Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Treehouses: Civilizing The Wildness Of Men And Nature, Courtney Mckinney

English Undergraduate Distinction Projects

In this paper, I explore how treehouses operate symbolically in tandem with culture. Through an analysis of British and American print culture, I argue that the treehouse building project became bound to boyhood at the turn of the twentieth century as the naturalist movement spread and youth organizations embraced treehouses as part of their vision for the development of boys. Parents and youth leaders intend for treehouse projects to build self-reliance, independence, imagination, and courage in their boys. Congruously, this activity associated with a child’s personal growth takes place in an actual growing organism. I analyze how treehouses juxtapose humans …

Misassembled Monsters, Jenn Brown

Graduate School of Art Theses

This thesis is a narrative of personal and material history. Through my work in painting, sculpture, and installation, I seek to share my story of emotional armoring in an attempt to connect to an audience. In my work, I look to my personal memories of growing up in a small, midwestern town and armoring myself with emotional barriers against its social construct of “normalcy.” Inspired by Medieval suits of armor and the characteristics of Goth culture throughout history, I employ my work to present the stage of a theatrical battleground. Creating each of my pieces is a fight for the …

The Whole World In His Hands: What A Qibla Indicator Illuminates About Islamic Community In Sixteenth-Century Ottoman Turkey, Meghan Doyle

Global Tides

In the sixteenth century, at a time of Ottoman rule and production in modern-day Turkey, qibla indicators were ubiquitous objects, used to assist faithful Muslims in finding the direction to Mecca. A particularly well-preserved qibla indicator in the British Museum allows for an inquiry into how these objects were used, bridging the gap between folk astronomy and scientific geography. Applying contemporary theories of belongingness to the composition and function of the qibla indicator reveals the psychological effect this object may have had on members of the Islamic community. Ultimately, what the qibla indicator may lack in geographical accuracy it more …

Bird Symbolism In Italian Devotional Paintings From The Thirteenth To The Seventeenth Century, Sarah Poisner

Renée Crown University Honors Thesis Projects - All

Madonna and Child images represent a significant portion of the paintings produced during the Medieval and Early Modern periods. Beginning in the thirteenth century, Italian painters began to embed symbolic birds into these works to create further points of reference and significance. This paper will examine the long history of bird symbolism and why Christian artists used different species of birds to create specific meanings. Hundreds of Madonna and Child paintings which include a bird were made between the thirteenth and seventeenth centuries, but there has been no in-depth analysis of this motif in over seventy years. Since the publication …

Comparative Study On Urban And Suburban Art Education, Estevan Jose Puerto Jr

Multidisciplinary Studies Theses

Comparative Study on Urban and Suburban Art Education

Summary

The thesis on a “Comparative Study of Urban vs. Suburban Art Education” will be a discussion on the history of fine arts curriculum. Showing the historical evolution of fine art instruction in Europe, and how it is significant for visual arts in the history of human civilization. The thesis will provide a timeline of people and events showing the development of Art Education in the United States of America. Exploring what legislation involving public and private institutions helped enact change in Education for the visual arts. How art teachers over the …

Buying Time: Consuming Urban Pasts In Nineteenth-Century Britain, Dory Agazarian

Dissertations, Theses, and Capstone Projects

This dissertation is about how historical narratives developed in the context of a modern marketplace in nineteenth-century Britain. In particular, it explores British historicism through urban space with a focus on Rome and London. Both cities were invested with complex political, religious and cultural meanings central to the British imagination. These were favorite tourist destinations and the subjects of popular and professional history writing. Both cities operated as palimpsests, offering a variety of histories to be “tried on” across the span of time. In Rome, British consumers struggled when traditional histories were problematized by emerging scholarship and archaeology. In London, …

The Significance Of Cloth In The Narrative Of The Life Of Christ As Represented In Dieric Bouts' "Life Of Christ Altarpiece", Mary-Margaret Mcleod Pilling

Undergraduate Honors Theses

This thesis explores the materialistic importance of cloth in the life of Jesus Christ and relates it to the disassembled Life of Christ Altarpiece painted by the Renaissance artist Dieric Bouts. References to cloth in the scriptural accounts of Christ’s life support the claim that there is deep theological significance to fabric. The medium of each of the paintings that comprised the altarpiece is a flax linen canvas, which, combined with the references to cloth throughout the compositions, parallels these references to cloth in the scriptures. The entire artwork serves as a metaphor for the Eucharist resting on linen on …

The Bronze Boy: Donatello's Ideal Lover, Jennifer Wright

Research Horizons Day Posters

No abstract provided.

