a qualitative, comparative cultural analysis alongside a sociohistorical framework, this research investigates the contemporary reinterpretation of mythological creatures in both …

Cancel Culture: A Battle Of Headlines, Not Meanings, Nataliia Sapyrkina

MA Theses

This work explores the phenomenon of “cancel culture”, with a specific emphasis on the repercussions for Russian art, artists, and cultural institutions following the outbreak of the Russia-Ukraine conflict in 2022. The study examines “cancel culture” as a reputational sanctions mechanism functioning across the modern media landscape. By analyzing selected case studies this paper addresses cases of performance cancellations, institutional distancing, the termination of cooperation with donors, and the revision of artwork attributions. Crucially, Russia’s exclusion from the dialogue is driven both by direct legal grounds, namely sanctions, and by indirect technical factors or those arising from the internal structure …