Contemporary Art Commons^™

User Perception Of Gender Studies In Video Games, Quinn T. Gienapp

Honors Thesis

Alongside the increase in video game popularity, a subclass of games was formed that offer very unconventional gaming experiences. These games offer different stories that differ greatly from games made on multi-million-dollar budgets. Many of these types of games exist on the fringes of the industry and portray LGBTQ+ themes through their writing or gameplay. One of these games uses the medium of video games to process their trauma by relaying their own story. The game “He Fucked the Girl Out of Me” is an autobiographical video game that highlights the story of the Author and their experiences with …

A Taste For The Distasteful: The Aesthetics Of Gore In The Giallo And Horror Films Of Mario Bava, Thais Casado Bignardi-Engstrom

Theses and Dissertations

This thesis analyzes the Italian experience with horror in cinema in both psychoanalytic feminist and cognitive Marxist critical film theories through a study of visual renderings of excessive violence and sex in gothic and thrillers known as giallo films created by the film director Mario Bava. This is an art historical study that looks at Bava’s work against the Italian cultural landscape in the post war period.

Bedeviled Beauty: My Journey Through White American Theater Institutions, J'Aila C. Price

University of New Orleans Theses and Dissertations

Game console: Oculus Quest

World: American Theater Institutions

Player: Minority

Place: United States

Level: “Ain’t no way.”

This thesis explores the contrast between the Westernized philosophies ingrained in my education and my identity as a Black female artist. It sheds light on the difficulties of pursuing higher education in the arts and the gaps that arise from limited exposure to culturally diverse Black resources, revealing the systemic issues in Western performance education. The paper also discusses the insights gained from my journey as a Black female artist, focusing on my thesis performance of Blood at the Root, which is …

In A State Of Becoming, Benjamin Conley

Electronic Theses and Dissertations

The artist discusses his Master of Fine Arts exhibition titled, In a State of Becoming. The exhibition was on view at the Tipton Gallery in downtown Johnson City, TN from February 26 March 8, 2024. In a State of Becoming showcased three large scale paintings, five multimedia prints, two sculptural installations, and a video projection installation. Conley's thesis research and current artistic practice revolve around the interfaces, connections, and relationships of humans and animals. Conley explicitly uses language like "animal" to describe "non-human animals" in his work's context. The exhibited works focused primarily on how the artist and/or the viewer …

Without Us There Is No Britain: Black British Photography And Film Networks, 1950-1989, Maria T. Quinata

Dissertations, Theses, and Capstone Projects

This dissertation tracks three moments from 1950 to 1989, when images were put to work by Black photographers and filmmakers to stake individual and communal claims to Britain and Britishness: first, through the emergence of photographic portraiture taken in domestic living spaces during the 1950s to 1970s; second, through the Black Panther Movement and their use of photography in the late 1960s to mid 1970s, and last, with the efflorescence of Black film and video collectives in the 1980s. At each of these moments, I attend to the simultaneous production, negotiation, and co-mingling of new social identities that were diasporic, …

Rodcon, Flier, 2024, University Of Northern Iowa. Rod Library.

RodCon Documents

RodCon
Saturday April 6, 2024
10 a.m.-4 p.m.
Free & Open to the Public
Rod Library, UNI Campus

Flier used in promotion of the event.

Rodcon, Program, 2024, University Of Northern Iowa. Rod Library.

RodCon Documents

Contents:

--- Welcome
--- Locations
--- Events Schedule
--- What's That?: Event Descriptions
--- Artist Alley
--- Food Options
--- Raffle
--- Additional Info
--- On Your Radar
--- Sponsors

Rooted In Topsoil, Jiaying Wang

Masters Theses

Disillusioned by my transnational identity, I have come to realize that my sense of belonging is no longer attached to any physical location, but instead to a state of mind, to an intimacy with the world. My notion of home is an obscure and unsettled—at times utopian—idea, which can be infinitely decoded, re-positioned and re-established psychologically. This thesis is an investigation of that liminal state, questioning the paradoxical place at the intersection of longing and belonging, interior and exterior, rootedness and uprootedness. Through a collection of short essays that accompany projects, I seek to unpack the precarious emotional complexities that …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …

