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Articles 1 - 10 of 10
Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
Gender Transgressions In Pre-Modern Italian Painting, Belle Tassent
Gender Transgressions In Pre-Modern Italian Painting, Belle Tassent
Honors Program Theses
This thesis explores works of art made in pre-modern Italy. Chapter One examines portraits of ‘Female Courtiers’ which display women’s adaptation of the ideal male courtier’s characteristics. These characteristics surpass that of the ideal woman who lack independence and who are confined by man-made definitions of the ideal. Chapter Two discusses a progression of the female courtier concept in which heroines are shown physically dominating men in art. The female artists of these paintings participated in the paragone at the time in which they competed against their male counterparts. Whereas non-transgressive portraits of women remained stable over time, men had …
Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland
Fra Angelico In San Marco: A Comparison Of Fra Angelico’S Frescoes And Altarpieces During His Time In San Marco, Isaac Copeland
Tenor of Our Times
Fra Angelico stood at the crossroads of two major art movements in the early 15th century, the old International Gothic style, and the new Renaissance style. During his stay at San Marco between 1436, when the monastery moved to Florence, and 1445, when Fra Angelico was summoned to Rome, his work reflected elements of both the International Gothic style and the Renaissance style. However, in his works at San Marco, his panel paintings were more conservative, painted with more Gothic conventions than his frescos, which exhibited elements of the rising Renaissance.
Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby
Laying Out A Space: Spectral Geographies, Fictions Of The Soul, Erin D. Yerby
Theses and Dissertations
Laying out a Space: Spectral Geographies, Fictions of the Soul, arises out of my artistic practice, and thoughts behind my current project and MFA exhibition, Spectral Geographies.
Linking the problem of the world ‘out there’ or external space, to inner experience through painting as both medium and practice, my work expresses what I call inner geographies, spaces where intimate immensities, folding inside and outside, find expression. I think of my paintings as beginning with this gesture of laying out a between-space where the intimacies of waking dreams and visions are opened by, and grow into, actual places, …
The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith
The Hidden Power Of Images: An Allegory Of Chaos And Performance In The Digital Age, Livia Xandersmith
MFA in Visual Art
Within this text, I explore the hidden power of images in American visual culture through painting-based installations. I investigate images of the past and present juxtaposed in a surrealist landscape. Through the use of images in the news, entertainment, advertising, and images within the home, I depict how the problems of the past bleed into our perceptions of the present. I find that this cycle of problem inheritance connects us as humans regardless of time, generation, and place. In my work, I explore the complexity of image culture and its shifting presence within the digital age. Using surrealist collage, I …
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Judith Leyster: A Study Of Extraordinary Expression, Nicole J. Cardinale
Theses and Dissertations
Judith Leyster’s innovative application of expression in her Self Portrait serves as the focus, whereby she is shown to blend conventional painting categories, preserve a sense of innocence, and confidently flaunt her skills. In turn, Leyster challenged the male-centric art market and stood apart from her artistic predecessors and contemporaries.
Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher
Selected Readings On Augmented Reality, Ekphrasis, And Michael Field, Robert P. Fletcher
Sight and Song Augmented: Painting and Poetry in Mixed Reality
No abstract provided.
Sight And Song Augmented, Robert P. Fletcher
Sight And Song Augmented, Robert P. Fletcher
Sight and Song Augmented: Painting and Poetry in Mixed Reality
This file is an Android application built in the Unity 3D game engine with the Vuforia Augmented Reality extension. It remediates Sight and Song (1892) by Michael Field (Katherine Bradley and Edith Cooper), a collection of ekphrastic poetry about paintings by the Old Masters.
A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai
A Fearsome Beauty: Material And Cultural Exchange Between Venice And The Islamic Near East, Tahera H. Tajbhai
Theses and Dissertations
This thesis will explore the relationship between Venice and the Islamic Near East. By examining works from various media, this paper argues that Venetians viewed the Islamic Near East as being ‘awesome,’ and that this view was twofold, as Venetians were both enamored with and fearful of this rising power.
Crescendo, Jeffery A. Pabotoy
Crescendo, Jeffery A. Pabotoy
Theses and Dissertations
Artist Statement
I have always found comfort and warmth in my family. When I am not with them, I find myself clinging to the objects they leave behind as a substitute in their absence. As I began to re-create these objects through paintings and ceramics, I realized that I was creating symbolic portraits of my family. These portraits are tangible family moments preserved in pigment and clay.
In recent years, my siblings were deployed to war and I began to represent them as various instruments. These instruments, both musical and tools of war, chronicle who they were and who they …
Memory In Paintings Of Quattrocentro Renaissance Florence: Religious Paintings And Secular Portraits, Ashley Matcheck
Memory In Paintings Of Quattrocentro Renaissance Florence: Religious Paintings And Secular Portraits, Ashley Matcheck
Psi Sigma Siren
Collective memory studies as a field has always been the interdisciplinary study of how and why memories have been created. The difference between collective or cultural memory studies and that of a strictly historical study is often discussed and debated as people question whether memory or history is more valuable regarding past events. Jan Assmann explains that “in the context of cultural memory, the distinction between myth and history vanishes. Not the past as such, as it is investigated and reconstructed by archaeologists and historians, counts for the cultural memory, but only the past as it is remembered.” Assmann has …