Contemporary Art Commons^™

Dahuang Zhou Interview, Julia Lin

Asian American Art Oral History Project

2010 interview with multimedia artist and entrepreneur DaHuang Zhou

Chi Jang Yin Interview, Anna Huang

Asian American Art Oral History Project

2010 interview with experimental documentary filmmaker Chi Jang Yin by Anna Huang

Sam Del Rosario Interview, Nancy Shaba

Asian American Art Oral History Project

2010 interview with writer and the former ED of the Asian American Artists Collective- Chicago Sam del Rosario by Nancy Shaba.

Von Kommanivanh Interview, John Pluciennik

Asian American Art Oral History Project

2010 interview with Loatian born/Chicago based painter Von Kommanivahn by John Pluciennik

Rominna Villasenor Interview, Jamelle Apolinar

Asian American Art Oral History Project

2010 interview with writer, performer, visual artist Rominna Villasenor by Jamelle Apolinar

Michiko Itatani Interview, Liza Rush

Asian American Art Oral History Project

2010 interview with painter and School of the Art Institute of Chicago professor Michiko itatani by Liza Rush

Mike Park Interview, Ben Rogers

Asian American Art Oral History Project

2010 interview with Mike Park from Asian Man Records by Ben Rogers

Ann Marie Chua Lee Interview, Jasmin M. Ortiz

Asian American Art Oral History Project

2010 Interview with cosplay costume designer Anne Marie Chua Lee by Jasmin M. Ortiz

The Logic Of Objects, David B. Eichelberger

School of Art, Art History, and Design: Theses and Student Creative Work

The human mind assimilates information and experiences quickly and constantly, and is aided by mental systems that we rely on to function. We classify the input of our lives with extreme efficiency. Our notions about the things we encounter in the world are learned from past experiences, and these expectations help us file the data of our lives. My work is composed to create pause. I am interested in slowing down the processes of assimilation by manipulating our expectations, and extending events measured in microseconds into saturated and engaging experiences. Functional qualities, visual rhythms, and exaggerated proportions are some of …

Jienan Yuan (Chien Yuan) Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with record producer and composer Chien Yuan by Lauren Smith

Anita Chang Interview, Lauren Smith

Asian American Art Oral History Project

2009 interview with filmmaker Anita Chang by Lauren Smith. For more information on the artist visit: http://anitachangworks.com/

Flo Oy Wong Interview, Angelika Piwowarczyk

Asian American Art Oral History Project

2009 interview with Chinese American multimedia artist Flo Oy Wong by Angelika Piwowarczyk

http://www.flo-oy-wongartist.com/

Danny Pudi Interview, Shariq Jefferi

Asian American Art Oral History Project

2009 interview with comedian Danny Pudi by Shariq Jefferi

Chris Naka Interview, Cheryl Franzen

Asian American Art Oral History Project

2009 interview with new media and video artist Chris Naka by Cheryl Franzen

Cynthia Tom Interview, Lauren Swift

Asian American Art Oral History Project

2009 interview with painter and president of the Asian American Women Artists Association Cynthia Tom by Lauren Swift

Vincent Chung Interview, Pete Koszulinski

Asian American Art Oral History Project

2009 interview with the Foundation for Asian American Independent Media's graphic designer Vincent Chung by Pete Koszulinski

Larry Lee Interview, Ami Shah

Asian American Art Oral History Project

2009 interview with installation artist and curator Larry Lee by Ami Shah

Larry Lee website

View Larry's work in the AAOH project gallery

Vincent Pham Interview, Devin Meyer

Asian American Art Oral History Project

2009 interview with Vincent Pham a Doctoral Student at the University of Illinois, Urbana-Champaign and co-author of Asian Americans and the Media (Polity, 2008).

Gordon Cc Liao Interview, Elise Osenbaugh

Asian American Art Oral History Project

2009 interview with poet Gordon CC Liao

Yasufumi Nakamori Interview About Ysuhiro Ishimoto, Katherine Cloutier

Asian American Art Oral History Project

2009 interview with Yasufumi Nakamori, friend of photographer Yasuhiro Ishimoto

Casting A Net: Contemporary Drawing Practices And Strategies, Brian Fay

Other resources

Casting a Net: Contemporary Drawing Practices and Strategies is an overview of national and international drawing practices and considering these in relation to the work of John Beattie.

William Pope L. At Santa Monica Museum Of Art, Micol Hebron

Art Faculty Articles and Research

This article focuses on William Pope's three part installation Art After White People: Trees, Time & Celluloid.

Elizabeth Tremante At Central Utah Art Center, Micol Hebron

Art Faculty Articles and Research

This article focuses on painter Elizabeth Tremante and her exhibit that showcases art of the discord between urban and rural viewpoints.

Vija Celmins At The Hammer Museum, Micol Hebron

Art Faculty Articles and Research

This article focuses on Vija Celmins drawings and photography that deals with the theme of finding one's place in the universe.

Wack! Art And The Feminist Revolution At Moca, Micol Hebron

Art Faculty Articles and Research

This article focuses on an art exhibit featuring works of feminist art throughout the 1960s and 1970s.

Program Booklet: 18th Annual James Porter Colloquium, Department Of Art

18th Annual James Porter Colloquium

No abstract provided.

Review Of Paul Pfeiffer At Mc Kunst, Micol Hebron

Art Faculty Articles and Research

This article focuses on Pfeiffer's "Four Horsemen of the Apocalypse" series as they explore notions of spectacle and spectatorship.

Program Booklet: 15th Annual James Porter Colloquium, Department Of Art

15th Annual James Porter Colloquium

No abstract provided.

Art Is Dead?: A Criticial Analysis Of Arthur Danto's End Of Art Theory, Laura M. Ginn

Honors Theses

The idea of art as a reductive process is not new within the art world. In 1953, Robert Rauschenberg created the piece "Erased DeKooning" for which he erased a painting by DeKooning and displayed the end product (a blank canvas). The author found herself considering the way in which art has changed over the course of the twentieth century. The 20th century could be viewed as a time in which the main purpose of art was to destroy all artistic conventions and redefine art. Some would say art has come out unfocused and without a purpose. The author explores the …

Program Booklet: 16th Annual James Porter Colloquium, Department Of Art

16th Annual James Porter Colloquium

No abstract provided.