Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons^™

Introduction To Mappings, Dan Terkla

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

A Blank Space: Mandeville, Maps, And Possibility, Asa Simon Mittman

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Dual Language Of Geometry In Gothic Architecture: The Symbolic Message Of Euclidian Geometry Versus The Visual Dialogue Of Fractal Geometry, Nelly Shafik Ramzy

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Book Review: Matthew Champion, Medieval Graffiti: The Lost Voices Of England’S Churches, William Anderson

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Discoveries

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Peregrinations: Journal Of Medieval Art And Architecture (Volume 5, Issue 2)

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

The Artist's Lament In 1528. Exile, Printing, And The Reformation, Alison Stewart

School of Art, Art History, and Design: Faculty Publications and Creative Activity

The plight of painters and other artists was not an easy one when the Reformation made inroads into German-speaking lands. Commissions for Catholic subjects and altarpieces dried up as a result of Lutheran influence. Two laments dating from the early Reformation period address the artist's situation. Both are brief, date from 1526 and 1528, and appear in different contexts - one in a letter of introduction and the other in a printed pamphlet. The first concerns the painter Hans Holbein the Younger (1497/98- 1543) whose portraits painted for King Henry VIII and his court indicate that the pictorial genre of …

Alienata Da'sensi: Reframing Bernini's S. Teresa, Andrea Bolland

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Gian Lorenzo Bernini’s Ecstasy of St Teresa for the Cornaro Chapel (1647–52) is perhaps the artist’s most sensually charged creation, and the apparently physical nature of Teresa’s ecstasy is today even acknowledged in survey textbooks. Teresa herself opened the door to this reading when, in describing her spiritual ecstasy, she admitted that ‘the body doesn’t fail to share in some of it, and even a great deal’. Yet the balance between sense and spirit in the sculpture emerges somewhat differently if it is viewed (literally and figuratively) in context: as an altarpiece in a chapel where its presentation is structured …

Recenti Scavi A Morgantina: Il Progetto Contrada Agnese (2013-2014), J. Benton, R. Gorham, J. F. Huemoeller, L. A. Lieberman, D. Massey, A. Smalling, R. Souza, A. Truetzel, D. A. Walthall

Art Faculty Publications

Il gruppo Progetto Contrada Agnese (CAP) di American Excavations at Morgantina (AEM) ha iniziato nel 2013 un progetto di ricerca e scavo pluriennale, che si concentra su un'area probabilmente residenziale ubicata nella parte Ovest di Morgantina. Basandosi parzialmente sui risultati di una ricognizione geofisica effettuata nel 2012, lo scavo sta gia facendo venire alla luce i contorni e i partico-lari di un isolato situato lontano dal lusso e dalla grandezza dell'agorà. In questa nota si presentano le scoperte chiave delle stagioni 2013 e 2104 del progetto, con un'interpretazione preliminare dei dati di scavo e, in aggiunta, un resoconto dei progressi …

The Map In The Böddeken Cartulary, Arnold Otto

Peregrinations: Journal of Medieval Art and Architecture

No abstract provided.

Making History: How Art Museums In The French Revolution Crafted A National Identity, 1789-1799, Anna E. Sido

Scripps Senior Theses

This paper compares two art museums, both created during the French Revolution, that fostered national unity by promoting a cultural identity. By analyzing the use of preexisting architecture from the ancien régime, innovative displays of art and redefinitions of the museum visitor as an Enlightened citizen, this thesis explores the application of eighteenth-century philosophy to the formation of two museums. The first is the Musée Central des Arts in the Louvre and the second is the Musée des Monuments Français, both housed in buildings taken over by the Revolutionary government and present the seized property of the royal family and …