Remembering The Future: Wild Time And The Cosmic Imagination, Arabella Thaïs

Journal of Conscious Evolution

Entropy – the Second Law of Thermodynamics – is generally held to prove “time’s arrow”: that time is linear and unidirectional, and that the universe is following this trajectory. This paper presents a preliminary exposition into a new, integral ontology of time in which time is hyper-dimensional, non-linear and flows in both directions. This is supported through trans-disciplinary praxis at the intersection of aesthetics, cosmology, quantum mechanics, and chaos theory. The metaphysical implications of reverse causality are investigated, and confer a teleological universe that is coherent with the paradigm of an intelligent, self-realising cosmos in which beauty is a fundamental …

Sitting Here With You In The Future: Reimagining The Human Through Digital Art, Jared Z. Sloan

Crossings: Swarthmore Undergraduate Feminist Research Journal

This paper presents a novel construction of the Human that arises from digital art. Taking an interdisciplinary approach incorporating perspectives from queer theory, afropessimism, science and technology studies, and more, I analyze the works of three digital artists: Lucas LaRochelle, Arafa Hamadi, and Natalie Paneng. I chart the ways in which these artists negotiate borders between the physical and digital, human and non-human, and real and fantastical to challenge hegemonic Western ideas about humanity and the individual. I claim that by restricting the information available to the user in various ways, the picture of the Human that emerges from each …

Rodcon, Program, 2023, University Of Northern Iowa. Rod Library.

RodCon Documents

Contents:

--- Welcome
--- Locations
--- Schedule
--- What's That?: Event Descriptions
--- Artist Alley
--- Food Map
--- Sponsors

Rodcon, Flier, 2023, University Of Northern Iowa. Rod Library.

RodCon Documents

RodCon
Saturday April 1, 2023
10 a.m.-4 p.m.
Free & Open to the Public
Rod Library, UNI Campus

Flier used in promotion of the event.

Artistic Representation And Self Esteem, Brianna Davis

Honors College Theses

Dependent upon the constructs of the perception of self and the viewpoint of others, humans base the value of their self esteem on outer perspectives rather than internal ones. For this thesis in particular, the outer perspective to be examined is representation in the field of the arts. This thesis project explores the process of self esteem, artistic representation in the arts, how one affects the other, a history of the correlation between the two, and ways to inform and educate the masses with the tools necessary to advance representation in the arts thus raising the self esteem of its …

For Everyone's Eyes Only: Digital Art As Public Art (Agency, Accessibility, And Aura), Linda Dai

Pomona Senior Theses

Should digital art qualify as public art? This thesis aims to explore the significance of this question in a contemporary context by cross-examining the two genres in terms of creative agency, accessibility, and aura. Through various interviews and case studies with global artists, I examine similarities and differences in materiality and engagement in public and digital art and the implications of my findings under broader, theoretical frameworks. I further seek to understand how the relationship between technology, art, and society has shifted over time. Ultimately, I argue that the fluidity of digital art allows to exist in public and private …

Death Spaces And Distant Skies (Every Day We Say Goodbye), Renee Estee

Theses and Dissertations

Linking ideas and imagery of the Australian Outback, Hauntology and Orphism, my practice highlights myth-making and rituals surrounding mourning, celebration and commemoration. Operating as visual love letters and epitaphs, my paintings coalesce figuration and abstraction to conjure spaces where I can commune with the deceased and contend with future loss.

Black And Silver Screens: Afropessimism And Filmic Appropriation In Contemporary Video Art, Madeleine A. Seidel

Theses and Dissertations

This thesis looks at the video works of artists Ulysses Jenkins, Ina Archer, and Garrett Bradley and their appropriation of images of Black actors in Classic Hollywood films through the theoretical framework of afropessimism.

Politics And War In The Cannes International Film Festival: An Analysis Of The Festival’S Unifying Agenda, Julia Grace Wood

Honors Theses

Since its inception, the Cannes International Film Festival was envisioned as a means of using film as a method of diplomacy. In fact, the first two decades of the two-week long festival on the banks of the French Riviera sought to unify politically divided nations in the years following World War II and into the Cold War. My research seeks to identify the political agenda of the festival in the early years and how the Cannes International Film Festival promoted transnationalism and unity between divided nations. I argue that the festival was able to accomplish its unifying agenda through the …

Sandstorm Spring 2022, Leslie Malland

Sandstorm: A Journal of Arts and Letters

Full Manuscript

Operatic Mysticisms: Mountains, Deserts, Waterscapes, Andrew Demczuk

Electronic Theses and Dissertations

Operatic Mysticisms: Mountains, Deserts, Waterscapes examines the ways we encounter environments as readers/viewers of operas, literature, film, and sound recordings, and how each medium requires different detail-gathering techniques. Respective to the previously mentioned mediums, Sun & Sea (2017), Mount Analogue (1952), El Mar La Mar (2017), and Energy Field (2010) are analyzed by engaging with environmental media studies and invention. Reflecting the nature of each landscape—summits of mountains, aporias of deserts, and mysteries of waterscapes—an elemental approach is taken in investigating how these spaces may be noticed, internalized, recorded, and traversed by both the artist and viewer. …

Rodcon, Flier, 2022, University Of Northern Iowa. Rod Library.

