Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Architecture As Political Symbolism: Power, Authority, & The Built Form, Naomi Minwalla

Senior Honors Projects, 2020-current

This study examines how architecture functions as a medium of political symbolism, exploring the ways in which built environments communicate authority, ideology, and collective identity. Drawing on theoretical perspectives from Émile Durkheim, Max Weber, and Murray Edelman, the research first establishes how political symbols shape social cohesion, legitimize authority, and construct political meaning. The study then applies architectural interpretation frameworks developed by Martin Warnke, Erwin Panofsky, and Alois Riegl to analyze how symbolic meaning is embedded within architectural form, spatial organization, and ornamentation.

Using a qualitative comparative case study design, the research analyzes two major religious structures: the Seville Cathedral …

Isabel I Of Castile And Her Portapaz: A Queenly Expression Of Sovereignty, Legacy, And Piety, Alina Cui

Theses and Dissertations

What is a pax, and why does it matter to a queen? I argue that in the Portapaz Gótico at the Royal Chapel of Granada, Queen Isabel I of Castile drew from Rogier van der Weyden’s Miraflores Altarpiece to craft a new iconography, reflecting her unique political and devotional interests.

Chess As A Visual Language: Women Playing Love In The Medieval Courts Of Spain And France, Zoe Kobs

Undergraduate Theses in Art History

This thesis explores the visual representations of the game of chess in two case studies during the medieval period in the courts of Europe: manuscript illustrations in Spain, and a carved ivory mirror case in France. These case studies reveal how visual objects were used to construct cultural realities. Specifically, they illustrate how depictions of chess combined with the presence of women not only alluded to romantic possibilities, but also dictated the role, conduct, and perception of women in the medieval courts. The imagined woman’s adherence to expected court rules, rules stemming from chess games, and the art of love …

Ultrabaroque Grandeur: Examining The Churrigueresque In Spanish Architecture From The Seventeenth And Eighteenth Centuries, Sarah Staeben

Capstone Showcase

Following the Protestant Reformation, Spain was in a unique position compared to the rest of Europe. The importance of Catholicism was intrinsic to Spanish society by this point, as it was under King Ferdinand and Queen Isabella, aptly dubbed the Catholic Monarchs, that the Christians reconquered the Iberian peninsula in 1492, after an eight century rule by Arab-Muslims. In the centuries that followed, Spanish architecture reached new levels of grandeur in the wake of reformed Catholic doctrine. Following the motto “docere, delectare, movere”(to teach, to delight, to move), architects were urged to convey the Church’s power and garner new supporters. …

Of Word And Stone: The History Of Medieval Spain Through The Lens Of Architecture And Language, Samantha Hernandez

Architecture Undergraduate Honors Theses

Medieval Spain is a unique summation of religious and cultural communities. Through the built forms of Al-Andalus, there is unique preservation of societal imprints that parallel the formation of the Castilian language. These two mediums—architecture and language—are a telling of the culture and history of the region. By first observing the historical formation of Spanish, and in turn the various communities which inhabited the Iberian Peninsula, one may find many correlations with architecture created at the same time. After understanding the historical making of the Spanish language, it is important to analyze the language itself and how it differs from …

Baccio Del Bianco At The Court Of Spain: Early Modern Scenic Design In Context, Pamela Thielman

Dissertations, Theses, and Capstone Projects

This dissertation examines the life and work of seventeenth-century artist and architect, Baccio del Bianco, to imagine alternative research strategies for histories of theatre. Traditional scholarship of theatre design is rooted in art historical practices, which has limited the consideration of influences beyond visual culture. It has also posited Italian theatre culture as the driver of innovations in Early Modern theatre design. In this project, I argue for and engage in a practice of scenic design historiography that replaces Italy as the dominant actor in the theatrical scene of this period with a more nuanced approach that places emphasis on …

‘The House Which Samuel Built’: Negotiating Jewish Identity In The Mudéjar Synagogues Of Medieval Toledo, Shelby Barbee

Art History Senior Papers

The Jewish presence in Spain in the Middle Ages has long been a subject of considerable interest and study in a variety of fields.[1] Remarkably, a handful of synagogues from this period survive to the present. Toledo, in particular, is home to two such structures: The El Transito synagogue of the 14^th century and the Synagogue of Santa Maria La Blanca from the early 13^th century.[2] Both were built under Christian kingship and are stylistically Mudéjar, meaning that while they were built after Toledo was reconquered and did not have Muslim patrons, the structures contain …

Titian’S Poesie: The Visual Allegories Of Morality And Religion, Holli M. Turner

Institute for the Humanities Theses

Venetian painter Tiziano Vecellio, more commonly referred to as Titian, created a cycle of mythological paintings based on scenes from Ovid’s Metamorphoses for King Philip II of Spain. These works are often viewed through an eroticized lens due to this inclusion of nude mortals and goddesses. This thesis argues for the cycle’s moral and religious significance for Philip by utilizing comparative iconography, scholarly texts, and translated allegorical material.

The Presentation Of The Chasuble To San Ildefonso: An Exploration Of Its Origins, Nikolyn Garner

Graduate Student Theses, Dissertations, & Professional Papers

The Presentation of the Chasuble to San Ildefonso is a 15^th-century Spanish altarpiece panel that has been part of the Montana Museum of Art and Culture’s permanent collection since 1957. However, it was donated with little information about the artist who created it, the circumstances of its commission, the area of Spain where it originated, or its provenance from the time of its creation to the time of its donation to the University of Montana. Without research into these questions, this unique piece has not been exhibited as often as it deserves. I have explored these questions as …

Performing Conquest And Resistance In The Streets Of Eighteenth Century Potosí: Identity And Artifice In The Cityscapes Of Gaspar Miguel De Berrío And Melchor Pérez De Holguín, Agnieszka A. Ficek

Theses and Dissertations

This thesis examines the ways in which Potosí's two most influential colonial artists represented the urban dynamics of race, class and labor in their depictions of the Andean 'City of Silver' during the eighteenth century, when silver production, profits and population were dramatically declining.