The Truth Of Night In The Italian Baroque, Renee J. Lindsey

Theses and Dissertations--Art and Visual Studies

In the sixteenth century, the nocturne genre developed in Italian art introducing the idea of a scene depicted in the darkness of night. This concept of darkness paired with intense light was adopted by Caravaggio in the late sixteenth century and popularized by himself and his followers. The seemingly sudden shift towards darkness and night is puzzling when viewed as individual occurrences in artists’ works. As an entire genre, the night scene bears cultural implications that indicate the level of influence culture and society have over artists and patrons. The rising popularity of the theater and the tension between Protestantism …

Norton Simon: The Man With "Two Hats", Helen Ragen

Scripps Senior Theses

Norton Simon was a unique collector because he let passion guide his collecting interests, but he controlled his passion by making his purchases based on smart economic decisions bolstered by years of experience in successful business negotiations. The Norton Simon Museum, today in Pasadena, California, displays the eccentric collectors life work as he created one of the greatest and most recognized collections on the west coast. By examining the progression and establishment of Norton Simon Inc., alongside the creation of the Norton Simon Art Foundation, multiple parallels can be drawn between Simons’ unique approach to business and the application of …

Inspiring Piety: The Influence Of Caravaggio’S Paintings In Santa Maria Del Popolo, Cara Coleman

Williams Honors College, Honors Research Projects

This article looks at the way Italian Baroque painter, Michelangelo Merisi da Caravaggio broke from the artistic conventions of the Renaissance and Mannerist styles in his religious paintings to create an entirely new style that reflected the needs of the post-Tridentine Catholic Church. Caravaggio pushed painting throughout Europe in a new direction, away from the idealization of the Renaissance and the artistic extremes of Mannerism, by popularizing realism in art. Caravaggio’s unique style is examined through comparisons of his paintings, The Conversion of Paul, c.1601 and The Martyrdom of Saint Peter, c.1601 in the Roman basilica, Santa Maria del Popolo …

The Architecture Of Knowledge: The Jesuit College Of Oaxaca (Xvi-Xix Centuries)., Marina Mellado Corriente

Theses and Dissertations

ABSTRACT

THE ARCHITECTURE OF KNOWLEDGE: THE JESUIT COLLEGE OF OAXACA (XVI-XIX CENTURIES).

By Marina Mellado Corriente, MA.

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art Historical and Curatorial Studies at Virginia Commonwealth University.

Virginia Commonwealth University, 2015

Major Director: Michael Schreffler, Associate Professor, Department of Art History

The educational endeavor that the Jesuits – members of the religious order known as the Society of Jesus – carried out in Mexico in the course of the colonial period, when this territory belonged to the Viceroyalty of New Spain (sixteenth to nineteenth …

Queer Mysticism In The High Middle Ages: Pain, Love, Earth, And The Female Body In The Illustrations Of Hildegard Of Bingen’S Scivias, Becky Bushnell

Undergraduate Research Posters

Many view Hildegard of Bingen as one of the most important female theologians of the 12th century, and her writing and sphere of influence is remarkable considering her gender. Many scholars, like Barbara Newman, Caroline Walker Bynum, and Carolyn Worman Sur, agree that Hildegard’s portrayals of God in Scivias are distinctly feminine. Scholars like Karma Lochrie, Sheryl Chen, and Flora Lewis have written on Christ’s wound as a metaphor for the womb or vulva. Yet what scholars don’t seem to focus on, as Lochrie writes in “Mystical Acts, Queer Tendencies,” is the ways that the work of many female mystics …

Robot Saints, Christopher B. Swift

Publications and Research

In the Middle Ages, articulating religious figures like wooden Deposition crucifixes and ambulatory saints were tools for devotion, techno-mythological objects that distilled the wonders of engineering and holiness. Robots are gestures toward immortality, created in the face of the undeniable fact and experience of the ongoing decay of our fleshy bodies. Both like and unlike human beings, robots and androids occupy a nebulous perceptual realm between life and death, animation and inanimation. Masahiro Mori called this in-between space the “uncanny valley.” In this essay I argue that unlike a modern person apprehending an android (the uncanny human-like object that resides …