Circulation Of Images, From Recognition To Erasure: An Artist’S Response, Lei Xie

Artl@s Bulletin

This article revolves around my practice, as an artist, which has an essential link with images and their circulation. In a subtle way, painting offers me a language allowing me to explore the polysemy of the chosen image, to experience a vocabulary both figurative and abstract. My practice could choose and process "ordinary" images, which are diffused but whose diffusion does not alter the subject, and has no consequence on the latter. It can also retain images whose strength is intrinsic to their circulation, to their popularization, to their controversy, images which will however ultimately generate paintings, and simultaneously erasing …

How To Build A World Art: The Strategic Universalism Of Colour Reproductions And The Unesco Prize (1953-1968), Chiara Vitali

Artl@s Bulletin

What role did UNESCO play in the art world of the post-war era? This article makes use of published and archival sources in order to clarify the utopia of a “World Art” that shaped UNESCO and led to the “Archives of Colour Reproductions of Works of Art”, a project of worldwide collect and diffusion of images of “masterworks” inspired by Malraux’s “Museum without walls”. This case study focuses on one particular aspect of the project, the “UNESCO Prize”, conceived by the Brazilian art critic and Marxist intellectual Mario Pedrosa for the 1953 São Paulo Biennial.

Distorted Icons In Contemporary Art: An Examination Into How We Know What We Know And Why, Alessandra Ruggiero

MA Projects

The purpose of this exhibition, Distorted Icons in Contemporary Art: An Examination into How We Know What We Know and Why, is to explore the nature of icons, specifically contemporary renditions of modern or traditional icons. Colloquially, icons are a symbol of something well-known or an image that is easily recognizable. Traditionally, icons refer to religious figures, most commonly devotional paintings in Roman Catholic and Orthodox Greek churches and are used as a means of prayer to represent peace, piety and faith. However, what constitutes an icon in Western contemporary culture has changed significantly. Devotional images have been replaced by …

More Than Just Middlemen: The Legacy And Influence Of Art Dealers Joseph Duveen, Peggy Guggenheim And Leo Castelli On Shaping Art Collections, Valencia Tong

MA Theses

The purpose of this study is to examine whether art gallerists are replaceable in the current climate in which the plea for removing the middlemen has been growing. The speed and ease of art transactions through digital platforms provide an alternative to the relationship-based in-person elements of the art world. Before the pandemic, the art market was seen as notoriously opaque, and gallerists have been stereotyped as middlemen who take high commission from art sales. However, art gallerists have played an important role throughout art history, not only buying and selling works of art like traders, but also shaping the …

The Brave New Virtual Art World The Evolution Of Digital Art: Nfts And Their Effects On The Art Market In 2021, Sophie Delaplaine

MA Theses

The first half of 2021, NFT crypto art captured both the public’s attention and the art market due to the escalation of sales prices and the auction houses acceptance of cryptocurrencies. As an artform, digital art is not new. It began in the 1960s and 1970s with roots as early as the 1940s. During this evolution the lines between technology and art have intersected, often become blurred and in many cases have merged into new artforms. Even when scholars trace the origins of digital art to present day it is difficult to tell if scientists are influencing artists or artists …

Earth Tone Sigh Spell, Martha Glenn

Theses and Dissertations

A written accompaniment to the artist’s thesis exhibition titled Earth Tone Sigh Spell, conceived during the years 2020-21 and installed at The Anderson Gallery, Richmond from May 1–15, 2021.

The following thesis explores themes of personal memory, geo-theory, myth, symbol, and historical event. The artist uses research and stream of consciousness writing methods as a way to weave these concepts together and tie them back to her own practice with installation, sculpture, and new media.

Appealingly Unpeeled: The Layered Lemons In Dutch Golden Age And Contemporary Art, Amanda Barr

Graduate Student Theses, Dissertations, & Professional Papers

In seventeenth-century Dutch painting, the lemon holds a prominent visual, economical, socio-cultural, and moral position. This trend would then be repeated in contemporary art, beginning in roughly the 1970s. This thesis, in two parts, will explore the significance of the prevalence of the lemon and their recurrent presence in both Dutch Golden Age art and modern and contemporary artwork. This multivalent approach will look at lemons as not only a visual representation of fruit, but a symbol of larger concepts such as globalization, commercialism, colonialism, sexuality, religion, linguistics, mythology, and pop culture.