Mapping Desire In Chaucer’S “To Rosemounde,” Shakespeare’S “Rape Of Lucrece,” And Donne’S “A Valediction: Of Weeping”, Jane Beal

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Roman Heritage Of Medieval World Maps, Emily Albu

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Geographies Of Salvation: How To Read Medieval Mappae Mundi, Felicitas Schmieder

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Fra Mauro’S View On The Boring Question Of Continents, Christoph Mauntel

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Eric M. Ramírez-Weaver, A Saving Science. Capturing The Heavens In Carolingian Manuscripts (Penn State University Press, 2017), Mechthild Haffner

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Marian Bleeke, Motherhood And Meaning In Medieval Sculpture: Representations From France, C. 1100-1500, Boydell Studies In Medieval Art And Architecture (Boydell & Brewer, 2017), 216 Pages, 4 Color, 43 Black & White Illustrations., Janet Snyder

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Anja Selinger And Willy Piron (Eds.), Choir Stalls And Their Workshops: Proceedings Of The Misericordia International Colloquium 2016 (Cambridge Scholars Publishing, 2017), Betsy Chunko-Dominguez

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Stephen N. Fliegel And Elina Gertsman, Myth And Mystique: Cleveland’S Gothic Table Fountain, Cleveland Masterwork Series 3 (Cleveland: The Cleveland Museum Of Art In Association With D Giles Limited, 2016), Sophie Ong

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Discoveries

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Traditions Of Geometrical Representation And The Rise Of Local Mapmaking In The Pontifical City Of Avignon (14th-15th Centuries), Paul Fermon

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Producing And Reproducing Local Maps: The Example Of Amiens, Margriet Hoogvliet

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Portraits Of Human Monsters In The Renaissance: Dwarves, Hirsutes, And Castrati As Idealized Anatomical Anomalies, Touba Ghadessi

Monsters, Prodigies, and Demons: Medieval and Early Modern Constructions of Alterity

At the center of this interdisciplinary study are court monsters - dwarves, hirsutes, and misshapen individuals - who, by their very presence, altered Renaissance ethics vis-à-vis anatomical difference, social virtues, and scientific knowledge. These monsters evolved from objects of curiosity, to scientific cases, to legally independent beings. Although many images of and writings about these individuals depict them as jokes of nature or indices of courtly wit, others transcend these categories, combining a vocabulary of courtly self-fashioning with close observations akin to dissections that humanize monsters, while simultaneously stressing their anatomical difference. More importantly, the works examined in this book …

Bloomsbury's Byzantium And The Writing Of Modern Art, Elizabeth Sarah Berkowitz

Dissertations, Theses, and Capstone Projects

“Bloomsbury’s Byzantium and the Writing of Modern Art” examines the role of Byzantine art in Bloomsbury art critics Roger Fry’s and Clive Bell’s narratives of aesthetic Modernism. Fry, in his pre-World War I and interwar writings and teachings on art, and Bell, in seminal texts such as Art (1914), have been branded by art historiography as the prime movers in a Formalist, teleological narrative of Modern art still prevalent in textbooks today. Fry’s and Bell’s ideas were later adopted by important Modernist authors and cultural figures, such as Alfred H. Barr, Jr., first director of New York’s Museum of Modern …

Ut Pictura Poesis And The Relationship Between Poetry And Painting During The Renaissance, Shannon O'Donoghue

The Pegasus Review: UCF Undergraduate Research Journal

This essay explores ut pictura poesis as a renaissance art theory. The main objective of Renaissance artists and art critics who promoted the theory was to raise painting to the status of a liberal art by comparing it to the honored art of poetry. Ideas linking the relationship between the arts of painting and poetry during the Renaissance formed from ancient treatises by Horace and Aristotle. The humanistic theory, popular during the Renaissance, related poetry and painting in the artists? common goal to imitate and then ?perfect? or idealize nature. To show that leading artists were consciously aware of this …

Sofonisba Anguissola And Her Early Teachers, Lily Chin

Theses and Dissertations

This thesis explores the career of the Cremonese-born Italian Renaissance woman artist Sofonisba Anguissola (c. 1532-1625) and her training under her teachers Bernardino Campi (c. 1522-1591) and Bernardino Gatti (c. 1495-1576) during the years c. 1546-1549 (Campi) and c. 1549-1552 (Gatti).

