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Articles 121 - 135 of 135
Full-Text Articles in Ancient, Medieval, Renaissance and Baroque Art and Architecture
‘Van Den Grave Te Makene’: The Matter Of Heraldry In A Psalter For The Count Of Flanders (Royal Library Of Belgium Ms 10607) And In The Urban Media Of Ghent, Elizabeth Moore Hunt
‘Van Den Grave Te Makene’: The Matter Of Heraldry In A Psalter For The Count Of Flanders (Royal Library Of Belgium Ms 10607) And In The Urban Media Of Ghent, Elizabeth Moore Hunt
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Reconstructing The Tomb Of Robert Of Cassel In Warneton, Richard A. Leson
Reconstructing The Tomb Of Robert Of Cassel In Warneton, Richard A. Leson
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Peregrinations: Journal Of Medieval Art And Architecture (Volume 4, Issue 4)
Peregrinations: Journal Of Medieval Art And Architecture (Volume 4, Issue 4)
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart
Man’S Best Friend? Dogs And Pigs In Early Modern Germany, Alison Stewart
School of Art, Art History, and Design: Faculty Publications and Creative Activity
When Jacob Seisenegger and Titian painted individual portraits of Emperor Charles V around 1532, a dog replaced such traditional accouterments of imperial power as crown, scepter, and orb.3 Charles placed one hand on the dog’s collar, a gesture indicating his companion’s noble qualities including faithfulness.4 At the same time, another more down-to-earth meaning for the dog had become prominent in the decades before the imperial portraits: the interest in and ability to eat anything in sight. This pig-like ability resulted in dogs, alongside pigs, becoming emblems of indiscriminate and gluttonous eating and drinking during the early sixteenth century when humanists, …
Viking Age Revninge Woman: An Exceptional Find
Viking Age Revninge Woman: An Exceptional Find
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
The Coffret Of John Of Montmirail: The Sacred Politics Of Reuse In Thirteenth-Century Northern France, Anne E. Lester
The Coffret Of John Of Montmirail: The Sacred Politics Of Reuse In Thirteenth-Century Northern France, Anne E. Lester
Peregrinations: Journal of Medieval Art and Architecture
No abstract provided.
Performance And Monumentality In The "Altar Of Tukulti-Ninurta", Stephanie Langin-Hooper
Performance And Monumentality In The "Altar Of Tukulti-Ninurta", Stephanie Langin-Hooper
Art History Research
The Ancient Near Eastern monument known as the “Altar of Tukulti-Ninurta” is traditionally analyzed as a divine symbol-socle used in the cult cella of the Ištar Temple at Aššur. This chapter – which refers to the “Altar” by its ancient term, “nemedu” – presents a re-evaluation of the monument’s archaeological context, as well as a consideration of comparative art historical evidence. Both data sets suggest that the nemedu in question was actually intended for use outside the temple doorway. Based on this understanding of the nemedu’s functional context, a more public viewership must be reconstructed for the monument, necessitating, in …
The Presentation Of Incorruptibility: The Praesentia Of The Female Saint, Kristina M. Keogh
The Presentation Of Incorruptibility: The Praesentia Of The Female Saint, Kristina M. Keogh
Theses and Dissertations
My dissertation inserts the incorruptible body into the discussion of image devotion and relic veneration that followed the Council of Trent’s (1545-1563) decrees concerning the use of images, which affirmed Thomas Aquinas’s position that worship is passed from representation to archetype. This is addressed in terms of the image and the relic within the same sacred space, primarily in the context of the chapels of S. Caterina de’ Vigri (1413-1463; canonized 1712) in Bologna and S. Maria Maddalena de’ Pazzi (1566-1607; canonized 1669) in Florence, where there were not only man-made representations of the saint, but also the whole and …
The Rock-Cut Room On The Acropolis At Golemo Gradište, Konjuh: Date And Purpose, Carolyn S. Snively
The Rock-Cut Room On The Acropolis At Golemo Gradište, Konjuh: Date And Purpose, Carolyn S. Snively
Ancient Greek and Roman Studies Faculty Publications
The anonymous city at the site of Golemo Gradište at the village of Konjuh, R. Macedonia, belongs to the period of Late Antiquity; the evidence indicates that it was founded in the 5th century. The lower town on the northern terrace was reconstructed, probably during the second quarter of the 6th century, but the inhabitants abandoned it, for the most part, later in that century and fled for refuge to the acropolis, where a settlement continued to exist into the early 7th century. Earlier material, beginning with the Late Neolithic and continuing sporadically through Bronze Age to Hellenistic, has been …