Drowning In Our Tears, Kelley-Ann A. Lindo

Theses and Dissertations

Drowning in our Tears is a series of works – installation, print media, and sculpture that explores themes of precarity, ephemerality, collective memory, and vulnerability. The need to create and preserve an archive has been the of the driving forces behind the works. I am interested in this notion of creating new language and perspectives from past trauma and hardships. The archive presents us with a site where excavation of meaning can occur, identities preserved, and new identities formed. In my work, I try to bridge the gaps, using the fragments of memory, the past and present experiences to create …

Optics In Art: Ways Of Seeing, Christian J. Baker

P-12 Lesson Plans

In this lesson, which relies on art from the ZMA Collection and the exhibition it's your world for the moment displayed in fall 2020, students will learn about the basic mechanics of the eye and its similarities to the camera, explore the history of the camera obscura and its use in art and early photography, learn about perspective as a principle of photography, and learn to relay information on major artists by way of their relationship or impact on photography as an artistic medium.

Being In The Place Of Possibility, Laura Domencic

MFA in Visual Arts Theses

This paper explores my art practice as a phenomenological search for understanding how to be in the world. It begins with a description of my practice as a way to access the place of possibility that exists between faith and doubt. I examine materiality in art making to encourage consideration of both the physical and temporal nature of experience and to find balance with the increasingly incorporeal experience of the digital world. I discuss the materials and processes of drawing, sewing, and printmaking within their historical contexts. This paper connects my practice with artists who consider the act of perception …

Paper Making: Finding The Scaffold, Tino Ward

Art Theses and Dissertations

Paper making combines my proclivity towards using found materials and the need to produce my own painting supports. This first part of this thesis chronicles the reasons I arrived at paper as my chosen medium, the objects I began to produce, and the projects that stemmed from those early experiments. The second half outlines my final work, a 1:4 scale model in paper of the 1966 exhibition 10, held in New York at the Dwan Gallery, which showcased the early minimal works of Carl Andre, Jo Baer, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, Robert Morris, Ad Reinhardt, …

The Complexities Of Intimacy, Brie Henderson

Graduate School of Art Theses

Through my research I have discovered there are many complexities that exist within the topic of intimacy. Of these complexities, I chose to explore the topics attachment and codependency in my final series. Attachment and codependency are deeply rooted in psychology, poetry, and many artist’s practices. The relationship between poetry and my work has become deeply intertwined. I combine poetry with my work as a way to document my feelings and to inspire the titles for my paintings. Through a series of intimate watercolor paintings, I reference bodies, intimate interactions and the ambiguity within the two. This ambiguity asks viewers …

Rockhounding, Seafaring, And Other Material Tales For The End Of The World, Noemie Fortin

The Goose

In the face of accelerated environmental degradation and climate instability, the future of the Earth and of all life on earth is difficult to visualize. Therefore, the different mediums through which we consider environmental issues are just as important as the actions we take to address them. Focusing on three projects combining art, science, and activism, this article suggests a compilation of material tales. They tell stories of plastic rocks and aluminum nuggets where the protagonists are partly finely crafted objects, partly waste materials, and sometimes both at once. Artists Kelly Jazvac, Yesenia Thibeault-Picazo, and the collective Studio Swine collaborate …

Capacity, Rachel Baydian

CGU MFA Theses

This Master of Fine Arts Thesis Exhibition by Rachel Baydian is an installation of ceramic sculptures that function as a stand-in for the human body, touching on relationship, interconnectivity, and imperfection. Using abstracted forms that derive from the earth, these art objects are sculpted to mimic nature and its processes. The work highlights our human connection to nature as integrative and vital. Through experience and tactility, there is more of an awareness of space and heightened senses. The work taps into the awe and seduction of the mystery of nature through seemingly ordinary elements of the physical world.