RodCon Documents

Rodcon
Saturday April 9, 2022
10 a.m.-4 p.m.
Free and open to the public

Flier used in promotion of the event.

Steve Mcqueen, The Filmmaker, And Kant’S Sensus Communis, Livia Melamed Margon

Theses and Dissertations

This thesis reflects on the ways in which art reinforces community and reduces political polarity by stimulating shared feelings, namely through Kant's idea of sensus communis. To illustrate its argument, this thesis analyzes the work of Steve McQueen, a politically aware, ethically engaged, and broadly recognized filmmaker and artist.

Rodcon, Program, 2022, University Of Northern Iowa. Rod Library.

RodCon Documents

Contents:

--Welcome to RodCon
--Location
--Schedule
--What's That?
--Artists
--Food
--Sponsors
--Autographs

Fashioning The Flapper: Clothing As A Catalyst For Social Change In 1920s America, Julia Wolffe

Honors Program Theses

Fashion has been a catalyst for social change throughout human history. Fashion in 1920s America in particular reflects society's rapidly evolving attitudes towards gender and race. Beginning with how corsetry heavily restricted women for nearly four hundred years up until the twentieth century, this thesis explores how clothing has acted as a tool for societal progression following World War I and Women's Suffrage and during the Jazz Age and The Harlem Renaissance. Specifically, this thesis examines how the influence of jazz music and dance that originated from Black American communities led to the creation of the flapper evening dress. The …

The Gifts Of Respect (Shoes) And Home: Alanis Obomsawin In Conversation With Alexandra Juhasz, Alexandra Juhasz

Publications and Research

Alex: You must send me a picture of your blue ones. We just met in Berlin on the occasion of your retrospective, a comprehensive survey of your work as a filmmaker and also as a visual artist: The Children Have to Hear Another Story. Have you ever had a survey of this magnitude?

Alanis: Oh, no. I’ve had exhibitions sometimes of just of my etchings. Over the years, I’ve had a few retrospectives and it was very nice. But this, I’ve never had this kind of attention. And from so far away!

The Mvohc Project, Brooke Day

All Theses

ABSTRACT

A Mvohc is a Morphic Vessel of Human Consciousness. The Mvohc Project traverses' theories of spatial identity in tandem with creative world-building as a method for examining the intricacies of the human condition and reimagining reality. My creations are designed to promote autonomy over the contemporary world's ever-evolving societal complexities to empower individuals, foster imagination and communication, and create space for positive change. This body of work incorporates fleshy biomorphic sculptures inspired by science fiction, deep-sea marine life, and the human body. The abject creatures are partnered with constructed audio-scapes that encompass the frenzy of an overarching internal monologue, …

Analog Video In The Age Of Digital Data: A Case Study Of Shigeko Kubota's "Social Practice", Helena Shaskevich, Lia Robinson

Publications and Research

If Nam June Paik truly is the “father of video art,” as so many scholars claim, then Shigeko Kubota is in many ways its mother, performing the unacknowledged and undervalued labor of managing the “house” of video and taking care of its inhabitants. My digital art history project for Panorama, which performs a data-driven deep dive into Kubota’s networks, argues that Kubota’s legacy must be understood as a lived, “social practice” of care for video art and its communities.

Mammy And Aunt Jemima: Keeping The Old South Alive In Popular Visual Culture, Angela G. Athnasios

Honors College Theses

Throughout the late nineteenth and twentieth century, American popular visual culture produced racist portrayals of Black Americans. Literature, illustrations, minstrelsy, film, and television are notorious for promoting such unflattering images. Each of these media typified African Americans as exaggerated caricatures with dark skin, bulging eyes, bright-red lips, and goofy smiles. The creators of these stereotypes project their racist beliefs into popular culture. This in turn heavily influences the way other races view people of African descent, as well as how Black people view themselves. From mammies, to Jezebels, to pickaninnies, and everything in between, the message ultimately conveyed in these …