The Medieval Pottery, Camilla Mackay

Library Staff Research and Scholarship

No abstract provided.

Art Of Jerusalem: Power And Piety In The Holy Land, Abby M. Kornfeld

Open Educational Resources

This course explores the art and architecture of Jerusalem from the reign of Herod through the Crusades, a period in which the city came under successive Jewish, Roman, Byzantine, Islamic, and Latin domination. Particular attention will be given to the repeated transformation of the landscape of Jerusalem through the destruction, construction, and modification of important religious and cultural monuments. We will gauge the role of Jerusalem as an object of desire for the dispossessed and for pilgrims of three faiths. In addition, we will explore how the accretion of myth and memory shaped the city’s symbolic identity, and how this …

Marsilio Ficino's Astral Psychology: The Inner Cosmos Of Cardinal Alessandro Farnese On The Astronomical Ceiling Fresco Of Sala Del Mappamondo At Caprarola, Renata R. Nagy

Honors Undergraduate Theses

This thesis intends to explore the relationship between the Neoplatonist doctrines of the Renaissance philosopher, Marsilio Ficino (1433-1499), and astrological images in the Renaissance. The astrological ceiling fresco located in the Room of Maps in the Villa Farnese at Caprarola is in the center of the argument, which I analyze based on the metaphysical works of Ficino, the Platonic Theology (1482) and the Three Books on Life (1492). Authors have examined the fresco decoration and Ficinian philosophy individually, but never together. This study is the first to recognize Ficino's influence on Renaissance astrological images in its entirety.The present work synthesizes …

Sebald Beham And The Augsburg Printer Niclas Vom Sand: New Documents On Printing And Frankfurt Before 1550, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

This essay makes known two unpublished documents from the last years of the life of Sebald Beham (1500 Nuremberg–1550 Frankfurt) and uses them as a means to explore Beham’s relationship to printing, the town of Frankfurt, and the Augsburg printer Niclas vom Sand, who remains an unwritten part of the history of the period. The essay is organized as an autobiographical retrospective by an older man forced in prior decades to move from Nuremberg and seek employment and a new life elsewhere. The end of the essay evaluates the documents and aspects of them.

The "Whys" Of The Grand Cameo: A Holistic Approach To Understanding The Piece, Its Origins And Its Context, Constantine Prince Sidamon-Eristoff

MA Theses

The Grand Cameo for France is the largest cameo surviving from antiquity. Scholars have debated who is portrayed on the stone and what its scene means for centuries, often, although not always, limiting their interpretations to this narrow area and typically only discussing other causes in passing. This pattern can and should be broken, allowing the stone to be what all objects truly are: windows to the lives that that objects have lived, just as all physical things are; evidence of an experience part of the world went though, whose meanings have and continue to be part of a wider …

11, The Three-Faced Representation Of The Holy Trinity, Zoe Goedecke

Kerver Book of Hours: 2018 Senior Capstone

In the thirteenth century, artists began depicting the Holy Trinity as a single tricephalic figure, likely in an attempt to convey that the Father, the Son, and the Holy Spirit are One. This essay discusses the three-faced image of the Trinity in the Book of Hours and the history of tricephalic imagery in Christian representations, from its early appearances to eventual condemnation by the papacy.

Zero Textbook Cost Syllabus For Art 1011 (Art History Survey I), Janine Defeo

Open Educational Resources

This introductory course presents a global view of art history through slide lectures and museum visits, with an emphasis on works of art found in New York City museums. It selectively surveys the visual arts of Europe from prehistory through the Middle Ages and concurrent historical periods in Egypt, the Near East, the Islamic world, Asia, Africa and the Americas.