Criticism Through Interpretation: Jules Olitski, Brooke E. Benham

Undergraduate Research Symposium

Modernist art critics tend to focus solely on formal elements. Clement Greenberg’s descriptive approach on the medium and Jerry Saltz’s off-the-cuff judgements fail to utilize the relevant insight that can be collected through cognizant interpretation. Susan Sontag attempts to justify the medium-specific approach by arguing that the merit of a work of art is independent of any interpretation. However, an interpretation based on historical and cultural connections can produce valuable insights about the form itself. A research-based analysis of Kristina Type 3 (1976) by the late-modernist painter Jules Olitski will show that criticism can serve viewers best through knowledgeable interpretation. …

Femagogical Strategies In The Art School: Navigating The Institution, Barbara Knezevic, Amy Walsh

Articles

This writing aims to define and examine ‘femagogy’ and the transformative potential for an inclusive intersectional feminist teaching practice in Fine Art education in the context of the contemporary Irish art school. This writing will trace the influence of linguistic power structures and the influence of broader institutional patriarchy in an educational setting and outline the inspirations and genealogies of femagogy. This writing provides situated embodied examples of femagogy in practice. It proposes the femagogical model of teaching as one that situates itself outside prevailing patriarchal models and proposes strategies to reimagine knowledge production and navigate the prevailing structural patriarchy …

Index Of Mind, Ziqing Gao

MA Projects

Li Xiangming: Index of Mind, is an exhibition focuses on the artist’s recent productions and his contemplation of “object” and “its relations.” The collection demonstrates the artist’s freewill of creation and his hope of conveying his care and bring attention to the group of people who has been neglected in the trace of history. Li has not only been dedicated to express the living condition and mental state of a certain region, though to express the life and the will to live shared by all through his use of ordinary materials and subject matters with collective memories. This exhibition could …

Moving Parts, Andrew Lowrie

Theses and Dissertations

Material bodies, human and non-human, exist in a constant state of doing and undoing. As bodies change over time, so too do the objects they wear. In this way, a jewelry object is never finished and is constantly being made. In contemporary art practice, this is described as relational ontology by Amelia Jones, who reaches this terminology through the eco-political writings of Jane Bennett and Karen Barad. Through this framework we are able to understand the way artists like Gabriel Orozco and Helen Carnac resist the notion of a finished object or artwork. By engaging with the ways that process …

Exhibition "Louisiana's Natural Treasure: Margaret Stones, Botanical Artist", Leah Wood Jewett, John D. Miles, Christina Riquelmy

Special Collections

In 2020, LSU Libraries Special Collections presented the exhibition “Louisiana’s Natural Treasure: Margaret Stones, Botanical Artist” at Hill Memorial Library, featuring selected original watercolor paintings and archival materials related to the Native Flora of Louisiana project.

A native of Australia, Margaret Stones (1920-2018) achieved an acclaimed international career that spanned three continents. Commissioned by LSU and funded by private donations, more than 200 watercolor drawings of Louisiana plants produced by Stones during the 1970s and 1980s are among the most treasured holdings of LSU Libraries Special Collections.

The Native Flora of Louisiana project was grounded in a long historical tradition …

Martian Mother, Elizabeth Mcgrady

Theses and Dissertations

This paper examines the relationship between humans and land, through the lens of the scientific and religious, bridging the physical realm with the spiritual. It acts as accompanying material to the project titled Martian Mother, supplementary information to the visual work, and an extension of the proposal, the center of the work. The proposal exists to send myself, or a like-minded individual, to Mars with artificial insemination equipment to give birth to the first Martian, becoming the first Martian Mother. This work is rooted firmly in speculative fiction, creating a nonlinear future framework for a new society and space exploration.

(Re)Forming And (Re)Fusing The Sub-Divided Self, Laura Boban

Theses and Dissertations

The split between the individual and being part of a social body is addressed in this paper. I begin with my suburban upbringing; applying notions of separate and sub-divided to the construction of one’s aspirations, gender expression(s), and one’s ideological alignment. I contemplate the forces directing individual and shared desires and the persistent messaging of individual pursuits over efforts that benefit many. What does it mean to participate in a collective dreaming of one’s own wealth, happiness, and power? Can one cultivate an integrated art practice and sense of self? In the studio, I layer and abstract figures, stack household …

