Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Art and Design (3)
- Painting (3)
- Ceramic Arts (2)
- Chinese Studies (2)
- East Asian Languages and Societies (2)
-
- Fine Arts (2)
- Ancient, Medieval, Renaissance and Baroque Art and Architecture (1)
- Art and Materials Conservation (1)
- Asian History (1)
- Fiber, Textile, and Weaving Arts (1)
- Furniture Design (1)
- Glass Arts (1)
- History (1)
- Latin American Languages and Societies (1)
- Printmaking (1)
- Sculpture (1)
- Spanish and Portuguese Language and Literature (1)
- United States History (1)
- Institution
- Publication
- Publication Type
Articles 1 - 5 of 5
Full-Text Articles in Asian Art and Architecture
An Introduction To East Asian Art In Three Journeys, Victoria Weston
An Introduction To East Asian Art In Three Journeys, Victoria Weston
OER Textbooks
Please Note: This is the full version of this record. For individual tour guides, visit the following links:
Guide Part 1: https://scholarworks.umb.edu/oer_textbooks/4/ Guide Part 2: https://scholarworks.umb.edu/oer_textbooks/5/ Guide Part 3: https://scholarworks.umb.edu/oer_textbooks/6/
This book is an introduction to important art forms practiced in China, the Korean peninsula, and Japan. It is in no way an encyclopedic treatment of the art histories of East Asia. Rather, it is a textbook for a single semester course. Each section is devoted to one year in time and framed by historical factors that naturally encourage comparative analysis. Students learn methods of visual analysis while also exploring …
Reverse-Chinoiserie: Qing Imperial Porcelain And The Reappropriation Of European Rococo, Yifan (Mia) Ye
Reverse-Chinoiserie: Qing Imperial Porcelain And The Reappropriation Of European Rococo, Yifan (Mia) Ye
Theses and Dissertations
This thesis introduces “reverse-chinoiserie” to describe the Qing court’s reappropriation of European Rococo aesthetics in imperial porcelain. Through case studies of 18th-century ceramic diplomacy and design, it reveals how cultural imitation was reengineered into visual sovereignty. It examines how China responded to, absorbed, and redirected European fantasies of empire.
Trans-Pacific Connections: Chinese Porcelain And Aztec Motifs In Colonial Mexico, Natalia Ramirez
Trans-Pacific Connections: Chinese Porcelain And Aztec Motifs In Colonial Mexico, Natalia Ramirez
Departmental Honors & Graduate Capstone Projects
This research explores artworks within the Global Baroque as visual and ideological evidence through which colonial power, trade, and cross-cultural influence shaped the material culture of the early modern world. Centering on blue and white ceramics as a key medium of transcultural and trans-local exchange, the study analyzes how global motifs, particularly those drawn from Aztec and Chinese traditions, were reinterpreted, aestheticized, and circulated in Aztec and Novohispanic artistic practices.
Through a close observational comparison of Aztec and Chinese decorative systems, the study recognizes contrasting systems of cultural documentation embedded within similar visual forms. Aztec motifs, rooted in ritual, calendrical, …
“The Product Of That Finer Mould”: The Role Of Chinese Porcelain In The Making Of Early American Images Of China, Emily Meryn Hospodor
“The Product Of That Finer Mould”: The Role Of Chinese Porcelain In The Making Of Early American Images Of China, Emily Meryn Hospodor
Honors Theses
This thesis asserts that Chinese material culture, specifically porcelain, was instrumental in the development of American perceptions of China in the colonial period through the late 19th century. The first chapter examines how the quality, durability, and uniqueness of Chinese export porcelain led Europeans, and by extension American colonists, to view China as an advanced and abundant civilization populated with ingenious craftsmen. The second chapter addresses the emergence of negative views of China among American traders and scholars after the establishment of direct contact with China during the Old China Trade (1784-1844). In contrast, the third chapter demonstrates that Americans …
Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles
Flora And Fauna In East Asian Art, Samantha B. Frisoli, Daniella M. Snyder, Gabriella A. Bucci, Melissa R. Casale, Keira B. Koch, Paige L. Deschapelles
Schmucker Art Catalogs
Flora and Fauna in East Asian Art is the fourth annual exhibition curated by students enrolled in the Art History Methods course. This exhibition highlights the academic achievements of six student curators: Samantha Frisoli ’18, Daniella Snyder ’18, Gabriella Bucci ’19, Melissa Casale ’19, Keira Koch ’19, and Paige Deschapelles ’20. The selection of artworks in this exhibition considers how East Asian artists portrayed similar subjects of flora and fauna in different media including painting, prints, embroidery, jade, and porcelain. This exhibition intends to reveal the hidden meanings behind various representations of flora and fauna in East Asian art by …