Embodiment Of The Halaf: Sixth Millennium Figurines From Northern Mesopotamia, Ellen H. Belcher
Embodiment Of The Halaf: Sixth Millennium Figurines From Northern Mesopotamia, Ellen H. Belcher
Publications and Research
This dissertation answers the question, "What are Halaf figurines?" In response to that question, this study examines a corpus of anthropomorphic figurines from archaeological sites dating to the Halaf period (Sixth Millennium cal BCE) known from excavations in Turkey and Syria. Included in this dissertation is a detailed catalog of 197 figurine examples, both whole and fragmented, and analysis of their excavated contexts from seven Halaf sites in Turkey and nine sites in Syria. The study also reviews and discusses existing literature on Halaf and figurine studies and examines and critiques modern biases, assumptions, and influences, especially as related to …
Technology And Wonder In Thirteenth-Century Iberia And Beyond, Christopher B. Swift
Technology And Wonder In Thirteenth-Century Iberia And Beyond, Christopher B. Swift
Publications and Research
As the desire for affective experiences of the sacred increased in communities across Europe in the late Middle Ages, the Christian faithful crafted lifelike, mechanized figures of Christ, the Virgin Mary, and saints for use in religious festivals. Although each devotional culture evidences unique body/object relationships and meanings, in general animated ritual objects encouraged lay participation in the celebration of saints and the Passion by engaging the senses, and, consequently, an emotional sense of God. In this essay I investigate the ritual alliances between moveable, prop-like saints and their Iberian devotees, in particular the performative meanings that arose from encounters …
Review Of The Imagery Of The Athenian Symposium, Justin St. P. Walsh
Review Of The Imagery Of The Athenian Symposium, Justin St. P. Walsh
Art Faculty Articles and Research
A review of Kathryn Topper's The Imagery of the Athenian Symposium.
Athenian Black Glass Pottery: A View From The West, Justin St. P. Walsh, Carla Antonaccio
Athenian Black Glass Pottery: A View From The West, Justin St. P. Walsh, Carla Antonaccio
Art Faculty Articles and Research
Excavation of archaic Morgantina (c.700–450 BC), Sicily, has brought to light a significant pattern in the distribution of imported Greek pottery. This pattern, which shows a preference for imports with features that referred to metal vessels, is echoed at sites around the western Mediterranean. We argue that the preference for certain types was communicated back to Greek producers, and that it also reflects the particular local interests of non-Greeks, who associated metallic features not only with wealth, but also with their own ancestral traditions.
The Authenticity Of The James Ossuary, Amnon Rosenfeld, Howard R. Feldman, Wolfgang E. Krumbein
The Authenticity Of The James Ossuary, Amnon Rosenfeld, Howard R. Feldman, Wolfgang E. Krumbein
Lander College for Women - The Anna Ruth and Mark Hasten School Publications and Research
An archaeometric analysis of the James Ossuary inscription “James Son of Joseph Brother of Jesus” strengthens the contention that the ossuary and its engravings are authentic. The beige patina can be observed on the surface of the ossuary, continuing gradationally into the engraved inscription. Fine long striations made by the friction of falling roof rocks continuously crosscut the letters. Many dissolution pits are superimposed on several of the letters of the inscription. In addition to calcite and quartz, the patina contains the following minerals: apatite, whewellite and weddelite (calcium oxalate). These minerals result from the biogenic activity of microorganisms that …
The Triumphs Of Alexander Farnese: A Contextual Analysis Of The Series Of Paintings In Santiago, Chile, Michael J. Panbehchi
The Triumphs Of Alexander Farnese: A Contextual Analysis Of The Series Of Paintings In Santiago, Chile, Michael J. Panbehchi
Theses and Dissertations
This dissertation examines a series of nine paintings depicting the battles of Alexander Farnese in Flanders created by the Cuzco School of Painters in eighteenth-century Peru. This research asks why and how paintings depicting sixteenth-century European battles were meaningful in the eighteenth century. Due to an absence of archival documentation on the authorship, production and patronage of the series, the research method is contextual. Starting with a formal and iconographic analysis of the paintings centered on a comparison between the paintings and the engravings upon which they are based, differences in the use of space and the conspicuousness of individual …