Indominable, Kathleen A. Fox

CGU MFA Theses

INDOMINABLE, Kathleen A Fox

The reformation of the feminine portrait from that of idealistic sexual beauty into a portrait of strength, community, longevity, transformation, and inane human foundational essence of societal value. This collection of portraits illustrates the uniqueness that is often overlooked for the fast, idealistic and instantly read images of women hailed as beautiful. These women contain a space they have earned with their strength of character, spirit, and unwillingness to be moved from their places of significance. Created with an expressive abstractive edge to traditional portraiture, these female portraits refuse to be easily glossed over, for their …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

Children Shouldn't Play With Dead Things, Sarah Adcock

Graduate School of Art Theses

I view my creative process as alchemy, the transformation of materials through experimentation. I use wax as a material that transcends its historical use as a sculptural process for casting and instead, use it for its transmutable qualities to inform content. Because of its plasticity and duality as fragile and resilient, wax is symbolically submissive and assertive. By applying heat, wax can be molded and formed into new shapes. Once it cools, wax reverts back to its natural state; solid and impermeable. I use objects to explore desires of origin and life. Transitional objects, the first “me not me” possession …

Universe Of Things: A Human Presentation Of Food-For-Thought., Madeline Halpern

Bachelor of Fine Arts Senior Papers

I present this statement under three loose categories: People, Objects and their Environment. I consider People as human, Objects as art objects, domestic objects, and food, and Environment as the shared space of the former groups. Food directs this statement as I present each concept and creative process as a metaphorical dish. Material exploration carried me from a direct practice of reorienting acrylic paint and questioning object functionality through personified sculptures into theoretical thesis work in which I use interpersonal relations and the idea of consumption to translate tactile, gustatory and olfactory sensations into digital film. In this meal I …

Panmela Castro: Feminism In Brazilian Graffiti Art, Giulia Chu Ferri

Student Theses and Dissertations

This paper is an analysis on the graffiti artist Panmela Castro and her murals in Brazil and around the world. My thesis emphasizes the importance of feminist subject matter for graffiti art in Brazil, as well as its impact on the public sphere. The paper is separated into four sections: “Formative Years,” describing her biography and the development of her works; “Interaction with the City,” analyzing the interaction between graffiti and the urban environment, and using that discussion as a frame to contextualize Castro’s work; “Feminist Imagery and Ideology,” examining some of her concurrent themes and imageries; and finally “Transnational …

Its Skin Is My Skin, Bryan Page

Graduate School of Art Theses

This text examines the complexity of attempting to empathize with bodies that are vastly othered from my own. This broad yet nuanced subject crosses epistemological boundaries and complicates the dualities between both the mind and body, and between the corporeal and the virtual. My desire to better understand the conditions of another’s experience originates from a painful traumatic loss which caused me to feel isolated and incomplete. In response to this suffering, I long to emotionally connect with other beings and create artwork that attempts to bridge the qualia of individual experience.

I am interested in the capacity (or lack …

In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, Patrice M. Capobianchi

Theses and Dissertations

The following study investigates how Nancy Holt’s Sun Tunnels makes effective use of time and land to reprogram the modern viewer’s eye. By utilizing sculpture that is reminiscent of pre-historic observatories as an observational framing device against the landscape topography, the artwork succeeds in presenting a historic reconstruction of vision.

Books / Vessels / Hours, Lara Head

Graduate School of Art Theses

My thesis works two vessels, book : 300 hours and book : terrain explore and enact states of meditation, focusing on the process of making and the specificity of materials used. The meditative aspects of my process of making correlate to an anticipated meditation in the observer's time spent viewing. I hope to spark in the viewer the same response and state that I myself was in while making. In this text I explore my artistic process and what I hope for the viewer to experience while they are spending time with my works. I discuss how spending time making …

Enmesh: The Art Of Trauma And Recovery, Joanna Pottle

Senior Honors Projects, 2010-2019

Liminal Space is an artistic installation within the ongoing, interdisciplinary creative/research project "Enmesh: The Art of Trauma and Recovery.” Utilizing a combination of research methods, creative processes, and cultural inspirations, this project asks the following questions: how can the artistic process (this project serving as a preliminary case study) parallel various modes of recovery and healing? How can this objective be visually communicated through a mixed media approach of drawing, painting, and printmaking and how can this approach be an effective tool of communication? What can we conclude from both modes of work (solitarily or collectively)? How do they accomplish …